Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Violin. CG op.
Posth. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/11. Published
by Carus Verlag
(CA.2731511).
ISBN
9790007201692. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
German title: Requiem
(Gounods Letztes Werk).
Sacred vocal music,
Requiem, End of the
church year, Mourning,
death. Full score. CG op.
Posth. 136 pages.
Duration 35 minutes.
Carus Verlag #CV
27.315/00. Published by
Carus Verlag
(CA.2731500).
ISBN
9790007095604. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Cello. CG op.
Posth. 8 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/14. Published
by Carus Verlag
(CA.2731514).
ISBN
9790007201722. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Sinfonische
Kantate. Composed by
Georg Ducker. German
title: Weihnachten.
Sinfon. Liedkantate Zu
Weih. Sacred vocal music,
Christmas. Single Part,
Violin 1. 12 pages.
Duration 40 minutes.
Carus Verlag #CV
10.383/11. Published by
Carus Verlag
(CA.1038311).
ISBN
9790007191092. Language:
Latin/English/German.
Kirchliche
Festouverture.
Composed by Otto Nicolai.
Hymns by Martin Luther:
Ein feste Burg ist unser
Gott. German title: Ein
Feste Burg. Kirchl.
Festouverture. Sacred
vocal music, Reformation
day. Single Part,
Cello/Double Bass.
Composed 1836. 31. 4
pages. Carus Verlag #CV
10.389/14. Published by
Carus Verlag
(CA.1038914).
ISBN
9790007191252. Language:
German. Text: Luther,
Martin.
Composed
by George Frideric
Handel. Edited by Kerstin
Hartinger, Benedikt
Poensgen. Arranged by
Felix Bartholdy
Mendelssohn. Stuttgart
Urtext Edition: Handel.
German title: Dettinger
Te Deum. Choral Score.
Composed 1829. HWV.
Duration 40 minutes.
Carus Verlag #CV
55.283/55. Published by
Carus Verlag
(CA.5528355).
ISBN
9790007162610. Language:
German.
At the age
of 20 Mendelssohn had
already arranged some of
Handel's great works for
the Berlin Singakademie,
including the Dettingen
Te Deum, and he suited
them to the tastes of his
time. Thus, in large part
he retained the original
music and added wind
parts, which were
completely new. A special
aspect is represented by
Zelter's German text
which, among other
things, also proved how
important and popular the
Dettingen Ted Deum was
during Mendelssohn's
time. Score available
separately - see item
CA.5528300.
Sinfonische
Kantate. Composed by
Georg Ducker. This
edition: Paperbound.
German title:
Weihnachten. Sinfon.
Liedkantate Zu Weih.
Sacred vocal music,
Christmas. Reduction for
organ. 40 pages. Duration
40 minutes. Carus Verlag
#CV 10.383/03. Published
by Carus Verlag
(CA.1038303).
ISBN
9790007130848. Language:
Latin/English/German.
Sinfonische
Kantate. Composed by
Georg Ducker. German
title: Weihnachten.
Sinfon. Liedkantate Zu
Weih. Sacred vocal music,
Christmas. Single Part,
Cello. 12 pages. Duration
40 minutes. Carus Verlag
#CV 10.383/14. Published
by Carus Verlag
(CA.1038314).
ISBN
9790007191122. Language:
Latin/English/German.
Composed by Ludwig van
Beethoven. Edited by
Ernst Herttrich. This
edition: urtext.
Stuttgart Urtext Edition:
Urtext Editions; Carus
sheet music series: Vocal
scores XL. German title:
Missa Solemnis In D Op.
123. Innovative practice
aids, Sacred vocal music,
Masses, Latin. Choral
Score. Composed 1817/23.
Op. 123. 36 pages.
Duration 90 minutes.
Carus Verlag #CV
40.689/05. Published by
Carus Verlag
(CA.4068905).
ISBN
9790007131135. Key: D
major. Language:
Latin.
Beethoven
described his Missa
solemnis as his greatest
work several times, a
work which, coming from
the heart, was to touch
and move audiences. The
surviving sources enable
us to recognize how
intensively and how long
he worked on the
composition in order to
give what he felt was
adequate expression to
the text. In its length
and musical demands, the
Missa solemnis goes far
beyond typical liturgical
settings, and the
premiere took place, for
good reason, in a concert
hall. The chorus plays a
key structural role in
the work, and in the
process has to master
some extremely demanding
sections. The leading
Beethoven expert Ernst
Herttrich has produced an
Urtext edition based on
the available sources,
and reflecting the latest
state of scholarship.
Score available
separately - see item
CA.4068900.
Sinfonische
Kantate. Composed by
Georg Ducker. German
title: Weihnachten.
