By Richard Matteson, Jr. For Fretted. Tune book. Bluegrass. Level: Beginning. Bo...(+)
By Richard Matteson, Jr.
For Fretted. Tune book.
Bluegrass. Level:
Beginning. Book. Size
8.75x11.75. 248 pages.
Published by Mel Bay
Publications, Inc.
SKU: BR.BV-317 Study Edition. Composed by Ralf Wehner. Edited by R...(+)
SKU: BR.BV-317
Study Edition.
Composed by Ralf Wehner.
Edited by Ralf Wehner.
Linen. Buchverlag
Breitkopf & Hartel (Music
Books).
Awarded the
German Music Edition
Prize 2010
Romantic
period. Complete Works.
684 pages. Breitkopf and
Haertel #BV 317.
Published by Breitkopf
and Haertel (BR.BV-317).
ISBN 9783765103179. 7
x 11 inches.
How
vast is Mendelssohn's
oeuvre? Most of his
approx. 750 compositions
were still unpublished in
the 1960s. The
publication of many early
works within the
framework of the Complete
Edition has been
gratefully noted by the
musical world. Yet a
scholarly, scientific
overview of Mendelssohn's
works was still missing.
He was the last great
composer of the 19th
century without a
complete work catalogue.
Ralf Wehner's thematic
catalogue closes this
gap.It organizes the body
of works into 26 groups
and assigns each work its
own MWV number. Within
the groups, the
individual pieces are
arranged chronologically.
Also included in the MWV
are all known collective
manuscripts and prints,
information on works of
dubious authenticity and
on Mendelssohn's
arrangements, as well as
his editions of works by
other composers. Wehner's
work is based on the
examination of material
and information from more
than 1,500 libraries, c.
15,000 auction catalogues
and about 12,000 letters.
The succinct account of
the history of the work,
its publication and
reception gives the MWV
its profile as a compact
study edition.An overview
on the MWV numbering
system you will find on
the webiste of the
Sachsische Akademie der
Wissenschaften zu
Leipzig.
Piano SKU: PA.H07988 Fur Klavier. Composed by Luboš Fišer. S...(+)
Piano
SKU:
PA.H07988
Fur
Klavier. Composed by
Luboš Fišer.
Stapled. Performance
score. With Text
Language:
Czech/German/English.
Editio Baerenreiter Praha
#H07988_00. Published by
Editio Baerenreiter Praha
(PA.H07988).
ISBN
9790260104471. 31 x 23.5
cm inches.
Piano
Sonata No. 4 from the
years 1962-1964 is
dedicated to the memory
of Fiser's friend, the
pianist Antonin Jemelik,
who died tragically. As a
tribute to their
friendship the composer
incorporated into the
introduction a quotation
from their favourite
work, Piano Sonata No.
10, Op. 70, by Alexander
Scriabin. The tragedy of
the death of the
composer's friend
pervades the emotionally
intense passage of unison
octaves which follows the
three-bar quotation. From
a compositional point of
view this work is a
masterpiece of the
mid-Sixties. Written as
one movement, the piece
is divided into numerous
mutually contrasting
segments which themselves
are clearly grouped into
two sections, exposition
and development. The
individual themes are
introduced in the first
section and thematically
expanded in the second
section. The motif
treatment lies almost
exclusively in the
fragmenting or curtailing
of the theme, or in the
use of a combination of
several themes, for the
most part brief and
eloquent. This
compositional method,
together with a clear-cut
manner of execution,
mainly semitonal melody
and sharply contrastive
dynamics, lends force and
transparency to the
piece. Piano Sonata No. 4
was completed in 1964
together with Symphonic
Fresco, Concerto da
camera for piano and
orchestra and Fifteen
Prints after Durer's
Apocalypse and has earned
its rightful place
alongside them as
masterpieces of Fiser's
oeuvre.
The work
was first performed by
Pavel Stepan in Prague's
Rudolfinum in 1965. The
new setting for this
piece is based on the
single edition to date
(Panton, 1969); only with
regard to a few
inconsistencies in the
score was it necessary to
consult the composer's
manuscript (kept at the
National Museum - Czech
Museum of Music).
Free Running Orchestre d'harmonie - Avancé Hal Leonard
Concert Band (Score) - Grade 5 SKU: HL.4003160 Composed by Robert Buckley...(+)
Concert Band (Score) -
Grade 5
SKU:
HL.4003160
Composed
by Robert Buckley.
MusicWorks Grade 5.
Duration 840 seconds.
Published by Hal Leonard
(HL.4003160).
UPC:
884088651367.
10.0x14.0x0.236
inches.
Free
Running is an exciting,
high velocity
tour-de-force that will
keep both musicians and
the audience on the edge
of their seats.
Inspiration for the work
came from the
pointillistic paintings
of Seurat (who created
images by using tiny
spots of primary colors
on his canvas) and from
Parkour, a form of urban
acrobatics in which
participants, known as
free runners, use the
structures of the rural
landscape to perform
catlike leaps and
sprints. The resulting
creation is a non-stop
piece of music made up of
only staccato notes in a
constant rhythm moving
through different
sections of the ensemble.
Free Running was
commissioned by the Troy
University Symphony Band
for the 2011 Alabama
Music Educators
Association Convention.
Ideal for concert or
festival use, it is
guaranteed to leave the
audience breathless! Dur:
5:10.
String Ensemble SKU: HL.50600910 Critical Edition Score. By Antoni...(+)
String Ensemble
SKU:
HL.50600910
Critical Edition
Score. By Antonio
Vivaldi. Edited by
Alessandro Borin. String
Ensemble. Classical.
Softcover. 26 pages.
Ricordi #PR1447.
Published by Ricordi
(HL.50600910).
ISBN
9788881920242. UPC:
888680699659. 8x10.75
inches.
Casa
Ricordi Milano in
partnership with
Fondazione Giorgio Cini,
Venezia (Istituto Antonio
Vivaldi). Critical
edition by Alessandro
Borin. The six Concerts
op. VI for violin,
strings and continuo by
Antonio Vivaldi were
published in Amsterdam by
Roger in 1719. Although
the contribution of
Vivaldi was probably
modest – even to
assume that the
collection was published
without the composer's
assistance and perhaps
even his agreement
– these six
compositions mark a
decisive step towards the
definition of the classic
Vivaldi Concerto, a
change evident both from
the systematic adoption
of the three-movement
plan and from the absence
of any supplementary solo
parts beyond the
principal violin. This
critical edition is based
on the first edition of
Opus VI and its reprints,
but takes also into
consideration all the
sources of single
concertos printed into
anthologies or
transmitted in manuscript
form (Wiesentheid and
Dresden). The information
gathered through the
comparative analysis of
the manuscript and the
printed traditions of
Vivaldi's Opus 6 has
permitted us to
reconstruct the links
among the sources, to
clarify some problematic
editorial decisions and
formulate new hypotheses
on the genesis and the
intrinsic nature of the
collection as a
whole.
Free At Last Chorale SATB SATB A Cappella - Facile Zebe Publishing
SATB chorus a capella (SATB) - Grade 2+ SKU: ZB.ZE-1210 Composed by Jeff ...(+)
SATB chorus a capella
(SATB) - Grade 2+
SKU:
ZB.ZE-1210
Composed
by Jeff Guillen. Arranged
by Jeff Guillen. This
edition: Vocal score.
Gospel Music, Sacred
music, Vocal music.
Gospel Off Prints.
Arrangement for mixed
voices. Spiritual.
Octavo. With standard.
Zebe Publishing #ZE 1210.
Published by Zebe
Publishing (ZB.ZE-1210).
Affordable
single print from THE
ULTIMATE GOSPEL CHOIR
BOOK 1 for mixed choir
(SATB).
SAMz chorus and Piano (SAM) - Grade 2+ SKU: ZB.ZE-4015 Composed by Christ...(+)
SAMz chorus and Piano
(SAM) - Grade 2+
SKU:
ZB.ZE-4015
Composed
by Christoph Schoepsdau.
Arranged by Christoph
Schoepsdau. This edition:
Vocal score. Gospel
Music, Sacred music,
Vocal music. Gospel Off
Prints. Arrangement for
mixed voices and piano.
Gospel Music. Octavo.
With standard. Zebe
Publishing #ZE 4015.
Published by Zebe
Publishing (ZB.ZE-4015).
Single Print
from GOSPEL CHORAELE
(ZE4010) includes the
vocal part.
SATB chorus and Piano (SATB) - Grade 2 SKU: ZB.ZE-4017 Composed by Matthi...(+)
SATB chorus and Piano
(SATB) - Grade 2
SKU:
ZB.ZE-4017
Composed
by Matthias Nagel. This
edition: Vocal score.
