Composed by Traditional Christmas. Arranged by Keith Terrett. Traditional ...(+)
Composed by Traditional
Christmas. Arranged by
Keith
Terrett. Traditional
Christmas. Solo part and
Piano accompaniment. 20
pages. Cherry Classics
#2984. Published by
Cherry
Classics
By Traditional. Arranged by David Marlatt. Traditional. For F Horn & Keyboard. B...(+)
By Traditional. Arranged
by David Marlatt.
Traditional. For F Horn &
Keyboard. Brass - French
Horn Solo. Level: Medium.
Duration 00:09:50.
Published by Eighth Note
Publications.
For Horn And Piano. Composed by Eric Ewazen. Contemporary. Solo part with...(+)
For Horn And
Piano. Composed by
Eric Ewazen.
Contemporary. Solo part
with piano reduction.
With Standard notation.
Composed 2005. 16 pages.
Duration 2 minutes, 40
seconds. Theodore Presser
Company #114-41728.
Published by Theodore
Presser Company
(PR.114417280).
Deep River Cor et Piano [Partie séparée] - Intermédiaire Eighth Note Publications
By Traditional. Arranged by David Marlatt. Traditional. For F Horn & Keyboard. B...(+)
By Traditional. Arranged
by David Marlatt.
Traditional. For F Horn &
Keyboard. Brass - French
Horn Solo. Level: Medium.
Duration 00:02:40.
Published by Eighth Note
Publications.
Horn and piano (solo: hn - 0.2.0.2 - 0.0.0.0 - str) SKU: BR.EB-10701 U...(+)
Horn and piano (solo: hn
- 0.2.0.2 - 0.0.0.0 -
str)
SKU:
BR.EB-10701
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Arranged by Jan
Philip Schulze. Solo
instruments; stapled.
Edition Breitkopf.
In
Cooperation with G. Henle
Verlag
Solo concerto;
Classical. Piano
reduction. 44 pages.
Duration 12'. Breitkopf
and Haertel #EB 10701.
Published by Breitkopf
and Haertel
(BR.EB-10701).
ISBN
9790201807010. 9.5 x 12
inches.
With the
publication of the score
and parts of the D-major
Horn Concerto K. 412/514,
the Mozart expert Henrik
Wiese adds another
milestone to his edition
of this important work
group which was begun in
2013. In the course of
time, the piece that was
first edited in the Old
Mozart Edition of 1881 as
Mozarts 1st Horn Concerto
turned out to be a
pasticcio: while the
opening movement is
indisputably by Mozart,
the elaboration of the
Rondo must now be
attributed to Sussmayr.
This movement is
transmitted solely as a
sketch in Mozarts hand.
The present edition
contains both the
Sussmayr Rondo (K. 514 =
smWV 502) and the
Mozartian Rondo fragment
(K. 412) which was
carefully completed by
Wiese. The performer will
thus have the choice
between the traditional
version (with Sussmayr)
and the version
presumably intended by
Mozart, all in one
practical
edition.
In
Cooperation with G. Henle
Verlag. EB 10701 contains
the parts for horn in F
and Eb.
Arise, My Soul Arise Cor et Piano [Conducteur et Parties séparées] - Intermédiaire David E. Smith Publications
Composed by Charles Wesley. Arranged by Dana F. Everson. For french horn with pi...(+)
Composed by Charles
Wesley. Arranged by Dana
F. Everson. For french
horn with piano
accompaniment.
Traditional. Main key: F,
Bb. Sacred instrumental
music. Grade 3.5. Score
and parts. Composed 2013.
Duration 2'15 . Published
by David E. Smith
Horn in E-flat and F Horn; Horn in E-flat; Piano Accompaniment (Horn/Piano) S...(+)
Horn in E-flat and F
Horn; Horn in E-flat;
Piano Accompaniment
(Horn/Piano)
SKU:
HL.51481255
Horn
in E-Flat/F and
Piano. Composed by
Richard Strauss. Edited
by Hans Pizka. Henle
Music Folios. Classical,
Concerto. Softcover. 66
pages. G. Henle #HN1255.
Published by G. Henle
(HL.51481255).
UPC:
196288308126.
9.25x12.25x0.22
inches.
As if
looking back on his youth
toward the end of his
life, Richard Strauss
wrote a second concerto
for horn and orchestra,
again in Eb major, around
sixty years after his
first concerto for horn.
This sublimely beautiful
late work, which gives no
indication of the
oppressive circumstances
of Strauss� poor
health and the Second
World War, was premiered
in 1943 by Gottfried von
Freiberg under the
direction of Karl
Böhm. It was not until
after Strauss� death
that the concerto
appeared in print in
London, making a critical
new edition on the basis
of the autograph sources
and performance material
more than overdue. The
editor, Hans Pizka,
former principal horn of
the Bavarian State Opera
in Munich, learned
first-hand about the
performance tradition and
genesis of the concerto
as a pupil of Gottfried
von Freiberg. For use in
lessons and for
performances, the
especially playable piano
reduction by Johannes
Umbreit is a great
help.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
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engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
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quality and
bindingÂ
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catalogue
world-wideÂ
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experience (founded 1948
exclusively for Urtext
editions)