By Austin C. Lovelace. For SATB choir, organ. Parish. Choral, General, Hymn, Pentecost. Easy/Medium. Choral octavo. Published by Paraclete Press

Handbells 3-6 Octave handbells - Level 2

SKU: HP.2991

Arranged by Brenda E Austin. Hymn Arrangements, Easter Sunday, General Worship, Adoration & Praise. Handbell score. 12 pages. Hope Publishing Company #2991. Published by Hope Publishing Company (HP.2991).

UPC: 763628129910.

Class ic hymn tune Mallets and other stopped techniques call for a staccato style performance of this lively Easter setting. There is a hint of Indigenous American music to the intriguing arrangement that brings out the uniqueness of what handbells can do.

(A Song of Praise). Composed by Austin C. Lovelace. For SATB choir and organ. General. Easy. Octavo. 5 pages. Published by Paraclete Press

By Austin C. Lovelace. For SATB choir, Organ. Parish. Choral, Festival, General. Easy. Choral octavo. Published by Paraclete Press

Choral (Performance/Accompanimen t CD)

SKU: HL.35007178

Composed by Joseph M. Martin. Shawnee Press. General Worship. CD only. Shawnee Press #MD5139. Published by Shawnee Press (HL.35007178).

UPC: 747510050582. 5.5x5 inches.

Commissione d for the 150th anniversary of the First Baptist Church in Austin, Texas, this festive adaptation of two beloved hymns will encourage your congregation to celebrate their past and inspire them for the future. Foundations joins “How Firm a Foundation” and “Brethren We Have Met to Worship” in a splendid ballet of rhythm and harmony. Orchestrator Brant Adams works his magic and the result is a magnificent celebratory piece that will be a favorite for singers and listeners alike. Will you hear an “amen” as the final note fades? Most definitely!

Composed by Austin C. Lovelace. For SATB choir, organ. Parish. Choral, General, Lent. Easy. Choral octavo. Published by Paraclete Press

Handbells 3-5 octave handbells and choir, with optional flute - Level 2

SKU: HP.2894

Composed by Dona Nobis Pacem. Arranged by Brenda Austin. Hymntune, Hymn Arrangements, General Worship, Service Music. Handbell score. 8 pages. Hope Publishing Company #2894. Published by Hope Publishing Company (HP.2894).

UPC: 763628128944.

Tradi tional hymn tune This enchanting Level 2 arrangement includes options to add flute and three-part, any combination, choir. A gentle plea for 'peace,' this is the perfect closer to a combined concert or poignant moment in worship during the Christmas season, or any time of year.

Handbells 3-6 octave handbell choir - Level 2

SKU: HP.2872

Arranged by Brenda Austin. Hymntune, Hymn Arrangements, Lent, Holy Week, General Worship. Handbell score. 8 pages. Hope Publishing Company #2872. Published by Hope Publishing Company (HP.2872).

UPC: 763628128722.

Ameri can Folk Hymn
This great American folk hymn begins meditatively, through use of the singing bell and malleted bells off the table, offering an effective meditation on Christ's wonderful love. As the hymn text moves from reflective stanzas to full praise in the final stanzas with the words, To God and to the Lamb I will sing, so too, this compelling setting gains momentum and energy.

Arranged by Brenda Austin. For handbells (3-5 octaves) (optional handchimes (3-6 octaves)). Handbells. Lent, General. Level 2. Handbell score. Published by Chorister's Guild

By Austin C. Lovelace. For SAB choir, organ. Parish. Choral, General, Hymn. Easy/Medium. Choral octavo. Published by Paraclete Press

Guitar

SKU: HL.14044517

Backing Tracks. Composed by Austin C. Lovelace. CARISCH - MUSIC SALES. Jazz. General Merchandise. Play Music France #MF2030. Published by Play Music France (HL.14044517).

French.

Composed by Brenda Austin. For 3-5 octave handbell choir. General. Level 1 . Handbell score. 7 pages. Published by Chorister's Guild

By Austin C. Lovelace. For Unison Choir and Congregation. Parish. Choral, General. Easy. Choral octavo. Published by Paraclete Press

Composed by Austin C. Lovelace. For organ: 3-staff. Sacred, General, Hymn-Based Collection. Moderately easy. Published by Lorenz Publishing Company

Composed by Austin C. Lovelace. Communion, General Worship, Sacred. Octavo. 8 pages. Published by Hope Publishing Company (HP.A430).

Handbells 3-6 Octave handbells - Level 3

SKU: HP.2961

Arranged by Brenda Austin. Hymntune, Hymn Arrangements, Dedication, General Worship, God, Adoration & Praise. Handbell score. 12 pages. Hope Publishing Company #2961. Published by Hope Publishing Company (HP.2961).

Classic Hymn This lively arrangement pairs the powerful hymn tunes, EIN' FESTE BURG and ST. ANNE. Fun to play mallet and other stopped techniques, add interest and excitement and make this shimmering setting ideal for times of celebration or handbell festivals.

Over 20 Piano Solos for the Church Year. Arranged by Glenda Austin. Willis. General Worship, Sacred, Solos. Softcover. 64 pages. Published by Willis Music

Composed by C. Austin Miles. Arranged by Joel Raney. Shawnee Sacred. General Worship, Hymn, Pentecost, Sacred, Wedding. Octavo. Duration 303 seconds. Published by Shawnee Press

By Austin C. Lovelace. For SATB choir, a cappella. Choral, Eucharist, General, Hymn. Medium. Choral octavo. Published by Paraclete Press

Handbells Handchimes - Level 2

SKU: HP.3028

World Music, Folk Song, General Worship, Justice & Peace. Handbell score. 12 pages. Hope Publishing Company #3028. Published by Hope Publishing Company (HP.3028).

