Edited by Albert Gamse. For voice and piano. Format: piano/vocal/chords songbook...(+)
Edited by Albert Gamse.
For voice and piano.
Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics and
chord names. Latin and
folk. Series: World's
Favorite Series, No. 16.
160 pages. 9x12 inches.
Published by Ashley
Publications.
Composed by Leos Janacek (1854-1928). Edited by Jan Krejci; Alena Nemkova. For v...(+)
Composed by Leos Janacek
(1854-1928). Edited by
Jan Krejci; Alena
Nemkova. For violin and
piano. This edition:
Urtext edition. Stapled.
Level 4. Score with part.
Published by Baerenreiter
Verlag
Taught by Duck Baker. For Guitar (Fingerpicking). Methods. Grossman-Gtr Workshop...(+)
Taught by Duck Baker. For
Guitar (Fingerpicking).
Methods. Grossman-Gtr
Workshop. Jazz. Level:
Intermediate. DVD. Size
5.25x7.5. Duration 82
minutes. Published by
Grossman's Guitar
Workshop. (GW920DVD) DVD
format: Region 1 for use
in the USA and Canada.
Composed by Leos Janacek (1854-1928) and Leos Janacek (1854-1928). Opera. The Ne...(+)
Composed by Leos Janacek
(1854-1928) and Leos
Janacek (1854-1928).
Opera. The New Study
Score Series.
Contemporary. Book. With
Standard notation. 634
pages. Universal Edition
#UE36511. Published by
Universal Edition
(PR.UE036511).
Composed by Barry Manilow, lyrics by Bruce Sussman, Jack Feldman. For voice, pia...(+)
Composed by Barry
Manilow, lyrics by Bruce
Sussman, Jack Feldman.
For voice, piano and
guitar chords. From the
Broadway musical
"Copacabana". Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Broadway
and pop vocal. 87 pages.
9x12 inches. Published by
Hal Leonard.
By Bedrich Smetana. Edited by Frantisek Bartos; Josef Plavec; Karel Solc. For Vi...(+)
By Bedrich Smetana.
Edited by Frantisek
Bartos; Josef Plavec;
Karel Solc. For Violin
(2), Viola, Violoncello.
Published by
Baerenreiter-Ausgaben
(German import).
(Get Your Fingers to Play What's in Your Head). Composed by Mark Dziuba. For Gui...(+)
(Get Your Fingers to Play
What's in Your Head).
Composed by Mark Dziuba.
For Guitar. Book; DVD;
Guitar Method or
Supplement;
Method/Instruction.
Serious Blues. Blues. 56
pages. Published by
Alfred Music
African Guitar - DVD Guitare notes et tablatures [DVD] Grossman's Guitar Workshop
Solo Fingerstyle Guitar Music. For Guitar (Fingerpicking). Solos Performance Vid...(+)
Solo Fingerstyle Guitar
Music. For Guitar
(Fingerpicking). Solos
Performance Video.
Vestapol. African. Level:
Multiple Levels. DVD.
Size 5.25x7.5. Duration
60 minutes. Published by
Grossman's Guitar
Workshop. (13017DVD) DVD
format: Region 1 for use
in the USA and Canada.
SATB and Organ Choral; Organ Accompaniment (SATB) SKU: HL.49044690 For...(+)
SATB and Organ Choral;
Organ Accompaniment
(SATB)
SKU:
HL.49044690
For
Mixed Choir (SATB) and
Organ. Composed by
Heinrich Poos. This
edition: Saddle
stitching. Sheet music.
Choral. Classical,
Contemporary. Softcover.
28 pages. Schott Music
#ED 21904. Published by
Schott Music
(HL.49044690).
ISBN
9790001199209.
7.5x10.75x0.112 inches.
Latin.
The five
movements of this mass
are based on five Songs
Without Words from Leos
Janacek's piano cycle By
Overgrown Paths. Poos
describes his work as
Parody, Arrangement and
Kontrafaktur and a
metamorphosis of
Janacek's piano
pieces.
Choral (Preview CD) SKU: HL.144482 A Tasty Musical for Anyone Who Love...(+)
Choral (Preview CD)
SKU: HL.144482
A Tasty Musical for
Anyone Who Loves
Food!. Composed by
John Jacobson and Mac
Huff. ExpressiveArts.
Elementary, Musicals. CD
only. Published by Hal
Leonard (HL.144482).
ISBN 9781495017582.
UPC: 888680062279. 5x5
inches. John Jacobson/Mac
Huff.
Hey, what's
cookin'? Join Hungry
Hank, Famished Fanny,
Ravenous Randi, Picky
Pete and more wacky
characters in this upbeat
and tasty musical all
about their insatiable
appetites! We are
fortunate to live in a
land of plenty, and as we
celebrate food in
wonderfully wacky ways
with songs like
“The Fast Food
Tango,”
“Chicken Pot
Pie,” “My
Banana Split” and
“Pizza,” we
are also reminded to be
“Thankful”
for the bounty we
regularly enjoy. Designed
for performers in upper
elementary and middle
school, this 40-minute
musical features six
original songs with
connecting script and
speaking parts adaptable
to casts of 20 or more.
The Teacher Edition is
filled with quality
performance material
including piano/vocal
song arrangements and
choreography, script, and
helpful production guide.
For added value, the
ready-to-use student
books include songs and
script, and will enhance
the musical experience
for your young aspiring
actors/singers!
SSA, a cappella SKU: SU.80300112 For SSA, a cappella. Composed by ...(+)
SSA, a cappella
SKU:
SU.80300112
For
SSA, a cappella.
Composed by Mabel Wheeler
Daniels. Vocal/Choral,
Secular Choral. A
cappella. Choral Octavo.
Treble Clef Music Press
#80300112. Published by
Treble Clef Music Press
(SU.80300112).
Both sound and
sense of the Carmina
Burana text on the
restful loveliness of
moonrise are beautifully
set in this lyrical,
technically strong piece,
first published in 1942.
SSA a cappella. Latin.
Medium. SSA, a cappella
Published by: Treble Clef
Music Minimum order
quantity: 8 copies.
Hail! Bright
Cecilia. Composed by
Henry Purcell. Stapled.
Eulenburg Orchestral
Series. Renaissance/early
Baroque; Baroque. Part.
20 pages. Duration 60'.
Breitkopf and Haertel
#EOS 8063-26. Published
by Breitkopf and Haertel
(BR.EOS-8063-26).
ISBN
9790004789810. 8.5 x 11.5
inches.
The Ode was
admirably set by Mr.
Henry Purcell, and
performed twice with
universal applause.
(The Gentlemen's
Journal, 1692)
The
popularity of Purcell's
setting is apparent from
the many sources that
survive and from the
printed extracts which
appeared almost
immediately after its
first performance. The
primary source for this
edition is the largely
autograph manuscript in
the Bodleian Library.
Rather to reduce the
orthography to a norm,
the capitalization of the
vocal text favours
Purcell's
preferences. (Christop
her Hogwood)
Vokalensemble Stuttgart
und den Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka).
Chorus (with soloists) and piano (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0....(+)
Chorus (with soloists)
and piano (solos: SAATBB
- choir: SSAATB -
2rec.B-fl.2.0.0. -
0.2.0.0. - timp - str -
bc)
SKU:
BR.ED-10296
Hail!
Bright Cecilia.
Composed by Henry
Purcell. Edited by
Christopher Hogwood.
Choir; stapled.
Renaissance/early
Baroque; Baroque.
Piano/Vocal Score. 80
pages. Duration 60'.
Breitkopf and Haertel #ED
10296. Published by
Breitkopf and Haertel
(BR.ED-10296).
ISBN
9790220101977. 7.5 x 11
inches.
The Ode was
admirably set by Mr.
Henry Purcell, and
performed twice with
universal applause.
(The Gentlemen's
Journal, 1692)
The
popularity of Purcell's
setting is apparent from
the many sources that
survive and from the
printed extracts which
appeared almost
immediately after its
first performance. The
primary source for this
edition is the largely
autograph manuscript in
the Bodleian Library.
Rather to reduce the
orthography to a norm,
the capitalization of the
vocal text favours
Purcell's
preferences. (Christop
her Hogwood)
Vokalensemble Stuttgart
und den Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka).
(Piano/Vocal/Guitar). By Diana Krall. For Guitar; Keyboard; Piano; Voice. Th...(+)
(Piano/Vocal/Guitar). By
Diana Krall. For Guitar;
Keyboard; Piano; Voice.
This
edition:
Piano/Vocal/Guitar.
Artist/Personality; Book;
Personality Book;
Piano/Vocal/Chords. Jazz.
100 pages. Published by
Alfred Music
Composed by Alexander Muir. Arranged by David Marlatt. 5 or More; Brass Ensemble...(+)
Composed by Alexander
Muir. Arranged by David
Marlatt. 5 or More; Brass
Ensemble - Quintet; Solo
Small Ensembles. Eighth
Note Publications. Form:
March. Patriotic.
Part(s); Score. Eighth
Note Publications
#81-BQ17446. Published by
Eighth Note Publications
(AP.81-BQ17446).
Composed by Alexander Muir (1830-1906). Arranged by David Marlatt. This edition:...(+)
Composed by Alexander
Muir (1830-1906).
Arranged by David
Marlatt. This edition:
Band with Opt. Choir.
Concert Band; Part(s);
Score. Eighth Note
Publications. Form:
March. Patriotic.
Published by Eighth Note
Publications
(AP.81-CB17314).
Composed
by Bedrich Smetana.
Edited by Hugh MacDonald.
This edition: urtext
edition. Paperback.
Barenreiter Urtext. From:
Má vlast / My Country.
Score. Baerenreiter
Verlag #BA11533_00.
Published by Baerenreiter
Verlag (BA.BA11533).
ISBN 9790260108059. 31
x 24.3 cm inches.
Preface: Mojzisova, Olga
/ Macdonald,
Hugh.
The first
four symphonic poems from
Smetanaâ??s six-part
cycle Má vlast (My
Country) were written in
1874â??75 and arranged
for piano duet shortly
after the completion of
the fourth part, From
Bohemiaâ??s Woods and
Fields. All six parts
were issued for the first
time by the publisher
Urbánek, beginning
with the piano duet
arrangements
(1879-80).
The
score of From
Bohemiaâ??s Woods and
Fields was published by
Urbánek in 1881. Owing
to its many misprints,
Hugh Macdonald has based
his new edition on the
autograph score while
consulting the first
edition as well as the
autograph and print of
the composerâ??s own
version for piano
duet.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding