(Study Score). By Ludwig van Beethoven (1770-1827). Study Score. Eulenburg Tasch...(+)
(Study Score). By Ludwig
van Beethoven
(1770-1827). Study Score.
Eulenburg
Taschenpartituren (Pocket
Scores). Study Score. 58
pages. Hal Leonard
#ETP114. Published by Hal
Leonard
By Ludwig van Beethoven. Edited by Jonathan Del Mar. For String Quartet. Baerenr...(+)
By Ludwig van Beethoven.
Edited by Jonathan Del
Mar. For String Quartet.
Baerenreiter
Studienpartituren - Study
scores. Streichquartett
Kammermusik (String
Quartets, Chamber Music).
Study Score; Urtext
Edition. Op. 18.
Published by
Baerenreiter-Taschenparti
turen (German import).
(Study Score). Composed by Antonin Dvorak (1841-1904). Edited by Peter Jost. For...(+)
(Study Score). Composed
by Antonin Dvorak
(1841-1904). Edited by
Peter Jost. For String
Quartet (Study Score).
Henle Study Scores.
Softcover. G. Henle
#HN7232. Published by G.
Henle
An die Musik Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] - Intermédiaire Schott
9 Classical Pieces Arranged for String Quartet Score and Parts. By Various. Arra...(+)
9 Classical Pieces
Arranged for String
Quartet Score and Parts.
By Various. Arranged by
John Kember. Schott.
Softcover. Size 9x12
inches. 68 pages.
Published by Schott.
Quatuor à cordes: 2 violons, alto, violoncelle [Set de Parties séparées] - Facile Kalmus
Pieces by Bach, Haydn, Mozart, Beethoven, Schumann, Mendelssohn, and others. Mas...(+)
Pieces by Bach, Haydn,
Mozart, Beethoven,
Schumann, Mendelssohn,
and others. Masterworks;
Quartet; Solo Small
Ensembles; String
Quartet. Kalmus Edition.
Baroque and Classical
Period. Set of
performance parts. 72
pages. Kalmus Classic
Edition #00-K03426.
Published by Kalmus
Classic Edition
String quartet (2V,Va,Vc) SKU: BA.TP00933 Composed by Ludwig van Beethove...(+)
String quartet (2V,Va,Vc)
SKU: BA.TP00933
Composed by Ludwig van
Beethoven. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. For the Critical
Commentary, see BA
9030-40. Study score.
Opus 133. Baerenreiter
Verlag #TP00933_00.
Published by Baerenreiter
Verlag (BA.TP00933).
ISBN 9790006203109.
22.5 x 16.5 cm inches.
Preface: Donat,
Misha.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Urtext. Composed
by Joachim Raff. Edited
by Severin Kolb and
Stefan Konig. This
edition: Urtext. Chamber
music; Folder. Edition
Breitkopf.
Orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern:
The two captivating
quartets are now
available as Urtext
editions. Romantic
period. Set of parts. 88
pages. Breitkopf and
Haertel #EB 8939.
Published by Breitkopf
and Haertel (BR.EB-8939).
ISBN
9790004186084.
With
his first String Quartet
in D minor, op. 77,
composed in 1855, the
native Swiss composer
Joachim Raff bid a
brilliant farewell to
Weimar. He had been there
as Franz Liszt's
assistant since 1850 and
had made a name for
himself in the city's art
scene - now he embarked
on new paths. He composed
his second Quartet in A
major, op. 90, already in
1857 in Wiesbaden, the
spa town that was to
become his home for 21
years. The two quartets
are unequivocal works:
orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern.
They confidently continue
the Beethoven tradition
and attest at the same
time to Raff's intensive
confrontation with
Richard Wagner's music
during the Weimar years.
In his chamber music, the
composer wanted to
achieve progress in an
inherently historical way
and to ground the
individual substance in
existing forms, as he
told the Viennese
violinist Josef
Hellmesberger, who
launched opus 77. The
quartets, first published
in 1860/62, found
illustrious interpreters,
among them, the Muller
brothers' renowned
ensemble, to which opus
90 was also dedicated,
and Joseph Joachim.In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality.
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. Thi...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Jonathan Del
Mar.
This edition: urtext
edition. In a folder.
Barenreiter Urtext. For
the
Critical Commentary, see
BA
9030-40. Set of part(s).
Opus 133. 9/9/8/8 pages.
Baerenreiter Verlag
#BA09033. Published by
Baerenreiter Verlag
By Ludwig van Beethoven. Edited by Jonathan Del Mar. Streichquartett Kammermusik...(+)
By Ludwig van Beethoven.
Edited by Jonathan Del
Mar. Streichquartett
Kammermusik (String
Quartets, Chamber Music).
Critical Commentary. Op.
18. Published by
Baerenreiter-Ausgaben
(German import). (BA9016
40)
String Quartet SKU: BR.PB-5622 Urtext. Composed by Joachim Raff. E...(+)
String Quartet
SKU:
BR.PB-5622
Urtext. Composed
by Joachim Raff. Edited
by Severin Kolb and
Stefan Konig. Chamber
music; Softbound.
Partitur-Bibliothek
(Score Library). Romantic
period. Study Score.
Breitkopf and Haertel #PB
5622. Published by
Breitkopf and Haertel
(BR.PB-5622).
ISBN
9790004215197. 6.5 x 9
inches.
With his
first String Quartet in D
minor, op. 77, composed
in 1855, the native Swiss
composer Joachim Raff bid
a brilliant farewell to
Weimar. He had been there
as Franz Liszt's
assistant since 1850 and
had made a name for
himself in the city's art
scene - now he embarked
on new paths. He composed
his second Quartet in A
major, op. 90, already in
1857 in Wiesbaden, the
spa town that was to
become his home for 21
years. The two quartets
are unequivocal works:
orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern.
They confidently continue
the Beethoven tradition
and attest at the same
time to Raff's intensive
confrontation with
Richard Wagner's music
during the Weimar years.
In his chamber music, the
composer wanted to
achieve progress in an
inherently historical way
and to ground the
individual substance in
existing forms, as he
told the Viennese
violinist Josef
Hellmesberger, who
launched opus 77. The
quartets, first published
in 1860/62, found
illustrious interpreters,
among them, the Muller
brothers' renowned
ensemble, to which opus
90 was also dedicated,
and Joseph Joachim.In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality.