By Emmerich Kalman (1882-1953). Arranged by Jos Dobbelstein. For Soprano Voice, Choir and Concert Band. From the Operetta Die Csardasfurstin. Grade 3. Full score only. Duration 3 minutes, 30 seconds. Published by Baton Music

(from the Opera La Boheme). By Giacomo Puccini (1858-1924). Arranged by Jos van de Braak. For Soprano and Concert Band. Grade 4. Score. Duration 5:00. Published by Baton Music

(from the Operetta Die Fledermaus). By Johann Strauss, Jr. (1825-1899). Arranged by Roger Niese. For 2 Sopranos, Tenor and Concert Band. Grade 4. Full score and set of parts. Duration 4:00

(from the Opera I Capuleti e I Montecchi). By Vincenzo Bellini (1801-1835). Arranged by Jos van de Braak. For Soprano and Concert Band. Grade 3. Score. Duration 9:00. Published by Baton Music

(from the Opera Tosca). Composed by Giacomo Puccini (1858-1924). Arranged by Jacques Dubois. For Tenor voice and Concert Band. Grade 3. Full score and set of parts. Duration 4:00. Published by Baton Music

Orchestra Soli SATB, Coro SATB, Fl, Ob, Clt, Fg, Cor, Tr, Trb, Timp, 2 Vl, Va, Vc, Cb, [Org] - Level 5

SKU: CA.4068950

Arrangement for chamber orchestra (Linckelmann). Composed by Ludwig van Beethoven. Arranged by Joachim Linckelmann. Carus sheet music series: Great choral works in small scorings. Foreword in German and English. Sacred vocal music, Masses, Latin. Full Score. Op. 123. Duration 90 minutes. Carus Verlag #CV 40.689/50. Published by Carus Verlag (CA.4068950).

ISBN 9790007254445. Key: D major. Latin.

Beethoven described his Missa solemnis several times as his greatest work. Coming from the heart, it was intended to touch and move audiences. Beethoven worked long and intensively on the composition in order to give what he felt was adequate expression to the text. In its length and musical demands, the Missa solemnis goes far beyond typical liturgical settings; for good reason, the premiere took place in a concert hall. With this arrangement for chamber orchestra (flute, oboe, clarinet, bassoon, horn, trumpet, trombone, timpani and strings, plus organ ad lib), smaller choirs, as well as choirs with more limited resources of space or finance, can now perform this work too. However, the symphonic character and wide dynamic range of the work remain. The scoring of 7 instead of 18 winds offers an optimal balance between transparency and orchestral sound. All the vocal parts (soloists and chorus) are identical with the original version, so that the vocal score and chorus score of that version can be used. Major mass can also be performed by smaller choir Wind and brass parts of the original version reduced to just seven single instruments Vocal scores and choral scores from the original version can be used. carus plus: the work (original version) is available in carus music, the choir app, and in the practice CD series Carus Choir Coach. Score available separately - see item CA.4068900.