UPC: 763628130282. Brenda E. Austin.

Israeli Folk Song A song of resilience, this traditional Israeli folk song begins with a mournful setting on handchimes and moves into an up-tempo section that uses mallets and thumb damps. The arrangement is fresh and inspiring.

By Austin C. Lovelace. For Unison voices. Sacred Anthem: General, Thanksgiving. Octavo. Published by Chorister's Guild

Arranged by Austin C. Lovelace. For SATB choir. General, Sacred. Octavo. 8 pages. Published by Hope Publishing Company

Concert Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabassoon, English Horn, Euphonium, Flute 1, Flute 2, Flute 3, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3 and more.

SKU: PR.16500092L

For Concert Band. Composed by Dan Welcher. Spiral. Contemporary. Large Full Score. With Standard notation. Composed 1994. 76 pages. Duration 10 minutes. Theodore Presser Company #165-00092L. Published by Theodore Presser Company (PR.16500092L).

UPC: 680160039531. 11 x 17 inches.

Zion is the third and final installment of a series of works for Wind Ensemble inspired by national parks in the western United States, collectively called Three Places in the West. As in the other two works (The Yellowstone Fires and Arches), it is my intention to convey more an impression of the feelings I've had in Zion National Park in Utah than an attempt at pictorial description. Zion is a place with unrivalled natural grandeur, being a sort of huge box canyon in which the traveler is constantly overwhelmed by towering rock walls on every side of him -- but it is also a place with a human history, having been inhabited by several tribes of native Americans before the arrival of the Mormon settlers in the mid-19th century. By the time the Mormons reached Utah, they had been driven all the way from New York State through Ohio and, with tragic losses, through Missouri. They saw Utah in general as a place nobody wanted, but they were nonetheless determined to keep it to themselves. Although Zion Canyon was never a Mormon Stronghold, the people who reached it and claimed it (and gave it its present name) had been through extreme trials. It is the religious fervor of these persecuted people that I was able to draw upon in creating Zion as a piece of music. There are two quoted hymns in the work: Zion's Walls (which Aaron Copland adapted to his own purposes in both is Old American Songs and the opera The Tender Land) and Zion's Security, which I found in the same volume in which Copland found Zion's Walls -- that inexhaustible storehouse of 19th-century hymnody called The Sacred Harp. My work opens with a three-verse setting of Zion's Security, a stern tune in F-sharp minor which is full of resolve. (The words of this hymn are resolute and strong, rallying the faithful to be firm, and describing the city of our God they hope to establish). This melody alternates with a fanfare tune, whose origins will be revealed in later music, until the second half of the piece begins: a driving rhythmic ostinato based on a 3/4-4/4 alternating meter scheme. This pauses at its height to restate Zion's Security one more time, in a rather obscure setting surrounded by freely shifting patterns in the flutes, clarinets, and percussion -- until the sun warms the ground sufficiently for the second hymn to appear. Zion's Walls is set in 7/8, unlike Copland's 9/8-6/8 meters (the original is quite strange, and doesn't really fit any constant meter), and is introduced by a warm horn solo. The two hymns vie for attention from here to the end of the piece, with the glowingly optimistic Zion's Walls finally achieving prominence. The work ends with a sense of triumph and unbreakable spirit. Zion was commissioned in 1994 by the wind ensembles of the University of Texas at Arlington, the University of Texas at Austin, and the University of Oklahoma. It is dedicated to the memory of Aaron Copland.

2 alto voice solos, 2 soprano voice solos, 2 bass voice solos, orchestra (2 Alto Voice Solos, 2 soprano voice solos, 2 bass voice solos, Orchestra)

SKU: BA.BA04081

Opera in three acts. Composed by George Frideric Handel. Edited by Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Serie II Band 20. Complete edition, Score. HWV 23. Duration 3 hours. Baerenreiter Verlag #BA04081_00. Published by Baerenreiter Verlag (BA.BA04081).

ISBN 9790006497782. 33 x 25.8 cm inches.

In his libretto for “ Riccardo primo”, Paolo Rolli drew on Antonio Lotti’s opera “ Isacio tiranno ” which had been performed in Venice in 1710. Handel needed a text with two great women’s roles, for the two best female singers of the day were members of his troupe – Francesca Cuzzoni and Faustina Bordoni . He had already written the operas “Alessandro” and “ Admeto ” for them. He began composing “ Riccardo ” in spring 1727, completing the first version on 16 May.
However, following the death of King George I on 11 June 1727, the theatres remained closed. For Handel, who had become a British citizen in February 1727, the accession of George II to the throne offered new possibilities, and he embarked on a revision of the opera. With this, he was able to offer a new opera for the coronation festivities, the hero of which was one of King George’s charismatic forebears.
From May onwards, Handel thoroughly revised the present score, wrote some parts anew and expanded it with particularly splendid music. Handel and Rolli also improved the plot and introduced patriotic elements to honour the British monarchy.

The historic background is the third crusade against Saladin, the Sultan of Egypt and Syria , who had recaptured Jerusalem in 1187. Although King Richard I captured Cyprus and together with French crusaders stormed the fortress of Akko in the Holy Land, the crusade ended with a ceasefire and Jerusalem remained in Saladin’s hands. Richard was given the title ‘Coeur-de-lion†¹â€™ by the English for his great military ability and bravery, although the Sicilians had first given him this name because of his relentless cruelty in clashes around Messina .

The vocal score is based on the Halle Handel Edition volume published in 2005, edited by Terence Best, and contains the second version of the opera which was premiered in November 1727.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding