Petite Valse Piano seul [Conducteur] - Facile Musik Fabrik
Piano - Grade 3 SKU: FA.MFCD016 Composed by Claude Debussy and Robert Orl...(+)
Piano - Grade 3
SKU:
FA.MFCD016
Composed
by Claude Debussy and
Robert Orledge.
Rediscoverd Debussy.
Classical,
Impressionistic. Score.
Musik Fabrik #MFCD016.
Published by Musik Fabrik
(FA.MFCD016).
8.27 x
11.69
inches.
Together
with other manuscript
sketches from Debussy's
last productive summer of
1915, the Hotel Drouot
sale in Paris, on 7
December 2004 included
the start of an unknown
piano piece. The 18-bar
outline suggested a
Petite Valse ('Little
Waltz') in the accessible
style of Debussy's La
Plus que lente of 1910,
to which astute pianists
will recognise passing
allusions both during and
at the end of my
completion. The waltz is
simply meant to be
enjoyed by pianists
seeking what might be
termed a novelty by a
great composer, as well
as by its audience.
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Wolfgang Horn.
Choir; Softcover.
Partitur-Bibliothek
(Score Library). Mass;
Baroque. Full score. 188
pages. Duration 60'.
Breitkopf and Haertel #PB
5578. Published by
Breitkopf and Haertel
(BR.PB-5578).
ISBN
9790004213889. 10 x 12.5
inches.
The Missa
Omnium Sanctorum ZWV 21
is Zelenka's last mass
setting. It contains
three extended arias (one
each for soprano, alto
and tenor), concertante
choruses and unusually
expressive choral fugues.
Especially powerful in
effect is the
through-composed Credo in
this mass, with a
ritornello that is one of
Zelenka's most beautiful
inspirations. The score
and parts material of
this new edition are
based on the
corresponding volume of
the Das Erbe deutscher
Musik series, from which
Breitkopf & Hartel also
took over both its
informative preface as
well as the critical
report.Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Piano SKU: HL.254189 [Pchli Targ: Utwory na fortepian solo - Zeszyt 1]...(+)
Piano
SKU:
HL.254189
[Pchli
Targ: Utwory na fortepian
solo - Zeszyt 1].
Composed by Zbigniew
Bargielski. PWM. Recital.
Softcover. 32 pages.
Polskie Wydawnictwo
Muzyczne #12028010.
Published by Polskie
Wydawnictwo Muzyczne
(HL.254189).
9.25x12
inches.
Composer
Note: I treat the piano
as an instrument in no
way different from others
in the rich music
collection. On the one
hand, I feel
excitedabout, for
instance, the possibility
to write something in a
style of a piano
concerto, on the other -
I have some doubts about
shedding new light or
sparking significant
impulses from that great
three-legged animal
without hitting the
obvious. But there does
exist something lighter -
a play, a game, a
distorting mirror,
reflecting a noble
appearance of a fatso.
Not refined games, but
volatile and smooth
treatment of the matter.
Not a game on wedges, but
in trainers. A wink of an
eye at an obese
instrument arousing
emotions in the listeners
and sufferings in young
music lovers practising
scales and passages. A
remedy for continuing to
compose for the piano may
be a conscious
“anti-activity&rdqu
o;, presenting current
artistic achievements for
this instrument as if in
a distorting mirror.
Organ SKU: HL.49045845 10 Organ Works from 4 Centuries Organ. Comp...(+)
Organ
SKU:
HL.49045845
10
Organ Works from 4
Centuries Organ.
Composed by Various.
Edited by Gerhard Gnann.
Organ Collection.
Classical. Softcover. 76
pages. Schott Music
#ED22915. Published by
Schott Music
(HL.49045845).
UPC:
841886033801.
New
music on old instruments
and new organ literature
in dialogue with
historical Iberian works.
The present edition
contains a collection of
works, composed for an
authentically rebuilt
historical Spanish organ
and covering a wide range
of styles, which adds new
sounds to the purely
Baroque repertoire. With
works by Jose Blasco de
Nebra, Francisco Correa
de Arauxo, Antonio de
Cabezon, Pedro de Araujo,
Antonio de Cabezon and
new compositions by Guy
Bovet, Michael Kapsner,
Pavel Klimashevsky,
Zsigmond Szathmary and
Alfred Muller-Kranich.
The new Spanish organ of
the Hochschule fur Musik
Mainz as an authentically
rebuilt historical
instrument from the
workshop of the organ
builder Joaquin Lois from
Tordesillas in Castile
shall both adequately
reproduce early music and
be a source of
inspiration for
contemporary music. For
this reason, the
Hochschule fur Musik
Mainz commissioned five
composers to write modern
compositions according to
the motto 'Early music in
dialogue with New Music'
which are a valuable
addition to the
repertoire of historical
instruments of the 'Siglo
de Oro'. Certain
specifications had to be
taken into account: e. g.
a limited pitch range,
half stops for treble and
bass registers, the short
octave as well as a
mean-tone temperament. In
addition, each
composition is based on a
work of the Iberian organ
literature; sometimes,
the work found its way
into the new composition,
sometimes, it only served
as an inspiration. The
pieces can also be played
on a modern organ,
although there is a
special charm in playing
and hearing them played
on an appropriate
historical instrument.
Encompassing a broad
range of styles, the
resulting collection adds
new sounds to the purely
Baroque repertoire.
Chorus and piano (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc) SKU: BR....(+)
Chorus and piano (solos:
SSATB - 0.0.0.1 -
2(corn).0.3.0 - str - bc)
SKU: BR.EB-32091
Cantata based on Psalm
103 - Urtext.
Composed by Johann
Kuhnau. Edited by David
Erler. Choir; stapled.
Edition Breitkopf.
Cantata; Baroque.
Piano/Vocal Score. 20
pages. Duration 15'.
Breitkopf and Haertel #EB
32091. Published by
Breitkopf and Haertel
(BR.EB-32091).
ISBN
9790004186695. 7.5 x 10.5
inches.
The date of
composition of the
cantata Lobe den Herren,
meine Seele can only be
conjectured. However,
several indications
suggest an early
composition, possibly
during Kuhnau's stay in
Zittau. The work is one
of only two known
cantatas by Kuhnau in
which cornetti are scored
- the second work is the
cantata Christ lag in
Todes-Banden (PB 32034)
-, even so in combination
with three trombones as
an early baroque wind
section. In addition, the
musical texture of the
introductory Sonata can
certainly be understood
as a reminiscence of the
polychorality known from
the Renaissance and early
Baroque as well as their
connection with the basso
continuo era, since four
strings and bassoon on
the one side and five
wind instruments on the
other side face each
other over a continuous
continuo part. The text
of the cantata is a
selection of a few verses
from Psalm 103. This is
the larger scored cantata
with this textual basis;
parallel to it exists a
smaller scored one for
alto, bass, violin, oboe
d'amore and continuo.
Concert Band (Score) - Level 2.5 SKU: HL.4003186 Composed by Michael Swee...(+)
Concert Band (Score) -
Level 2.5
SKU:
HL.4003186
Composed
by Michael Sweeney.
MusicWorks Grade 2.
Suite. Published by Hal
Leonard (HL.4003186).
UPC: 884088654030.
9.0x12.0x0.081
inches.
John Barnes
Chance composed his
landmark work for band,
Incantation and Dance, in
1960 while in residence
at the high school in
Greensboro, North
Carolina. Commissioned by
the Union County (NC)
Honor Band, Prelude and
Pursuit pays tribute to
this important
composition and its North
Carolina connection. A
haunting chant-like theme
played by the clarinets
sets the tone for the
slow section. Similar to
Chance's work, the fast
section begins with
percussion instruments
introducing thematic
elements later picked up
and developed by the
winds. Intensifying
rhythmic elements, as
well as carefully
controlled random playing
effects, contribute to an
overall sense of
excitement and
anticipation. Themes are
woven throughout various
sections of the band
before the opening chant
motif makes a brief
dramatic appearance near
the end. A great teaching
tool for young players,
Prelude and Pursuit also
provides a rewarding
performance experience.
Dur: 4:50.
Piano (Piano) - difficult SKU: HL.49019225 (Rue du Sentier, 1778)....(+)
Piano (Piano) - difficult
SKU: HL.49019225
(Rue du Sentier,
1778). Composed by
Benjamin Schweitzer. This
edition: Saddle
stitching. Sheet music.
Piano. Softcover.
Composed 2005. 8 pages.
Duration 5'. Schott Music
#ED21337. Published by
Schott Music
(HL.49019225).
ISBN
9790001187114. UPC:
884088916497.
9.0x12.0x0.058
inches.
The title
may be read as an
indication of the key and
genre, on the one hand,
but also as an allusion
to a slightly depressive
mood, on the other hand.
Mozart's Piano Sonata in
A minor which may have
been created in the
Parisian street mentioned
in the subtitle virtually
serves as background for
this little, yet somewhat
tricky piano piece. There
are no direct quotations,
but the dissonant chord
from bar 2 of the sonata
in A minor hovers in the
background. Mosaic-like,
slightly dabbed sound
elements are regularly
interrupted by brief,
strong beats. Ambitious
performers who want to
explore new playing
techniques will enjoy
this piece as much as the
audience.
185 unubliche
Uberezepte fur
Instrumentalisten.
Composed by Gerhard
Mantel. This edition:
Paperback/Soft Cover.
Paperback. Edition
Schott. Die vorliegende
Rezepte-Sammlung soll
dazu beitragen, das
Lernen zu optimieren und
zu beschleunigen. Es geht
darum, Ubeverhalten in
kompakte Begriffe zu
fassen, die so klar sind,
dass sie wirklich
jederzeit verfugbar sind.
Classical. 186 pages.
Schott Music #ED 8724.
Published by Schott Music
(HL.49008133).
ISBN
9783795787240.
5.75x8.5x0.405 inches.
German.
The success
of an instrumentalist
depends on the quality of
his practising and not
least on the concrete
knowledge of how to
practise efficiently. The
present collection of
'recipes' shall help to
optimize and accelerate
the learning process. The
book describes techniques
which are often new, yet
well-tried in practising,
concerts and teaching and
are suitable for
individual problems. This
is about putting the
practising behaviour into
solid terms which are so
clear that they are
really available at any
time.
One World Chorale SATB SATB, Piano Boosey and Hawkes
Baritone; Mezzo-Soprano; Mixed Choir; Piano Accompaniment; Soprano (SATB with Pi...(+)
Baritone; Mezzo-Soprano;
Mixed Choir; Piano
Accompaniment; Soprano
(SATB with Piano)
SKU:
HL.48025302
Soloists (Soprano,
Mezzo-Soprano, Baritone),
Choir, and Piano
Reduction. Composed
by Karl Jenkins. BH Large
Choral. Choral,
Classical. Softcover. 144
pages. Boosey & Hawkes
#M060140365. Published by
Boosey & Hawkes
(HL.48025302).
UPC:
196288174806.
7.25x10.25x0.413
inches.
One World
deals with a fractured
world (populist
governments, plagues,
climate change, human
trafficking, disrespect
for basic humanrights,
terrorism, war) and
heralds a vision of a
peaceful and egalitarian
planet. The work is best
encapsulated by one of
the textsset:
“Tikkun
Olamâ€, Hebrew for
“repair the
worldâ€, a Jewish
concept of stewardship
over GodÂ’s creation.
Scored for soloists,
chorus and orchestra in
Jenkins's inimitable
style familiar from such
works as Adiemus: Songs
of Sanctuary, The Armed
Man: A Mass for Peace,
Requiem and The
Peacemakers. His vision
for One World takes
inspiration from diverse
texts including the
Bible, the Hindu Gayatri
Mantra, the poetry of the
English Romantic Percy
Bysshe Shelley,
African-American
abolitionist Frances
Harper (c1850) and
Lebanese-American writer
Kahlil Gibran. As in many
of Jenkins's works, Carol
Barratt contributes
impactful text and
adaptations. Recorded on
Decca by Lucy Crowe
soprano, Kathryn Rudge
mezzo-soprano, Roderick
Williams baritone, the
World Choir for Peace,
The Stay At Home Choir
and the World Orchestra
for Peace, conducted by
Karl Jenkins.
Orchestra Soli TBar, SATB Choir, Fl, Ob, Clt, Cor, Fg, Timp, 2 Vl, Va, Vc, Cb (+)
Orchestra Soli TBar, SATB
Choir, Fl, Ob, Clt, Cor,
Fg, Timp, 2 Vl, Va, Vc,
Cb
SKU: CA.5600150
Composed by Giacomo
Puccini. Edited by
Joachim Linckelmann.
Arranged by Joachim
Linckelmann. Carus sheet
music series: Great
choral works in small
scorings. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore, Praise and
thanks. Full score. 192
pages. Duration 43
minutes. Carus Verlag #CV
56.001/50. Published by
Carus Verlag
(CA.5600150).
ISBN
9790007186937. Language:
Latin.
Puccini
composed his Messa a 4
voci con orchestra in
1878-1880. The musical
quality, the energy, and
the freshness of this
youthful work led the
composer to quote from
his Mass in later operas,
ensuring an ever-growing
popularity for the work
after its rediscovery in
1952. With this
arrangement for chamber
orchestra (flute, oboe,
clarinet, horn, bassoon,
timpani, and strings),
more choirs now have the
opportunity of performing
this work without the
choir being dominated by
a full-scale symphony
orchestra. The symphonic
character of the work is
nevertheless preserved.
This scoring offers an
optimal balance between
transparency and
orchestral sound. All the
vocal parts (soloists and
chorus) are identical
with the original version
(56.001), so that the
vocal score and chorus
score of that version can
be used. Score available
separately - see item
CA.5600100.
Piano solo SKU: HH.HH508-SOL Composed by Franz Joseph Haydn. Edited by Sa...(+)
Piano solo
SKU:
HH.HH508-SOL
Composed
by Franz Joseph Haydn.
Edited by Sarah Jenner.
Arranged by C.D.
Stegmann. Playing score.
Edition HH Music
Publishers #HH508-SOL.
Published by Edition HH
Music Publishers
(HH.HH508-SOL).
ISBN
9790708185185.
Symp
hony No. 44 is one of a
number of Haydn’s
middle period works often
regarded as representing
the so-called Sturm und
Drang (‘Storm and
Stress’) style of
melodramatic realism
taken over from
contemporary German
literary and dramatic
models. The symphony is
monotonal – each
movement being in the
same key, with contrast
provided by excursions
into the tonic major.
Contrapuntal writing
pervades the whole work;
the second movement,
unusually, is a minuet
and is a strict double
canon at one bar’s
interval (‘Canone
in Diapason’ is
Haydn’s term)
which itself is
contrasted by the lyrical
Trio section in the tonic
major. The third
movement, an Adagio in
the tonic major, prompted
the symphony’s
long-adopted soubriquet,
‘Trauer’
(‘Mourning’)
as it was said to have
been requested by the
composer himself to be
played at his own
funeral.2 The
monothematic contrapuntal
Finale reverts to the
tense emotional level of
the opening Allegro.
Composed by Frank Villafranca. Spiral bound. Jazz/Saxophone Instruction. Book an...(+)
Composed by Frank
Villafranca. Spiral
bound. Jazz/Saxophone
Instruction. Book and
Downloadable audio.
Duration 65 minutes.
Published by ADG
Productions
Black Ops Ensemble Jazz [Conducteur] - Facile C.L. Barnhouse
Grade 2 SKU: CL.032-4632-01 Composed by L. Barton. Jazz Ensemble. Extra f...(+)
Grade 2
SKU:
CL.032-4632-01
Composed by L. Barton.
