Cantata
for the 20th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Arranged by Masaaki
Suzuki. This edition:
urtext. 1x 31.162/21
flute, 1x 31.162/31 horn.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Set of
Orchestra Parts. Composed
1716. BWV 162. Duration
18 minutes. Carus Verlag
#CV 31.162/09. Published
by Carus Verlag
(CA.3116209).
ISBN
9790007208899. Language:
German/English.
Scripture: Matthew
22:1-14.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
parts available
separately - see item
CA.3116200.
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. Arranged
by Masaaki Suzuki. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Whitsun, Mourning, death.
Single Part, Viola.
Composed 1716. BWV 162. 4
pages. Duration 18
minutes. Carus Verlag #CV
31.162/13. Published by
Carus Verlag
(CA.3116213).
ISBN
9790007208929. Text
language:
German/English.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
part available separately
- see item
CA.3116200.
Cantata
for the 20th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Arranged by Masaaki
Suzuki. This edition:
urtext, paperback.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Full
score. Composed 1716. BWV
162. 28 pages. Duration
18 minutes. Carus Verlag
#CV 31.162/00. Published
by Carus Verlag
(CA.3116200).
ISBN
9790007171452. Language:
German/English.
Scripture: Matthew
22:1-14.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki.
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. Arranged
by Masaaki Suzuki. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Whitsun,
Mourning, death. Single
Part, Violin 2. Composed
1716. BWV 162. 4 pages.
Duration 18 minutes.
Carus Verlag #CV
31.162/12. Published by
Carus Verlag
(CA.3116212).
ISBN
9790007208912. Text
language:
German/English.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
part available separately
- see item
CA.3116200.
Cantatas on the
Purification of the
Virgin Mary. Composed
by Johann Sebastian Bach.
Edited by Matthias Wendt
and Uwe Wolf. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/28/1. Complete
edition, Score,
anthology. BWV 82, 83,
125, 200. Baerenreiter
Verlag #BA05084_01.
Published by Baerenreiter
Verlag (BA.BA05084-01).
ISBN 9790006464005.
33.1 x 25.8 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Kantate zum 22. Sonntag nach Trinitatis. By Johann Sebastian Bach. Edited by Rei...(+)
Kantate zum 22. Sonntag
nach Trinitatis. By
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
For Soli SAB, SATB Choir,
Horn 2 Oboes, Strings,
Organ. BWV 89. Cantatas;
Stuttgart Urtext
editions. Score.
Language: German/English.
Composed 1723. 32 pages.
Duration 14 min.
Published by Carus Verlag
(German import).
Urtext der Neuen Bach-Ausgabe. Kritischer Bericht siehe BA 5078 41. By Johann Se...(+)
Urtext der Neuen
Bach-Ausgabe. Kritischer
Bericht siehe BA 5078 41.
By Johann Sebastian Bach.
Edited by Christoph
Wolff. For Soli, Mixed
Choir, Orchestra. Neue
Bach-Ausgabe. Serie I.
Band 8/2. Kantaten,
Barock (Cantatas,
Baroque). Score; Urtext
Edition; Complete Edition
(cloth bound). Published
by Baerenreiter-Ausgaben
(German import). (BA5079
01)
Composed by Johann
Sebastian Bach. Edited by
Robert L. Marshall. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/19. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05060_01.
Published by Baerenreiter
Verlag (BA.BA05060-01).
ISBN 9790006462964.
33.8 x 26.7 cm
inches.
Urtext der
Neuen Mozart-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Johann
Sebastian Bach. Edited by
Robert L. Marshall. This
edition: complete
edition, urtext edition.
Half-leather binding. New
Bach Edition (NBA) I/19.
Complete edition, Score,
anthology. Baerenreiter
Verlag #BA05060_02.
Published by Baerenreiter
Verlag (BA.BA05060-02).
ISBN 9790006545537.
33.8 x 26.7 cm
inches.
Urtext der
Neuen Mozart-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Johann
Sebastian Bach. Edited by
Andreas Glöckner. This
edition: complete
edition, urtext edition.
Half-leather binding. New
Bach Edition (NBA) I/41.
Complete edition, Score,
anthology. Baerenreiter
Verlag #BA05096_02.
