Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS29 Based On the Li...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS29
Based On the Little
Beggerman. Composed
by Anonymous. Arranged by
James Uhl. Carl Fischer
Young String Orchestra
Series. Classical. Score
and Parts. With Standard
notation. Carl Fischer
Music #YAS29. Published
by Carl Fischer Music
(CF.YAS29).
ISBN
9780825858383. UPC:
798408058388. 8.5 X 11
inches. Key: G
major.
This fun
tune based on the folk
song The Little Beggar
Man is skillfully
arranged by James Uhl and
has all the components
needed to challenge
developing string
players. Very playable
and with light
counterpoint, Mr. Natural
encourages rhythmic
accuracy wh.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS29F Based On the L...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS29F
Based On the Little
Beggerman. Composed
by Anonymous. Arranged by
James Uhl. Carl Fischer
Young String Orchestra
Series. Classical. Full
score. With Standard
notation. Carl Fischer
Music #YAS29F. Published
by Carl Fischer Music
(CF.YAS29F).
ISBN
9780825858390. UPC:
798408058395. 8.5 X 11
inches. Key: G
major.
This fun
tune based on the folk
song The Little Beggar
Man is skillfully
arranged by James Uhl and
has all the components
needed to challenge
developing string
players. Very playable
and with light
counterpoint, Mr. Natural
encourages rhythmic
accuracy wh.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Composed by Janice
Mcallister and Robert
Frost. Arranged by Robert
Frost. String Tracks.
Score. Neil A. Kjos Music
Company #SO308F.
Published by Neil A. Kjos
Music Company
(KJ.SO308F).
UPC:
8402702911.
This
Russian folk tune might
be familiar to players of
the popular video game,
TetrisR. This
arrangement, artfully
created by McAllister is
challenging and dramatic.
Includes optional
tambourine and mark
tree.
Prairie Lullaby Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1 SKU: CF.BAS5 Composed by Joseph Comp...(+)
Orchestra String
Orchestra - Grade 1
SKU: CF.BAS5
Composed by Joseph
Compello. SWS - FS. Carl
Fischer Beginning String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation.
12+8+8+5+5+5+3+2 pages.
Duration 2:30. Carl
Fischer Music #BAS5.
Published by Carl Fischer
Music (CF.BAS5).
ISBN
9780825845086. UPC:
798408045081. 8.5 X 11
inches. Key: D
major.
The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie Lullaby
should be graceful and
serene, evocative of a
peaceful night on the
open plains. To that end,
players will need to
strive for an unlabored
rhythmic flow, smooth
bowing and a clear,
steady tone as close to p
as possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If young
players are unable to
return quickly to argo at
m.53, they may make the
bow preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible.Beginning at
m.39, the violin and
viola parts are
marked pizzicato. If
young players are unable
to return quickly
to argo at m.53, they
may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and
score.The divisi no
tes at m. 69 are provided
for ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes.Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead.The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54.Performance time
with the repeat is two
and a half minutes.
About Carl
Fischer Beginning String
Orchestra
Series
Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
Limited
keys and rhythms - only
simple 8th note
patterns
Prairie Lullaby Orchestre à Cordes [Conducteur] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1 SKU: CF.BAS5F Composed by Joseph Com...(+)
Orchestra String
Orchestra - Grade 1
SKU: CF.BAS5F
Composed by Joseph
Compello. Carl Fischer
Beginning String
Orchestra Series. Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #BAS5F.
Published by Carl Fischer
Music (CF.BAS5F).
ISBN
9780825845093. UPC:
798408045098. 8.5 X 11
inches.
The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible.Beginning at
m.39, the violin and
viola parts are
marked pizzicato. If
young players are unable
to return quickly
to argo at m.53, they
may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and
score.The divisi no
tes at m. 69 are provided
for ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes.Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead.The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54.Performance time
with the repeat is two
and a half minutes.
About Carl
Fischer Beginning String
Orchestra
Series
Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
Limited
keys and rhythms - only
simple 8th note
patterns
By Doug Spata. Orchestra.
Score; SmartMusic; String
Orchestra. Highland
String Orchestra. Form:
Overture. Grade 2.5. 20
pages. Published by
Alfred Music
By Doug Spata. Orchestra. Part(s); Score; SmartMusic; String Orchestra. Highland...(+)
By Doug Spata. Orchestra.
Part(s); Score;
SmartMusic; String
Orchestra. Highland
String Orchestra. Form:
Overture. Grade 2.5. 124
pages. Published by
Alfred Music
Character Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1.5-2 SKU: CF.FAS21 Composed by Larry ...(+)
Orchestra String
Orchestra - Grade 1.5-2
SKU: CF.FAS21
Composed by Larry Clark.
Edited by Amy Rosen. SWS
- FS. Carl Fischer First
Plus String Orchestra
Series. Classical. Score
and Parts. With Standard
notation. 8+8+2+5+5+5+2+8
pages. Carl Fischer Music
#FAS21. Published by Carl
Fischer Music (CF.FAS21).
ISBN 9780825853067.
UPC: 798408053062. 8.5 X
11 inches. Key: B
minor.
Characte
r was composed to
introduce young string
players to contemporary
harmonic techniques while
still being within the
technical limitations of
the developing student.
Quartal and quintal
harmonies open the
composition with a
fanfare gesture that ties
the piece together. This
is followed by an
ostinato in the first
violins that contains a
tricky figuration between
G and A that will work
the pinky finger on the
D-string. Players who are
not capable of
maneuvering their pinky
at this brisk tempo
should play the lower
part. The main theme is
given to the inner voice
for a change! After the
main theme there is a
development section that
combines fragments of the
fanfare material with
fragments of the main
theme. A grand pause and
then a stronger statement
of the main theme then
follow this with the
first violins up an
octave. The piece is then
completed with a short
coda containing fragments
of the ostinato and
fanfare material. It
feels natural for the
tempo to speed up
slightly at this point in
the piece. As with all of
my pieces at this level,
the tempo is merely a
suggestion and should be
adjusted slower or faster
to fit the needs of your
students and the
performance situation. It
has been my pleasure to
have the opportunity to
write this piece. I hope
you and your students
enjoy it and find it
useful for your program.
-Larry Clark New York, NY
2003. Character was
composed to introduce
young string players to
contemporary harmonic
techniques while still
being within the
technical limitations of
the developing student.
Quartal and quintal
harmonies open the
composition with a
fanfare gesture that ties
the piece together. This
is followed by an
ostinato in the first
violins that contains a
tricky figuration between
G and A that will work
the pinky finger on the
D-string. Players who are
not capable of
maneuvering their pinky
at this brisk tempo
should play the lower
part. The main theme is
given to the inner voice
for a change! After the
main theme there is a
development section that
combines fragments of the
fanfare material with
fragments of the main
theme. A grand pause and
then a stronger statement
of the main theme then
follow this with the
first violins up an
octave. The piece is then
completed with a short
coda containing fragments
of the ostinato and
fanfare material. It
feels natural for the
tempo to speed up
slightly at this point in
the piece. As with all of
my pieces at this level,
the tempo is merely a
suggestion and should be
adjusted slower or faster
to fit the needs of your
students and the
performance situation. It
has been my pleasure to
have the opportunity to
write this piece. I hope
you and your students
enjoy it and find it
useful for your program.
-Larry Clark New York, NY
2003. Character was
composed to introduce
young string players to
contemporary harmonic
techniques while still
being within the
technical limitations of
the developing student.
Quartal and quintal
harmonies open the
composition with a
fanfare gesture that ties
the piece together. This
is followed by an
ostinato in the first
violins that contains a
tricky figuration between
G and A that will work
the pinky finger on the
D-string. Players who are
not capable of
maneuvering their pinky
at this brisk tempo
should play the lower
part. The main theme is
given to the inner voice
for a change! After the
main theme there is a
development section that
combines fragments of the
fanfare material with
fragments of the main
theme. A grand pause and
then a stronger statement
of the main theme then
follow this with the
first violins up an
octave. The piece is then
completed with a short
coda containing fragments
of the ostinato and
fanfare material. It
feels natural for the
tempo to speed up
slightly at this point in
the piece.As with all of
my pieces at this level,
the tempo is merely a
suggestion and should be
adjusted slower or faster
to fit the needs of your
students and the
performance situation.It
has been my pleasure to
have the opportunity to
write this piece. I hope
you and your students
enjoy it and find it
useful for your
program.-Larry ClarkNew
York, NY 2003.
Integrity Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1.5-2 SKU: CF.FAS27 Composed by Larry ...(+)
Orchestra String
Orchestra - Grade 1.5-2
SKU: CF.FAS27
Composed by Larry Clark.
Carl Fischer First Plus
String Orchestra Series.
Score and Parts. With
Standard notation.
8+8+5+5+5+2+8 pages. Carl
Fischer Music #FAS27.
Published by Carl Fischer
Music (CF.FAS27).
ISBN
9780825854835. UPC:
798408054830. 8.5 X 11
inches. Key: D
major.
The title
depicts the uplifting
nature of the piece that
inspires young players to
have confidence and
respect while living with
character and integrity.
The music is
characterized by strong
melodic intervals of
fourths and fifths and
dynamic contrasts, a
Larry Clark signature
that has made his music
so popular. In addition,
every player is an
important part of the
music. This is a perfect
showpiece for developing
groups for concerts or
festivals. As a former
teacher I always tried to
use the experience of
playing in an ensemble to
teach students about
being good people first b
having confidence, being
respectful, living with
character and integrity.
I choose to write music
with titles that will
stimulate students to
strive for this high
standard and I have tried
to write pieces that will
somehow musically depict
these values.
Integrity is one
such piece. I hope you
will find the main theme
to be uplifting and with
musical integrity, but
within the reach of
developing students. My
themes usually are
characterized by strong
melodic intervals of
fourths and fifths and
this piece is no
exception. It is also my
goal when writing music
for younger students to
provide every section in
the ensemble a chance to
play important melodic
material at some point in
the piece. In my humble
opinion, if students are
given music they like to
play they will want to
practice it over and over
again. The tempo markings
and bowings indicated are
only there as a guide and
should be adjusted to the
needs of your students.
