By Sergei Rachmaninoff (1873-1943). For Piano, Orchestra - [2, 2, 2, 2 - 4, 2, 3...(+)
By Sergei Rachmaninoff
(1873-1943). For Piano,
Orchestra - [2, 2, 2, 2 -
4, 2, 3, 1], timpani,
percussion, strings. This
edition: Paperback.
Original Works,
Concerto/Instrumental
Solo. Romantic Period;
Russian. Study Score. 146
pages. Published by
Serenissima
Piano and Orchestra SKU: HL.14021032 Composed by Sir Peter Maxwell Davies...(+)
Piano and Orchestra
SKU: HL.14021032
Composed by Sir Peter
Maxwell Davies. Music
Sales America. 20th
Century. Score Only.
Composed 2003. 132 pages.
Chester Music #CH61823.
Published by Chester
Music (HL.14021032).
ISBN 9780711985605.
5.5x7.5x0.432
inches.
This work
was commissioned by the
Royal Philharmonic
Orchestra. It was first
performed on 7th November
1997 at the Royal
Conference Hall,
Nottingham, by Kathryn
Stott and the Royal
Philharmonic Orchestra
conducted by the
composer.
2 solo pianos and full orchestra (3[1.2.pic] 2 2 2 -- 4 3 3 1 -- tmp 1 -- str --...(+)
2 solo pianos and full
orchestra (3[1.2.pic] 2 2
2 -- 4 3 3 1 -- tmp 1 --
str -- 2 Solo Pianos)
SKU: EC.9072
Composed by Vittorio
Rieti. Concerto/Feature.
Secular, 20th Century.
Full score. E.C. Schirmer
Publishing #9072.
Published by E.C.
Schirmer Publishing
(EC.9072).
Chopin National Edition 18A, Vol. XVb. Composed by Frederic Chopin (1810-...(+)
Chopin National
Edition 18A, Vol.
XVb. Composed by
Frederic Chopin
(1810-1849). Edited by
Jan Ekier and Pawel
Kaminski. PWM. Polskie
Wydawnictwo Muzyczne
#51600010. Published by
Polskie Wydawnictwo
Muzyczne (HL.132234).
Piano/harpsichord and orchestra (solo: pno - 2.2.2.2. - 2.2.1.0. - timp - str) <...(+)
Piano/harpsichord and
orchestra (solo: pno -
2.2.2.2. - 2.2.1.0. -
timp - str)
SKU:
BR.PB-4485
Composed
by Frederic Chopin.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Frederic Chopin's
Piano Concertos in e
minor op. 11 and
f minor op. 21
were written when the
composer had just barely
entered his
twenties.
EB 3942
is printed in score form;
two copies are needed for
performance.Have a look.
Solo concerto; Romantic.
Full score. 68 pages.
Duration 30'. Breitkopf
and Haertel #PB 4485.
Published by Breitkopf
and Haertel (BR.PB-4485).
ISBN 9790004203910. 9
x 12
inches.
Frederic
Chopin's Piano Concertos
in e minor op. 11 and f
minor op. 21 were written
when the composer had
just barely entered his
twenties. Since he needed
effective, virtuoso works
for his major concert
appearances with
orchestral accompaniment,
he decided to simply
write them himself.
Although it is clear that
the piano part always
holds center stage in
these pieces, Chopin
never degrades the
orchestra by turning it
into a stereotypical
cue-giver. This is
confirmed by the
imaginatively
orchestrated tutti
transition in the first
movement, the lengthy
string tremolo in the
middle movement and the
col legno passage in the
finale.The first
performance of the
f-minor concerto took
place in Warsaw on 17
March 1830. The first
edition of the score was
published in 1879 by
Breitkopf & Hartel in
Leipzig. The present
edition for two pianos by
Ignaz Friedmann was first
issued in 1913 in the
framework of the
12-volume Chopin edition
for which the Polish
pianist undertook a
careful evaluation of the
sources.
Frederic
Chopin's Piano Concertos
in e minor op. 11 and f
minor op. 21 were written
when the composer had
just barely entered his
twenties.
Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Stu...(+)
Piano and orchestra
SKU:
FG.55011-372-5
Composed by Matthew
Whittall. Study score.
Fennica Gehrman
#55011-372-5. Published
by Fennica Gehrman
(FG.55011-372-5).
ISBN
9790550113725.
Imag
es of the sea figure
prominently throughout my
life and memories: from
holidays on the Atlantic
coast during my Canadian
childhood to my current
Baltic home, and the
imagined, only later
experienced Mediterranean
of my ancestral heritage.
As an immigrant (son of
an immigrant) bound to
two northern countries,
the sea is emblematic of
my twin homelands, from
the expanses of water
surrounding them to those
separating them. A Mari
usque ad Mare. The sea is
also an enduring image of
the unknown, of expanses
unexplored, of the raw
power of nature and, for
too many currently, of
terror holding a hope of
refuge - or the pain of
loss. Such disparate
ideas were captured for
me in the seascapes of
the New York painter
MaryBeth Thielhelm, whom
I met in 2008 during a
residency on the Gulf of
Mexico. Her vast,
abstract, nearly
monochromatic depictions
of imaginary seas in
wildly varying moods were
the catalyst for a
concerto where the piano
is frequently far from a
hero battling a
collective, but rather
acts as a channel for
elemental forces surging
up from the orchestra,
floating - sometimes
barely so - on its
constantly shifting
surface. There are few
themes to speak of,
beyond a handful of
iconic ideas that
periodically cycle
upward. Rather, the
piano's material is
largely an ornamentation
of the more primal
rhythmic and harmonic
impulses from the
orchestra below - a
poetic interpretation, if
you will, of the more
immediate experience of
facing the vastness of
some unknown body of
water. The title
Nameless Seas is borrowed
from one of Thielhelm's
exhibitions, as are those
of the four movements,
which are bridged
together into two halves
of roughly equal weight -
one rhapsodic and free,
the other more
single-minded and direct,
separated only by a short
breath. The opening
movement, Nocturne, is
predominantly calm, if
brooding, darkness and
light alternating
throughout. Lyrical
arabesques sparkle over
gently lapping
cross-currents in the
strings and mirrored
timpani, the piano's full
power only rarely
deployed. The waves
gradually build, drawing
in the full orchestra for
a meeting of forces in
Land and Sea, a brighter,
more warmly lyrical scene
that unfolds in series of
dreamlike, sometimes even
nostalgic visions, which
for me carry strong
memories of sitting on
rocks above surging
Atlantic waves. The third
movement, Wake, is a
fast, perpetual-motion
texture of glinting,
darting rhythms and
sudden shafts of light,
with a prominent part for
the steel drums, limning
the piano's quicksilver
figurations. An ecstatic
climax crashes into a
solo cadenza that grows
progressively calmer and
more introspective rather
than virtuosic. Much of
the tension finally
releases into Unclaimed
Waters, a drifting,
meditative seascape in
which the piano is
progressively engulfed by
a series of ever-taller
waves, ultimately
dissolving into a
tolling, rippling
continuum of sound.
It has been a great
privilege to realize such
a long-held dream as this
piece, and to write it
for not one, but two
great pianists.
Risto-Matti Marin and
Angela Hewitt, both of
whose friendship and
support have been
unfailing and humbling,
share the dedication.
Nameless Seas was
commissioned by the
PianoEspoo festival and
Canada's National Arts
Centre, with the
premieres in Ottawa and
Helsinki led by Hannu
Lintu and Olari Elts.
Thanks are due also to
the Jenny and Antti
Wihuri fund, whose
generous grant provided
me with much-needed time,
and Escape to Create in
Seaside, Florida, the
source to which I
returned to do a large
part of the work.
Piano & Orchestra SKU: SU.28100050 For Piano & Orchestra. Composed...(+)
Piano & Orchestra
SKU:
SU.28100050
For
Piano & Orchestra.
Composed by Alan
Fletcher. Keyboard,
Piano/Harpsichord.
Accompanied by orchestra,
Concerto. Study Score.
Subito Music Corporation
#28100050. Published by
Subito Music Corporation
(SU.28100050).
Commissioned by
Inon Barnatan, Los
Angeles Philharmonic,
Atlanta SymphonyPiano &
Orchestra [solo pno: 3,1
3 3,1 3; 4321; timp,
3perc, 2hp; stgs
Duration: 25' Composed:
2017 Published by:
Distributed Composer Also
available: Solo piano
with reduction (Cat. #
28100051) Performance
materials available on
rental only:.
Piano & Orchestra SKU: SU.80604191 For Piano & Orchestra. Composed...(+)
Piano & Orchestra
SKU:
SU.80604191
For
Piano & Orchestra.
Composed by Kenneth
Fuchs. Keyboard,
Piano/Harpsichord,
Orchestra. Concerto.
Part. Edward B. Marks
Music #80604191.
Published by Edward B.
