Magnificat Chorale SATB [Partition] Alfred Publishing
By Francesco Durante. For Choir. (SATB with SATB Soli). Choral Worship Cantata....(+)
By Francesco Durante. For
Choir. (SATB with SATB
Soli). Choral Worship
Cantata. Kalmus Edition.
Masterwork; Sacred. Book.
20 pages. Published by
Alfred Publishing.
2 violins, viola and bassi (V2) SKU: HL.49027835 Composed by Francesco Du...(+)
2 violins, viola and
bassi (V2)
SKU:
HL.49027835
Composed
by Francesco Durante.
Edited by Erich Doflein.
Sheet music. Edition
Schott. Separate part. 6
pages. Duration 12'.
Schott Music #CON47-12.
Published by Schott Music
(HL.49027835).
Choir Sacred SA (SSATB) Soli, SSATB ATB Choir, Piano (SSATB ATB) SKU: PE.EP73...(+)
Choir Sacred SA (SSATB)
Soli, SSATB ATB Choir,
Piano (SSATB ATB)
SKU:
PE.EP73044A
For
Soprano, Alto, Choir and
Orchestra, First Edition,
Urtext. Composed by
Francesco Durante. This
edition: Urtext. Choral
Works (inc. Oratorios).
Edition Peters. Book. 116
pages. Duration 00:00:00.
Edition Peters
#98-EP73044A. Published
by Edition Peters
(PE.EP73044A).
ISBN
9790577013428. 190 x
272mm inches.
English.
The
Requiem in C minor by
Francesco Durante
(1684–1755) is one
of the most important
works of this genre
written in the first half
of the 18th century. In
his Messa de’
morti, Durante shows
great creativity in
combining traditional
elements of church music
with new ideas
originating from
instrumental writing and
opera. The quality and
originality of his
Requiem make it an
exciting rediscovery with
the potential to
establish itself as a
core repertoire work of
sacred choral
music.
Mainly known
today as the teacher of
Pergolesi and Paisiello,
Durante spent much of his
life working as music
director at various
conservatories in Naples
and enjoyed great renown
as a church composer well
into the 19th century.
Despite its widespread
popularity, indicated by
the number of manuscript
copies to be found across
Europe, his Requiem never
appeared in print. For
this first publication,
editor and leading
British choral director
Stephen Darlington has
consulted many of the
approximately 50
surviving sources of the
work, presenting a
critical edition which
for the first time makes
Durante’s Requiem
available to a wider
musical
audience.
First
publication
Urtex
t
edition
Particula
rly suitable for smaller
choirs and ensembles:
soprano and alto solo,
double choir (SSATB ATB)
and strings (plus 2 horns
in the Tuba
mirum)
Full score
and orchestral material
also available
(EP73044)
This edition of
Durante’s Requiem
has been recorded by
Stephen Darlington, with
Oxford’s Christ
Church Cathedral Choir,
soloists from The Sixteen
and Oxford Baroque.
Arranged by Johann
Sebastian Bach.
Composed by Francesco
Durante. Edited by
Frieder Rempp. Arranged
by Johann Sebastian Bach.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Missa C-Moll.
Bwv Anh.26. Sacred vocal
music, Masses, Latin.
Single Part, Violin 2. 12
pages. Duration 18
minutes. Carus Verlag #CV
35.008/12. Published by
Carus Verlag
(CA.3500812).
ISBN
9790007213008. Text
language:
Latin.
Johann
Sebastian Bach was able
to appreciate good works
by other composers, as is
shown by contemporary
accounts, and by a
glimpse into what remains
of his music library.
Francesco Durante,
maestro di cappella in
Naples, was known in his
time as an accomplished
composer, who in his
sacred works sought to
achieve accommodation
between the strict stile
antico and the stile
moderno of concert music
at that time. This
combination distinguishes
his Mass in C minor, and
it may have been what
awakened Johann Sebastian
Bach's interest in this
work. He copied it about
1730, not merely for
study purposes but in
order to perform it, as
is indicated by various
alterations which he made
to the composition. Bach
replaced the Christe by a
composition of his own,
and for the Kyrie II he
used Durante's music for
the Gloria, making the
alterations required by
the different words. A
worthwhile discovery!
Score and part available
separately - see item
CA.3500800.
Arranged by Johann
Sebastian Bach.
Composed by Francesco
Durante. Edited by
Frieder Rempp. Arranged
by Johann Sebastian Bach.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Missa C-Moll.
Bwv Anh.26. Sacred vocal
music, Masses, Latin.
Single Part, Cello/Double
Bass. 12 pages. Duration
18 minutes. Carus Verlag
#CV 35.008/13. Published
by Carus Verlag
(CA.3500813).
ISBN
9790007213015. Text
language:
Latin.
Johann
Sebastian Bach was able
to appreciate good works
by other composers, as is
shown by contemporary
accounts, and by a
glimpse into what remains
of his music library.
Francesco Durante,
maestro di cappella in
Naples, was known in his
time as an accomplished
composer, who in his
sacred works sought to
achieve accommodation
between the strict stile
antico and the stile
moderno of concert music
at that time. This
combination distinguishes
his Mass in C minor, and
it may have been what
awakened Johann Sebastian
Bach's interest in this
work. He copied it about
1730, not merely for
study purposes but in
order to perform it, as
is indicated by various
alterations which he made
to the composition. Bach
replaced the Christe by a
composition of his own,
and for the Kyrie II he
used Durante's music for
the Gloria, making the
alterations required by
the different words. A
worthwhile discovery!
Score and part available
separately - see item
CA.3500800.
Arranged by Johann
Sebastian Bach.
Composed by Francesco
Durante. Edited by
Frieder Rempp. Arranged
by Johann Sebastian Bach.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Missa C-Moll.
Bwv Anh.26. Sacred vocal
music, Masses, Latin.
Full score. 76 pages.
Duration 18 minutes.
Carus Verlag #CV
35.008/00. Published by
Carus Verlag
(CA.3500800).
ISBN
9790007143091. Text
language:
Latin.
Johann
Sebastian Bach was able
to appreciate good works
by other composers, as is
shown by contemporary
accounts, and by a
glimpse into what remains
of his music library.
Francesco Durante,
maestro di cappella in
Naples, was known in his
time as an accomplished
composer, who in his
sacred works sought to
achieve accommodation
between the strict stile
antico and the stile
moderno of concert music
at that time. This
combination distinguishes
his Mass in C minor, and
it may have been what
awakened Johann Sebastian
Bach's interest in this
work. He copied it about
1730, not merely for
study purposes but in
order to perform it, as
is indicated by various
alterations which he made
to the composition. Bach
replaced the Christe by a
composition of his own,
and for the Kyrie II he
used Durante's music for
the Gloria, making the
alterations required by
the different words. A
worthwhile discovery!
Arranged by Johann
Sebastian Bach.
Composed by Francesco
Durante. Edited by
Frieder Rempp. Arranged
by Johann Sebastian Bach.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Missa C-Moll.
Bwv Anh.26. Sacred vocal
music, Masses, Latin.
Single Part, Violin 1. 12
pages. Duration 18
minutes. Carus Verlag #CV
35.008/11. Published by
Carus Verlag
(CA.3500811).
ISBN
9790007212995. Text
language:
Latin.
Johann
Sebastian Bach was able
to appreciate good works
by other composers, as is
shown by contemporary
accounts, and by a
glimpse into what remains
of his music library.
Francesco Durante,
maestro di cappella in
Naples, was known in his
time as an accomplished
composer, who in his
sacred works sought to
achieve accommodation
between the strict stile
antico and the stile
moderno of concert music
at that time. This
combination distinguishes
his Mass in C minor, and
it may have been what
awakened Johann Sebastian
Bach's interest in this
work. He copied it about
1730, not merely for
study purposes but in
order to perform it, as
is indicated by various
alterations which he made
to the composition. Bach
replaced the Christe by a
composition of his own,
and for the Kyrie II he
used Durante's music for
the Gloria, making the
alterations required by
the different words. A
worthwhile discovery!
Score and part available
separately - see item
CA.3500800.
Arranged by Johann
Sebastian Bach.
Composed by Francesco
Durante. Edited by
Frieder Rempp. Arranged
by Johann Sebastian Bach.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Missa C-Moll.
Bwv Anh.26. Sacred vocal
music, Masses, Latin. Set
of Orchestra Parts.
Duration 18 minutes.
Carus Verlag #CV
35.008/19. Published by
Carus Verlag
(CA.3500819).
ISBN
9790007143251. Text
language:
Latin.
Johann
Sebastian Bach was able
to appreciate good works
by other composers, as is
shown by contemporary
accounts, and by a
glimpse into what remains
of his music library.
Francesco Durante,
maestro di cappella in
Naples, was known in his
time as an accomplished
composer, who in his
sacred works sought to
achieve accommodation
between the strict stile
antico and the stile
moderno of concert music
at that time. This
combination distinguishes
his Mass in C minor, and
it may have been what
awakened Johann Sebastian
Bach's interest in this
work. He copied it about
1730, not merely for
study purposes but in
order to perform it, as
is indicated by various
alterations which he made
to the composition. Bach
replaced the Christe by a
composition of his own,
and for the Kyrie II he
used Durante's music for
the Gloria, making the
alterations required by
the different words. A
worthwhile discovery!
Score and parts available
separately - see item
CA.3500800.
Arranged by Johann
Sebastian Bach.
Composed by Francesco
Durante. Edited by
Frieder Rempp. Arranged
by Johann Sebastian Bach.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Missa C-Moll.
Bwv Anh.26. Sacred vocal
music, Masses, Latin.
Choral Score. 20 pages.
Duration 18 minutes.
Carus Verlag #CV
35.008/05. Published by
Carus Verlag
(CA.3500805).
ISBN
9790007162061. Text
language:
Latin.
Johann
Sebastian Bach was able
to appreciate good works
by other composers, as is
shown by contemporary
accounts, and by a
glimpse into what remains
of his music library.
Francesco Durante,
maestro di cappella in
Naples, was known in his
time as an accomplished
composer, who in his
sacred works sought to
achieve accommodation
between the strict stile
antico and the stile
moderno of concert music
at that time. This
combination distinguishes
his Mass in C minor, and
it may have been what
awakened Johann Sebastian
Bach's interest in this
work. He copied it about
1730, not merely for
study purposes but in
order to perform it, as
is indicated by various
alterations which he made
to the composition. Bach
replaced the Christe by a
composition of his own,
and for the Kyrie II he
used Durante's music for
the Gloria, making the
alterations required by
the different words. A
worthwhile discovery!
Score available
separately - see item
CA.3500800.
Arranged by Johann
Sebastian Bach.
Composed by Francesco
Durante. Edited by
Frieder Rempp. Arranged
by Johann Sebastian Bach.
This edition: urtext. 3x
35.008/31 3 trombones.
Stuttgart Urtext Edition:
Bach vocal. Missa C-Moll.
Bwv Anh.26. Sacred vocal
music, Masses, Latin. Set
of Orchestra Parts.
Duration 18 minutes.
Carus Verlag #CV
35.008/09. Published by
Carus Verlag
(CA.3500809).
ISBN
9790007212988. Text
language:
Latin.
Johann
Sebastian Bach was able
to appreciate good works
by other composers, as is
shown by contemporary
accounts, and by a
glimpse into what remains
of his music library.
Francesco Durante,
maestro di cappella in
Naples, was known in his
time as an accomplished
composer, who in his
sacred works sought to
achieve accommodation
between the strict stile
antico and the stile
moderno of concert music
at that time. This
combination distinguishes
his Mass in C minor, and
it may have been what
awakened Johann Sebastian
Bach's interest in this
work. He copied it about
1730, not merely for
study purposes but in
order to perform it, as
is indicated by various
alterations which he made
to the composition. Bach
replaced the Christe by a
composition of his own,
and for the Kyrie II he
used Durante's music for
the Gloria, making the
alterations required by
the different words. A
worthwhile discovery!
Score and parts available
separately - see item
CA.3500800.
Composed by Francesco
Durante. Edited by John
Rutter. Choral Works
(inc. Oratorios). Oxford
Choral Classics. Sacred.
Full score. 32 pages.
Oxford University Press
#9780193527478. Published
by Oxford University
Press (OU.9780193527478).
ISBN 9780193527478. 12
x 9 inches.
For
SATB and chamber ensemble
A splendid curtain-raiser
to Vivaldi's Gloria,
Durante's artful
Magnificat has long been
misattributed to his
pupil Pergolesi.
Durante's vocally richer
five-voice version has
been chosen for Sacred
Choruses and merits
performance as an
alternative to the
familiar four-voice
version.
By Francesco Durante. Edited by Francesco Durante, Giovanni Battista Pergolesi. ...(+)
By Francesco Durante.
Edited by Francesco
Durante, Giovanni
Battista Pergolesi.
Arranged by Clayton
Westermann. For Soprano
voice, Alto voice, Tenor
voice, and Bass voice
(Soli), Choir / Piano.
(Chorus and piano). New
Issues. Baroque:
Rococco/Gallant;
Sacred/Hymns. Vocal
Score. Text Language:
Latin. 52 pages.
Published by Serenissima.
Composed by Francesco
Durante. Edited by John
Rutter. Choral Works
(inc. Oratorios). Oxford
Choral Classics. Sacred.
Set of parts. 132 pages.
Oxford University Press
#9780193527485. Published
by Oxford University
Press (OU.9780193527485).
ISBN 9780193527485. 12
x 9 inches.
For
SATB and chamber ensemble
A splendid curtain-raiser
to Vivaldi's Gloria,
Francesco Durante's
artful Magnificat has
long been misattributed
to his pupil Pergolesi in
a version for four
voices, not five. This
complete set contains 4 x
vln I, 4 x vln II, 2 x
vc, 2 x db, 1 x continuo,
and 1 x lute.
Orchestra - intermediate SKU: HL.49027848 Set of Solo Parts. Compo...(+)
Orchestra - intermediate
SKU: HL.49027848
Set of Solo Parts.
Composed by Francesco
Durante. Edited by Erich
Doflein. This edition:
Saddle stitching. Sheet
music. Concertino
(Chamber Orchestra).
Classical. Set of solo
parts. 18 pages. Duration
12'. Schott Music #CON
49-71. Published by
Schott Music
(HL.49027848).
ISBN
9790001021944.
8.5x11.75x0.052
inches.
The
four-part concertos of
the important Neapolitan
master Durante can be
performed by string
orchestras with or
without basso continuo,
the concertos in F minor
and E minor even with
string quartet.