Flute - intermediate SKU: HL.49008242 50 Studies in Progressive Order<...(+)
Flute - intermediate
SKU: HL.49008242
50 Studies in
Progressive Order.
Edited by Renate Kehr.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 76 pages.
Schott Music #ED 8964.
Published by Schott Music
(HL.49008242).
ISBN
9790001125475. UPC:
841886028470.
9.0x12.0x0.227
inches.
This
anthology aims to provide
a selection of studies
which are not merely
mechanical but are also
valid from a musical
point of view, enabling
the student to use their
technical progress as a
means to finding their
own musical style. The
selection is arranged
under the headings: Tone,
Legato / Articulation,
Staccato, and
Ornamentation /
Rhythms.
Fiddle-Faddle Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Leroy Anderson. Arranged by Philip J. Lang. By Leroy Anderson / arr. Philip J...(+)
By Leroy Anderson.
Arranged by Philip J.
Lang. By Leroy Anderson /
arr. Philip J. Lang. For
Concert Band. Concert
Band. Leroy Anderson
Concert Band. Level: 3.5
(Medium Easy to Medium)
(grade 3.5). Conductor
Score and Parts. 430
pages. Duration 3:31:00.
Published by Alfred
Publishing.
Fiddle-Faddle Orchestre d'harmonie [Conducteur] - Avancé Alfred Publishing
By Leroy Anderson. Arranged by Philip J. Lang. By Leroy Anderson / arr. Philip J...(+)
By Leroy Anderson.
Arranged by Philip J.
Lang. By Leroy Anderson /
arr. Philip J. Lang. For
Concert Band. Concert
Band. Belwin Classic
Band. Level: 5 (Medium
Advanced) (grade 5).
Conductor Score. 28
pages. Published by
Alfred Publishing.
By Johann Sebastian Bach (1685-1750). Arranged by Ann Kapp Andersen. For SSATTB ...(+)
By Johann Sebastian Bach
(1685-1750). Arranged by
Ann Kapp Andersen. For
SSATTB Choir with
children. Christmas.
Medium / Medium-Difficult
(accompaniment). Octavo.
Duration 3:30. Published
by Universe . Octavo.
Christmas.
(Flute) SKU: HL.48018360 Composed by Cé and sar Ciardi. Edited by P...(+)
(Flute)
SKU:
HL.48018360
Composed
by Cé and sar
Ciardi. Edited by Prill,
E/Andersen, J. Boosey &
Hawkes Chamber Music.
Simrock #M221109088.
Published by Simrock
(HL.48018360).
Improvised Piano & Orchestra SKU: SU.36100120 For improvised Piano & O...(+)
Improvised Piano &
Orchestra
SKU:
SU.36100120
For
improvised Piano &
Orchestra. Composed
by T.J. Anderson.
Keyboard,
Piano/Harpsichord,
Orchestra. Score. Subito
Music Corporation
#36100120. Published by
Subito Music Corporation
(SU.36100120).
Improvised
piano; 1,2 2,1 2,1 2,1;
4331; timp, perc; stgs
Duration: 20' Form:
Introduction - Free
Cadenza - Episode I -
Timed Cadenza - Episode
II - Free Cadenza -
Episode III Composed:
2005 T.J. Anderson Music
Publishing
Piano
Reduction: available for
sale (#36100110)
Parts available on rental
Improvised Piano & Orchestra (Piano reduction) SKU: SU.36100110 For im...(+)
Improvised Piano &
Orchestra (Piano
reduction)
SKU:
SU.36100110
For
improvised Piano &
Orchestra (Piano
reduction). Composed
by T.J. Anderson.
Keyboard,
Piano/Harpsichord. Score.
Subito Music Corporation
#36100110. Published by
Subito Music Corporation
(SU.36100110).
Improvised
piano; 1,2 2,1 2,1 2,1;
4331; timp, perc; stgs
Duration: 20' Form:
Introduction - Free
Cadenza - Episode I -
Timed Cadenza - Episode
II - Free Cadenza -
Episode III Full Score &
Parts: available on
rental Composed: 2005
T.J. Anderson Music
Publishing
By Anna Laura Page and J. Paul Williams. For Choir. (SATB). Choral Octavo. Leve...(+)
By Anna Laura Page and J.
Paul Williams. For Choir.
(SATB). Choral Octavo.
Level: Level 3 (grade
L3). Choral Octavo. 8
pages. Published by
Alfred Publishing.
Choir a cappella SKU: BT.WH32824CD CD Only. Composed 2017. Edition Wilhel...(+)
Choir a cappella
SKU:
BT.WH32824CD
CD Only.
Composed 2017. Edition
Wilhelm Hansen
#WH32824CD. Published by
Edition Wilhelm Hansen
(BT.WH32824CD).
ISBN
9788759891490.