It has been my pleasure
to have the opportunity
to write this piece. I
hope that you and your
students find it useful
for your program. LARRY
CLARK Lakeland, Florida
2004. As a former
teacher I always tried to
use the experience of
playing in an ensemble to
teach students about
being good people first b
having confidence, being
respectful, living with
character and integrity.
I choose to write music
with titles that will
stimulate students to
strive for this high
standard and I have tried
to write pieces that will
somehow musically depict
these values.A
Integrity is one
such piece. I hope you
will find the main theme
to be uplifting and with
musical integrity, but
within the reach of
developing students. My
themes usually are
characterized by strong
melodic intervals of
fourths and fifths and
this piece is no
exception. It is also my
goal when writing music
for younger students to
provide every section in
the ensemble a chance to
play important melodic
material at some point in
the piece. In my humble
opinion, if students are
given music they like to
play they will want to
practice it over and over
again. The tempo markings
and bowings indicated are
only there as a guide and
should be adjusted to the
needs of your students.
It has been my pleasure
to have the opportunity
to write this piece. I
hope that you and your
students find it useful
for your program. LARRY
CLARK Lakeland, Florida
2004. As a former
teacher I always tried to
use the experience of
playing in an ensemble to
teach students about
being good people first b
having confidence, being
respectful, living with
character and integrity.
I choose to write music
with titles that will
stimulate students to
strive for this high
standard and I have tried
to write pieces that will
somehow musically depict
these values. Integrity
is one such piece. I hope
you will find the main
theme to be uplifting and
with musical integrity,
but within the reach of
developing students. My
themes usually are
characterized by strong
melodic intervals of
fourths and fifths and
this piece is no
exception. It is also my
goal when writing music
for younger students to
provide every section in
the ensemble a chance to
play important melodic
material at some point in
the piece. In my humble
opinion, if students are
given music they like to
play they will want to
practice it over and over
again. The tempo markings
and bowings indicated are
only there as a guide and
should be adjusted to the
needs of your students.
It has been my pleasure
to have the opportunity
to write this piece. I
hope that you and your
students find it useful
for your program. LARRY
CLARK Lakeland, Florida
2004. As a former
teacher I always tried to
use the experience of
playing in an ensemble to
teach students about
being good people first b
having confidence, being
respectful, living with
character and integrity.
I choose to write music
with titles that will
stimulate students to
strive for this high
standard and I have tried
to write pieces that will
somehow musically depict
these
values. Integrity is
one such piece.I hope you
will find the main theme
to be uplifting and with
musical integrity, but
within the reach of
developing students. My
themes usually are
characterized by strong
melodic intervals of
fourths and fifths and
this piece is no
exception. It is also my
goal when writing music
for younger students to
provide every section in
the ensemble a chance to
play important melodic
material at some point in
the piece. In my humble
opinion, if students are
given music they like to
play they will want to
practice it over and over
again.The tempo markings
and bowings indicated are
only there as a guide and
should be adjusted to the
needs of your students.It
has been my pleasure to
have the opportunity to
write this piece. I hope
that you and your
students find it useful
for your program.LARRY
CLARKLakeland, Florida
2004.
By Traditional. Arranged by Bud Caputo. Orchestra. SmartMusic; String Orchestra....(+)
By Traditional. Arranged
by Bud Caputo. Orchestra.
SmartMusic; String
Orchestra. Highland
String Orchestra.
Contemporary; Light
Concert; Novelty;
Spiritual. Grade 2.5.
Conductor Score and
Parts. 128 pages.
Published by Alfred Music
Publishing
The Oregano Suite Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
String Orchestra - intermediate SKU: BT.DHP-1094711-070 Composed by Jos V...(+)
String Orchestra -
intermediate
SKU:
BT.DHP-1094711-070
Composed by Jos Van Den
Dungen. De Haske String
Orchestra Series. Set
(Score & Parts). Composed
2009. 32 pages. De Haske
Publications #DHP
1094711-070. Published by
De Haske Publications
(BT.DHP-1094711-070).
ISBN 9789043131872. 12
X 9 inches.
English-German-French-Dut
ch.
The De Haske
String Orchestra
Series offers
attractive pieces
especially composed and
arranged for string
orchestras. Students and
teachers are treated to a
great variety of musical
styles. Each part
presents a challenge to
the player. The Viola
part can be replaced by a
3rd Violin part, and the
Double bass part can be
replaced by a 2nd Cello
part. The Piano part is
mainly meant for support,
but it occasionally adds
new motifs as well.
The Oregano Suite
is a flavoursome mix of
delightful Italianate
music.
De De
Haske String Orchestra
Series biedt u
aantrekkelijke, speciaal
voor strijkorkest
gecomponeerde en
gearrangeerde werken. De
stukken zijn geschreven
in verschillende stijlen:
van klassiek en folk tot
moderne, populaire
muziek. Iedere partij is
zo geschreven dat elke
speler in het orkest een
uitdaging heeft. De
partij voor altviool kan
door een derde viool
worden vervangen. De
partij voor contrabas kan
ook door een tweede cello
worden gespeeld. De
pianopartij dient als
ondersteuning, maar voegt
soms ook nieuwe motieven
toe aan de muziek.
Jos
van den Dongen liet zich
door Italië inspireren
toen hij deze vierdelige
suite
schreef.