Jazz Ensemble. Extra full
score. Composed 2018.
Duration 2 minutes, 15
seconds. C.L. Barnhouse
#032-4632-01. Published
by C.L. Barnhouse
(CL.032-4632-01).
This up-tempo
rock tune is guaranteed
to rock the first time
and every time you play
it! Black Ops
successfully captures the
feel of a covert mission,
and when combined with
the composer’s
signature driving rock
feel, makes for a winning
combination. Written
solidly at the medium
easy level, this tune
features repetitive
rhythms and patterns that
guarantee you will be
performance ready with a
minimum of rehearsal
time. Scored for limited
instrumentation, with
careful attention to
instrument ranges, and
written out solos over
easy changes, Black Ops
is accessible to younger
ensembles, as well as
great fun for more
experienced groups.
Loaded with student and
audience appeal, this
tune is an ideal
contest/concert
selection. Can’t
miss with this one!
Black Ops Ensemble Jazz [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.032-4632-00 Composed by L. Barton. Jazz Ensemble. Score a...(+)
Grade 2
SKU:
CL.032-4632-00
Composed by L. Barton.
Jazz Ensemble. Score and
set of parts. Composed
2018. Duration 2 minutes,
15 seconds. C.L.
Barnhouse #032-4632-00.
Published by C.L.
Barnhouse
(CL.032-4632-00).
This up-tempo
rock tune is guaranteed
to rock the first time
and every time you play
it! Black Ops
successfully captures the
feel of a covert mission,
and when combined with
the composer’s
signature driving rock
feel, makes for a winning
combination. Written
solidly at the medium
easy level, this tune
features repetitive
rhythms and patterns that
guarantee you will be
performance ready with a
minimum of rehearsal
time. Scored for limited
instrumentation, with
careful attention to
instrument ranges, and
written out solos over
easy changes, Black Ops
is accessible to younger
ensembles, as well as
great fun for more
experienced groups.
Loaded with student and
audience appeal, this
tune is an ideal
contest/concert
selection. Can’t
miss with this one!
Urtext based on the
new Complete Edition.
Composed by Johannes
Brahms. Choir; Softbound.
Edition Breitkopf.
Requiem; Romantic;
Late-romantic.
Piano/Vocal Score. 104
pages. Duration 75'.
Breitkopf and Haertel #EB
9362. Published by
Breitkopf and Haertel
(BR.EB-9362).
ISBN
9790004188323. 7.5 x 10.5
inches. German.
The
German Requiem is one of
the world's most famous
requiems, even though it
does not set the
customary requiem text to
music. Brahms did not
want to follow the Latin
Catholic funeral mass,
addressing the Last
Judgment's terror and
sinful human beings'
redemption through death
on the cross. His
attention, on the
contrary, was on Biblical
texts that focus on human
transience and comfort:
comfort to the bereaved
and comfort to all who
fear death. To some
extent, it could be
called the epitome of
Brahms's work. In the
relevant volume of the
new Brahms Complete
Edition, on which this
new practical edition is
based, editors Michael
Musgrave and Michael
Struck clear up all sorts
of legends, errors, and
erroneous readings.
Brahms's subsequent minor
compositional changes are
taken into account, poor
decisions in previous
editions are corrected,
and the Bible texts sung
contain writing and
meaning corrections. In
addition, the texts
elucidate many myths
about the composition's
origin. Thus, this Urtext
edition creates a fresh
perspective on the
People's Requiem, as
Brahms would have
preferred to call the
composition. This new B&H
publication is extremely
good value, and it really
does breathe new life
into an old master. The
pages of the full score
are delightfully easy on
the eye. The edition's
visual effect is precise,
lucid, and sympathetic -
as, indeed, a good
performance of Brahms's
choral masterpiece should
be.(Jeremy Summerly,
Choir & Organ)
new
piano vocal score with
compact engraving and
clear legibility;
music-text page better
spaced out to facilitate
reading; page division
largely retained overall
to facilitate rehearsals;
vocal-text reading
corrected to conform to
the Bible.