English.
Denmark
Revisited - Danish choral
works for mixed voices a
cappella. The University
Choir Lille MUKO and
soprano Else Torp,
conducted by Jesper Grove
Jørgensen. For many
years now there has been
a broad international
interest in performing
Danish choral works, not
least from the 20th
century, but often the
Danish lyrics have been a
hindrance in realising
this goal outside
Denmark. With this in
mind we have thought it
important to make Danish
choral music more
available through the
release of selected works
in which the Danish text
is translated into
English. With the present
choice we have
endeavoured to present
works which fully
demonstrate the wide
range and originality
ofDanish choral music:
the particular, lyrical
Danish tone of Svend S.
Schultz and Jørgen
Jersild; the original
simplicity of Pelle
Gudmundsen-Holmgreen; the
characteristically Danish
late romanticism of P.E.
Lange-Müller and Rued
Langgaard; and the music
of composers with their
own particular musical
idiom, such as Vagn
Holmboe, Bernhard
Lewkovitch, and Bo
Holten. We have also
tried to choose works
with lyrics by writers
that are specifically
Danish in origin,
including Hans Christian
Andersen, Johannes V.
Jensen, and Tove
Ditlevsen. We hope that
this release will help to
spread knowledge and
understanding of Danish
choral music outside
Denmark. (Jesper Grove
Jørgensen) Content P.
E. Lange-Müller: 3
Madonna Songs Rued
Langgaard: 3 Rosengaard
Songs Svend S. Schultz:
Denmark Revisited Vagn
Holmboe: Songs Towards
the Deep of Spring, op.
85 Jørgen Jersild:
Three Danish Love Songs
Bernhard Lewkovitch: 3
Motets, op. 11 Pelle
Gudmundsen-Holmgreen: 6
Simple Danish Songs Bo
Holten: Rain and Rush and
Rosebush.
Concert Band/Harmonie and Piano SKU: BT.BMP8095417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8095417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski.
Score Only. Composed
2008. Beriato Music
#BMP8095417. Published by
Beriato Music
(BT.BMP8095417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Concert Band/Harmonie and Piano SKU: BT.BMP8091417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8091417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski. Set
(Score & Parts). Composed
2008. Beriato Music
#BMP8091417. Published by
Beriato Music
(BT.BMP8091417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Soprano voice & Piano SKU: SU.36100140 For Soprano & Piano. Compos...(+)
Soprano voice & Piano
SKU: SU.36100140
For Soprano &
Piano. Composed by
T.J. Anderson.
Vocal/Choral, Solo Voice.
Score. Subito Music
Corporation #36100140.
Published by Subito Music
Corporation
(SU.36100140).
Soprano, Piano
Duration: Text: T.J.
Anderson, III Composed:
2005 T.J. Anderson Music
Publishing.
By Rebecca Meador and Jean Marshall. For Flute (Flute). Woodwind Solos and Ensem...(+)
By Rebecca Meador and
Jean Marshall. For Flute
(Flute). Woodwind Solos
and Ensembles - Flute
Studies. Southern Music.
Grade 3. 28 pages.
Southern Music Company
#B572. Published by
Southern Music Company
SKU: HL.14023517 Composed by Hans Christian Andersen and J.P.E Hartmann. ...(+)
SKU: HL.14023517
Composed by Hans
Christian Andersen and
J.P.E Hartmann. Music
Sales America. Choral
Score. Composed 2005.
Edition Wilhelm Hansen
#WH02427. Published by
Edition Wilhelm Hansen
(HL.14023517).
Composed by T.J.
Andersen. Quartet; Single
Titles; String Quartet.
Edition Peters. Set of
parts. 76 pages. Duration
00:22:00. Edition Peters
#98-EP67665A. Published
by Edition Peters
(PE.EP67665A).
ISBN
9790300743233.
Full
Score: EP
67665
Set of
Parts
This product
is Printed on Demand and
may take several weeks to
fulfill. Please order
from your favorite
retailer.
SKU: SU.00220550 Woodwinds, Flute/Piccolo. Solo Flute, Flute Duets/Trios/...(+)
SKU: SU.00220550
Woodwinds, Flute/Piccolo.
Solo Flute, Flute
Duets/Trios/Quartets. CD
(PDF Scores). CD Sheet
Music #00220550.
Published by CD Sheet
Music (SU.00220550).
Please note,
customers using Macintosh
computers running macOS
Catalina (version 10.5)
have reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac.
For Studio and Recital, Thirty Songs for High Voice. By Alexander Gretchaninoff;...(+)
For Studio and Recital,
Thirty Songs for High
Voice. By Alexander
Gretchaninoff; Anton
Rubinstein; Charles
Huerter; Charles W.
