6 Easy Concert Pieces. Composed by Arnold Trowell. Edited by Beverley Ellis. This edition: Saddle stitching. Sheet music. Schott Student Edition. 6 leichte Stucke fur Violoncello und Klavier. Classical. Softcover. Op. 4/7-12. 40 pages. Schott Music #SE 1050. Published by Schott Music

For Violoncello and Piano. By Frederic Chopin. Edited by E.-G. Heinemann. Violoncello. Pages: Score = VII and 48 * Vc Part = 10. Urtext edition (Paper-bound). Published by G. Henle.

Composed by Jean-Baptiste Breval. Edited by Christoph Sassmannshaus. Stapled. Barenreiter's Concert Pieces. Piano reduction, part(s). 7/12 pages. Duration 8:00. Baerenreiter Verlag #BA 10698. Published by Baerenreiter Verlag

Cello and Piano Schott Student Edition Level 1. Composed by Arnold Trowell. Edited by Beverley Ellis. This edition: Saddle stitching. Sheet music. Schott Student Edition. Classical. Softcover. Op. 4/1-6. 40 pages. Schott Music #SE 1024. Published by Schott Music

Cello and Piano. Composed by Various. Edited by Katharina Deserno, Rainer Mohrs. This edition: Saddle stitching. Sheet music with CD. String. Ob fur Unterricht oder das erste Konzert: Die Ausgabe enthalt leichte, bekannte Stucke von der Renaissance bis zur Moderne, die sorgfaltig nach technischen und musikalischen Anforderungen ausgewahlt wurden. Alle Stucke sind auf der beiliegenden CD enthalt. Renaissance, Modern, Classical. Edition/Softcover with CD. 21705. 44 pages. Schott Music #ED21705. Published by Schott Music

(Fantasia for Cello and Piano). Composed by Edward Mollenhauer. Edited by Christoph Sassmannshaus. For cello solo and piano. Stapled. Barenreiter's Concert Pieces. Transcribed for Violoncello and Piano. Level 2. Piano reduction, part(s). Published by Baerenreiter Verlag

Violin, Cello and Piano

SKU: HL.14036966

Composed by Alan Bush. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV120202. Published by Music Sales (HL.14036966).

English.

Score and Parts for Violin, Cello and Piano.

For Cello and Piano. Composed by Francois Couperin (1668- 1733). Leduc. Baroque. Softcover. 12 pages. Alphonse Leduc #AL16920. Published by Alphonse Leduc

25 Concert Pieces from 5 Centuries for Cello and Piano – Book/Audio. Edited by Katharina Deserno. String Method. Classical, Educational, Recital. Softcover Audio Online. 86 pages. Schott Music #ED20881D. Published by Schott Music

(25 Concert Pieces from 5 Centuries for Cello and Piano). Edited by Katharina Deserno. Schott. Softcover with CD. 88 pages. Schott Music #ED20881. Published by Schott Music

(Cello and Piano). By Various. Edited by Maria Kliegel. String. Softcover. 112 pages. Schott Music #ED20916. Published by Schott Music

Composed by Various. Arranged by Rainer Mohrs. Woodwind. Softcover. 192 pages. Schott Music #ED22354. Published by Schott Music

For Cello and Piano Schott Student Edition Repertoire. Composed by Hugo Schlemueller. Edited by Martin Mueller-Runte. This edition: Saddle stitching. Sheet music. Schott Student Edition. Repertoire. Softcover. Op. 12. 32 pages. Schott Music #SE1005. Published by Schott Music (HL.49045443).

For Cello. (Cello). CD Sheet Music (Version 2.0). PDF file on CD. 2400 pages. Published by Subito Music.

Cello and piano

SKU: VD.ED13961

Heft 1: Nr. 1-3. Composed by Johann Martin Friedrich Nisle. Edited by Christian Vitalis. Nisle-Gesamtausgabe. Classical. Score, parts. 38 S. Part. + 8 S. Stimmen pages. Verlag Dohr #ED13961. Published by Verlag Dohr (VD.ED13961).

ISBN 9790202029619. 12 x 9 inches.

Cello and piano

SKU: VD.ED13962

Heft 2: Nr. 4-6. Composed by Johann Martin Friedrich Nisle. Edited by Christian Vitalis. Nisle-Gesamtausgabe. Classical. Score, parts. 30 S. Part. + 8 S. Stimmen pages. Verlag Dohr #ED13962. Published by Verlag Dohr (VD.ED13962).

ISBN 9790202029626. 12 x 9 inches.

Schott Student Edition Repertoire. Composed by Jean Baptiste Breval. Edited by Beverley Ellis. This edition: Saddle stitching. Sheet music. Schott Student Edition. Repertoire. Softcover. Op. 40/1. 36 pages. Schott Music #SE1006. Published by Schott Music (HL.49045503).

(Chopin National Edition). Composed by Frederic Chopin (1810-1849). Edited by Jan Ekier. For Cello, Piano Accompaniment. PWM. Softcover. 170 pages. Polskie Wydawnictwo Muzyczne #51600028. Published by Polskie Wydawnictwo Muzyczne

Cello and piano (Cello Part And Piano Score) - intermediate

SKU: HL.49019221

Composed by George Goltermann. Edited by Fritz Zumkley. This edition: Saddle stitching. Sheet music. String Solo. Softcover. Op. 92/2. 12 pages. Schott Music #CB246. Published by Schott Music (HL.49019221).

ISBN 9790001180672. UPC: 841886018136. 9.0x12.0x0.092 inches.

Georg Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which still play an important role in the cello literature of today. In addition, he composed a large number of character pieces, including romances, reveries, nocturnes and serenades. Rooted entirely in the romantic spirit of their time with regard to style, they are relatively short pieces of medium difficulty. It is not least due to its melodic and harmonic catchiness that the rather easy Reverie in G minor Op. 92/2 enjoys great popularity both in lessons and in concerts. The expression marking 'Allegro appassionato' refers to the fundamental character of the piece which demands, in particular, an expressive vibrato rich in modulation.

Cello and Piano

SKU: BT.EMBZ14832

Composed by Nicola Porpora. Educational Tool. Book Only. Composed 2012. 48 pages. Editio Musica Budapest #EMBZ14832. Published by Editio Musica Budapest (BT.EMBZ14832).

The source of this publication was issued in London in 1745 by John Walsh Jr. Walsh s publication contains six four-movement works, originally written for violin, solo cello, a keyboard instrument and a second cello to reinforce the bass of the latter, but the role of the violin is insignificant, so these works can be regarded as pieces for cello. Of the six works, the arranger of the volume was publishing the three most suitable ones to that as cello concertos the piano part incorporates both the violin interludes and the continuo. In the cello part higher positions do occur, but they do not necessarily require use of the thumb they are playable after 4-5 years intensivestudy of the instrument.

Die 1745 in London veröffentlichten Stücke waren ursprünglich für Geige, Solo-Cello, ein Tasteninstrument und ein zweites Cello geschrieben. Die Rolle der Geige war jedoch so unwesentlich, dass es sich im Grunde um Cellowerke handelt. Von den ursprünglich sechs Werken hat der Arrangeur die drei geeignetsten ausgewählt, wobei die Klavierstimme die Geigen- und die Continuostimme in sich vereint. Die Cellopassagen sind für fortgeschrittene Spieler geeignet.

(Cello Part And Piano Score)

SKU: HL.132809

Composed by P. Lukaszewski. PWM. Classical. Polskie Wydawnictwo Muzyczne #11165020. Published by Polskie Wydawnictwo Muzyczne (HL.132809).

UPC: 884088976439.

Urtext der Berwald Gesamtausgabe. By Franz Berwald. Edited by Kathleen Kuzmick Hansell. For Instrument. Berwald. Samtliche Werke, Band 14. Collection; Score; Set of Parts; Complete Edition (cloth bound). Published by Baerenreiter-Ausgaben (German import).

18 Advanced Pop Pieces Cello and Piano Book/CD. Composed by Gabriel Koeppen. String Solo. Classical. Softcover with CD. 36 pages. Schott Music #ED22740. Published by Schott Music

Chamber Music Cello, Piano

SKU: CF.BF141

Composed by Ernest Bloch. Edited by Julian Schwarz. 12+8 pages. Carl Fischer Music #BF141. Published by Carl Fischer Music (CF.BF141).

ISBN 9781491159989. UPC: 680160918584.

The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.

The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.

The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.

The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917.

Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance. The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos. The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience. The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917. Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, “Prayer”, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, “The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski’s (1912–1991) now well-known setting of the High Holyday prayer Avinu Malkenu.” This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both “Prayer” and Janowski’s Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, “Supplication� � (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, “Jewish Song”, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch’s most celebrated work, Schelomo in 1917.Though the popularity of Bloch’s oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America’s composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.