(Parts). Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Felix Loy. F...(+)
(Parts). Composed by
Wolfgang Amadeus Mozart
(1756-1791). Edited by
Felix Loy. For Bassoon,
Oboe, Chamber Ensemble,
Horn (Parts). Henle Music
Folios. G. Henle #HN1191.
Published by G. Henle
By Rebeca Mauleon. For Piano, Bass, Drum Set and Salsa Percussion Instruments. T...(+)
By Rebeca Mauleon. For
Piano, Bass, Drum Set and
Salsa Percussion
Instruments. The only
complete method book on
salsa ever published! .
Afro-Caribbean. Book.
Published by Sher Music
Company.
Choir; Orchestra; Early Music SKU: UT.TME-1 Composed by Giovanni Battista...(+)
Choir; Orchestra; Early
Music
SKU:
UT.TME-1
Composed by
Giovanni Battista
Bassani. Edited by
Elisabetta Pasquini.
Hardback (Cloth Hard
Cover). Tesori Musicali
Emiliani (Emilian Musical
Treasures). Classical. Ut
Orpheus #TME 1. Published
by Ut Orpheus (UT.TME-1).
ISBN 9790215316096. 9
x 12 inches.
P
erformance Material on
Hire
[S
olo: SAATB - Str -
Bc]
Thanks to its
patron the Duke Francesco
II, Modena became a
capital city worldwide
for the oratorio genre:
renowned maestro di
cappella in Ferrara, also
Bassani wished to offer
to the Duke his own work,
setting aside for him the
summit of his melodic and
dramaturgical
inventiveness. Accordi
ng to the documents that
we have, the performance
of Giona was
Bassani's debut at the
court of Francesco II.
Born in Padua around
1650, the composer
carried out the main part
of his activities in
Ferrara, where he was
organist (probably from
1667), and maestro di
cappella at the
Accademia della Morte
(from 1683), and
subsequently also at the
Cathedral (from 1686); he
also became a member of
the Accademia Filarmonica
of Bologna (in 1677) and
was committed to
Alessandro II Pico, Duke
of Mirandola and Marquis
of Concordia. In 1712 he
moved to Bergamo, where
he was maestro di
cappella at S. Maria
Maggiore; he died there
on 1st October 1716.
Before his commission in
Modena, the <> - as he was
often called at that time
- had already printed
seven instrumental and
vocal works as well as a
few operas and
oratorios.
Mixed choir (SATB) and Generalbass (organ, double bass, cello and bassoon) SK...(+)
Mixed choir (SATB) and
Generalbass (organ,
double bass, cello and
bassoon)
SKU:
HL.49044071
Sleepers Wake.
Composed by Carl
Friedrich Zelter. Edited
by Hermann Max. This
edition: Saddle
stitching. Sheet music.
Ensemble. Softcover. 8
pages. Schott Music
#ED21773-11. Published by
Schott Music
(HL.49044071).
ISBN
9790001199063.
German.
With Carl
Friedrich Zelter's motet
Wachet auf, ruft uns die
Stimme, Hermann Max,
editor of the Choral
Treasury series, has
uncovered a real
treasure. The three-verse
text of the motet for
mixed choir (SATB) and
basso continuo was
written by Friedrich
Gottlob Klopstock who
kept close to the Advent
song of the same name by
Philipp Nicolai. During
Zelter's lifetime, the
motet enjoyed great
popularity. And quite
rightly so: For the music
teacher and friend of
Goethe turned out to be a
composer with an
extraordinary sense of
tone. An introductory
choral movement is
followed by a captivating
bass aria which can be
optionally sung by all
basses of the choir. The
piece culminates in an
elaborate virtuoso fugue
with an interwoven cantus
firmus in the bass. A
demanding, yet highly
rewarding rarity in
church music!
Mixed choir (SATB) and Generalbass (organ, double bass, cello and bassoon) SK...(+)
Mixed choir (SATB) and
Generalbass (organ,
double bass, cello and
bassoon)
SKU:
HL.49019927
Sleepers Wake.
Composed by Carl
Friedrich Zelter. Edited
by Hermann Max. This
edition: Saddle
stitching. Sheet music.
Choral. Softcover. 12
pages. Schott Music
#ED21773-01. Published by
Schott Music
(HL.49019927).
ISBN
9790001196956.
German.
