Handbells 3-6 Octave handbells - Level 2 SKU: HP.2991 Arranged by Brenda ...(+)
Handbells 3-6 Octave
handbells - Level 2
SKU: HP.2991
Arranged by Brenda E
Austin. Hymn
Arrangements, Easter
Sunday, General Worship,
Adoration & Praise.
Handbell score. 12 pages.
Hope Publishing Company
#2991. Published by Hope
Publishing Company
(HP.2991).
UPC:
763628129910.
Class
ic hymn tune Mallets and
other stopped techniques
call for a staccato style
performance of this
lively Easter setting.
There is a hint of
Indigenous American music
to the intriguing
arrangement that brings
out the uniqueness of
what handbells can
do.
Choral (Performance/Accompanimen t CD) SKU: HL.35007178 Composed by Josep...(+)
Choral
(Performance/Accompanimen
t CD)
SKU:
HL.35007178
Composed
by Joseph M. Martin.
Shawnee Press. General
Worship. CD only. Shawnee
Press #MD5139. Published
by Shawnee Press
(HL.35007178).
UPC:
747510050582. 5.5x5
inches.
Commissione
d for the 150th
anniversary of the First
Baptist Church in Austin,
Texas, this festive
adaptation of two beloved
hymns will encourage your
congregation to celebrate
their past and inspire
them for the future.
Foundations joins
“How Firm a
Foundation” and
“Brethren We Have
Met to Worship” in
a splendid ballet of
rhythm and harmony.
Orchestrator Brant Adams
works his magic and the
result is a magnificent
celebratory piece that
will be a favorite for
singers and listeners
alike. Will you hear an
“amen” as the
final note fades? Most
definitely!
Handbells 3-5 octave handbells and choir, with optional flute - Level 2 SKU: ...(+)
Handbells 3-5 octave
handbells and choir, with
optional flute - Level 2
SKU: HP.2894
Composed by Dona Nobis
Pacem. Arranged by Brenda
Austin. Hymntune, Hymn
Arrangements, General
Worship, Service Music.
Handbell score. 8 pages.
Hope Publishing Company
#2894. Published by Hope
Publishing Company
(HP.2894).
UPC:
763628128944.
Tradi
tional hymn tune This
enchanting Level 2
arrangement includes
options to add flute and
three-part, any
combination, choir. A
gentle plea for 'peace,'
this is the perfect
closer to a combined
concert or poignant
moment in worship during
the Christmas season, or
any time of year.
Arranged by Brenda
Austin. Hymntune, Hymn
Arrangements, Lent, Holy
Week, General Worship.
Handbell score. 8 pages.
Hope Publishing Company
#2872. Published by Hope
Publishing Company
(HP.2872).
UPC:
763628128722.
Ameri
can Folk Hymn This
great American folk hymn
begins meditatively,
through use of the
singing bell and malleted
bells off the table,
offering an effective
meditation on Christ's
wonderful love. As the
hymn text moves from
reflective stanzas to
full praise in the final
stanzas with the words,
To God and to the Lamb I
will sing, so too, this
compelling setting gains
momentum and energy.
Arranged by Brenda Austin. For handbells (3-5 octaves) (optional handchimes (3-6...(+)
Arranged by Brenda
Austin. For handbells
(3-5 octaves) (optional
handchimes (3-6
octaves)). Handbells.
Lent, General. Level 2.
Handbell score. Published
by Chorister's Guild
Guitar SKU: HL.14044517 Backing Tracks. Composed by Austin C. Love...(+)
Guitar
SKU:
HL.14044517
Backing Tracks.
Composed by Austin C.
Lovelace. CARISCH - MUSIC
SALES. Jazz. General
Merchandise. Play Music
France #MF2030. Published
by Play Music France
(HL.14044517).
Handbells 3-6 Octave handbells - Level 3 SKU: HP.2961 Arranged by Brenda ...(+)
Handbells 3-6 Octave
handbells - Level 3
SKU: HP.2961
Arranged by Brenda
Austin. Hymntune, Hymn
Arrangements, Dedication,
General Worship, God,
Adoration & Praise.
Handbell score. 12 pages.
Hope Publishing Company
#2961. Published by Hope
Publishing Company
(HP.2961).
Classic Hymn
This lively arrangement
pairs the powerful hymn
tunes, EIN' FESTE BURG
and ST. ANNE. Fun to play
mallet and other stopped
techniques, add interest
and excitement and make
this shimmering setting
ideal for times of
celebration or handbell
festivals.
Over 20 Piano Solos for the Church Year. Arranged by Glenda Austin. Willis. Ge...(+)
Over 20 Piano Solos for
the
Church Year. Arranged by
Glenda Austin. Willis.
General
Worship, Sacred, Solos.
Softcover. 64 pages.
Published
by Willis Music
Composed by C. Austin Miles. Arranged by Joel Raney. Shawnee Sacred. General...(+)
Composed by C. Austin
Miles.
Arranged by Joel Raney.
Shawnee Sacred. General
Worship, Hymn, Pentecost,
Sacred, Wedding. Octavo.
Duration 303 seconds.
Published by Shawnee
Press
Hashivenu Cloches - Facile Hope Publishing Company
Handbells Handchimes - Level 2 SKU: HP.3028 World Music, Folk Song, Gener...(+)
Handbells Handchimes -
Level 2
SKU:
HP.3028
World Music,
Folk Song, General
Worship, Justice & Peace.
Handbell score. 12 pages.
Hope Publishing Company
#3028. Published by Hope
Publishing Company
(HP.3028).
UPC:
763628130282. Brenda E.
Austin.
Israeli
Folk Song A song of
resilience, this
traditional Israeli folk
song begins with a
mournful setting on
handchimes and moves into
an up-tempo section that
uses mallets and thumb
damps. The arrangement is
fresh and inspiring.
For Concert Band.
Composed by Dan Welcher.
Spiral. Contemporary.
Large Full Score. With
Standard notation.
Composed 1994. 76 pages.
Duration 10 minutes.
Theodore Presser Company
#165-00092L. Published by
Theodore Presser Company
(PR.16500092L).
UPC:
680160039531. 11 x 17
inches.
Zion is the
third and final
installment of a series
of works for Wind
Ensemble inspired by
national parks in the
western United States,
collectively called Three
Places in the West. As in
the other two works (The
Yellowstone Fires and
Arches), it is my
intention to convey more
an impression of the
feelings I've had in Zion
National Park in Utah
than an attempt at
pictorial description.
Zion is a place with
unrivalled natural
grandeur, being a sort of
huge box canyon in which
the traveler is
constantly overwhelmed by
towering rock walls on
every side of him -- but
it is also a place with a
human history, having
been inhabited by several
tribes of native
Americans before the
arrival of the Mormon
settlers in the mid-19th
century. By the time the
Mormons reached Utah,
they had been driven all
the way from New York
State through Ohio and,
with tragic losses,
through Missouri. They
saw Utah in general as a
place nobody wanted, but
they were nonetheless
determined to keep it to
themselves. Although Zion
Canyon was never a Mormon
Stronghold, the people
who reached it and
claimed it (and gave it
its present name) had
been through extreme
trials. It is the
religious fervor of these
persecuted people that I
was able to draw upon in
creating Zion as a piece
of music. There are two
quoted hymns in the work:
Zion's Walls (which Aaron
Copland adapted to his
own purposes in both is
Old American Songs and
the opera The Tender
Land) and Zion's
Security, which I found
in the same volume in
which Copland found
Zion's Walls -- that
inexhaustible storehouse
of 19th-century hymnody
called The Sacred Harp.
My work opens with a
three-verse setting of
Zion's Security, a stern
tune in F-sharp minor
which is full of resolve.
(The words of this hymn
are resolute and strong,
rallying the faithful to
be firm, and describing
the city of our God they
hope to establish). This
melody alternates with a
fanfare tune, whose
origins will be revealed
in later music, until the
second half of the piece
begins: a driving
rhythmic ostinato based
on a 3/4-4/4 alternating
meter scheme. This pauses
at its height to restate
Zion's Security one more
time, in a rather obscure
setting surrounded by
freely shifting patterns
in the flutes, clarinets,
and percussion -- until
the sun warms the ground
sufficiently for the
second hymn to appear.
Zion's Walls is set in
7/8, unlike Copland's
9/8-6/8 meters (the
original is quite
strange, and doesn't
really fit any constant
meter), and is introduced
by a warm horn solo. The
two hymns vie for
attention from here to
the end of the piece,
with the glowingly
optimistic Zion's Walls
finally achieving
prominence. The work ends
with a sense of triumph
and unbreakable spirit.
Zion was commissioned in
1994 by the wind
ensembles of the
University of Texas at
Arlington, the University
of Texas at Austin, and
the University of
Oklahoma. It is dedicated
to the memory of Aaron
Copland.
Opera
in three acts.
Composed by George
Frideric Handel. Edited
by Terence Best. This
edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Serie II
Band 20. Complete
edition, Score. HWV 23.
Duration 3 hours.
Baerenreiter Verlag
#BA04081_00. Published by
Baerenreiter Verlag
(BA.BA04081).
ISBN
9790006497782. 33 x 25.8
cm inches.
In his
libretto for “
Riccardo primoâ€,
Paolo Rolli drew on
Antonio Lotti’s
opera “ Isacio
tiranno †which had
been performed in Venice
in 1710. Handel needed a
text with two great
women’s roles, for
the two best female
singers of the day were
members of his troupe
– Francesca
Cuzzoni and Faustina
Bordoni . He had already
written the operas
“Alessandroâ€
and “ Admeto
†for them. He
began composing “
Riccardo †in
spring 1727, completing
the first version on 16
May. However,
following the death of
King George I on 11 June
1727, the theatres
remained closed. For
Handel, who had become a
British citizen in
February 1727, the
accession of George II to
the throne offered new
possibilities, and he
embarked on a revision of
the opera. With this, he
was able to offer a new
opera for the coronation
festivities, the hero of
which was one of King
George’s
charismatic
forebears. From May
onwards, Handel
thoroughly revised the
present score, wrote some
parts anew and expanded
it with particularly
splendid music. Handel
and Rolli also improved
the plot and introduced
patriotic elements to
honour the British
monarchy.
The
historic background is
the third crusade against
Saladin, the Sultan of
Egypt and Syria , who had
recaptured Jerusalem in
1187. Although King
Richard I captured Cyprus
and together with French
crusaders stormed the
fortress of Akko in the
Holy Land, the crusade
ended with a ceasefire
and Jerusalem remained in
Saladin’s hands.
Richard was given the
title
‘Coeur-de-lionâ€
¹â€™ by the English
for his great military
ability and bravery,
although the Sicilians
had first given him this
name because of his
relentless cruelty in
clashes around Messina
.
The vocal
score is based on the
Halle Handel Edition
volume published in 2005,
edited by Terence Best,
and contains the second
version of the opera
which was premiered in
November 1727.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding