By Claude Thornhill. Edited by Jeffrey Sultanof. Arranged by Gil Evans. For Big Band. Swing. Advanced. Full score and set of parts. Published by Jazz Lines Publications

By Public Domain. Arranged by Robert J Powell. Text: J. F. Wade. For String Quartet (2 Violins, Viola, Cello). Instrumental. Chamber Music Sacred. Level: Easy. 16 pages. Published by GIA Publications.

By Public Domain. Arranged by Robert J Powell. Text: J. F. Wade. For SATB Chorus. Christmas. Sacred. Level: Easy. 16 pages. Published by GIA Publications.

Saddle-stitched. Folk. Book and online audio. 44 pages. Mel Bay Publications, Inc #30705M. Published by Mel Bay Publications, Inc

Twenty-Three Classic, Traditional, and Ethnic Wedding Arrangements. Composed by Beth A. Kolle and Laurie Riley. Squareback saddle stitch. Book and online audio. Published by Mel Bay Publications, Inc (MB.98748M).

By Public Domain. Arranged by Ryan D. Neaveill. Text: Public Domain. For Keyboard accompaniment. (SAB). Spiritual and Sacred. Level: Medium Jr. High/High School or Easy Adult. 16 pages. Duration 2 min, 15 sec. Published by Hinshaw Music Inc.

By Public Domain. Arranged by Keaton Lee Scott. Text: Public Domain. For Organ accompaniment. (SATB). Folk, Sacred. Level: Medium Easy Jr. High/High School or Easy Adult. 8 pages. Duration 2 min, 22 sec. Published by Hinshaw Music Inc.

Jazz Ensemble 2 Alto saxophones, 2 Tenor saxophones, 3 trumpet, 2 trombonne, piano, guitar, double bass, Dr

SKU: PE.EP68488A

Composed by Jelly Roll Morton. Jazz Ensembles. Edition Peters. Part(s). 60 pages. Edition Peters #98-EP68488A. Published by Edition Peters (PE.EP68488A).

ISBN 9790300758909. English.

At the end of 1938, Jelly Roll Morton (1890-1941) returned to New York from his years in Washington, D.C. Recent publicity had made a comeback seem possible, and he hoped to recapture the prominent place in the jazz world that he had held in the 1920s. Still well known, though mainly as a New Orleans music pioneer, he understood that in order to be taken seriously as a contemporary artist, he needed to form a big band like those of his competition, such as Duke Ellington, Count Basie, Benny Goodman, and Tommy and Jimmy Dorsey. In the 1920s Morton's recordings and tours featured a ten-piece band following the first-generation big-band format. But in the late 1930s, larger groups were popular, so Morton assembled a conventional '30s band consisting of four saxophones, six brass, and four rhythm. The band was to open at the Golden Gate Ballroom in Harlem on April 17th, 1939, but on opening night Morton collapsed before going onstage. During his recuperation from the asthma and heart problems that dogged him, the band broke up, never to reassemble. Only six items written for that band's instrumentation are known to exist: Morton's arrangements of his own compositions -- Finger Breaker, GanJam, Good Old New York, Mister Joe, and Stop and Go -- and an arrangement, Mamies' Blues, by another artist. -- James Dapogny (Editor)

As an editor, Dapogny shows his customary sound musical scholarship and deep knowledge of Morton's style....The publishers are to be congratulated for bringing this fascinating work into the public domain, which throws a totally new light on 'Mister Jelly Lord.' Who knows what he would have achieved had he lived beyond his alleged 51 years? --Martin Litton, for JUST JAZZ (Feb 2011)

Jazz Ensemble 2 Alto saxophones, 2 Tenor saxophones, 3 trumpet, 2 trombonne, piano, guitar, double bass, Dr

SKU: PE.EP68488

Composed by Jelly Roll Morton. Jazz Ensembles. Edition Peters. Score. 36 pages. Edition Peters #98-EP68488. Published by Edition Peters (PE.EP68488).

ISBN 9790300758893. English.

At the end of 1938, Jelly Roll Morton (1890-1941) returned to New York from his years in Washington, D.C. Recent publicity had made a comeback seem possible, and he hoped to recapture the prominent place in the jazz world that he had held in the 1920s. Still well known, though mainly as a New Orleans music pioneer, he understood that in order to be taken seriously as a contemporary artist, he needed to form a big band like those of his competition, such as Duke Ellington, Count Basie, Benny Goodman, and Tommy and Jimmy Dorsey. In the 1920s Morton's recordings and tours featured a ten-piece band following the first-generation big-band format. But in the late 1930s, larger groups were popular, so Morton assembled a conventional '30s band consisting of four saxophones, six brass, and four rhythm. The band was to open at the Golden Gate Ballroom in Harlem on April 17th, 1939, but on opening night Morton collapsed before going onstage. During his recuperation from the asthma and heart problems that dogged him, the band broke up, never to reassemble. Only six items written for that band's instrumentation are known to exist: Morton's arrangements of his own compositions -- Finger Breaker, GanJam, Good Old New York, Mister Joe, and Stop and Go -- and an arrangement, Mamies' Blues, by another artist. -- James Dapogny (Editor)

As an editor, Dapogny shows his customary sound musical scholarship and deep knowledge of Morton's style....The publishers are to be congratulated for bringing this fascinating work into the public domain, which throws a totally new light on 'Mister Jelly Lord.' Who knows what he would have achieved had he lived beyond his alleged 51 years?--Martin Litton, for JUST JAZZ (Feb 2011)

Composed by Edward Taylor Paull. Arranged by Judith Katz. Published by Imagine Music (IG.CMS164).

Soprano voice & Piano

SKU: SU.28080050

For Soprano & Piano. Composed by Julián Brijaldo. Vocal/Choral, Solo Voice. Accompanied by piano. Piano Vocal Score. Subito Music Corporation #28080050. Published by Subito Music Corporation (SU.28080050).

Art song for soprano and piano with a [public domain] text by Colombian poet Porfirio Barba-Jacob. It incorporates a bambuco rhythm from the Colombian Andean region.Soprano & Piano Duration: 4' Composed: 2017 Published by: Distributed Composer.

SAB choir, optional congregation, organ, 2 trumpets - Intermediate

SKU: MN.60-7024

Composed by S. Drummond Wolff. 21st Century. Choral score. MorningStar Music Publishers #60-7024. Published by MorningStar Music Publishers (MN.60-7024).

UPC: 688670670244.

Rousi ng setting of tune MARION. Trumpets providepunch. Frequently known asRejoice Ye Pure in Heart. Many alterations abound in current hymnals (including omission and/or renumbering of stanzas). Uses public domain text in entirety which may be reproduced for congregational use. Exhibitsgrand style..

Concert Band - Grade 3

SKU: AP.24763S

Composed by Kevin Mixon. Concert Band; Performance Music Ensemble; Single Titles. Belwin Concert Band. Multicultural. Score. 24 pages. Belwin Music #00-24763S. Published by Belwin Music (AP.24763S).

UPC: 038081269436. English.

To honor Native American cultures, Kevin Mixon has creatively scored Native American Homage. This work represents music typically heard at many modern-day powwows, commingling authentic sounds of nature and intertribal music. Contrasting lyrical and bravura sections authentically and respectfully present a substantive introduction to America's oldest known indigenous music. This compelling new work will move audiences and draw critical acclaim. A real winner!

Free, public domain MP3 recordings of optional night sounds are available for download under the Downloads section on the left.

By Public Domain Foundation. Arranged by June Dale. Female barbershop choir. (Womens voices, a cappella). Barbershop, Ballad. Published by Sweet Adelines.
Level: easy/medium.

By Ralph Manuel. Arranged by Ralph Manuel. Text: Public Domain. For A Cappella. (SATB). Sacred, Concert. Level: Medium Advanced Adult. 12 pages. Duration 2 min, 21 sec. Published by Hinshaw Music Inc.