Gospel Music, Sacred
music, Vocal music.
Gospel Off Prints.
Arrangement for mixed
voices and piano. Gospel
Music. Octavo. With
standard. Zebe Publishing
#ZE 4017. Published by
Zebe Publishing
(ZB.ZE-4017).
Single Print
from GOSPEL CHORAELE
(ZE4010) includes the
vocal part.
SATB chorus and Piano (SATB) - Grade 3 SKU: ZB.ZE-4012 Composed by Holger...(+)
SATB chorus and Piano
(SATB) - Grade 3
SKU:
ZB.ZE-4012
Composed
by Holger Hantke.
Arranged by Holger
Hantke. This edition:
Vocal score. Gospel
Music, Sacred music,
Vocal music. Gospel Off
Prints. Arrangement for
mixed voices and piano.
Gospel Music. Octavo.
With standard. 4 pages.
Zebe Publishing #ZE 4012.
Published by Zebe
Publishing (ZB.ZE-4012).
Single Print
from GOSPEL CHORAELE
(ZE4010) includes the
vocal part.
SATB chorus and Piano (SATB) - Grade 2+ SKU: ZB.ZE-4016 Composed by Matth...(+)
SATB chorus and Piano
(SATB) - Grade 2+
SKU:
ZB.ZE-4016
Composed
by Matthias Nagel.
Arranged by Matthias
Nagel. This edition:
Vocal score. Gospel
Music, Sacred music,
Vocal music. Gospel Off
Prints. Arrangement for
mixed voices and piano.
Gospel Music. Octavo.
With standard. Zebe
Publishing #ZE 4016.
Published by Zebe
Publishing (ZB.ZE-4016).
Single Print
from GOSPEL CHORAELE
(ZE4010) includes the
vocal part.
SATB chorus, solo voice and Piano (SATB) - Grade 2+ SKU: ZB.ZE-4011 Compo...(+)
SATB chorus, solo voice
and Piano (SATB) - Grade
2+
SKU: ZB.ZE-4011
Composed by Niko
Schlenker. Arranged by
Niko Schlenker. This
edition: Vocal score.
Gospel Music, Sacred
music, Vocal music.
Gospel Off Prints.
Arrangement for mixed
voices, soloist and
piano. Gospel Music.
Octavo. With standard. 4
pages. Zebe Publishing
#ZE 4011. Published by
Zebe Publishing
(ZB.ZE-4011).
Single Print
from GOSPEL CHORAELE
(ZE4010) includes the
vocal part.
SAMz chorus, solo voice and Piano (SAM) - Grade 3+ SKU: ZB.ZE-4018 Compos...(+)
SAMz chorus, solo voice
and Piano (SAM) - Grade
3+
SKU: ZB.ZE-4018
Composed by Stephan Zebe.
Arranged by Stephan Zebe.
This edition: Vocal
score. Gospel Music,
Sacred music, Vocal
music. Gospel Off Prints.
Arrangement for mixed
voices, soloist and
piano. Gospel Music.
Octavo. With standard.
Zebe Publishing #ZE 4018.
Published by Zebe
Publishing (ZB.ZE-4018).
Single Print
from GOSPEL CHORAELE
(ZE4010) includes the
vocal part.
SATB chorus and Piano (SATB) - Grade 3 SKU: ZB.ZE-4013 Composed by Niko S...(+)
SATB chorus and Piano
(SATB) - Grade 3
SKU:
ZB.ZE-4013
Composed
by Niko Schlenker.
Arranged by Niko
Schlenker. This edition:
Vocal score. Gospel
Music, Sacred music,
Vocal music. Gospel Off
Prints. Arrangement for
mixed voices and piano.
Gospel Music. Octavo.
With standard. Zebe
Publishing #ZE 4013.
Published by Zebe
Publishing (ZB.ZE-4013).
Single Print
from GOSPEL CHORAELE
(ZE4010) includes the
vocal part.
SATB chorus and Piano (SATB) - Grade 2+ SKU: ZB.ZE-4014 Composed by Holge...(+)
SATB chorus and Piano
(SATB) - Grade 2+
SKU:
ZB.ZE-4014
Composed
by Holger Hantke.
Arranged by Holger
Hantke. This edition:
Vocal score. Gospel
Music, Sacred music,
Vocal music. Gospel Off
Prints. Arrangement for
mixed voices and piano.
