Orchestra SKU: JK.20034 Composed by K. Newell Dayley. Arranged by Sam Car...(+)
Orchestra
SKU:
JK.20034
Composed by
K. Newell Dayley.
Arranged by Sam Cardon.
Difficulty Medium,
Orchestral
Orchestrations, Jesus
Christ - Savior, Love.
Christian, Inspirational.
Duration 3:40. Jackman
Music Corporation #20034.
Published by Jackman
Music Corporation
(JK.20034).
John
15:10-12.
Score and
parts to accompany the
full-choir arrangement of
I Feel My Savior's Love,
recorded by the Mormon
Tabernacle Choir
(#00402). Orchestratio
n includes: Full
Score Flute
Oboe Clarinet in B
Flat Harp Piano
Percussion I (Light
Triangle, Finger Cymbals)
Percussion II (B.D.,
Sus. Cymbal) Violin I
(4) Violin II (4)
Viola (4)
Violoncello (3)
Doublebass
(2) Composer: K.
Newell Dayley
Arranger: Sam Cardon
Lyricist: Ralph G.
Rogers, K. Newell Dayley
and Laurie Huffman
Difficulty: Medium
Performance time:
3:40 Reference: John
15:10-12.
Duke Ellington Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
A Medley for Orchestra. Arranged by Calvin Custer. Arr. Calvin Custer. For Full ...(+)
A Medley for Orchestra.
Arranged by Calvin
Custer. Arr. Calvin
Custer. For Full
Orchestra. Full
Orchestra. Concert Full
Orchestra. Jazz. Level:
3.5 (grade 3.5).
Conductor Score and
Parts. 775 pages.
Published by Alfred
Publishing.
Duke Ellington Orchestre [Conducteur] - Intermédiaire Alfred Publishing
A Medley for Orchestra. Arranged by Calvin Custer. Arr. Calvin Custer. For Full ...(+)
A Medley for Orchestra.
Arranged by Calvin
Custer. Arr. Calvin
Custer. For Full
Orchestra. Full
Orchestra. Concert Full
Orchestra. Level: 3.5
(grade 3.5). Conductor
Score. Published by
Alfred Publishing.
Featuring: Reuben and
Rachel / Sweetly Sings
the Donkey. Arranged
by Bob Phillips.
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Folk; Light
Concert; Patriotic;
Traditional. Score. 8
pages. Alfred Music
#00-35952S. Published by
Alfred Music (AP.35952S).
UPC: 038081420189.
English. Traditional
American
Rounds.
Two tunes
traditionally played as
rounds create a perfect
first orchestra piece for
young players. Reuben and
Rachel and Sweetly Sings
the Donkey are arranged
in D Major with no hi 3s
or forward extensions.
All sections have
interesting parts using
only quarter and half
notes. Opportunities to
teach basic tone and
beginning slurs abound.
Correlated to Sound
Innovations for String
Orchestra, Book 1, Level
3.
Orchestra (Study Score) SKU: HL.49009584 Suite from the Opera for Orch...(+)
Orchestra (Study Score)
SKU: HL.49009584
Suite from the Opera
for Orchestra.
Composed by Nikolay
Andreyevich
Rimsky-Korsakov. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. Study Score.
144 pages. Duration 24'.
Eulenburg Edition #ETP
1377. Published by
Eulenburg Edition
(HL.49009584).
ISBN
9790200211009. UPC:
073999596618.
5.25x7.5x0.36
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Orchestra - Grade 3 SKU: AP.49898 From African Suite. Composed by ...(+)
Orchestra - Grade 3
SKU: AP.49898
From African
Suite. Composed by
Samuel Coleridge-Taylor.
Arranged by Kirk Moss.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Concert String Orchestra.
Form: Dance. Masterwork
Arrangement. Score and
Part(s). Duration 3:00.
Belwin Music #00-49898.
Published by Belwin Music
(AP.49898).
ISBN
9781470657314. UPC:
038081575469.
English.
Originally
composed for piano as the
final movement of African
Suite, Danse begins with
two introductory chords
followed by energetic
swinging rhythms and
repeated angular
melodies. Students will
love the moods in this
festive overture,
evocative of later
Broadway musicals. The
artistic turning point of
Samuel Coleridge-Taylor's
career happened in his
twenties when he met the
African-American poet
Paul Laurence Dunbar.
Dunbar influenced the
young composer to
concentrate on his
African heritage. Born in
suburban London to Alice
Martin, an Englishwoman
and the daughter of a
blacksmith, his father,
Dr. Daniel Peter Hughes
Taylor, was a Creole of
Sierra Leone who
qualified as a Member of
the Royal College of
Surgeons (MRCS) and
returned to Africa before
his son's birth. Called
Coleridge by his family,
he was raised in Croydon,
Surrey, by his mother and
her father, Benjamin
Holmans, who taught him
the violin. (3:00).
(En Sus Alas). By Michael Joncas. Arranged by Lloyd Larson. Orchestra. For 2 flu...(+)
(En Sus Alas). By Michael
Joncas. Arranged by Lloyd
Larson. Orchestra. For 2
flutes, oboe, 2
clarinets, 2 bassoons, 3
trumpets, 2 Horns, 2
trombones, tuba, 2
percussion, harp, violin
1 and 2, viola, cello,
bass. Sacred Anthem:
General, Lent, Memorial,
Wedding. Orchestral Score
and Parts. Published by
Lorenz Publishing Company
Orchestra (Score) SKU: HL.49045561 Richard Strauss Werke Complete Edit...(+)
Orchestra (Score)
SKU:
HL.49045561
Richard Strauss Werke
Complete Edition Score
Band 4. Composed by
Richard Strauss. Edited
by Stefan Schenk and
Walter Werbeck. This
edition: Hardback/Hard
Cover. Sheet music.
Edition Schott.
Classical. Hardcover.
Composed 1888-1891. Op.
23. 236 pages. Duration
18'. Schott Music
#RSW304. Published by
Schott Music
(HL.49045561).
ISBN
9783901974045.
Stra
uss's first tone poem
distinguishes itself from
all other subsequent
orchestral compositions
in its existence in three
different versions. Even
among the operas and
other compositions in his
hand there is no other
work with a comparable
history of origin and
publication. What is
more, the final version
of Macbeth is the only
valid form of the work
and the only variant with
further sources (cf.
Critical Report) in
addition to the autograph
score. In contrast, the
second version has only
been preserved in an
autograph score and
autograph piano reduction
(the orchestral parts
which must have existed
have obviously not
survived). This was never
printed and was replaced
by the published third
version. The two
surviving versions should
therefore not be
considered to be of equal
status. Unlike the case
of Ariadne auf Naxos in
which the earlier version
was for a time the sole
valid alternative and was
yet never completely
displaced by the soon
dominating later version
of the opera, only the
final third version of
Macbeth is considered as
valid. Right from the
outset, it was a matter
of course for the editors
of the present volume to
include the second
version as a first
publication (in addition
to the above-mentioned
surviving pages of the
first version), albeit in
different forms. The
surviving pages of the
first version are
reproduced in facsimile
and the second version,
as a subordinate form of
the work, appears
alongside Strauss's piano
reduction in a modified
source edition, i.e.
without intervention on
the part of the editors.
The ultimate third
version is published as a
full edition (please
refer to the Critical
Report for further
details). In order to
facilitate a comparative
study of the second and
third versions, the
relevant page numbers of
the score are placed
opposite one another (the
autograph piano reduction
of the second version is
included at the end of
the music section of the
volume). The editors hope
that this synoptic
representation will
prompt interest in
further studies on
Strauss's art of
orchestration: a field of
research which has still
remained insufficiently
examined. A study of
Macbeth namely
illuminates as clearly as
could be wished how much
significance Strauss
allotted to sound
alongside form. The
subjects were not merely
intended to generate an
individual figure, but
also specific tonal
colours, and the
instrumentation was
simultaneously designed
to provide an optimal
communication of
thematic-motivic texture
to the audience. The 'new
path' threw up
consequences which caused
Strauss a considerable
amount of difficulty. He
was however a fast
learner and had already
swum free with Don Juan
and all the more with Tod
und Verklarung.
Concert Band; Orchestra - Grade 1.5 SKU: AP.49213S Composed by Robert She...(+)
Concert Band; Orchestra -
Grade 1.5
SKU:
AP.49213S
Composed by
Robert Sheldon. 5 or
More; Mixed Instruments -
Flexible Instrumentation;
Performance Music
Ensemble; Single Titles;
Solo Small Ensembles.
Sound Innovations for
Concert Band. Score.
Duration 2:10. Alfred
Music #00-49213S.
Published by Alfred Music
(AP.49213S).
ISBN
9781470648558. UPC:
038081569352.
English.
This
version of As Twilight
Falls by Robert Sheldon
is part of our Alfred
FLEX offerings and is
designed with maximum
flexibility for use by
any mix of
instruments---wind,
strings, and percussion,
including like- or
mixed-ensembles with as
few as 5 players. The
suggested instrumentation
and a customizable
Teacher Map will help you
plan out how to best
assign parts to suit your
ensemble's needs. It also
comes with supplemental
parts for maximum
flexibility. With the
purchase of this piece,
permission is granted to
photocopy the parts as
needed for your ensemble.
A percussion
accompaniment track is
also available as a free
download. String parts
have been carefully
edited with extra
fingerings and
appropriate bowings to
support students in mixed
ensembles playing in less
familiar keys.
The sense of
peace and tranquility of
twilight on a summer's
evening inspires this
lovely, lyrical offering.
An excellent teaching
opportunity for phrasing
and expression, As
Twilight Falls provides a
moment of contrast at any
young band's concert
performance and is now
available in Alfred's
5-part FLEX format.
Correlates to Book 1,
Level 5 of Sound
Innovations for Concert
Band.
Orchestra - Grade 1 SKU: AP.44823S Composed by Robert Sheldon. Performanc...(+)
Orchestra - Grade 1
SKU: AP.44823S
Composed by Robert
Sheldon. Performance
Music Ensemble; Single
Titles; String Orchestra.
Sound Innovations for
String Orchestra. Score.
8 pages. Duration 1:25.
Alfred Music #00-44823S.
Published by Alfred Music
(AP.44823S).
UPC:
038081518084.
English.
This
joyful, fast-paced
composition by Robert
Sheldon gives developing
players an opportunity to
show their spirit and
enthusiasm for music.
Rapid repeated
eighth-note patterns
provide an energetic
texture as they are
passed around the
orchestra. The catchy
main theme uses only five
notes, making this tune
perfect for beginners and
a great addition to a
festival or contest
program. (1:25).
Concert Band; Orchestra - Grade 1.5 SKU: AP.49213 Composed by Robert Shel...(+)
Concert Band; Orchestra -
Grade 1.5
SKU:
AP.49213
Composed by
Robert Sheldon. 5 or
More; MakeMusic Cloud;
Mixed Instruments -
Flexible Instrumentation;
Performance Music
Ensemble; Single Titles;
Solo Small Ensembles.
Sound Innovations for
Concert Band. Score and
Part(s). Duration 2:10.
Alfred Music #00-49213.
Published by Alfred Music
(AP.49213).
ISBN
9781470648541. UPC:
038081569345.
English.
This
version of As Twilight
Falls by Robert Sheldon
is part of our Alfred
FLEX offerings and is
designed with maximum
flexibility for use by
any mix of
instruments---wind,
strings, and percussion,
including like- or
mixed-ensembles with as
few as 5 players. The
suggested instrumentation
and a customizable
Teacher Map will help you
plan out how to best
assign parts to suit your
ensemble's needs. It also
comes with supplemental
parts for maximum
flexibility. With the
purchase of this piece,
permission is granted to
photocopy the parts as
needed for your ensemble.
A percussion
accompaniment track is
also available as a free
download. String parts
have been carefully
edited with extra
fingerings and
appropriate bowings to
support students in mixed
ensembles playing in less
familiar keys.
The sense of
peace and tranquility of
twilight on a summer's
evening inspires this
lovely, lyrical offering.
An excellent teaching
opportunity for phrasing
and expression, As
Twilight Falls provides a
moment of contrast at any
young band's concert
performance and is now
available in Alfred's
5-part FLEX format.
Correlates to Book 1,
Level 5 of Sound
Innovations for Concert
Band.
By Donald Hunsberger. By Donald Hunsberger. For Full Orchestra. Full Orchestra. ...(+)
By Donald Hunsberger. By
Donald Hunsberger. For
Full Orchestra. Full
Orchestra. Donald
Hunsberger Wind Library.
Level: 5 (grade 5).
Conductor Score.
Published by Alfred
Publishing.
By Philip P. Bliss. Arranged by Don Hart. For Orchestra. Atonement, Comfort, Con...(+)
By Philip P. Bliss.
Arranged by Don Hart. For
Orchestra. Atonement,
Comfort, Confidence,
Eternal Life, Hymntune,
Peace and Sacred. Print
Music Single
(Orchestration).
Published by Hope
Publishing Company.
Orchestra SKU: HL.14011919 Composed by Karsten Fundal. Music Sales Americ...(+)
Orchestra
SKU:
HL.14011919
Composed
by Karsten Fundal. Music
Sales America. Score.
Music Sales #KP01477.
Published by Music Sales
(HL.14011919).
ISBN
9788759878644.
English-Danish.
Orc
hestration:
3(pic)(afl).2+ca.1+2bcl.2
+cbn/4.3.3.1/timp.2perc/h
p/pf/strParts are for
hire:
hire@ewh.dkProgramnote
Hush er et studie i morke
og lys, kold og varm lyd.
Jeg har ogsa i dette
stykke forsogt at
introducere staerke
folelsesmaessige udtryk,
ved brug af instrumentale
farver og tonale
virkemidler. Titlen Hush
er forbundet med et slags
indre digt jeg har haft i
tankerne medens jeg
komponerede. Da jeg jo
ikke er digter i ord, er
det ufuldstaendigt og
utilstraekkeligt i sin
form, men derfor
alligevel meget godt
beskrivende for stykkets
vaesen. Det lyder
nogenlunde sadan her i
mit hoved:Hush little
heart- hush.!!was time
running too fast or did
the hours sometimesseem
long?,Were your beats too
many or were they too few
in the end?Hush little
heart- hushdid you see
too little or did you
sometimes see too
much?,was life too small
or was it sometimes
larger than life?was your
thirst quenched or did
you end up drained?hush,
hush, little heart-
hush!!,Don't be afraid,
maybe you knew all the
time:that one day you
would have to be still-or
maybe you didn't?Is that
why you were beating so
fast?hush, hush little
heart-hush,- be
comforted, 'cause even as
you feel so small Your
very existence is strange
and beautiful - so, hush,
hush, be comforted, be
still my beating
heart.
(Death
& Transfiguration)
Clothbound Score,
Complete Edition in
G. Edition Schott.
Classical. Hardcover.
Duration 1440 seconds.
Schott Music #RSW306.
Published by Schott Music
(HL.49047172).
UPC:
196288143406.
When
the 24-year-old Richard
Strauss, assistant
conductor in Munich,
began the composition of
his third tone poem in
the summer of 1888, he
saw himself close to the
aspiration prescribed by
his mentor Alexander
Ritter: to become the
successor of Richard
Wagner as a musical
dramatist. Strauss had
already been working on
the text of his first
opera Guntram for a year
and additionally devoted
himself to programmatic
orchestral works oriented
to the musical language
of Liszt and Wagner in
order to prepare himself
compositionally for his
new task. With the aid of
Strauss and other
musicians including
Ludwig Thuille and
Friedrich Rösch who
had been gathering for
“Ritter's round
table†in Munich
between 1886 and 1889,
RitterÂ’s intention
was to achieve success on
a broad front with the
New German School
following the death of
its two protagonists
Wagner and Liszt. We do
not know whether Ritter
and his supporters
jointly planned Strauss's
compositional path
towards opera, determined
the subjectsof his
prospective tone poems
and considered various
strategies of their
musical realization, but
the influence of this
group shouldnot be
underestimated. It cannot
be ruled out that the
number of three tone
poems was fixed, as was
their sequence of
composition, which would
progressively achieve its
zenith in an increasing
orientation to Liszt and
Wagner. The circle could
possibly have also
discussed initial links
to literary subjects
(Macbeth and Don Juan)
and ultimately the
abstention from this
practice in the third and
final tone poem. The
subject of the work, or
rather in StraussÂ’s
formulation its
“poetic
modelâ€, has
occasionally been
interpreted from an
autobiographical aspect.
Strauss however did not
experience serious
illness until May 1891
and once more in June
1892, long after Tod und
Verklärung had been
composed. Even without an
external reason, the
material would have been
only too attractive for
an admirer of Wagner and
Liszt like Strauss, not
to mention for his mentor
Alexander Ritter. The
concept of 'death and
transfiguration' had
already played a central
role in LisztÂ’s
symphonic poems Tasso and
Prometheus.
(Overture). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Alfred Einstein....(+)
(Overture). By Wolfgang
Amadeus Mozart
(1756-1791). Arranged by
Alfred Einstein. For
Orchestra, Score (Study
Score). Eulenburg
Taschenpartituren (Pocket
Scores). Study Score. 36
pages. Eulenburg (Schott
Music) #ETP608. Published
by Eulenburg (Schott
Music)
Orchestra SKU: SU.27020085 For Orchestra. Composed by Graham Gordo...(+)
Orchestra
SKU:
SU.27020085
For
Orchestra. Composed
by Graham Gordon Ramsay.
Orchestra. Study Score.
Subito Music Corporation
#27020085. Published by
Subito Music Corporation
(SU.27020085).
