Flute and Piano

SKU: BT.PL3071

Book and Part(s). Composed 2015. Pierre Lafitan Editions #PL3071. Published by Pierre Lafitan Editions (BT.PL3071).

Flute and Piano

SKU: BT.PL1243

Book and Part(s). Composed 2004. Pierre Lafitan Editions #PL1243. Published by Pierre Lafitan Editions (BT.PL1243).

Composed by Philippe Gaubert (1879-1941). Book Only. Hal Leonard Europe #ALRYFP120. Published by Hal Leonard Europe

Flute and Piano. Composed by Albert Franz Doppler (1821- 1883). Edited by Andras Adorjan. This edition: Saddle stitching. Sheet music. Il Flauto traverso. Classical. Score and part. Op. 26. 32 pages. Schott Music #FTR 231. Published by Schott Music

Flute and piano - Level 1

SKU: LM.26081

Composed by Luc Urbain. Luc Urbain. Classical. Score. Editions Henry Lemoine #26081. Published by Editions Henry Lemoine (LM.26081).

ISBN 9790230960816.

TRAD ITIONNEL : Greensleeves - BRAHMS : Theme - CAGNARD : Berceuse - Portraits (Maurice R.) - Portraits (Claude-Achille D.) - Souplement (2 flutes) - FLOTOW F. von : Larghetto - GERSHWIN : Summertime (3 flutes et piano) - HAYDN : Andante - Menuetto - HOOK : Petite Suite - LECOQ : La Lecon de Musique - MARTINI : Gavotte - MONTECLAIR : Menuet - MOUSSORGSKY : Priere.

For Flute or Violin and Piano Accompaniment. Composed by Camille Saint-Saens (1835-1921). Editions Durand. Classical. Softcover. 16 pages. Editions Durand #DF16365. Published by Editions Durand (HL.50565862).

By Various. Arranged by Ervin Monroe. For Flute and Piano. Classical, Chamber Music. Published by Little Piper

Flute and Piano

SKU: BT.PL2386

Book and Part(s). Composed 2011. Pierre Lafitan Editions #PL2386. Published by Pierre Lafitan Editions (BT.PL2386).

Flute and Piano

SKU: BT.PL2991

Book and Part(s). Composed 2015. Pierre Lafitan Editions #PL2991. Published by Pierre Lafitan Editions (BT.PL2991).

Flute Solo with Piano. Composed by Paul Wetzger. Arranged by James Galway. Southern Music. Softcover. 8 pages. Lauren Keiser Music Publishing #SU798. Published by Lauren Keiser Music Publishing

By Various. Edited by Ervin Monroe. Arranged by Ervin Monroe. For Flute and Piano. Classical, Chamber Music. Published by Little Piper

Flute and Piano. Composed by Camille Saint-Saens (1835- 1921). Edited by Peter Jost. Henle Music Folios. Classical. Softcover. 6 pages. G. Henle #HN1354. Published by G. Henle

Composed by John La Montaine (1920-). Fredonia Press #FRD04. Published by Fredonia Press

Chamber Music flute, piano

SKU: PR.114422710

Composed by Charles Gibb. Set of Score and Parts. 44+8 pages. Duration 24 minutes. Theodore Presser Company #114-42271. Published by Theodore Presser Company (PR.114422710).

ISBN 9781491136072. UPC: 680160688227.

DUOâ €™s succinct movement titles (I. Here, II. Open, III. Stark, IV. Ardent) tease at revealing the grand and heartfelt inspiration for exuberant romanticism in this sonata-like work of symphonic proportions and depth. Charles Gibb is both an accomplished pianist and an award-winning flutist, who has written of this compelling major addition to the literature: “This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.” Gibb’s DUO is sure to become a favorite major work for flute recitalists.
This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.“Here” begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies including the tonic, dominant, and leading tone can be found in each of the four movements. The first moments of this movement introduce the melody, offering itself unencumbered and uninhibited. It shows itself as it is. The melodies soar, the harmonies become voiced more intricately, and the opening theme repeats in full grandeur. The momentum slows down, and the movement ends with a sense of completion, yet remains unbalanced.A striking piano gesture launches “Open,” the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato. The melody is expressive, yet insecure and unbalanced due to changing meters. After a grand pause, the movement transitions to 4/4 time with the flute switching between duplet and triplet flourishes. After a rapid descent in the flute, the opening gesture returns, changed and abruptly interrupted.The third movement, “Stark,” is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct. The piece climaxes with a line of mournfulness, yet revealing a deeper strength through intense projection of tone in the high register. However, the static harmonies return, this time unsteady all the way to its foundation. This destabilization repeats, and then quietly recedes.“Ardentâ� � is the longest of the movements and spans a wide range of musical emotion. Part of the movement is fast paced, energetic, and balances order and disarray. However, once the chaos dies down, a gentle, expressive theme comes in. The theme itself is very resolute; it is order appearing from the pandemonium. Conflict returns, and order and chaos become less distinguishable from one another, and soon fuse together. However, order returns with new meaning, synthesized with previous musical content, creating a truer, deeper sense of awareness or understanding. A moment of ambiguity arises, but the flute persists, supported by the sensitive but firm figuration in the piano, and resoundingly comes to a close, unburdened and at ease.

Flute and Piano, Level 2-3 Flute; Piano Accompaniment (Score and Solo Part) - easy to intermediate

SKU: HL.49045505

Schott Student Edition Repertoire Level 2-3. Composed by Wilhelm Popp. Edited by Edmund Waechter and Elisabeth Weinzierl. This edition: Saddle stitching. Sheet music. Schott Student Edition. Repertoire. Softcover. 24 pages. Schott Music #SE1016. Published by Schott Music (HL.49045505).

ISBN 9790001162579. UPC: 841886028999. 9.0x12.0x0.101 inches. (ed. Edmund Waechter & Elisabeth Weinzierl) Schott Student Edition Repertoire.

This edition contains three beautiful and rather easy performance pieces which have been selected from the large number of pieces by Wilhelm Popp in a Romantic concert style. Cantabile and virtuoso passages were always arranged specifically for the instrument by the court flutist (and pianist) of the court theatre of the Duke of Saxe-Coburg-Gotha. This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty.

About Schott Student Edition

Th e Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.

Th e repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.

Ev ery work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.

Chamber Music flute, piano

SKU: CF.WF228

Philippe Gaubert. Composed by Philippe Gaubert. Edited by Amy Porter. Arranged by Amy Porter. Set of Score and Parts. With Standard notation. 104+1+32 pages. Carl Fischer Music #WF228. Published by Carl Fischer Music (CF.WF228).

ISBN 9781491153529. 9 x 12 inches.

Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubert”.
Philip pe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.”Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert” with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.

Performed by James Galway. By Henry Mancini. Edited by Carol Cuellar. Songbook (Flute). 104 pages. Published by Alfred Publishing.

For Flute and Piano. Composed by Jules Edouard Demerssema. Leduc. Classical. Softcover. 24 pages. Alphonse Leduc #AL19484. Published by Alphonse Leduc

Edited by Donald Peck. Collection and set of performance parts for flute and piano accompaniment. 153 pages. Published by Carl Fischer.

Graded pieces for intermediate-level players. Composed by Various. Arranged by James Rae. Score and part(s). With Standard notation. 57 46 pages. Universal Edition #UE21497. Published by Universal Edition (PR.UE021497).

Composed by Various. Edited by Bruno Jouard. Editions Durand. Softcover. 152 pages. Editions Durand #DF16340. Published by Editions Durand

16 Pieces from 5 Centuries. Composed by Various. Edited by Gerda Koppelkamm-Martini and Stefan Albrecht. This edition: Saddle stitching. Sheet music with CD. Woodwind Solo. Renaissance, Baroque, Modern, Classical. Edition with CD. 40 pages. Schott Music #ED22925. Published by Schott Music

(13 well-known melodies in easy arrangements). Arranged by Fereshteh Rahbari. For flute and piano. Magic Flute on Stage. Score and parts. Universal Edition #UE35305. Published by Universal Edition

For Flute and Piano - Schott Student Edition. Composed by Emil Kronke. Edited by Britta Bauer. Schott Student Edition. Repertoire. Softcover. Schott Music #SE1015. Published by Schott Music