With Carl
Friedrich Zelter's motet
Wachet auf, ruft uns die
Stimme, Hermann Max,
editor of the Choral
Treasury series, has
uncovered a real
treasure. The three-verse
text of the motet for
mixed choir (SATB) and
basso continuo was
written by Friedrich
Gottlob Klopstock who
kept close to the Advent
song of the same name by
Philipp Nicolai. During
Zelter's lifetime, the
motet enjoyed great
popularity. And quite
rightly so: For the music
teacher and friend of
Goethe turned out to be a
composer with an
extraordinary sense of
tone. An introductory
choral movement is
followed by a captivating
bass aria which can be
optionally sung by all
basses of the choir. The
piece culminates in an
elaborate virtuoso fugue
with an interwoven cantus
firmus in the bass. A
demanding, yet highly
rewarding rarity in
church music!
Cantata. Composed
by Dietrich Buxtehude.
Edited by Bruno Grusnick.
Stapled. Single part. XWV
60. 3 pages. Baerenreiter
Verlag #BA00487_86.
Published by Baerenreiter
Verlag (BA.BA00487-86).
My First Concert Contrebasse, Piano (duo) [Partition + CD] - Débutant Schott
31 Easy Concert Pieces from 5 Centuries. Edited by Charlotte Mohrs. This edit...(+)
31 Easy Concert Pieces
from 5
Centuries. Edited by
Charlotte Mohrs. This
edition: Saddle
stitching.
Sheet music with CD.
String
Method. Baroque,
Classical,
Modern, Renaissance,
Romantic. Softcover with
CD.
40 pages. Schott Music
#ED
23040. Published by
Schott
Music
Grade 2 SKU: CL.026-3885-01 Composed by Stanton. Concert Band. Build-A-Ba...(+)
Grade 2
SKU:
CL.026-3885-01
Composed by Stanton.
Concert Band.
Build-A-Band. Extra full
score. Composed 2009.
Duration 3 minutes, 45
seconds. C.L. Barnhouse
#026-3885-01. Published
by C.L. Barnhouse
(CL.026-3885-01).
An outstanding
choice for any group with
very limited
instrumentation, Scott
Stanton’s original
arrangement includes
America, America the
Beautiful and The Star
Spangled Banner. From the
Build-A-Band Series, it
is playable with
virtually any
instrumentation as long
as all four of the main
parts are covered and it
also includes optional
parts for Mallets,
Guitar, Keyboards,
Strings, and Percussion.
All three pieces can be
performed separately if
desired and it will
provide an impressive
sound even with very
small groups.
About
Build-A-Band
Series
The
Build-A-Band Series
provides educational and
enjoyable music for bands
with incomplete or
unbalanced
instrumentation. Written
using just four or five
parts (plus percussion),
these effective
arrangements will work
with any combination of
brass, woodwind, string
and percussion
instruments as long as
you distribute the parts
so that each of the five
parts is covered. All of
the publications in the
Build-A-Band Series have
been arranged to be
playable with any
instrumentation as long
as each part is used: 1st
Part, 2nd Part, 3rd Part,
4th Part, and Bass Part.
(Please note: In some of
these arrangements the
4th Part, and the Bass
Part are the same, making
it possible to play those
arrangements with only 4
parts.)
Theresienmesse in B Soli, choeur mixte et accompagnement [Set de Parties séparées] Carus Verlag
(Missa in B). By Franz Joseph Haydn (1732-1809). Edited by Wolfgang Hochstein. F...(+)
(Missa in B). By Franz
Joseph Haydn (1732-1809).
Edited by Wolfgang
Hochstein. For SATB Soli,
SATB Choir, 2 clarinets,
2 Clarino/Trumpet,
Timpani, 2 Violin, Viola,
Basso Continuo,
[Bassoon]. B-Dur (B-flat
major). Stuttgart Urtext
Edition. Score available
separately - see item
CA.4061000. Masses,
Latin. Set of
instrumental parts
(except strings).
Language: Latin. Hob.
XXII:12. 52 pages.
Duration 40 minutes.
Published by Carus Verlag
(From the Renaissance to the Romantic Periods) Compiled and arranged by William ...(+)
(From the Renaissance to
the Romantic Periods)
Compiled and arranged by
William Ryden (1939-).
Collection for
cello/bass. With bowings.
Series: Sacred
Instrumental Ensembles
for All. 24 pages.
Published by Alfred
Publishing.