Sinfon. Liedkantate Zu
Weih. Sacred vocal music,
Christmas. Single Part,
Organ. 8 pages. Duration
40 minutes. Carus Verlag
#CV 10.383/49. Published
by Carus Verlag
(CA.1038349).
ISBN
9790007191146. Language:
Latin/English/German.
SATB choir (unison
children's choir), 2
english horns, 2
bassoons, 2 trumpets, 2
trombones, timpani, 2
violins, viola,
cello/contrabass, organ
SKU: CA.9193314
Weihnachtslieder-Messe
. Composed by Max
Eham. Missa Carminum.
Orchesterfassung. Sacred
vocal music, Masses,
Latin, Christmas. Single
Part, Cello/Double Bass.
Composed 1984. 4 pages.
Carus Verlag #CV
91.933/14. Published by
Carus Verlag
(CA.9193314).
ISBN
9790007236168. Key: F
major. Language:
Latin/German.
The
Mass with Christmas
hymns, Missa carminum is
available from Carus in a
orchestra version and in
a version for choir and
organ. The unique feature
of this work is that each
movement of the Ordinary
employs a well-known
Christmas hymn as an
instrumental cantus
firmus. In the score the
text of each hymn has
been included in the
appropriate passage, so
that the Christmas
signature tune may be
performed vocally, for
example, by a one-part
children's choir. Score
and part available
separately - see item
CA.9193300.
Marienantiphon.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Mathias Siedel. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Regina Coeli In C
Rev.2001. Sacred vocal
music, Easter and
Eastertide, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Single Part, Cello/Double
Bass. Composed 1771. KV
108 (74d). 4 pages.
Duration 11 minutes.
Carus Verlag #CV
40.047/14. Published by
Carus Verlag
(CA.4004714).
ISBN
9790007058814. Key: C
major. Language:
Latin.
Soprano voice solo, SST/ATTB choir, 4 bassoon (4 trombones or 4 strings), organ ...(+)
Soprano voice solo,
SST/ATTB choir, 4 bassoon
(4 trombones or 4
strings), organ - Level 2
SKU: CA.4045211
Composed by Johann Rudolf
Ahle. Edited by Volker
Kalisch. Arranged by Paul
Horn. German title:
Furchtet euch nicht.
Sacred vocal music,
Christmas. Single Part,
Cello/Double Bass. 2
pages. Duration 7
minutes. Carus Verlag #CV
40.452/11. Published by
Carus Verlag
(CA.4045211).
ISBN
9790007068615. Key: G
major. Language:
German/English.
Sco
re available separately -
see item CA.4045200.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Organ. CG op.
Posth. 4 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/49. Published
by Carus Verlag
(CA.2731549).
ISBN
9790007201746. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Composed by Louis Marchand (1669-1732). Masterworks; Organ - Method or Collectio...(+)
Composed by Louis
Marchand (1669-1732).
Masterworks; Organ -
Method or Collection.
Kalmus Edition. Baroque;
Masterwork. Book. 32
pages. Kalmus Classic
Edition #00-K04142.
Published by Kalmus
Classic Edition
Vocal soli, choir, orchestra, congregation, organ SKU: CA.4019815 Compose...(+)
Vocal soli, choir,
orchestra, congregation,
organ
SKU:
CA.4019815
Composed
by Heinrich von
Herzogenberg. Double
bass. Sacred vocal music,
Oratorios, Special days.
Single Part, Double Bass.
Op. 104. 36 pages.
Duration 150 minutes.
Carus Verlag #CV
40.198/15. Published by
Carus Verlag
(CA.4019815).
ISBN
9790007218003. Language:
German.
The present
publication finally
closes the gap in the
availability of the three
church oratorios of
Heinrich von Herzogenberg
(1843-1900). With this
late work, which he
considered his most
important, Heinrich von
Herzogenberg set the
musical high point of the
15th Conference of the
German Church Song
Association in Strasbourg
(1899), and also of his
entire career. The
celebration of the
harvest provides an
interesting look into the
stylistic diversity of
church music at the end
of the 19th century, and
shows the composer's
aptitude for dramatic
presentation in a special
way. Score and part
available separately -
see item CA.4019800.
Bass voice solo, SATB
choir, 2 violins, viola,
cello/contrabass, organ
SKU: CA.9106714
Graduale. Composed
by Franz Krenn. Edited by
Otto Biba. Coppenrath
Series. German title:
Bone Pastor (Graduale)
1202001. Sacred vocal
music, Christmas. Single
Part, Cello/Double Bass.
Op. 56. 2 pages. Carus
Verlag #CV 91.067/14.
Published by Carus Verlag
(CA.9106714).
ISBN
9790007231828. Key: F
major. Language:
Latin.
Organ SKU: HL.49046723 Organ. Composed by Naji Hakim. Organ Collec...(+)
Organ
SKU:
HL.49046723
Organ. Composed by
Naji Hakim. Organ
Collection. Canon,
Classical, Variations.
Softcover. 16 pages.
Duration 660 seconds.
Schott Music #ED23510.
Published by Schott Music
(HL.49046723).
UPC:
842819115625.
These
variations are based on
the choral Freu dich
sehr, o meine Seele.
Variation I, Maestoso,
presents a solemn,
canonic statement of the
theme enveloped by dense,
closely-knit harmonies.
Variation II, Allegro, is
clothed in polyphonic
lines reminiscentof
Bach's Orgelbuchlein
chorales. Variation III,
Vivace, is a playful
bicinium with the cantus
firmus featured in the
soprano line, as the bass
bounces along in a
staccato duet. Variation
IV, Adagio, displays rich
chromatic harmonies which
form a lush backdrop for
the pedal solo. Variation
V, Vivace, features the
chorale in detached left
hand notes while the
right hand and pedal
provide a playful
accompaniment. In
Variation VI, Andante,
the melody vacillates
between minor and major
keys as syncopated left
hand chords and pizzicato
bass accompany the
cantilena. In the
concluding Variation VII,
Presto, the left hand
proclaims the theme in
block chords as the right
hand provides an
exuberant garland of
sixteenth notes while the
pedal provides rhythmic
drive with tympanic
accents.
Cantata for the Sunday
after New Year.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. This
edition: Paperbound.
Sacred vocal music,
Cantatas, New year. Study
score. Composed
1733/1734. BWV 58. 56
pages. Duration 17
minutes. Carus Verlag #CV
31.058/07. Published by
Carus Verlag
(CA.3105807).
ISBN
9790007043216. Key: C
major. Language:
German/English.
The
cantata O God, what glut
of care and pain BWV 58,
which Bach subtitled
Dialogus and wrote for
the Sunday after New
Year, limits itself
accordingly to the dialog
couple consisting of
soprano and bass; further
soloists or a choir are
not required. In the
framing movements, the
dialog takes on the form
of a chorale arrangement:
the soprano presents a
cantus firmus whose words
are consolingly commented
on by the bass. Both the
expansive chorale
arrangements leave room
for an aria which is
framed by two
recitatives. The cantata
was composed for the
Sunday after New Year
1727, but the received
form is from a subsequent
performance that took
place six or seven years
later. For this
performance, Bach not
only expanded the
instrumentation but also
replaced an entire aria.
Later, he assigned the
cantata to his annual
cycle of chorale
cantatas, probably due to
its high proportion of
chorales; this Sunday was
missing in that annual
cycle as there was no
Sunday between New Year
and Epiphany in 1725.
Score available
separately - see item
CA.3105800.
Oratorium fur
Grundonnerstag und
Karfreitag. Composed
by Heinrich von
Herzogenberg. Double
bass. Sacred vocal music,
Oratorios, Passions, Lent
and Passiontide, Holy
Week. Single Part, Double
Bass. Op. 93. 32 pages.
Duration 150 minutes.
Carus Verlag #CV
40.197/15. Published by
Carus Verlag
(CA.4019715).
ISBN
9790007065027. Language:
German.
There are
two main innovations:
firstly the inclusion of
the congregation through
communal songs, and
secondly, the frequent
use of the main organ -
as accompaniment to the
congregational hymns as
well as during the
important preludes and
postludes of the two
parts 'Maundy Thursday'
and 'Good Friday,' of
which the Passion
consists. (Kirchenmusik
im Bistum Limburg
1/1990). Score and part
available separately -
see item CA.4019700.
T.T.B.B. and Optional
Organ - German and
English Text.
Composed by Johann
Altnikol. Arranged by
Elwood Coggin. Choral.
Score. With Standard
notation. Theodore
Presser Company
#312-41029. Published by
Theodore Presser Company
(PR.312410290).
UPC:
680160044832. Key: F
major. Text: Paulus
Gerhardt. Paulus
Gerhardt.
Organ SKU: BR.EB-9071 Suite. Composed by Jurg Baur. Solo instrumen...(+)
Organ
SKU:
BR.EB-9071
Suite. Composed by
Jurg Baur. Solo
instruments; Softcover.
Edition Breitkopf.
World premiere:
Darmstadt, April 7,
1990
Music post-1945.
Score. Composed 1989. 20
pages. Duration 7'.
Breitkopf and Haertel #EB
9071. Published by
Breitkopf and Haertel
(BR.EB-9071).
ISBN
9790004179468. 11 x 15
inches.
Ein ganz
anderer (neuer?) Baur
keine Bindung an einen
cantus firmus, keine
barocke Form stattdessen
vier suitenartig, in
lockerer Form aneinander
gereihte Satze. Schon die
Uberschriften deuten auf
Neues; der Gesamt-Titel:
Kaleidoskop die einzelnen
Teile: Sisyphus,
Spiegelung, Artisten,
Marionetten; spielerisch
frei entworfene Stucke,
heiter, besinnlich,
humorvoll. 1. Satz: Zwei
thematische Bewegungen
charakterisieren den
Ablauf des Sisyphus eine
durch Pausen
unterbrochene einstimmige
Rollfigur wechselt
standig mit einem
stereotypen
Funfton-Ostinato einem
Motiv, das in vielfacher
Veranderung wiederkehrt
und schliesslich
girlandenformig in die
Tiefe fallt, symbolisch
fur das vergebliche
Bemuhen der
altgriechischen
Sagengestalt. Das zweite
Stuck, Spiegelungen, wird
ein- und ausgeleitet
durch einen
melancholischen Gedanken;
dieser mundet in einer
Gruppe von statischen,
streng imitierten,
ineinander geschobenen
Spiegelklangen. Eine
bewegte Figur fuhrt zu
einer 5/8-Periode, bei
der die Oberstimme um
funf Tone kreist; am Ende
steht wieder die
Spiegelklang-Episode, auf
einem Einzelton
verloschend: das Ganze
ein ruhiges, fast
aleatorisch wirkendes
Intermezzo. 3. Satz: Eine
virtuose Studie mit
kreisenden
Rastelli-Tongruppen,
dodekaphonisch geordneten
Quintolen, begleitet von
rhythmisch gegenlaufigen
Klangimpulsen, immer
wieder unterbrochen von
rezitativischen
Pedal-Bass-Soli. Zum
Ende, kraftvolle
Zusammenballung aller
thematischen Elemente
eine artistische Toccata,
gipfelnd in dissonanten
Klangturmen. Das Finale:
Marionetten, eine
funfteilige Bruckenform
ABCBA. Der Satz fugt sich
aus drei thematischen
Abschnitten zusammen; der
erste: eine abwarts
gerichtete
Zwolfton-Melodie, in ein
Klangfeld mundend, das
sich zum vielschichtigen
Akkord weitet; der
zweite: ein verhulltes
Menuett mit funftonigem
Bass-Ostinato und
marionettenhaft
gezirkelten Bewegungen in
Melodie und Begleitung;
der dritte: ein in streng
serieller Manier
durchgefuhrter Abschnitt
mit spiegel- und
krebsformigen
Entsprechungen. Formteil
B und A schliessen sich
als variierte Reprise an.
Die Coda wird gebildet
von dreifach
geschichtetem
Trillerfeld, der
Zwolfton-Melodie des
Anfangs und einer Kadenz
mit drei Akkorden in
tiefer Lage: ein stiller
Ausklang des
Kaleidoskops. (Jurg Baur)
Bibliography : Richter ,
Reinhold: Zwischen
Tradition und Avantgarde
zwischen Zweifel und
Hoffnung. Einige Notizen
zur Chor- und Orgelmusik
von Jurg Baur anlasslich
des 85. Geburtstages im
vergangenen November, in:
Forum Kirchenmusik 54
(2003), Heft 6, S.
23-31.
Organ solo, flute, oboe,
2 violins, viola, cello,
double bass
SKU:
CA.1880115
Composed
by Heinrich Spitta.
German title: Konzert in
e. Free organ music.
Single Part, Double Bass.
Op. 104. 4 pages.
Duration 15 minutes.
Carus Verlag #CV
18.801/15. Published by
Carus Verlag
(CA.1880115).
Organ SKU: CA.1800600 Composed by Johann Samuel Beyer. Edited by Eberhard...(+)
Organ
SKU:
CA.1800600
Composed
by Johann Samuel Beyer.
Edited by Eberhard
Hofmann. This edition:
paperback. Organ music
based on hymns. Full
score. 36 pages. Carus
Verlag #CV 18.006/00.
Published by Carus Verlag
(CA.1800600).
ISBN
9790007166823. Language:
all
languages.
Johann
Samuel Beyer (1669-1744)
assumed the position of
Kantor at St. Mary's
Cathedral in Freiberg
(Saxony) in 1699. Between
1716 and 1719 his
Musicalische Vorrath
(Musical source), a
comprehensive collection
of two-part chorale
variations for organ or
other keyboard
instruments was
published. The selection
in the present volume
offers an attractive
enrichment for organists
of liturgical repertoire
for Advent, Christmas and
Epiphany. An optional
figured bass realization
for the bass line has
been added in small
print. Clearly, practiced
organists can shape and
elaborate these pieces by
means of
improvisation.