Chamber Music trombone SKU: CF.W2687 For Trombone. Composed by Jea...(+)
Chamber Music trombone
SKU: CF.W2687
For Trombone.
Composed by Jean-Baptiste
Arban. Edited by Alan
Raph. SWS. Collection -
Performance. With
Standard notation. 32
pages. Carl Fischer Music
#W2687. Published by Carl
Fischer Music (CF.W2687).
ISBN 9781491150955.
UPC: 680160908455. 9x12
inches.
This new
edition of Jean Baptiste
Arban's Fourteen
Characteristic Studies
for Trombone, edited by
Alan Raph, was
specifically written to
provide the student with
suitable material with
which to test his powers
of endurance, according
to Arban himself. The
following fourteen
studies have been
specifically written to
provide the student
withsuitable material
with which to test his
powers of endurance. In
taking up these studies,
he willdoubtless be
fatigued, especially at
the outset, by those
numbers requiring an
unusual length ofbreath.
However, through careful
study and experience he
will learn to overcome
the difficultiesand will
acquire the resources
which will enable him to
master this particular
phase of playingwith
ease. As a means to this
end, attention is drawn
to cantabile passages in
particular, whichshould
be played with the utmost
expression, yet at the
same time with as much
modified toneas possible.
On the cornet, as with
the voice, clear tones
may be obtained by
widening thelips and
veiled tones by
contracting them. This
happy circumstance allows
the performer
anopportunity to rest
while still continuing to
play, and at the same
time enables him to
introduceeffective
contrasts into the
execution. It should be
noted that by little
artifices of this kind,
andby skillfully
conserving his resources,
the player will reach the
end of the longest and
mostfatiguing pieces, not
only without difficulty,
but even with a reserve
of strength and
power,which, when brought
to bear on the final
measures of a
performance, never fails
to impress anaudience.At
this point my task as
professor (using the
written instead of the
spoken word) willend.
There are things which
appear clear enough when
stated verbally but which
when writtendown on paper
cause confusion, seem
obscure, and even
sometimes appear
trivial.There are other
things of such an
elevated and subtle
nature that neither
speech norword can
clearly explain them.
They are felt, they are
conceived, but they are
not to be explained;and
yet these things
constitute the elevated
style, the grand ecole,
which it is my ambition
toestablish for the
cornet, just as they
already exist for singing
and for the various kinds
of otherinstruments.Those
of my readers who are
ambitious and who want to
attain this high level
ofperfection, should
above all things, always
try to hear good music
well interpreted.
Theymust seek out, among
singers and
instrumentalists, the
most illustrious models,
and by doingthis purify
their taste, develop
their sentiments, and
bring themselves as near
as possible tothat which
is beautiful. Perhaps
then the innate spark
which may someday be
destined todemonstrate
their own talent, will
reveal itself and render
them worthy of being, in
their turn,cited and
imitated in the
future.
(Selected from the Vocalises of Marco Bordogni). By Giovanni Marco Bordogni (178...(+)
(Selected from the
Vocalises of Marco
Bordogni). By Giovanni
Marco Bordogni
(1789-1856). Edited by
Alan Raph. Arranged by
Joannes Rochut. For
trombone. 68 pages.
Published by Carl Fischer
Trombone SKU: HL.48182521 Composed by Sigismond Stojowski. Leduc. Classic...(+)
Trombone
SKU:
HL.48182521
Composed
by Sigismond Stojowski.
Leduc. Classical.
Softcover. 12 pages.
Alphonse Leduc #AL23839.
Published by Alphonse
Leduc (HL.48182521).
UPC: 888680840914.
9.0x12.0x0.054
inches.
Composed by
Sigismond Stojowski,
Fantasy, Op.38 is a piece
for Bass Trombone and
Piano. This lyrical
piece, published in 1912,
is very melodic and would
require advanced skills
and technique to perform
it perfectly. This piece
is one of the first he
wrote after moving to the
USA. Comparable to
Chopin's 'Fantasy', even
though Stojowski's seems
better-written and more
virtuous. A transcription
exists for Viola and
other instruments.
Sigismond Stojowski is a
Polish pianist, composer
and conductor who studied
at the Paris
Conservatoire. He was a
good friend of
Tchaikovsky and worked as
a Piano soloist in the
USA with the Boston and
the San Francisco
Symphony, as well as the
New York Philharmonic,
among others.
Trombone SKU: HL.48184820 Composed by Galiegue M. Jerome. Leduc. Classica...(+)
Trombone
SKU:
HL.48184820
Composed
by Galiegue M. Jerome.
Leduc. Classical.
Softcover. 28 pages.
Alphonse Leduc #AL28119.
Published by Alphonse
Leduc (HL.48184820).
UPC: 888680797102.
9x12
inches.
“Both
Marcel Galiègue
and Jérôme
Naulais studied the
Trombone at the Paris
Conservatoire. Both
musicians have performed
in a large number of
concerts and recordings
and have taken part in
many international Master
Classes. Their
collaboration for
Miniature Studies for
Tenor Trombone,
therefore, makes for a
well-informed
compilation. With few
study books existing
specifically for Tenor
Trombone, 50 Miniature
Studies fills a large
gap. In Galiègue
and Naulais' book, no
tempo or dynamics are
given as they are left to
the teacher and student's
discretion. With all
fifty exercises
addressing a variety of
musical features, 50
Minature Studies for
Tenor Trombone makes for
an imperative aid to
technical progression on
the instrument.
&rdquo.
Moments of Swing Trombone [Partition + CD] De Haske Publications
(Trombone). By Rik Elings. For Trombone. De Haske Play-Along Book. Play Along. B...(+)
(Trombone). By Rik
Elings. For Trombone. De
Haske Play-Along Book.
Play Along. Book with CD.
28 pages. De Haske
Publications #991623.
Published by De Haske
Publications
Trombone (tuba) SKU: M7.AHW-3907 Composed by Joe Tarto. Sheet music. Meth...(+)
Trombone (tuba)
SKU:
M7.AHW-3907
Composed
by Joe Tarto. Sheet
music. Method. 104 pages.
Charles Colin Corp. #AHW
3907. Published by
Charles Colin Corp.
(M7.AHW-3907).
English.
This
100 page book is full of
exercises to get you
started, then includes a
long list of tunes that
show you how to take an
existing melody and make
it your own through
improv.