By Mick Jagger and Keith Richards. Arranged by Alan Billingsley. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Pop Choral. Pop/Rock. 16 pages

By Dolly Parton. Composed by Dolly Parton. Arranged by Mac Huff. (SAB). Pop Choral Series. 12 pages. Published by Hal Leonard.

((from Spamalot)). By Eric Idle. Arranged by Mac Huff. TTB. Broadway Choral. 12 pages. Published by Hal Leonard

(Medley). By Whitney Houston. Arranged by Mac Huff. For Choral (SSA). Pop Choral Series. 20 pages. Published by Hal Leonard

By Willie Nelson. Arranged by Ed Lojeski. Pop Choral Series. Ballad, Country, Pop, Seventies, Show Choir. Octavo. 12 pages. Duration 280 seconds. Published by Hal Leonard

Lyrics by Brendan Graham, arranged by Jay Althouse, music by Rolf Lovland. Octavo for SAB choir and piano accompaniment. Series: Choral Octavo. 12 pages. Published by Alfred Publishing.

((from Spamalot)). By Eric Idle. Arranged by Mac Huff. For Choral (SAB). Broadway Choral. 12 pages. Published by Hal Leonard

By Dolly Parton. Composed by Dolly Parton. Arranged by Mac Huff. (SSA). Pop Choral Series. 12 pages. Published by Hal Leonard.

By Willie Nelson. Arranged by Ed Lojeski. Pop Choral Series. Ballad, Country, Pop, Seventies, Show Choir. Octavo. 12 pages. Duration 280 seconds. Published by Hal Leonard

Lyrics by Brendan Graham, arranged by Jay Althouse, music by Rolf Lovland. Octavo for SSA choir and piano accompaniment. With optional violin part. Series: Choral Octavo. 12 pages. Published by Alfred Publishing.

((with I Will Always Love You)). By Whitney Houston and Sarah McLachlan. By Dolly Parton and Sarah McLachlan. Arranged by Kirby Shaw. For Choral (SAB). Pop Choral Series. 12 pages. Published by Hal Leonard

Composed by Jim Papoulis. BH Sounds of a Better World. Concert, Festival, Inspirational. Octavo. 16 pages. Duration 900 seconds. Boosey & Hawkes #M051485925. Published by Boosey & Hawkes

((with I Will Always Love You)). By Whitney Houston and Sarah McLachlan. By Dolly Parton and Sarah McLachlan. Arranged by Kirby Shaw. For Choral (SSA). Pop Choral Series. 12 pages. Published by Hal Leonard

Composed by Paul David Thomas. Sws. Octavo. 16 pages. Duration 3 minutes, 8 seconds. Carl Fischer Music #CM9647. Published by Carl Fischer Music

Choral SSA choir, piano

SKU: CF.CM9772

Composed by Greg Gilpin. Duration 3 minutes, 16 seconds. Carl Fischer Music #CM9772. Published by Carl Fischer Music (CF.CM9772).

ISBN 9781491164433. UPC: 680160923335. Key: G major. English. Words adapted from Angels from the Realms of Glory by JAMES MONTGOMERY (1771-1854).

I've always enjoyed celebratory and rhythmic singing.  I also know there's a need for this style in treble voices. The holiday season is a perfect time to create such a work.The text of The Angels' Gloria is based on the familiar Montgomery hymn with original music. This work can be easily be done as a call and answer or antiphonal setting. Try using it as a processional, too. Hearing the voices surround the audience is always exciting for everyone and a superb teaching and learning experience.The accompaniment is intentionally simple and bell-like, supporting the three-part harmonies. I've also created a B-section that is a cappella in full three-part singing, rich and full giving lots of contrast to the piece.There is so much good teaching throughout the piece, making for interesting rehearsals and a terrific performance piece. I hope this adds just the right sparkle for your Christmas or holiday program.—Greg Gilpin.

3-part equal voices, 3-part mixed voices, cantor, voice solo, assembly, keyboard accompaniment, C instrument 1, C instrument 2, cello - Beginning

SKU: GI.G-6044

Composed by Michael Mahler. Ascension. Celebration Series. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #6044. Published by GIA Publications (GI.G-6044).

English.

This piece can be used as a mantralike refrain over which the verses can be layered. It is a gentle song—a comforting reminder of God’s undying love in times of hardship, sorrow, anger, or guilt. Refrain may be used as ostinato. For cantor or soloist.