Marks Music
(SU.80604191).
Solo piano
partPiano & Orchestra
Duration: 21' Composed:
2017 Published by: E.B.
Marks.
for Piano and Orchestra Soloist in Concert Series. By Edvard Grieg. Piano Large ...(+)
for Piano and Orchestra
Soloist in Concert
Series. By Edvard Grieg.
Piano Large Works
(Arranged for piano).
Size 9x12 inches. 56
pages. Published by
Ricordi.
Piano & Orchestra SKU: SU.80604190 For Piano & Orchestra. Composed...(+)
Piano & Orchestra
SKU:
SU.80604190
For
Piano & Orchestra.
Composed by Kenneth
Fuchs. Keyboard,
Piano/Harpsichord,
Orchestra. Concerto.
Study Score. Edward B.
Marks Music #80604190.
Published by Edward B.
Marks Music
(SU.80604190).
Study
scorePiano & Orchestra
Duration: 21' Composed:
2017 Published by: E.B.
Marks.
Piano and orchestra SKU: BO.B.3175 Composed by Manuel Oltra. Instrumental...(+)
Piano and orchestra
SKU: BO.B.3175
Composed by Manuel Oltra.
Instrumental Sets.
Published by Editorial de
Musica Boileau
(BO.B.3175).
Comentarios del
Espanol: La Obra
Rapsodia para Piano y
Cobla (1953) destaca
dentro de la produccion
de Manuel Oltra por ser
su primera obra compuesta
para esta formacion
instrumental. La
produccion para cobla de
Manuel Oltra contempla,
ademas de la armonizacion
de un centenar de ballets
tradicionales catalanes,
una docena larga de obras
de concierto de forma,
extension e
instrumentacion variada,
asi como un extenso
catalogo de sardanas. La
constante inquietud del
compositor le ha llevado
a realizar muy valiosas y
logradas investigaciones
timbricas. Fue el primero
en combinar la cobla con
instrumentos ajenos a los
de la formacion
tradicional consiguiendo
exitosas especulaciones
ritmico-melodicas.
Rapsodia para piano y
cobla se puede encontrar
tambien en su version
reducida para dos pianos.
Obra compuesta por el
mismo autor con el
objetivo de facilitar el
estudio de la obra al
pianista para su
posterior interpretacion
con la cobla. Dado el
exito de la Rapsodia para
piano y cobla y gracias a
su gran diversidad de
timbres, en el ano 2004
Manuel Oltra creo una
nueva version de la obra
para orquesta sinfonica y
que se publico el mismo
ano en Editorial de
Musica Boileau.
Piano and Orchestra SKU: BT.PWM8679010 Composed by Aleksander Lason. Clas...(+)
Piano and Orchestra
SKU: BT.PWM8679010
Composed by Aleksander
Lason. Classical. Score
Only. Polskie Wydawnictwo
Muzyczne #PWM8679010.
Published by Polskie
Wydawnictwo Muzyczne
(BT.PWM8679010).
Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. By Wolfgang Amadeus Moza...(+)
Klavierauszug nach dem
Urtext der Neuen
Mozart-Ausgabe. By
Wolfgang Amadeus Mozart.
Arranged by Michael
Topel. For Piano Solo
(2), Oboe (2), Clarinet
(b flat) (2) ad lib.,
Bassoon (2), Horn (2),
Trumpet (2) ad lib.,
Kettledrum ad lib.,
Strings. Piano
Reduction/Vocal Score;
Urtext Edition. KV 365
(316a). Duration 23'.
Published by
Baerenreiter-Ausgaben
(German import). (BA5390
90)
Concerto for two Pianos and Orchestra. By Wolfgang Amadeus Mozart. Edited by Chr...(+)
Concerto for two Pianos
and Orchestra. By
Wolfgang Amadeus Mozart.
Edited by Christoph
Wolff. For Piano Solo
(2), Oboe (2), Clarinet
(b flat) (2) ad lib.,
Bassoon (2), Horn (2),
Trumpet (2) ad lib.,
Kettledrum ad lib.,
Strings. Score; Urtext
Edition (paperbound). KV
365 (316a). Duration 23'.
Published by
Baerenreiter-Ausgaben
(German import).
(study score). By Ferruccio Busoni (1866-1924). Edited by Antony Beaumont. For P...(+)
(study score). By
Ferruccio Busoni
(1866-1924). Edited by
Antony Beaumont. For
Piano, Orchestra and
Men's Choir. Breitkopf
Full Scores. Study score.
336 pages