Jacob vs. Angel
is a piece about crisis
of conscience, ambiguity,
and misinterpretation
expressed through the
depiction of a major
battle, the goal of which
is never made entirely
clear. Based on the
biblical story, the work
is highly programmatic,
with each of the six
movements reflecting a
corresponding stanza from
the titular poem by Alice
Weaver Flaherty. The
piece was originally
composed as a vehicle for
virtuoso organist
Heinrich Christensen, and
later orchestrated. The
first movement introduces
the main musical
material--a five note
motive, the intervals of
which are reorganized to
create melodic and
harmonic development
throughout the piece. The
second, third, and fourth
movements depict the
brutal fight between
Jacob and the angel, and
lead one to the next
without pause. The fifth
movement is about the
post-battle scene, and
the final movement is an
epilogue, reframing the
ideas from the previous
movements. The music
elucidates various
actions from the Flaherty
poem—sand
skittering across the
desert, aggressive acts
of violence and
sensuality between the
protagonists, the beating
of wings, feathers
blowing in the wind, etc.
But beyond the music's
more literal elements,
the work is designed to
express an abstract state
of mind, a sense of
unease, and anticipation
of what is yet to come.
—Graham Gordon
Ramsay2(2) 1,1 2 2; 2221;
7perc, hp, cel; stgs
Duration: 24'Composed:
2023 Published by:
Distributed Composer
Jacob vs Angel was
composed originally as a
solo concert organ work
in 2007; the orchestral
version was completed in
2023. A live performance
of the organ version can
be seen at. Performance
materials available on
rental:.
Composed by Traditionel.
Arranged by Jerome
Naulais. Solo woodwinds.
Orchestra. Full set.
Duration 2 minutes, 50
seconds. Editions Robert
Martin #TRAD04177-BA.
Published by Editions
Robert Martin
(RM.TRAD04177-BA).
Composed by Traditionel.
Arranged by Jerome
Naulais. Solo woodwinds.
Orchestra. Conductor's
score. Duration 2
minutes, 50 seconds.
Editions Robert Martin
#TRAD04177-CO. Published
by Editions Robert Martin
(RM.TRAD04177-CO).
Composed by Traditionel.
Arranged by Jerome
Naulais. Solo woodwinds.
Orchestra. Supplementary
part. Duration 2 minutes,
50 seconds. Editions
Robert Martin
#TRAD04177-PK. Published
by Editions Robert Martin
(RM.TRAD04177-PK).
Orchestra - Grade 2 SKU: AP.41194S Featuring: We're Off to See the Wiz...(+)
Orchestra - Grade 2
SKU: AP.41194S
Featuring: We're Off
to See the Wizard / If I
Only Had a Brain (A
Heart, the Nerve) / Ding
Dong! The Witch Is Dead /
Over the Rainbow.
Composed by E.Y. Yip
Harburg. Arranged by
Ralph Ford. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Beginning String
Orchestra. Form: Suite.
Movie. Score. 20 pages.
Alfred Music #00-41194S.
Published by Alfred Music
(AP.41194S).
UPC:
038081478739.
English.
Celebrate
75 years of wizarding!
We're Off to See the
Wizard, If I Only Had a
Brain (A Heart, the
Nerve), Ding Dong! The
Witch Is Dead, and Over
the Rainbow will delight
all generations. This
title is available in
MakeMusic Cloud.
Salomo (London).
Composed by Franz Joseph
Haydn. Edited by Harry
Newstone. Arranged by
Harry Newstone. This
edition: Paperback/Soft
Cover. Sheet music.
Orchestra. Classical.
Full score. 118 pages.
Duration 25'. Eulenburg
Edition #ETP9003.
Published by Eulenburg
Edition (HL.49017705).
ISBN 9783795771669.
UPC: 841886012998.
9.0x12.0x0.312
inches.
Haydn wrote
his six last famous
London Symphonies, Nos.
99-104, during his second
stay in London in
1794/95. The crowning
glory of his extensive
symphonic oeuvre was the
London Symphony, the
epithet of which would,
of course, have been
suitable for each of his
symphonies performed
there.
Vol. 1 - Recueil du Chef D'Orchestre. Concert Band Method. Essential Elements fo...(+)
Vol. 1 - Recueil du Chef
D'Orchestre. Concert Band
Method. Essential
Elements for Band. French
Edition. Score (with
Media Online). 358 pages.
Published by Hal Leonard
Orchestra - Grade 2 SKU: AP.29656 Featuring: One Heart / Some Hearts /...(+)
Orchestra - Grade 2
SKU: AP.29656
Featuring: One Heart /
Some Hearts / Put a
Little Love in Your
Heart. Arranged by
Douglas E. Wagner.
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Beginning String
Orchestra. Form: Medley.
Light Concert; Pop. Score
and Part(s). 78 pages.
Duration 2:40. Alfred
Music #00-29656.
Published by Alfred Music
(AP.29656).
