Piano/harpsichord and orchestra (solo: pno - 1.2.2.2. - 2.2.0.0. - timp - str) <...(+)
Piano/harpsichord and
orchestra (solo: pno -
1.2.2.2. - 2.2.0.0. -
timp - str)
SKU:
BR.PB-14620
Urtext
based on the new Complete
Edition (G. Henle
Verlag). Composed by
Ludwig van Beethoven.
Edited by Hans-werner
Kuthen. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
Solo
concerto; Classical. Full
score. 96 pages. Duration
34'. Breitkopf and
Haertel #PB 14620.
Published by Breitkopf
and Haertel
(BR.PB-14620).
ISBN
9790004211038. 10 x 12.5
inches.
Ludwig van
Beethoven wrote his Piano
Concerto no. 4 in 1805,
thus contemporaneously
with the opera Fidelio
and the Symphonies nos. 5
and 6. The first
performance took place on
22 December 1808 at the
now legendary academy
(subscription concert) in
which Beethoven presented
the two new symphonies
and the Choral Fantasy
op. 80 to the Viennese
public for the first
time. The work was first
published that year by
Breitkopf & Hartel. The
autograph of the score is
no longer extant. The
principal source of the
musical text on which the
present edition is based
is a scribal copy
examined and corrected by
Beethoven.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Ernst-Gunter Heinemann.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag EB 10767 is
printed in score form;
two copies are needed for
performance.You will find
the original cadenzas
under Mo
zart, 36 Cadenzas for his
own Piano Concertos.
Our ISBN
9790004211922. 10 x 12.5
inches.
One of the
most frequently performed
concertos of all, it was
written while Mozart was
working on the opera Le
nozze di Figaro. The
source situation is
clear: the autograph
score has survived, and
the first printed
editions were not
published until after
Mozart's death.The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Ernst-Gunter
Heinemann to whom Henle
has entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Ernst-Gunter Heinemann.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). In
Cooperation with G. Henle
Verlag EB 10767 is
printed in score form;
two copies are needed for
performance. You will
find the original
cadenzas under Mozart, 36
Cadenzas for his own
Piano Concertos. Our
edition EB 8579 contains
a Ferrucci Busoni
cadenza. Solo concerto;
Classical. Study Score.
76 pages. Duration 26'.
Breitkopf and Haertel #PB
15111-07. Published by
Breitkopf and Haertel
(BR.PB-15111-07).
ISBN
9790004212684. 6.5 x 9
inches.
One of the
most frequently performed
concertos of all, it was
written while Mozart was
working on the opera Le
nozze di Figaro. The
source situation is
clear: the autograph
score has survived, and
the first printed
editions were not
published until after
Mozart's death.The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Ernst-Gunter
Heinemann to whom Henle
has entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
(New Collected Works of Dmitri Shostakovich - Volume 57). Composed by Dmitri Sho...(+)
(New Collected Works of
Dmitri Shostakovich -
Volume 57). Composed by
Dmitri Shostakovich
(1906-1975). For
Orchestra, Piano (Score).
DSCH. Hardcover. 545
pages. Published by DSCH
For Piano. Includes a complete printed music score on high-quality ivory paper; ...(+)
For Piano. Includes a
complete printed music
score on high-quality
ivory paper; and a
compact disc containing
the complete version of
each piece with soloist
and accompaniment; then a
second performance with
accompaniments minus you,
the soloist. Published by
Music Minus One.
By Muzio Clementi (1752-1832). Edited by Luca Sala. For Piano / Orchestra. This ...(+)
By Muzio Clementi
(1752-1832). Edited by
Luca Sala. For Piano /
Orchestra. This edition:
Critical Edition. Opera
Omnia - Vol. II.5. Score
(cloth bound). 112 pages.
Published by Ut Orpheus
Opera in One Act. By Hugo Weisgall. Arranged by Richard Hart. For Alto Saxophone...(+)
Opera in One Act. By Hugo
Weisgall. Arranged by
Richard Hart. For Alto
Saxophone, Clarinet,
Tenor Saxophone, Trumpet,
Violin, Viola, Cello,
Contrabass, Piano.
Classical. Full Score -
Study. 54 pages. Duration
25:00. Published by
Theodore Presser Company.
New Collected Works of Dmitri Shostakovich - Volume 51. Composed by Dmitr...(+)
New Collected Works of
Dmitri Shostakovich -
Volume 51. Composed
by Dmitri Shostakovich
(1906-1975). DSCH.
Hardcover. 424 pages.
Published by DSCH
(HL.50600545).