Sortie en 2011, cette partition qui a pour titre CHORAL VARIE EN HOMMAGE A J.-S. BACH et pour auteur Escaich Thierry sera idéale pour tous les amateurs de Orchestre. Unique par son ISBN 9790043089568 elle est à classer dans la catégorie Classique / Conducteur / Partition Cd

Par CAMPO REGIS / SATIE ERIK. Sports et Divertissements, composé autour de 1913, est un cycle fantaisiste pour piano, composé de plusieurs pièces quasi improvisées relatant avec humour et esprit 'cubiste' diverses préoccupations - disons - assez futiles comme la pêche, le carnaval, le yachting, la balançoire, le bain de mer, colin-maillard ou le flirt. M'étant penché un temps sur la manière d'orchestrer la musique de Satie avec son oeuvre Parade (penché mais pas trop tout de même), j'ai ensuite pensé à Ravel et ses Tableaux d'une exposition, mais aussi au jeune Stravinsky, à Jeux de Debussy où l'on parle également de flirt et de tennis. Puis j'ai retrouvé mes manières d'orchestrer, en évitant par exemple de rendre le Choral inappétissant de Satie aussi inappétissant que le Choral de Parade, le rendant d'avantage magique et touchant: un hommage au caractère de Satie, un homme éminemment affable et bienveillant envers son entourage et les enfants d'Arceuil. En revanche, le traitement de la percussion est respectueusement très satien, s'inspirant des petites textes glissés par le compositeur dans la partition pour piano (j'ai surréalistement opté pour un éoliphone, un vibraslap, un machine à écrire modèle Underwood, des crécelles, une flûte à coulisse, un flexatone, un appeau 'rossignol'...). Donc bruit de moulinet de la canne à pêche, des talons en dansant le Tango, bruissement de la Balançoire, présence menaçante du vent au grand large dans Le Yachting, ou encore sifflet pour Le Réveil de la Mariée... Régis Campo / contemporain / Répertoire / Orchestre

Haydn's Symphony #26 received its nickname 'Lamentazione? during his lifetime, though it is unclear whether this stems directly from the composer.This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydn's day it was customary to play individual movements in church services, and it may be assumed that these two movements were performed, and possibly composed, independently from each other.Continuing the collaboration between Bärenreiter and the Henle publishing company in the areas of large-scale choral works, operas and symphonies, Haydn's Symphony #26 is appearing, based on the Henle Complete Edition of the 'Works of Joseph Haydn?. The complete performance material for several of Haydn's 'Sturm und Drang? symphonies and all of the London and Paris symphonies has already been published.- Based on the Henle Complete Edition of the 'Works of Joseph Haydn?- Orchestral parts available in a large format (25.5 x 32.5 cm) / Orchestre

Hob I:81. Par HAYDN FRANZ JOSEF. Haydn' s Symphony in G major Hob. I:81 comes from a series of three symphonies completed in late 1784 (nos. 81, 80 and 79, presumably in that order). No autograph score survives for Hob. I:81, thus our Urtext edition is based on copyists' manuscripts and first editions. As with so many of his symphonies, Haydn wrote this one to provide new music for his employer, Prince Nikolaus Esterházy. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn' s large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. Bärenreiter has now published the complete performance material for several Sturm und Drang symphonies and all the London and Paris symphonies (Nos. 81 to 104). - Based on the G. Henle Complete Edition of the Works of Joseph Haydn - Orchestral parts in a large format (25.5 x 32.5 cm)/ Répertoire / Orchestre

Par BEETHOVEN LUDWIG VAN. Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven 's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No. 9) which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication of theBeethoven Symphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado. Full scores, study scores and complete performance material to Beethoven's Nine Symphonies are available for sale./ Répertoire / Orchestre

Par HAYDN FRANZ JOSEF. Along with Symphonies Nos. 80 and 81, Haydn's Symphony in F major Hob. I:79 belongs to a group of works that he composed in late 1784. He wrote them for his employer Prince Nikolaus Esterházy who wished to be entertained with new music. The symphonies were tailored for the twenty-five to thirty musicians who were in the prince's court orchestra. Continuing the cooperation between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the 'Works of Joseph Haydn”. Bärenreiter has already published the complete performance material for several 'Sturm und Drang” symphonies and all the Paris and London symphonies. / Date parution : 2019-06-20/ Répertoire / Orchestre

Kantate zum Weihnachtsfest. Par BACH JOHANN SEBASTIAN. The Christmas cantata Gloria in excelsis Deo BWV 191, which has always presented researchers with many challenging problems, is among the few works to Latin words set by Johann Sebastian Bach. It consists of three sections - a finely-woven duet flanked by two festive choral movements - which we are to encounter again almost note for note in the world-famous Mass in B minor./ Répertoire / Orchestre

for Full Orchestra. Par WHITACRE ERIC. The continuing popularity of Eric Whitacre's dramatic and evocative music is evident in concert programming everywhere, with his symphonic, choral, and operatic works. October is arguably his most notable symphonic work, now adapted in this stunning version for full orchestra. / Date parution : 2022-11-29/ Répertoire / Orchestre

Par BEETHOVEN LUDWIG VAN. With final chorus 'An die Freude' (Ode to Joy) Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven 's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven 's Symphonies culminating in the Choral Symphony (No. 9) which came down to the publisher in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers andcritics alike and has become the most widely used publication of the Beethoven Symphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado. Full scores, study scores and complete performance material to Beethoven ’s Nine Symphonies are available for sale./ Répertoire / Orchestre

for Full Orchestra. Par WHITACRE ERIC. The continuing popularity of Eric Whitacre's dramatic and evocative music is evident in concert programming everywhere, with his symphonic, choral, and operatic works. October is arguably his most notable symphonic work, now adapted in this stunning version for full orchestra. / Date parution : 2022-11-29/ Répertoire / Orchestre

This four-movement work with a slow introduction is Haydn's last symphony for 'small' orchestra, i.e. without trumpets and timpani.However it has long passages for solo violoncello and is also scored for two bassoons.The editor of this edition recommends a performance with low horns (additionally included in the wind set) to prevent the musical character of the 'Andante? from being compromised by the predominantly high registers.Continuing the collaboration between Bärenreiter and the Henle publishing company in the areas of large choral works, operas and symphonies, this edition is appearing, based on the Henle Complete Edition of the 'Works of Joseph Haydn?.The complete performance material for several of Haydn's 'Sturm und Drang? symphonies and all the London and Paris symphonies has already been published.- Based on the Henle Complete Edition of the 'Works of Joseph Haydn?- Orchestral parts in a large format (25.5 × 32.5 cm) / Conducteur

This authoritative edition presents full-score reproductions of three of Liszt?s best-known symphonic poems. Les Preludes (Symphonic Poem No.3) grew out of the composer?s unpublished choral setting of Joseph Autran?s poem ?The Four Elements?, blending stirring martial music and lovely pastoral themes to make this work the most popular of the symphonic poems. Mazeppa (Symphonic Poem No.6) evokes Victor Hugo?s portrayal of the Cossack leader and the symbolic triumph that comes only after defeat: ?He runs, he flies, he falls, and he stands up king!? Heroide Funebre (Symphonic Poem No.8) is the last vestige of the monumental Revolutionary Symphony, planned but never completed, suggesting universal brotherhood: a fine, heroic, dignified funeral march. In these richly sonorous works, Liszt explored the concept of the one-movement ?transformation of themes,? an approach to composition that Wagner would carry forward in his development of the leitmotif. Liszt?s expanding chromaticism would be no less influential, anticipating the twentieth century?s embrace of atonality. Frequently performed favourites of audiences around the world, these three works are reprinted from the original Breitkopf & Härtel edition.

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication of the Beethoven Symphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado. - A new reference set of Beethoven's Symphonies for students, conductors and libraries Edition no.: BA 9000 ISMN: 9790006540952 Editor: Del Mar, Jonathan Language(s) of text: German, English Product format: Score, Anthology, Urtext edition Includes the following individual parts: Orchestra Binding: in a slipcase Pages / Format: 1186 S. - 32,2 x 25,0 cm

Haydn 'Symphonie des adieux' est une des oeuvres les plus jouées du répertoire symphonique. Le titre populaire ne découle pas de l'auteur, mais se réfère au mouvement final, à l'issue de laquelle (Adagio) les musiciens arrêter de jouer l'un après l'autre, ne laissant que deux violons à la fin des travaux. Selon une anecdote, sortie des musiciens était un moyen de faire référence aux exigences du travail d'orchestre à Esterháza à la fin de la saison.La publication de Haydn 'Sturm und Drang' Symphonies - la symphonie des adieux et la Symphonie #48 (la soi-disant 'Maria Theresia' Symphony) - représente une continuation de la coopération entre Bärenreiter et la maison d'édition Henle pour les éditions des grandes oeuvres chorales , des opéras et des oeuvres symphoniques.Les publications sont basées sur le Henle 'édition complète des oeuvres de Joseph Haydn'.Les deux symphonies (BA BA 10971 et 10972) sera publiée avec une partition et les parties d'orchestre en vente dans un grand format. / Orchestre

Par MATTHEWS COLIN. Colin Matthews’s Turning Point (2006) represents a bold stylistic breakthrough for its composer. Out of a whirring, motoric scherzo comes a jolting sea change: an austere, glacial string chorale of searing intensity that, with gritty resilience, gradually comes to overwhelm everything else. Commissioned by the Royal Concertgebouw Orchestra, this 25-minute journey from complex momentum to expressive simplicity displays all the ingenious craft we have come to expect from Matthews, together with a new-found emotional directness.   / Scores / Répertoire / Orchestre