Published by Baerenreiter
Verlag (BA.BA05096-02).
ISBN 9790006494804. 33
x 25.8 cm
inches.
Urtext der
Neuen Mozart-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Johann
Sebastian Bach. Edited by
Matthias Wendt and Uwe
Wolf. This edition:
complete edition, urtext
edition. Half-leather
binding. New Bach Edition
(NBA) I/28/2. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05085_02.
Published by Baerenreiter
Verlag (BA.BA05085-02).
ISBN 9790006494316. 33
x 25.7 cm
inches.
Urtext der
Neuen Mozart-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Johann
Sebastian Bach. Edited by
Reinmar Emans. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/11/1. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05071_01.
Published by Baerenreiter
Verlag (BA.BA05071-01).
ISBN 9790006463497.
33.1 x 26 cm
inches.
Urtext der
Neuen Mozart-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Johann
Sebastian Bach. Edited by
Dietrich Kilian. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/13. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05015_01.
Published by Baerenreiter
Verlag (BA.BA05015-01).
ISBN 9790006461714. 33
x 26 cm inches. Language:
German. Preface: Dietrich
Kilian.
Urtext der
Neuen Mozart-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Johann
Sebastian Bach. Edited by
Christine Fröde. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/32/2. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05077_01.
Published by Baerenreiter
Verlag (BA.BA05077-01).
ISBN 9790006463763.
33.1 x 25.8 cm
inches.
Urtext der
Neuen Mozart-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Nach dir, Herr, verlanget
mich. Sacred vocal music,
Cantatas. Set of
Orchestra Parts. Composed
circa 1706. BWV 150.
Duration 17 minutes.
Carus Verlag #CV
31.150/19. Published by
Carus Verlag
(CA.3115019).
ISBN
9790007136819. Key: B
minor. Language:
German/English.
The
cantata Nach dir, Herr,
verlanget mich (O my
Lord, I long for thee)
BWV 150 is one of the
earliest cantatas from
Bach's Muhlhausen period.
Its authenticity was long
disputed, partly because
of the stylistic
characteristics of this
early work, but also
because the cantata only
survives in sources
dating from the period
after Bach's death.
However, in recent years
a hidden dedication to
Conrad Meckbach, a member
of the Muhlhausen town
council and patron of
Bach, has been
deciphered: the initial
letters of the free
poetry reveal the
acrostic Doctor Conrad
Meckbach (in the 18th
century spelling),
revealing a link to the
city of Muhlhausen and
almost certainly
confirming Bach's
authorship of the
cantata. The occasion of
the composition of the
work is still unknown.
The small instrumental
scoring for just two
violins, bassoon, and
continuo, plus the fact
that only the soprano is
given a solo movement,
suggest a performance
with modest resources.
Score and parts available
separately - see item
CA.3115000.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Hymns by
Martin Luther: Aus tiefer
Not schrei ich zu dir.
German title: Aus tiefer
Not schrei ich zu dir.
Sacred vocal music,
Cantatas. Choral Score.
Composed 1724. BWV 38. 12
pages. Duration 21
minutes. Carus Verlag #CV
31.038/05. Published by
Carus Verlag
(CA.3103805).
ISBN
9790007042769. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score available
separately - see item
CA.3103800.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. This
edition: Paperbound.
Hymns by Martin Luther:
Aus tiefer Not schrei ich
zu dir. German title: Aus
tiefer Not schrei ich zu
dir. Sacred vocal music,
Cantatas. Vocal score.
Composed 1724. BWV 38. 40
pages. Duration 21
minutes. Carus Verlag #CV
31.038/03. Published by
Carus Verlag
(CA.3103803).
ISBN
9790007042752. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score available
separately - see item
CA.3103800.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. This
edition: Paperbound.
Hymns by Martin Luther:
Aus tiefer Not schrei ich
zu dir. German title: Aus
tiefer Not schrei ich zu
dir. Sacred vocal music,
Cantatas. Full score.
Composed 1724. BWV 38. 48
pages. Duration 21
minutes. Carus Verlag #CV
31.038/00. Published by
Carus Verlag
(CA.3103800).
ISBN
9790007042745. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