Cadman; Clara Edwards;
Earl Cranston Sharp;
Edvard Grieg; Frank
Laforge; Gustav Klemm;
Harvey B. Gaul; Jacques
Offenbach; James H.
Rogers; Johannes Brahms;
John A. Carpenter. Edited
by Heinrich Kiehl; Martin
Mason. Text: Charles O.
Roos; Dorothy Dickinson;
H.J. Pearl; Hans
Christian Andersen;
Heinrich Heine; Helen
Oushman Mitchell; Helge
Rode; Hermann Hagedorn;
Jessica Hawley Lowell;
Karl Simrock; Katherine
Howard; Lermontoff; Paul
Verlaine; Pearl G.
Curran; Shega Obata. For
high voice, piano.
Piano/Vocal Score. 94
pages. Published by
Theodore Presser Company.
Pression Contre Basse [Conducteur] Breitkopf & Härtel
Double bass solo SKU: BR.EB-9268 Revised Version 2010. Composed by...(+)
Double bass solo
SKU:
BR.EB-9268
Revised
Version 2010.
Composed by Helmut
Lachenmann. Arranged by
Caleb Salgado. Solo
instruments; Folder.
Edition Breitkopf. Music
post-1945; New music
(post-2000). Score.
Composed 1969/2010. 26
pages. Duration 9'.
Breitkopf and Haertel #EB
9268. Published by
Breitkopf and Haertel
(BR.EB-9268).
ISBN
9790004185681. 12 x 9
inches.
This piece
originated as an
introduction to
instrumental
musique-concrete. In this
sort of piece it is
common for sound
phenomena to be so
refined and organised
that they are not so much
the results of musical
experiences as of their
own acoustic attributes.
Timbres, dynamics and so
on arise not of their own
volition but as
components of a concrete
situation characterised
by texture, consistency,
energy, resistance.This
does not come from within
but from a liberated
compositional technique.
At the same time it
implies that our
customary sharply-honed
auditory habit is
thwarted. The result is
aesthetic provocation:
beauty denying
habit.(Helmut
Lachenmann),,Cette
nouvelle edition est une
invitation faite aux
violoncellistes qui
souhaiteraient
redecouvrir leur
instrument et la maniere
de la faire sonner en
realisant dessus un
nouveau genre de
polyphonie: une
polyphonie d'actions.
(Francois-Xavier Feron,
Circuit, Heft 25, Juni
2015)CDs/LPs:Michael Bach
CD cpo 999 102-2 Lucas
Fels CD Montaigne Auvidis
MO 782075 Walter Grimmer
CD col legno WWE 31863
Taco Kooistra CD Attacca
Babel 9369-1 Pierre
Strauch CD Accord 202082
Michael Bach LP ABE ERZ
1003 Werner Taube LP ABE
ERZ 1003ensemble
phorminxCD WER 6682
2Michael M. KasperCD
Michael M. Kasper rounds
per minute, Ensemble
Modern Medien,
EMCD-006Michael Svoboda
(trombone)CD Wittener
Tage fur neue Kammermusik
2011Bibliography:Deltz,
Eberhard: begegnung im
grenzbereich. Zwei Werke
von Helmut Lachenmann und
Hideaki Yamanobe im
Spiegel eines Haiku von
Matsuo Basho, in: Neue
Zeitschrift fur Musik 167
(2006), Heft 1, pp.
36-41.Feron,
Francois-Xavier: Enjeux
et evolution du systeme
de notation dans
,,Pression pour un(e)
violoncelliste de Helmut
Lachenmann, in: Circuit,
Heft 25, 2015, pp.
55-65.GoGwilt, Keir:
Templates for Technique
in Mantel and Lachenmann.
Between Transcendence and
Immanence, in: The Dark
Precursor: Deleuze and
Artistic Research. Band
I: The Dark Precursor in
Sound and Writing, hrsg.
von Paulo de Assis und
Paolo Giudici, Leuven:
Leuven University Press
2017, pp.
105-113.Griffiths, Paul:
ModernMusic and After,
3rd edition, Oxford
University Press 2010,
pp. 216-219.Handschick,
Matthias: Musik als
,,Medium der sich selbst
erfahrenden Wahrnehmung.
Moglichkeiten der
Vermittlung Neuer Musik
unter dem Aspekt der
Auflosung und Reflexion
von Gestalthaftigkeit (=
Schriften der Hochschule
fur Musik Freiburg 3),
Hildesheim u. a.: Olms
2015, dort pp.
161-167.Hiekel, Jorn
Peter: Helmut Lachenmann
und seine Zeit, Laaber:
Laaber 2023, S. 169-172,
231-232.Jahn, Hans-Peter:
simultan eine Erinnerung,
in: Neue Zeitschrift fur
Musik 167 (2006), Heft 1,
pp. 12-15.Lessing,
Wolfgang: Musizieren als
Prozess. Zur didaktischen
Dimension von Helmut
Lachenmanns Pression, in:
Musik inszeniert.
Prasentation und
Vermittlung
zeitgenossischer Musik
heute, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 46),
Mainz u. a.: Schott 2006,
pp. 73-83.ders.:
Verweigerung von
Gewohnheit.
Instrumentaldidaktische
Annaherungen an Pression
von Helmut Lachenmann,
in: Darstellen und
Mitteilen. Ein Handbuch
der musikalischen
Interpretation, hrsg. von
Ursula Brandstatter,
Martin Losert, Christoph
Richter und Andrea Welte,
Mainz: Schott 2010, pp.
111-122.ders.:
Interpretation, Verstehen
und Vermittlung, in: Ans
Licht gebracht. Zur
Interpretation Neuer
Musik, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 53),
Mainz u. a.: Schott 2013,
pp. 24-39.Mosch, Ulrich:
Das Unberuhrte beruhren
Anmerkungen zur
Interpretation von Helmut
Lachenmanns Werken
Pression und Allegro
sostenuto, in: Musik
inszeniert. Prasentation
und Vermittlung
zeitgenossischer Musik
heute, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 46),
Mainz u. a.: Schott 2006,
pp. 25-46.Musik als
Bildkritik Gesprach
zwischen Gottfried Boehm,
Helmut Lachenmann und
Matteo Nanni, in: Helmut
Lachenmann: Musik mit
Bildern? Hrsg. von Matteo
Nanni und Matthias
Schmidt (= eikones, hrsg.
von Nationalen
Forschungsschwerpunkt
Bildkritik an der
Universitat Basel),
Munchen: Wilhelm Fink
2012, pp.
237-269.Neuwirth, Markus:
Strukturell vermittelte
Magie.
Kognitionswissenschaftlic
he Annaherungen an Helmut
Lachenmanns Pression und
Allegro sostenuto, in:
Musik als
Wahrnehmungskunst.
Untersuchungen zu
Kompositionsmethodik und
Horasthetik bei Helmut
Lachenmann, hrsg. von
Christian Utz und Clemens
Gadenstatter (=
musik.theorien der
gegenwart 2),
Saarbrucken: Pfau 2008,
pp. 73-100.Orning, Tanja:
The Polyphonic Performer.
A Study of Performance
Practice in Music for
Cello Solo by Morton
Feldman, Helmut
Lachenmann, Klaus K.
Hubler and Simon
Steen-Andersen, Diss.
Oslo 2014, Oslo:
NMH-publikasjoner (mit
DVD).Sparrer,
Walter-Wolfgang: Wider
den geolten Gleichlauf.
Von der Notwendigkeit
strukturierender
Verfahrensweisen bei der
Interpretation von Musik.
Modell I: Kompositionen
fur Violoncello solo von
J. S. Bach, Isang Yun und
Helmut Lachenmann, in:
Musikalische Produktion
und Interpretation, hrsg.
von Otto Kolleritsch,
Wien/Graz 2003 (= Studien
zur Wertungsforschung,
Band 43), pp. 75-100.Utz,
Christian: Erinnerte
Gestalt und gebannter
Augenblick. Zur Analyse
und Interpretation
post-tonaler Musik als
Wahrnehmungspraxis
Klangorganisation und
Zeiterfahrung bei Morton
Feldman, Helmut
Lachenmann und Brian
Ferneyhough, in: Ans
Licht gebracht. Zur
Interpretation Neuer
Musik, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 53),
Mainz u. a.: Schott 2013,
pp. 40-67.
World
premiere: Como (Autunno
musicale), September 30,
1970.
Soprano voice & Piano SKU: SU.36100270 For Soprano & Piano. Compos...(+)
Soprano voice & Piano
SKU: SU.36100270
For Soprano &
Piano. Composed by
T.J. Anderson.
Vocal/Choral, Solo Voice.
Piano Vocal Score. Subito
Music Corporation
#36100270. Published by
Subito Music Corporation
(SU.36100270).
Soprano, Piano
Duration: 12' Text: Anita
Turpeau Anderson
Composed: 1999 T.J.
Anderson Music
Publishing.
Traditional, Wire bound,
Celtic. Folk. Book and
online audio. 216 pages.
Mel Bay Publications, Inc
#WBM58M. Published by Mel
Bay Publications, Inc
(MB.WBM58M).
ISBN
9781736363058. 8.75x11.75
inches.
A
comprehensive collection
of 172 guitar solos for
the flatpick or plectrum
guitarist. All solos are
written in standard
notation with
accompanying online
recordings by the author.
The solos include
beautiful American,
British and Celtic airs
and ballads, Celtic dance
tunes, lute and early
music, popular classical
repertoire and
contemporary etudes.
Includes access to online
audio.