Refrain may be used as ostinato.

Choral SSA Choir and Piano

SKU: CF.CM9627

Leatherwing Bat. Composed by English Folk Song. Arranged by Vicki Tucker Courtney. Fold. Performance Score. 12 pages. Duration 1 minute, 59 seconds. Carl Fischer Music #CM9627. Published by Carl Fischer Music (CF.CM9627).

ISBN 9781491156995. UPC: 680160915552. 6.875 x 10.5 inches. Key: Eb minor. English, English. English Folk Song.

A fantastic piece to teach vowels, diction, rhythms, and pitch precision, this English folk song, titled Leatherwing Bat, is fun to sing and impressive to perform. The nonsense syllables represent birds and bats chatting to one another in a rhythmic, witty fashion that your students will love to sing. Also available for Three-Part Mixed Voices (CM9595), Two-Part Treble Voices (BL1102), and SATB Voices (BL1153).
Leatherwing Bat is the original name of this traditional folk song. Folklore has always thought of the animals with human characteristics, including the power of speech. Even Mark Twain once commented that there was no question about the ability of animals to talk to each other. The question was whether or not very many people could understand them. This folk song is about the bat and birds chatting to each other about love. Phonetic pronunciation suggestion: Hahee-dih-dahoo, dee-dih-dul-uhm-dehee Heh-lee-lee, lih-lahee-lih-loh.
Lea therwing Bat is the original name of this traditional folk song. Folklore has always thought of the animals with human characteristics, including the power of speech. Even Mark Twain once commented that there was no question about the ability of animals to talk to each other. The question was whether or not very many people could understand them.This folk song is about the bat and birds chatting to each other about love.Phonetic pronunciation suggestion:Hahee-dih-daho o, dee-dih-dul-uhm-deheeHeh- lee-lee, lih-lahee-lih-loh.

By Amy Grant. Arranged by Kirby Shaw. Pop Choral Series. Secular, Christmas, Concert. Octavo. Published by Hal Leonard

Composed by Cristian Grases. Gentry Publications. Concert. Octavo. 16 pages. Gentry Publications #JG2545. Published by Gentry Publications

Choral SSA Choir and Piano

SKU: CF.CM9716

Day of Wrath. Composed by David (D) Smith. 12 pages. Duration 0:01:57. Carl Fischer Music #CM9716. Published by Carl Fischer Music (CF.CM9716).

ISBN 9781491160954. UPC: 680160919550. Key: D minor. Latin. Early Latin Text.

This text is taken from the Dies Irae Sequence from the Requiem Mass. It is a contemplation of the arrival of judgment day. The A-sections, mm. 1-29 & mm. 43-end, are a manic depiction of the fierce wrath of judgment day. They should be sung with fire, crisp consonants while always enunciating the accents in order to realize the full effect of this powerful text. The entire demeanor of the tone and facial expressions should change for the B-section, mm. 30-42 as it is a plea for mercy. The audience should realize the change in this contrasting section. Translation Dies irae, dies illa: Day of wrath, that day Solvet saeclum in favilla: shall dissolve the world into embers Teste David cum Sibylla: As David prophesied with the Sibyl. Voca me cum benedictis :Call me to be with the blessed. Salva me fons pietatis : Save me, fount of pity. The Sibyl is a reference from a Greek word, which means Prophetess. In this context, the word appears in plural, referring to many prophetesses. David, or King David, has long been considered prophetic among biblical scholars. About the Arranger D. Farrell Smith is the Director of Choirs at Hilldale Middle School, and Hilldale High School in Muskogee, Oklahoma. He holds a B.A. in Music Education and the M.A. in Theological Studies. Currently the Minister of Music at Eastern Heights Baptist Church, he has been a Music educator and Minister for 20 years. Mr. Smith studied with Dr. Gary Foster and Dr. Donald Studebaker and has performed under such notables as R. Evan Copley, Daniel Pinkham, Lloyd Pfautsch, and Bev Henson.
This text is taken from the Dies Irae Sequence from the Requiem Mass. It is a contemplation of the arrival of judgment day. The A-sections, mm. 1-29 & mm. 43-end, are a manic depiction of the fierce wrath of judgment day. They should be sung with fire, crisp consonants while always enunciating the accents in order to realize the full effect of this powerful text. The entire demeanor of the tone and facial expressions should change for the B-section, mm. 30-42 as it is a plea for mercy. The audience should realize the change in this contrasting section.TranslationDies irae, dies illa: Day of wrath, that daySolvet saeclum in favilla: shall dissolve the world into embersTeste David cum Sibylla: As David prophesied with the Sibyl.Voca me cum benedictis :Call me to be with the blessed.Salva me fons pietatis : Save me, fount of pity.The “Sibyl” is a reference from a Greek word, which means Prophetess. In this context, the word appears in plural, referring to many prophetesses. David, or King David, has long been considered prophetic among biblical scholars.About the ArrangerD. Farrell Smith is the Director of Choirs at Hilldale Middle School,  and Hilldale High School in Muskogee, Oklahoma.   He holds a B.A. in Music Education and the M.A. in Theological Studies. Currently the  Minister of Music at Eastern Heights Baptist Church, he has been a Music educator and Minister for 20 years. Mr. Smith studied with Dr. Gary Foster and Dr. Donald Studebaker and has performed under such notables as R. Evan Copley, Daniel Pinkham, Lloyd Pfautsch, and Bev Henson.

