B minor Mass Soli, choeur mixte et accompagnement [Conducteur] Carus Verlag
Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For S...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Ulrich Leisinger. For
SSATB vocal soli,
SSAATTBB choir, 2 flutes,
3 oboes/2 oboes d'amore,
2 bassoons, corno da
caccia, 3 trumpets,
timpani, 2 violins,
viola, basso continuo.
This edition: paperback.
Latin Masses. Full score.
Text language: Latin. BWV
232. 304 pages. Duration
100 minutes. Published by
Carus Verlag
(Cantata for the 4th Sunday after Epiphany). Composed by Johann Sebastian Bach (...(+)
(Cantata for the 4th
Sunday after Epiphany).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For ATB
vocal soli, SATB choir, 2
recorders f1, 2 oboe
d'amore, 2 violins,
viola, basso continuo.
This edition: Paperbound.
E-Moll (E minor). German
title: Jesus schlaft, was
soll ich hoffen.
Cantatas, Epiphany. Level
3. Vocal score. Language:
German/English. Composed
1724. BWV 81. 32 pages.
Duration 19 minutes.
Published by Carus Verlag
(Kantate zum Epiphaniasfest). By Johann Sebastian Bach (1685-1750). Edited by Re...(+)
(Kantate zum
Epiphaniasfest). By
Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For Soli
TB, SATB Choir, 2 Horns,
2 Recorders f1, 2 Oboe
d'Amore, Strings, Organ.
This edition: paperbound.
BWV 65. Full score
available separately -
see item CA.3106500.
Cantatas; Stuttgart
Urtext editions; Use
during church year:
Epiphany. Level 3.
Piano/Vocal score.
Language: German/English.
Composed 1724. 32 pages.
Duration 18 min
(Cantata for the 20th Sunday after Trinity). Composed by Johann Sebastian Bach (...(+)
(Cantata for the 20th
Sunday after Trinity).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For SATB
vocal soli, SATB choir, 2
recorders f1, flute,
oboe, taille (english
horn), 2 violins, viola,
cello piccolo, basso
continuo. German title:
Schmucke dich, o liebe
Seele. Cantatas. Complete
orchestral parts.
Language: German/English.
Composed 1724. BWV 180.
Duration 28 minutes.
Published by Carus Verlag
Composed by Wolfgang
Amadeus Mozart. Edited by
Michael Ostrzyga. This
edition: urtext edition.
Paperback. New
Completion. Vocal Score.
Baerenreiter Verlag
#BA11310_90. Published by
Baerenreiter Verlag
(BA.BA11310-90).
ISBN
9790006569267. 27 x 19 cm
inches. Text Language:
Latin.
This
publication offers a
source-critical edition
of Mozartâ??s
fragmentary
â??Requiemâ? as well
as an alternative to the
traditional Sü�mayr
version. It makes it
possible to perform 1)
the fragment, identified
in print in both the
score and the parts, 2)
the authentic sections
left incomplete by
Mozart, now in a
stylistically appropriate
orchestration, and 3)
those sections missing
entirely in the fragment,
newly added in
Mozartâ??s idiom taking
into account historical
additions by Sü�mayr
and Eybler.
When
completing the fragment,
the editor drew on
comprehensive comparative
and analytical studies of
Mozartâ??s church style
and compositional
workmanship. The
influence of Handel and
Bach manifested in his
final years, particularly
in the â??Requiemâ?
fragment, is taken into
account in those sections
requiring completion or
fresh
composition.
At
two points readers may
choose between
alternative movements (or
sections), since
proceeding from
SüÃ?mayrâ??s
historical version, two
divergent options cannot
be weighed against each
other but each one may
well reflect Mozartâ??s
intentions: the
â??Lacrimosaâ? may
end with or without
â??Amenâ? fugue, and
the â??Sanctusâ? may
begin in the customary D
major or in D minor.
Above all, this makes it
possible to retain the
B-flat major
â??Hosannaâ? from
SüÃ?mayrâ??s
autograph, a movement
which, until now, has not
been appreciated as
compositionally
flawless.
â?¢
Scholarly-critical
edition of the
â??Requiemâ?
fragment â?¢ With
performance material for
presentation of 1) the
fragment, 2) a version
with completions of the
authentic Mozart sections
or 3) a full
completion consistent
with Mozartâ??s musical
idiom â?¢ Missing
sections were completed
by drawing from other
fragmentary sacred works
by Mozart â?¢ Added
or completed sections
incorporate influences
from Bach and Handel
already detectable in the
fragment â?¢
Alternative performance
options for the
â??Lacrimosaâ?,
â??Sanctusâ? and
â??Benedictusâ? â
?¢ Easy-to-play piano
reduction â?¢
Extensive foreword
(Ger/Eng) on the
workâ??s history,
reception and modern
completions, with
analytical stylistic
critique â?¢
Detailed Critical
Commentary (Eng), partly
available on the
Bärenreiter
website â?¢ Tried
and tested on many
occasions, e.g. at
Harvard University, the
Rheingau Music Festival,
the Monadnock Music
Festival (New Hampshire),
in Salt Lake City (Utah),
as well as in radio
broadcasts (NDR, SWR,
WDR) and CD recordings
with Concerto Köln,
Chorwerk Ruhr and Florian
Helgath (â??Le Disque
classique du jourâ?
from francemusique.fr and
three nominations for
Opus Klassik 2021 in the
categories
â??Ensembleâ?,
â??Choral Recordingâ?
and â??Editorial
Achievementâ?)
ISBN
9790006558131. 33.5 x
25.5 cm inches. Text
Language: French.
Preface: Sylvie Bouissou.
Text: Louis
Fuzelier.
The main
body of the new edition
of Les Indes galantes,
published in Opera Omnia
Rameau (OOR IV.2, 7),
restores the version
authorised by Rameau in
1736. This basic
editorial decision has
made it possible to
present a fully coherent
and authenticated reading
of the work (after the
adjustments from the
earliest performances).
All other versions before
and after 1736 are
gathered together in 19
complements.
Sylvi
e Bouissou's new edition
differs markedly from
previous modern editions
and all existing
recordings. With its
complements she does
justice to the
performer's need for
Rameau's various
revisions while finally
making accessible a
version actually
authorised by Rameau. For
the first time it is
presented in its complete
stylistic and dramatic
context.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
The Exodus Song Soli, choeur mixte et accompagnement SA [Conducteur] - Intermédiaire Molenaar Edition
(SATB, TTBB, Solo). Composed by Ernest Gold. Arranged by Johan De Meij. For bari...(+)
(SATB, TTBB, Solo).
Composed by Ernest Gold.
Arranged by Johan De
Meij. For baritone voice
solo, SATB choir or TBB
choir, concert band.
Arrangements of Modern
Light Music/Mixed Choir
and Band/Slow
Movements/Catalogue Movie
and Musical. Movie and
Musical. Recorded on The
Best of Johan de Meij -
3CD Box (ML.311076720).
Grade 3. Score only.
Duration 4 minutes, 10
seconds. Published by
Molenaar Edition
(Opera in three acts). By George Frideric Handel (1685-1759). Edited by Dorothea...(+)
(Opera in three acts). By
George Frideric Handel
(1685-1759). Edited by
Dorothea Schroder.
Arranged by Andreas Kohs.
For 3 Solo Soprano
Voices/3 Solo Tenor
Voices/2 Solo Bass
Voices/Mixed Choir:
SATB/2 Treble Recorders/2
Oboes/Bassoon/3 Trumpets
or 3 Horn