Gospel Music. Octavo.
With standard. 4 pages.
Zebe Publishing #ZE 4014.
Published by Zebe
Publishing (ZB.ZE-4014).
Single Print
from GOSPEL CHORAELE
(ZE4010) includes the
vocal part.
Piano SKU: PA.H07957 Fur Klavier. Composed by Luboš Fišer. S...(+)
Piano
SKU:
PA.H07957
Fur
Klavier. Composed by
Luboš Fišer.
Stapled. Performance
score. With Text
Language:
Czech/German/English.
Editio Baerenreiter Praha
#H07957_00. Published by
Editio Baerenreiter Praha
(PA.H07957).
ISBN
9790260104464. 31 x 23.5
cm inches.
Piano
Sonata No. 3 was written
in 1960 during the
composer's studies at
HAMU (Music Faculty of
the Academy of Performing
Arts in Prague) under
Emil Hlobil. The first
half of the 1960s was the
period during which
Fiser's musical language
underwent fundamental
change as he rapidly
cultivated his own,
distinctive style,
established in Fifteen
Prints after Durer's
Apocalypse. This sonata
thus also includes
several essential traits
which shift his
compositional development
further. The work has two
movements, however, its
internal structure
abandons traditional
form. The piece is
divided into several
short, mutually
contrasting sections,
whereby the distinctions
between the adjacent
parts are emphasised by
the thematic and chordal
treatment. These
contrasts are also
supported by the chosen
dynamics, tempo and other
expressional means. The
harmony is largely based
on traditional chords or
their condensed form
while, in certain
passages, we will
nevertheless come across
semitone clusters or
fourth chords. The melody
is still chiefly
diatonic; at times Fiser
uses chromatic sequences.
These new elements in
Sonata No. 3 indicate an
attempt to simplify his
writing and ensure
greatest transparency and
impact. This endeavour
became a basic
characteristic of Fiser's
compositions from the
mid-1960s onwards.
The sonata
originally bore the
postscript Fantasia,
which was subsequently
taken out by the
composer. It was first
performed by Ales Bilek
in 1961. The new setting
for this piece is based
on the single edition to
date (Panton, 1967); only
with regard to a few
inconsistencies in the
score was it necessary to
consult the composer's
manuscript (kept at the
National Museum - Czech
Museum of Music).
String Ensemble SKU: HL.50600906 Critical Edition Score. By Antoni...(+)
String Ensemble
SKU:
HL.50600906
Critical Edition
Score. By Antonio
Vivaldi. Edited by
Alessandro Borin. String
Ensemble. Classical.
Softcover. 26 pages.
Ricordi #PR1443.
Published by Ricordi
(HL.50600906).
ISBN
9788881920204. UPC:
888680699680. 8x10.75
inches.
Casa
Ricordi Milano in
partnership with
Fondazione Giorgio Cini,
Venezia (Istituto Antonio
Vivaldi). Critical
edition by Alessandro
Borin. The six Concerts
op. VI for violin,
strings and continuo by
Antonio Vivaldi were
published in Amsterdam by
Roger in 1719. Although
the contribution of
Vivaldi was probably
modest – even to
assume that the
collection was published
without the composer's
assistance and perhaps
even his agreement
– these six
compositions mark a
decisive step towards the
definition of the classic
Vivaldi Concerto, a
change evident both from
the systematic adoption
of the three-movement
plan and from the absence
of any supplementary solo
parts beyond the
principal violin. This
critical edition is based
on the first edition of
Opus VI and its reprints,
but takes also into
consideration all the
sources of single
concertos printed into
anthologies or
transmitted in manuscript
form (Wiesentheid and
Dresden). The information
gathered through the
comparative analysis of
the manuscript and the
printed traditions of
Vivaldi's Opus 6 has
permitted us to
reconstruct the links
among the sources, to
clarify some problematic
editorial decisions and
formulate new hypotheses
on the genesis and the
intrinsic nature of the
collection as a
whole.
Critical Edition
Score. By Antonio
Vivaldi. Edited by
Alessandro Borin. String
Ensemble. Classical.
Softcover. 22 pages.
Ricordi #PR1442.
Published by Ricordi
(HL.50600905).
ISBN
9788881920198. UPC:
888680699666. 8x10.75
inches.
Casa
Ricordi Milano in
partnership with
Fondazione Giorgio Cini,
Venezia (Istituto Antonio
Vivaldi). Critical
edition by Alessandro
Borin. The six Concerts
op. VI for violin,
strings and continuo by
Antonio Vivaldi were
published in Amsterdam by
Roger in 1719. Although
the contribution of
Vivaldi was probably
modest – even to
assume that the
collection was published
without the composer's
assistance and perhaps
even his agreement
– these six
compositions mark a
decisive step towards the
definition of the classic
Vivaldi Concerto, a
change evident both from
the systematic adoption
of the three-movement
plan and from the absence
of any supplementary solo
parts beyond the
principal violin. This
critical edition is based
on the first edition of
Opus VI and its reprints,
but takes also into
consideration all the
sources of single
concertos printed into
anthologies or
transmitted in manuscript
form (Wiesentheid and
Dresden). The information
gathered through the
comparative analysis of
the manuscript and the
printed traditions of
Vivaldi's Opus 6 has
permitted us to
reconstruct the links
among the sources, to
clarify some problematic
editorial decisions and
formulate new hypotheses
on the genesis and the
intrinsic nature of the
collection as a
whole.
String Ensemble SKU: HL.50600908 Critical Edition Score. By Antoni...(+)
String Ensemble
SKU:
HL.50600908
Critical Edition
Score. By Antonio
Vivaldi. Edited by
Alessandro Borin. String
Ensemble. Classical.
Softcover. 18 pages.
Ricordi #PR1445.
Published by Ricordi
(HL.50600908).
ISBN
9788881920228. UPC:
888680699642. 8x10.75
inches.
Casa
Ricordi Milano in
partnership with
Fondazione Giorgio Cini,
Venezia (Istituto Antonio
Vivaldi). Critical
edition by Alessandro
Borin. The six Concerts
op. VI for violin,
strings and continuo by
Antonio Vivaldi were
published in Amsterdam by
Roger in 1719. Although
the contribution of
Vivaldi was probably
modest – even to
assume that the
collection was published
without the composer's
assistance and perhaps
even his agreement
– these six
compositions mark a
decisive step towards the
definition of the classic
Vivaldi Concerto, a
change evident both from
the systematic adoption
of the three-movement
plan and from the absence
of any supplementary solo
parts beyond the
principal violin. This
critical edition is based
on the first edition of
Opus VI and its reprints,
but takes also into
consideration all the
sources of single
concertos printed into
anthologies or
transmitted in manuscript
form (Wiesentheid and
Dresden). The information
gathered through the
comparative analysis of
the manuscript and the
printed traditions of
Vivaldi's Opus 6 has
permitted us to
reconstruct the links
among the sources, to
clarify some problematic
editorial decisions and
formulate new hypotheses
on the genesis and the
intrinsic nature of the
collection as a
whole.
String Ensemble SKU: HL.50600909 Critical Edition Score. By Antoni...(+)
String Ensemble
SKU:
HL.50600909
Critical Edition
Score. By Antonio
Vivaldi. Edited by
Alessandro Borin. String
Ensemble. Classical.
Softcover. 22 pages.
Ricordi #PR1446.
Published by Ricordi
(HL.50600909).
ISBN
9788881920235. UPC:
888680699673. 8x10.75
inches.
Casa
Ricordi Milano in
partnership with
Fondazione Giorgio Cini,
Venezia (Istituto Antonio
Vivaldi). Critical
edition by Alessandro
Borin. The six Concerts
op. VI for violin,
strings and continuo by
Antonio Vivaldi were
published in Amsterdam by
Roger in 1719. Although
the contribution of
Vivaldi was probably
modest – even to
assume that the
collection was published
without the composer's
assistance and perhaps
even his agreement
– these six
compositions mark a
decisive step towards the
definition of the classic
Vivaldi Concerto, a
change evident both from
the systematic adoption
of the three-movement
plan and from the absence
of any supplementary solo
parts beyond the
principal violin. This
critical edition is based
on the first edition of
Opus VI and its reprints,
but takes also into
consideration all the
sources of single
concertos printed into
anthologies or
transmitted in manuscript
form (Wiesentheid and
Dresden). The information
gathered through the
comparative analysis of
the manuscript and the
printed traditions of
Vivaldi's Opus 6 has
permitted us to
reconstruct the links
among the sources, to
clarify some problematic
editorial decisions and
formulate new hypotheses
on the genesis and the
intrinsic nature of the
collection as a
whole.