3-Part Treble with piano and percussion Percussion; Piano Accompaniment (TREBLE VOICE)

SKU: HL.291953

Judith Herrington Choral Series. Arranged by Ken Berg. Pavane Choral. Octavo. Pavane Publishing #P1642. Published by Pavane Publishing (HL.291953).

UPC: 888680928681. 6.75x10.5x0.019 inches.

Ken Berg has worked with his magic again, taking this nursery rhyme, popular all over the Spanish-speaking world, and arranged it for choir, piano and percussion. The words are about little chicks and their mother hen feeding them in the cycle of life. The percussion brings an authenticity to the sound and the multiple modulations are surprisingly placed to great effect and always fun.

Choral (3-Part Mixed choir)

SKU: HL.1123794

Composed by Greg Gilpin. Shawnee Press. Christmas, Concert, Festival, Holiday. Octavo. Duration 150 seconds. Published by Shawnee Press (HL.1123794).

ISBN 9781705181973. UPC: 196288109884. 6.75x10.5x0.036 inches.

Greg Gilpin always brings us festive originals for the holidays and winter. This new work takes us to the sparkle and twinkle of the Christmas tree! Using both minor and major modes, this choral asks us to gather by the most beautiful decoration in the room and share the holiday spirit together as family and friends. Check out the festive track to create even more excitement for your holiday performance.

By Hannah Montana and Miley Cyrus. Arranged by Mark A. Brymer. 3 Part Mixed. Pop Choral Series. 20 pages. Published by Hal Leonard

Choral (3-Part Mixed choir)

SKU: HL.300664

Discovery Level 2. Composed by Kacey Musgraves, Natalie Hemby, and Shane McAnally. Arranged by Cristi Cary Miller. Discovery Choral. Pop. Octavo. 16 pages. Published by Hal Leonard (HL.300664).

UPC: 888680963057. 6.75x10.5 inches.

What an outstanding and inspirational message to send to young, impressionable singers today: When all seems cloudy and gray, you must remember that “there's always been a Rainbow hanging over your head.” Kacey Musgraves' iconic song will stick with you long after the performance.

Arranged by Mark A. Brymer. Pop Choral Series. Eighties, Medley, Pop, Pop/Rock, Show Choir. Octavo. 36 pages. Published by Hal Leonard

SAB choir, keyboard, piano accompaniment

SKU: GI.G-008814

Composed by Michael A. Perza. Advent, Advent 4 Year C, advent 3 Year A, advent 3 Year B, advent 4 Year B. Tune Name: Shining Hope. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #008814. Published by GIA Publications (GI.G-008814).

UPC: 641151088143.

Micha el writes, adapts, and arranges music that always catches the eyes and ears of music directors. Choral accessibility and musical care are foremost in his mind as he writes. Michael's setting of this cherished prayer is one of his best to date. The accompaniment is reminiscent of the well-known Bach/Gounod setting as the arpeggio figures accompany the vocal line and choral harmonies. Within the choral texture are some unusual but pleasing harmonic shifts to keep singer and listener engaged. If you know any of Michael's earlier works, you will surely want this one in your library.