Die
De Haske String
Orchestra Series
bietet attraktive,
speziell fu r
StreichÂorchester
komponierte und
arrangierte Stu cke in
einer stilistischen
Vielfalt von Klassik u
ber Folk bis zu modernen
U-Musikstilen. Jede
Stimme stellt dabei
besondere
Herausforderungen an die
Spieler. Die Violastimme
kann durch eine dritte
Violine und der
Kontrabass durch ein
zweites Cello ersetzt
werden. Die Klavierstimme
dient zur Unterstu tzung,
fu gt aber zuweilen auch
neue Motive hinzu.
The Oregano Suite
ist eine originale,
italienisch inspirierte
Suite in vier
Sätzen.
De Haske String
Orchestra Series è una
nuova raccolta pensata
per i suonatori di archi
principianti. Le
composizioni e gli
arrangiamenti raccolti
sotto questa etichetta
sono perfetti per chi
inizia a suonare e
prongono stili variegati.
Ogni pubblicazione è
accompagnata da un CD che
contiene una versione
demo dei brani. La
strumentazione è
sempre la stessa: violino
1 & 2, viola (o
violino 3), violoncello,
contrabbasso (o
violoncello 2) e
piano.Tracce Demo:1.
Spaghetti Blues2. Italian
Bossa3. Tango Verona4.
Sicilienne TarantellaPer
effettuare il download
delle tracce demo, clicca
sul titolo selezionato e
scegli “Salva
come†nel
menu.
String orchestra SKU: BR.LCE-1 Score and Study Scores for the Concerti...(+)
String orchestra
SKU:
BR.LCE-1
Score and
Study Scores for the
Concerti grossi No. 1 -
12. Composed by
Pietro Antonio Locatelli.
Edited by Agnese
Pavanello. Orchestra;
Softbound. Please check
the respective concertos
to find the orchestral
parts. Concerto grosso;
Baroque. Full score. 372
pages. Breitkopf and
Haertel #LCE 1. Published
by Breitkopf and Haertel
(BR.LCE-1).
ISBN
9790220118500. 9.5 x 12
inches.
Please
check the respective
concertos to find the
orchestral parts.
Symphonieorcheste
r des Bayerischen
Rundfunks Ltg. Mariss
Jansons
(Kompositionsauftrag des
BR)
,,Nirai
beschreibt ein
imaginiertes Land ein
Paradies. Zu Beginn
meiner Arbeit hatte ich
diese beiden
Vorstellungen: von einer
Fuge und von den Wurzeln
auf Okinawa einer
tropischen Insel im Suden
Japans. Dort haben viele
Baume ganz unglaubliche
Formen besonders die
Wurzeln haben mich
fasziniert. Sie ergeben
ausserst komplizierte und
organische Gebilde die
mich an eine Frage
erinnerten. ,,Nirai
heisst wortlich ,,aus den
Wurzeln kommend oder ,,in
Richtung der Wurzeln oder
auch ,,Land der Wurzeln.
Man verwendet dieses Wort
um etwas zu beschreiben
das aus der Vergangenheit
kommt und das noch heute
also in der Gegenwart
sinnvoll ist. Genau wie
es in Platons ,,Phaidon
heisst: Alle alten Dinge
kommen aus den neuen und
alle neuen Dinge kommen
aus den alten. Ich wollte
diese Dualitat oder
Interaktion zwischen zwei
verschiedenen Epochen
darstellen. Als Beethoven
seine Symphonien schrieb
benutzte er die
kompositorischen
Moglichkeiten die ihm zu
jener Zeit zur Verfugung
standen. Ich wollte das
auch. Wir haben
heutzutage ein riesigen
Archiv an Techniken und
Asthetiken auf die wir
zuruckgreifen konnen. Wir
konnen aus ihnen die
passenden auswahlen oder
sie auch kombinieren. In
gewisser Weise kann man
auch zu diesem Archiv
,,Nirai sagen denn es
stellt das Erbe eines
Volkes dar. Also wollte
ich gerne eine alte
Satzweise verwenden die
heutzutage nicht so oft
zum Einsatz kommt.
Ursprunglich wollte ich
das ganze Intermezzo in
Fugentechnik schreiben.
Aber das hat sich als zu
schwierig herausgestellt.
Ein Rest dieser
ursprunglich geplanten
Fuge ist am Anfang noch
erkennbar. Die Faktur
insgesamt ist eher
einfach gehalten. Im
Stuck ist ein stetes
Accelerando angelegt fur
den Horer gut wahrnehmbar
obwohl mehrere Melodien
gleichzeitig in
unterschiedlichen
Geschwindigkeiten
erklingen. Was den
Beethoven-Bezug betrifft
so nahm ich eine kurze
Phrase aus dem Schluss
des letzten Satzes der
Zweiten Symphonie funf
kurze Wechselnoten.
Daraus entwickelte ich
das Stuck. Bei Beethoven
steht diese Phrase in
D-Dur naturlich ubernahm
ich die Tonart nicht. Was
mich reizte war die
Tatsache dass es sich um
eine kleine Sekunde
handelt - das Intervall
das in der
zeitgenossischen Musik
bevorzugt verwendet wird.
Die kleine Sekunde ist
sehr flexibel sie
ermoglicht einem viele
Formen der Verwendung.
Beethoven war seinen
Zeitgenossen vor allem
als genialer Improvisator
bekannt also nahm ich
diese kleine Phrase als
Thema einer Improvisation
und behandelte es auf
sehr freie Art. Von der
Sechsten Symphonie
entnahm ich keine
musikalischen Zitate;
stattdessen entwickle ich
dieses kurze Intermezzo
in ,,pastoraler
Form.
(Misato
Mochizuki) UA der
zweisatzigen Fassung:
21.10.2011 NULL World
premiere version with two
sets: Oct. 21 2011
NULL.
Sunny Strings Orchestre à Cordes [Conducteur et Parties séparées] - Facile De Haske Publications
String Orchestra - early intermediate SKU: BT.DHP-1094612-070 Four pop...(+)
String Orchestra - early
intermediate
SKU:
BT.DHP-1094612-070
Four popular pieces
for string orchestra
orchestra. Composed
by Nico Dezaire. De Haske
String Orchestra Series.
Set (Score & Parts).
Composed 2009. 24 pages.
De Haske Publications
#DHP 1094612-070.
Published by De Haske
Publications
(BT.DHP-1094612-070).
ISBN 9789043131636. 12
X 9 inches.
English-German-French-Dut
ch.
The De Haske
String Orchestra
Series offers
attractive pieces
especially composed and
arranged for string
orchestras. Students and
teachers are treated to a
great variety of musical
styles. Each part
presents a challenge to
the player. The Viola
part can be replaced by a
3rd Violin part, and the
Double bass part can be
replaced by a 2nd Cello
part. The Piano part is
mainly meant for support,
but it occasionally adds
new motifs as well.
The four pieces in
Sunny Strings
allow the string
orchestra to sound
predominantly sunny in
mood. Have fun playing
together!
De
De Haske String
Orchestra Series
biedt u aantrekkelijke,
speciaal voor
strijkorkest
gecomponeerde en
gearrangeerde werken. De
stukken zijn geschreven
in verschillende stijlen:
van klassiek en folk tot
moderne, populaire
muziek. Iedere partij is
zo geschreven dat elke
speler in het orkest een
uitdaging heeft. De
partij voor altviool kan
door een derde viool
worden vervangen. De
partij voor contrabas kan
ook door een tweede cello
worden gespeeld. De
pianopartij dient als
ondersteuning, maar voegt
soms ook nieuwe motieven
toe aan de muziek.
Sunny Strings is
een moderne suite vol
verbluffende effecten in
vier delen.
Die
De Haske String
Orchestra Series
bietet attraktive,
speziell fu r
StreichÂorchester
komponierte und
arrangierte Stu cke in
einer stilistischen
Vielfalt von Klassik u
ber Folk bis zu modernen
U-Musikstilen. Jede
Stimme stellt dabei
besondere
Herausforderungen an die
Spieler. Die Violastimme
kann durch eine dritte
Violine und der
Kontrabass durch ein
zweites Cello ersetzt
werden. Die Klavierstimme
dient zur Unterstu tzung,
fu gt aber zuweilen auch
neue Motive hinzu.
Sunny Strings ist
eine moderne, vorwiegend
heitere Suite aus der
Feder von Nico Dezaire
voll verblu ffender
Effekte in vier
Sätzen.
De Haske
String Orchestra Series
è una nuova raccolta
pensata per i suonatori
di archi principianti. Le
composizioni e gli
arrangiamenti raccolti
sotto questa etichetta
sono perfetti per chi
inizia a suonare e
prongono stili variegati.
Ogni pubblicazione è
accompagnata da un CD che
contiene una versione
demo dei brani. La
strumentazione è
sempre la stessa: violino
1 & 2, viola (o
violino 3), violoncello,
contrabbasso (o
violoncello 2) e
piano.Tracce Demo:1. A
Sunny Day2. Sunday
Party3. Sunny Blues4. The
Ghost of TomPer
effettuare il download
delle tracce demo, clicca
sul titolo selezionato e
scegli “Salva
come†nel
menu.
Fiddle Tunes Orchestre à Cordes [Conducteur et Parties séparées] De Haske Publications
String Orchestra - easy SKU: BT.DHP-1094710-070 Arranged by Nicolaas Snel...(+)
String Orchestra - easy
SKU:
BT.DHP-1094710-070
Arranged by Nicolaas
Snel. De Haske String
Orchestra Series. Set
(Score & Parts). Composed
2009. 16 pages. De Haske
Publications #DHP
1094710-070. Published by
De Haske Publications
(BT.DHP-1094710-070).
ISBN 9789043131865. 12
X 9 inches.
English-German-French-Dut
ch.
The De Haske
String Orchestra
Series offers
attractive pieces
especially composed and
arranged for string
orchestras. Students and
teachers are treated to a
great variety of musical
styles. Each part
presents a challenge to
the player. The Viola
part can be replaced by a
3rd Violin part, and the
Double bass part can be
replaced by a 2nd Cello
part. The Piano part is
mainly meant for support,
but it occasionally adds
new motifs as well.
