Horn solo

SKU: P2.70008

Composed by James Grant. Solo music, 20th century. Published by Potenza Music (P2.70008).

Stuff is the first of four recital pieces commissioned by and dedicated to 78 adventure-seeking tubists representing 30 states and three countries, who fearlessly joined the 2001 Solstice/Equinox Commissioning Consortium. As each solstice and equinox approached during the year 2001, a new piece was sent out to the participants. All four pieces (Stuff, High Autumn, Just a Thought and Endorphins) now exist in multiple versions for orchestral and band instruments and are programmed frequently at conferences and on student and faculty recitals throughout the year.

Horn

SKU: P2.70021

Composed by James Grant. Horn Solo. Published by Potenza Music (P2.70021).

Waltz for Betz (1999) is, as one might assume, a waltz dedicated to someone named Betz. It is a gentle, passionate ballad--Erik Satie by way of Henry Mancini--originally composed for solo piano as a musical Valentine's Day card. Waltz for Betz now exists in multiple arrangements for virtually every instrument: with piano accompaniment; with string quartet or string quintet accompaniment; and with string orchestra accompaniment. In 2006, it was released in its version for viola and string orchestra by the Tasmanian Symphony Orchestra on the ABC Classics label in Australia, where it continues to enjoy frequent radio play. In 2009, violist Michelle LaCourse recorded Waltz for Betz on her CD, Chocolates--Music for Viola and Piano by James Grant, on the MSR Classics label. In 2011, it was recorded by Tim Buzbee in its version for tuba and piano and released on Albany Records. And in 2012, clarinetist William Helmers released Waltz for Betz in a version for clarinet and string quintet, on his Potenza Records release, High Autumn.

Horn

SKU: SU.26020050

For Horn. Composed by Sheree Clement. Brass, Horn. Score. Subito Music Corporation #26020050. Published by Subito Music Corporation (SU.26020050).

Opening with arching vocal-like lines, Soliloquy veers between folk song and speech-like phrases. Although the French horn originated as a companion to hunting, in this solo work for the higher tessitura of the modern instrument, we hear a solo voice, seemingly in the wilderness, as it sings existential complaints to the trees – not hunting, but communicating with nature. Horn Duration: 3' Composed: 2012 Published by: Rude Awakening Music.