SKU: BT.DHP-1094799-070

ISBN 9789043133203. 12 X 9 inches. English-German-French-Dut ch.

Based on famous themes by Antonio Vivaldi, Ludwig van Beethoven, and Wolfgang Amadeus Mozart, with a unique twist!

Bekende melodieën uit werken van Antonio Vivaldi, Ludwig van Beethoven en Wolfgang Amadeus Mozart in een modern jasje.

Ein frische, originale Komposition für Saxophonquintett, in der Eric J. Hovi bekannte Melodien aus Werken von Antonio Vivaldi, Ludwig van Beethoven und Wolfgang Amadeus Mozart in ein modernes Gewand steckte. Besetzung: 2x Altsaxophon (opt. 1x Sopransax.), 2x Tenorsaxophon (opt. 1x Altsax.), 1x Baritonsaxophon.

partir d'?uvres connues d'Antonio Vivaldi, Ludwig van Beethoven et Wolfang Amadeus Mozart, Eric J. Hovi a réalisé une composition délicieusement rafraîchissante pour Quintette de Saxophones. Instrumentation : 2 Sax. Altos, (1 Sax. S. opt.), 2 Sax. T. (1 Sax. Alto opt.), 1 Sax. Bar..

Boogie, Blues and Ragtime è una nuova composizione di brani originali nei generi musicali boogie, blues and ragtime. (5 Sassofoni (AATTB)).

SKU: AP.1-ADV7561

UPC: 805095075618. English.

The arrangement of Sevilla by Isaac Albéniz is notated one whole tone lower than the original version. It can be performed as a quintet but also in a choral/orchestral instrumentation. In the latter case, the middle part with the soprano saxophone solo is recommended to be executed by five soloists. For saxophone quintet (SAATB).

SKU: AP.1-ADV7530

ISBN 9783892216438. UPC: 805095075304. English.

Bach's Fuge in G-Dur has been arranged for saxophone quintet.

SKU: AP.1-ADV7562

UPC: 805095075625. English.

Fiery and dramatic from start to finish, this arrangement makes a terrific program opener or closer.

SKU: AP.1-ADV7563

ISBN 9783892218289. UPC: 805095075632. English.

This lively dance is the first of four movements from Holst's suite. This arrangement has been transposed down a whole step from the original to make it more accessible to saxophone performers.

SKU: AP.1-ADV7543

ISBN 9783892216537. UPC: 805095075434. English.

Bach composed this piece around 1725 at the beginning of his Leipzig years. The character of the Fantasie is serious and grave; even in the interludes a contemplative mood prevails. Its concerto form is strictly symmetrical: the main theme appears four times with three interludes between. The four-part double Fugue exemplifies Bach's superior contrapuntal craftsmanship as he combines two contrasting themes---one that's diatonic, rhythmic and agile, and another that consists of a descending chromatic line.