Fiddle Tunes
presents five traditional
Irish fiddle tunes in
easy
arrangements.
De
De Haske String
Orchestra Series
biedt u aantrekkelijke,
speciaal voor
strijkorkest
gecomponeerde en
gearrangeerde werken. De
stukken zijn geschreven
in verschillende stijlen:
van klassiek en folk tot
moderne, populaire
muziek. Iedere partij is
zo geschreven dat elke
speler in het orkest een
uitdaging heeft. De
partij voor altviool kan
door een derde viool
worden vervangen. De
partij voor contrabas kan
ook door een tweede cello
worden gespeeld. De
pianopartij dient als
ondersteuning, maar voegt
soms ook nieuwe motieven
toe aan de muziek.
Fiddle Tunes is
een verzameling van vijf
traditionele Ierse Fiddle
Tunes in eenvoudige
bewerkingen.
Die
De Haske String
Orchestra Series
bietet attraktive,
speziell fu r
StreichÂorchester
komponierte und
arrangierte Stu cke in
einer stilistischen
Vielfalt von Klassik u
ber Folk bis zu modernen
U-Musikstilen. Jede
Stimme stellt dabei
besondere
Herausforderungen an die
Spieler. Die Violastimme
kann durch eine dritte
Violine und der
Kontrabass durch ein
zweites Cello ersetzt
werden. Die Klavierstimme
dient zur Unterstu tzung,
fu gt aber zuweilen auch
neue Motive hinzu.
Fiddle Tunes
präsentiert fu nf
traditionelle irische
Fiddle Tunes in leichten
Bearbeitungen.
Fiddle
Tunes contient cinq
« fiddle
tunes » (airs pour
violon)
irlandais.
De
Haske String Orchestra
Series è una nuova
raccolta pensata per i
suonatori di archi
principianti. Le
composizioni e gli
arrangiamenti raccolti
sotto questa etichetta
sono perfetti per chi
inizia a suonare e
prongono stili variegati.
Ogni pubblicazione è
accompagnata da un CD che
contiene una versione
demo dei brani. La
strumentazione è
sempre la stessa: violino
1 & 2, viola (o
violino 3), violoncello,
contrabbasso (o
violoncello 2) e
piano.Tracce Demo:1.
Kerry Polka2. Fly
Around3. Shady Grove4.
Irish Washerwoman5.
Pretty Little SallyPer
effettuare il download
delle tracce demo, clicca
sul titolo selezionato e
scegli “Salva
come†nel
menu.
Folk Express Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
String Orchestra - intermediate SKU: BT.DHP-1094712-070 Composed by Jos K...(+)
String Orchestra -
intermediate
SKU:
BT.DHP-1094712-070
Composed by Jos Koning.
De Haske String Orchestra
Series. Set (Score &
Parts). Composed 2009. 44
pages. De Haske
Publications #DHP
1094712-070. Published by
De Haske Publications
(BT.DHP-1094712-070).
ISBN 9789043131858.
9x12 inches.
English-German-French-Dut
ch.
The De Haske
String Orchestra
Series offers
attractive pieces
especially composed and
arranged for string
orchestras. Students and
teachers are treated to a
great variety of musical
styles. Each part
presents a challenge to
the player. The Viola
part can be replaced by a
3rd Violin part, and the
Double bass part can be
replaced by a 2nd Cello
part. The Piano part is
mainly meant for support,
but it occasionally adds
new motifs as well.
In
Folk Express, the
string orchestra travels
the world in a tearing
rush: from Ireland
(Slippery Road
Jig) to the USA
(Paradise Polka),
followed by a sudden
landing in the heart of
the Balkan (Heading
East fromBelgrado).
De De Haske
String Orchestra
Series biedt u
aantrekkelijke, speciaal
voor strijkorkest
gecomponeerde en
gearrangeerde werken. De
stukken zijn geschreven
in verschillende stijlen:
van klassiek en folk tot
moderne, populaire
muziek. Iedere partij is
zo geschreven dat elke
speler in het orkest een
uitdaging heeft. De
partij voor altviool kan
door een derde viool
worden vervangen. De
partij voor contrabas kan
ook door een tweede cello
worden gespeeld. De
pianopartij dient als
ondersteuning, maar voegt
soms ook nieuwe motieven
toe aan de muziek.
Folk Express
bestaat uit drie
originele werken in
folk-stijl van Jos
Koning.
Die
De Haske String
Orchestra Series
bietet attraktive,
speziell fu r
StreichÂorchester
komponierte und
arrangierte Stu cke in
einer stilistischen
Vielfalt von Klassik u
ber Folk bis zu modernen
U-Musikstilen. Jede
Stimme stellt dabei
besondere
Herausforderungen an die
Spieler. Die Violastimme
kann durch eine dritte
Violine und der
Kontrabass durch ein
zweites Cello ersetzt
werden. Die Klavierstimme
dient zur Unterstu tzung,
fu gt aber zuweilen auch
neue Motive hinzu.
Folk Express sind
drei originale Stu cke im
Folk-Stil von Jos
Koning.
De
Haske String Orchestra
Series è una nuova
raccolta pensata per i
suonatori di archi
principianti. Le
composizioni e gli
arrangiamenti raccolti
sotto questa etichetta
sono perfetti per chi
inizia a suonare e
prongono stili variegati.
Ogni pubblicazione è
accompagnata da un CD che
contiene una versione
demo dei brani. La
strumentazione è
sempre la stessa: violino
1 & 2, viola (o
violino 3), violoncello,
contrabbasso (o
violoncello 2) e
piano.Tracce Demo:1.
Slippery Road Slip jig2.
Paradise
Polka3. Heading east from
BelgradPer effettuare il
download delle tracce
demo, clicca sul titolo
selezionato e scegli
“Salva comeâ€
nel
menu.
As recorded by DNCE. Composed by Justin Tranter, Robin Fredriksson, Matti...(+)
As recorded by
DNCE. Composed by
Justin Tranter, Robin
Fredriksson, Mattias
Larsson, and Joe Jonas
[DNCE]. Arranged by
Victor Lopez. Score;
String Orchestra. Pop
Intermediate String
Orchestra. Pop/Rock. 12
pages. Published by
Alfred Music (AP.45833S).
Cake by the Ocean Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
As Recorded by DNCE. Composed by Justin Tranter, Robin Fredriksson, Matti...(+)
As Recorded by
DNCE. Composed by
Justin Tranter, Robin
Fredriksson, Mattias
Larsson, and Joe Jonas
[DNCE]. Arranged by
Victor Lopez. Part(s);
Score; String Orchestra.
Pop Intermediate String
Orchestra. Pop; Pop/Rock.
152 pages. Published by
Alfred Music (AP.45833).
Classical Highlights Orchestre à Cordes [Conducteur et Parties séparées] - Débutant De Haske Publications
String Orchestra - very easy SKU: BT.DHP-1094713-070 Arranged by Nico Dez...(+)
String Orchestra - very
easy
SKU:
BT.DHP-1094713-070
Arranged by Nico Dezaire.
De Haske String Orchestra
Series. Set (Score &
Parts). Composed 2009. 24
pages. De Haske
Publications #DHP
1094713-070. Published by
De Haske Publications
(BT.DHP-1094713-070).
ISBN 9789043131919.
9x12 inches.
English-German-French-Dut
ch.
The De Haske
String Orchestra
Series offers
attractive pieces
especially composed and
arranged for string
orchestras. Students and
teachers are treated to a
great variety of musical
styles. Each part
presents a challenge to
the player. The Viola
part can be replaced by a
3rd Violin part, and the
Double bass part can be
replaced by a 2nd Cello
part. The Piano part is
mainly meant for support,
but it occasionally adds
new motifs as well.
Classical
Highlights is a
collection of six
arrangements of classical
themes dating from 17th
to 19th century. The
parts have been kept easy
and attractive; at the
same time they stay close
to the
original.
De
De Haske String
Orchestra Series
biedt u aantrekkelijke,
speciaal voor
strijkorkest
gecomponeerde en
gearrangeerde werken. De
stukken zijn geschreven
in verschillende stijlen:
van klassiek en folk tot
moderne, populaire
muziek. Iedere partij is
zo geschreven dat elke
speler in het orkest een
uitdaging heeft. De
partij voor altviool kan
door een derde viool
worden vervangen. De
partij voor contrabas kan
ook door een tweede cello
worden gespeeld. De
pianopartij dient als
ondersteuning, maar voegt
soms ook nieuwe motieven
toe aan de muziek.
Classical
Highlights is een
verzameling arrangementen
van klassieke
thema’s die
dateren uit de 17e tot en
met de 19e eeuw. De
partijen zijn eenvoudig
en aantrekkelijk
geschreven:
tegelijkertijd blijven de
arrangementen dicht bij
het origineel.
Die De Haske
String Orchestra
Series bietet
attraktive, speziell fu r
StreichÂorchester
komponierte und
arrangierte Stu cke in
einer stilistischen
Vielfalt von Klassik u
ber Folk bis zu modernen
U-Musikstilen. Jede
Stimme stellt dabei
besondere
Herausforderungen an die
Spieler. Die Violastimme
kann durch eine dritte
Violine und der
Kontrabass durch ein
zweites Cello ersetzt
werden. Die Klavierstimme
dient zur Unterstu tzung,
fu gt aber zuweilen auch
neue Motive hinzu.
Classical
Highlights enthält
Bearbeitungen von sechs
klassischen Themen aus
der Zeitspanne vom 17.
bis zum 19. Jahrhundert.
Die Stimmen wurden
einfach und ansprechend
gestaltet und sinddoch
zugleich getreu dem
Original. Die Ausgabe
enthält ein
Rigaudon von Henry
Purcell, das berühmte
Menuett aus der
Feuerwerksmusik
von Händel, ein
Andante von Haydn
(das Thema mit dem
berühmten
Paukenschlag), das Thema
aus Beethovens
Violinkonzert,
Das große Tor von
Kiew aus Bilder
einer Ausstellung von
Modest Mussorgsky und
schließlich noch
España von
Waldteufel und Chabrier.
De Haske
String Orchestra
Series è una nuova
raccolta pensata per i
suonatori di archi
principianti. Le
composizioni e gli
arrangiamenti raccolti
sotto questa etichetta
sono perfetti per chi
inizia a suonare e
prongono stili variegati.
La strumentazione è
sempre la stessa: violino
1 & 2, viola (o
violino 3), violoncello,
contrabbasso (o
violoncello 2) e
piano.Classical
Highlights è una
pubblicazione che
raccoglie sei
arrangiamenti di grandi
temi classici del XVII e
XIX secolo. Brani
motivanti e facilmente
accessibili, che rendono
onore
all‘originale.Tracc
e Demo:1. Rigaudon2.
Minuet3. Andante4.
Allegro5. Great Gate of
Kiev6. EspanaPer
effettuare il download
delle tracce demo, clicca
sul titolo selezionato e
scegli “Salva
come†nel
menu.
Secret Agent Orchestre à Cordes - Facile Kendor Music Inc.
String Orchestra string orchestra (88555) with optional piano - Grade 2 SKU: ...(+)
String Orchestra string
orchestra (88555) with
optional piano - Grade 2
SKU: KN.9459
Composed by Kathryn
Griesinger. Solo or
Ensemble. Voyager String
Orchestra. Kendor Music
Inc #9459. Published by
Kendor Music Inc
(KN.9459).
UPC:
822795094596.
This
fun tune evokes classic
spy dramas, full of
intrigue and mystery with
just a few easy sixteenth
notes and accidentals
along the way. Quick
pizzicato, ties, and
off-beat rhythms provide
a challenging mission for
developing players.
Reinforce low-2
fingerings with
alternating F-sharp and
F-natural as the theme
takes some unexpected
melodic detours. Everyone
but bass stay in 1st
position throughout. Each
set includes three copies
of the 3rd Violin/Viola
T.C. and piano parts.
Duration 1:55.
Full Score.
Composed by Larry Clark.
Carl Fischer Beginning
String Orchestra Series.
Full score. With Standard
notation. Carl Fischer
Music #BAS28F. Published
by Carl Fischer Music
(CF.BAS28F).
ISBN
9780825858055. UPC:
798408058050. 8.5 X 11
inches. Key: D
major.
From the pen
of Larry Clark, noted
educational composer,
comes this delightful
work for young players.
The piece features a
stately feel typical of
the Old West with smart
tempo variations and a
strong lyrical melody all
based on D major
patterns.
About Carl
Fischer Beginning String
Orchestra
Series
Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
Limited
keys and rhythms - only
simple 8th note
patterns
Credo Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Kendor Music Inc.
By Frank Halferty. For string orchestra (88555) with optional 3rd violin/viola T...(+)
By Frank Halferty. For
string orchestra (88555)
with optional 3rd
violin/viola TC (3) and
piano. Playground String
Orchestra Series. Grade
1.5. Score and set of
parts. Duration 2
minutes, 55 seconds.
Published by Kendor Music
Inc
By Antonio Vivaldi. Arranged by Douglas E. Wagner. For String Orchestra. Belwin ...(+)
By Antonio Vivaldi.
Arranged by Douglas E.
Wagner. For String
Orchestra. Belwin
Beginning String
Orchestra. Level: 1.5
(grade 1.5). Conductor
Score. Published by
Alfred Publishing.
By Antonio Vivaldi (1678-1741). Arranged by Douglas E. Wagner. Orchestra. String...(+)
By Antonio Vivaldi
(1678-1741). Arranged by
Douglas E. Wagner.
Orchestra. String
Orchestra. Belwin
Beginning String
Orchestra. Baroque. Grade
1.5. Conductor Score and
Parts. 76 pages
Full Score.
Composed by Sean
O'Loughlin. Edited by Amy
Rosen. Carl Fischer
Beginning String
Orchestra Series. Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #BAS19F.
Published by Carl Fischer
Music (CF.BAS19F).
ISBN 9780825851803.
UPC: 798408051808. 8.5 X
11 inches. Key: D
major.
Here's an
easy original that is
enjoyable for both the
players and the audience.
Using notes the students
already know, the tune
moves from D major to B
minor, uses pizzicato,
and other techniques to
keep the music lively and
appealing.
About Carl
Fischer Beginning String
Orchestra
Series
Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
Limited
keys and rhythms - only
simple 8th note
patterns
By Deborah Baker Monday. Orchestra. String Orchestra. String Orchestra. Christma...(+)
By Deborah Baker Monday.
Orchestra. String
Orchestra. String
Orchestra. Christmas;
Winter. Grade 1.
Conductor Score and
Parts. 74 pages.
Published by Alfred Music
Publishing
Karol's Waltz.
Composed by Joseph
Compello. Carl Fischer
Young String Orchestra
Series. Classical. Full
score. With Standard
notation. 20 pages. Carl
Fischer Music #YAS43F.
Published by Carl Fischer
Music (CF.YAS43F).
ISBN 9780825863431.
UPC: 798408063436. 8.5 X
11 inches. Key: D
major.
Joe
Compello’s
expertise as a writer for
young players has never
been better demonstrated
than it is in this
charming waltz. Beautiful
melodic writing and
memorable, singing
counter-melodies fill
this tribute to the
famous river that flows
past our nation’s
capital, Washington,
DC.
About
Carl Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels