By Carter. For Choral Collection: Mixed Choir. Published by Oxford University Press.

By Morris. For Choral Collection: Mixed Choir. Published by Oxford University Press.

Composed by John Rutter (1945-). For SATB choir, a cappella. John Rutter Anniversary Edition. Sacred. Very easy. Vocal score. 8 pages. Duration 2 minutes. Published by Oxford University Press

Piano, Vocal and Guitar

SKU: BT.MUSAM971531

Book Only. Wise Publications #MUSAM971531. Published by Wise Publications (BT.MUSAM971531).

ISBN 9780711989900.

E verybody's favourite Christmas carols and songs in one wonderfully practical and convenient edition creates The Best Christmas Songbook Ever (A5 Format), featuring 49 songs arranged for Piano, VoiceandGuitar. 

Every member of the family is catered for, young and old, with a selection of favourites covering the traditional classics that make the season special like Away In A Manger, We Three Kings OfOrientAre and O Come, All Ye Faithful. Not only this, but more recent pop tunes are represented such as I Wish It Could Be Christmas Every Day, Last Christmas and Santa ClausIsComing To Town. The generous selection of songs from old carols to new tunes makes this the perfect book for you this Christmas, so you can begin Christmas Eve with the classic carols and bring in Christmas Day with thefuncontemporary pop. 

The accessible arrangements of lyrics, melody, Piano and Guitar chords mean that you don't have to spend too much time practising before family and friends can gather around the Piano for aChristmassing-along. Because this songbook has everything, you can keep it as part of your music collection and dig it out every year for those times when the family can gather around and sing the songs that get you into thespirit of theseason. 

For the best and most varied collection of Christmas songs ever compiled, from old to new, classic to contemporary, pick up The Best Christmas Songbook Ever, and put a Yuletidesmile on theface of everyone with these universally loved tunes.

You can also purchase this book in its larger, standardsize for abumper-sized Yuletide.

Composed by John Rutter (1945-). For congregation and/or SATB choir and organ. Mixed Voices. The Cambridge Singers Hymn Series. Vocal score. Duration 3 minutes. Published by Oxford University Press

By Ledger. For Choral Collection: Two-Part Choir. Published by Oxford University Press.

Composed by David L. Ray. Christian. Octavo. Celebrating Grace #622011203. Published by Celebrating Grace

Composed by John Rutter (1945-). Composer Anthem Collections. Vocal score. 64 pages. Published by Oxford University Press (OU.9780193518209).

By Ledger. For Choral Collection: SSA Choir. Published by Oxford University Press.

By Mack Wilberg (1955-). For SATB choir (with divisions) and keyboard/orchestra (2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, 2 percussion (suspended cymbal, crash cymbal, chimes, bass drum), organ (optional), strings). Mixed Voices. Sacred, Choral Leaflet. Vocal score. 12 pages. Duration 4'. Published by Oxford University Press

By John Rutter (1945-). For Children's and/or SATB choir and keyboard/orchestra ([2.1.2.1-2.0.0.0], harp, strings). Upper Voices. Sacred Choral Leaflet. Vocal score. 12 pages. Duration 4.5'. Published by Oxford University Press

Piano - Intermediate

SKU: MB.31086

Saddle-stitched. Gospel. Book. Mel Bay Publications, Inc #31086. Published by Mel Bay Publications, Inc (MB.31086).

ISBN 9781513477763. 8.75X11.75 inches.

We all have experienced devotion at varying levels of intensity within our lives. Sometimes it is temporary, but in other cases it is lasting and perhaps even permanent.Devotion can be directed toward an idea, a purpose, plan, pet or person, a concept, a sport or hobby, a philosophy, or a feeling or relationship, but we all have known it in some measure.It can be so pathetically shallow as devotion to an object or possession, but its highest expression is found in devotion to the most noble of lasting and eternal values and in pursuit of knowing the awesome Creator of the universe- - - God himself. Hopefully, these piano pieces will inspire a greater measure of devotion from each of us.

Composed by John Rutter (1945-). Mixed Voices. The Cambridge Singers Hymn Series. Vocal score. 8 pages. Duration 5'. Published by Oxford University Press (OU.9780193416499).

Edited by Keri Dexter; Geoffrey Webber. For SATB choir (with divisions) accompanied. Mixed Voices. Church Music Society publications. Sacred, Choral Collection. Level B-C (easy - moderately difficult). Vocal score. 87 pages. Published by Oxford University Press

Composed by Arvo Part (1935-). World Premiere: Cambridge / Great Britain by King's College Choir conducted by Stephen Cleobury. Choral part(s). With Standard notation. Composed 1990. Duration 1 minute. Universal Edition #UE30414. Published by Universal Edition

Orchestra Bass Clarinet, Bass Trombone, Bassoon, Clarinet, Contrabass, Contrabassoon, English Horn, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe, Percussion, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2, Tuba, Viola, Violin 1, Violin 2, Violoncello

SKU: PR.44641192L

For 5 Percussionists and Orchestra. Composed by Ellen Taaffe Zwilich. Contemporary. Large Score. With Standard notation. Composed 2003. 72 pages. Duration 30 minutes. Theodore Presser Company #446-41192L. Published by Theodore Presser Company (PR.44641192L).

UPC: 680160610860. 11 x 14 inches.

One of my greatest pleasures in writing a concerto is exploring the new world that opens for me each time I enter the sometimes alien, but always fascinating, world of a solo instrument or instruments. For me, the challenge is to discover the deepest nature of the solo instrument (its karma, if you will) and to allow that essential character to guide the shape and form of the work and the nature of the interaction between soloists and orchestra. In recent years, many of us have become more aware of the musical world outside the Western tradition of musics that follow different procedures and spring from other aesthetics. And contemporary percussionists have opened many of these worlds to us, as they have ventured around the globe, participating in Brazilian Samba schools, studying Gamelan and African drumming with local experts, collecting instruments from Asia and Africa and South America and the South Pacific, widening our horizons in the process. I will never forget our first meeting in Toronto when Nexus invited me into their world of hundreds of exciting percussion instruments. The vast array of instruments in the collection of the Nexus ensemble is truly global in scope as well as offering a thrilling sound-universe. I was inspired by the incredible range of sound and moved by the fact that so many of these instruments were musical reflections of a spiritual dimension. After long consideration, I decided that it would not only be impossible, but even undesirable for this Western-tradition-steeped composer to attempt to use these instruments in a culturally authentic way. My goal was an existential kind of authenticity: searching instead for universal ideas that would be true to both myself and the performers while acknowledging the traditional uses of the instruments. Since many percussion instruments are associated with various kinds of ritual, I decided that I would allow that concept to shape my piece. Rituals is in four movements, each issuing from a ritual associated with percussion, but with the orchestral interaction providing an essential element in the musical form. I. Invocation alludes to the traditions of invoking the spirit of the instruments, or the gods, or the ancestors before performing. II. Ambulation moves from a processional, through march and dance to fantasy based on all three. III. Remembrances alludes to traditions of memorializing. IV. Contests progresses from friendly competition games, contests to a suggestion of a battle of big band drummers, to warlike exchanges. In the 2nd and 4th movements, another percussion tradition, improvisation, is employed. Written into these movements are a number of seeds for improvisation. Indications in the score call for the soloists to improvise in three different ways, marked A for percussion alone; marked B for percussion with and in response to the orchestra; and C where the percussionists are free to add and embellish the written parts. These improvisations should grow out of and embellish previous motives and gestures in the movement.

By G Ives. For Mixed Choir and Organ. A426. Published by Oxford University Press.

By Greene. Arranged by Marlow. For Mixed Choir and Organ Continuo. CMSR57. Published by Oxford University Press.

Composed by David Bednall. Sacred choral - mixed voices. Vocal score. 8 pages. Duration 2'. Oxford University Press #9780193524309. Published by Oxford University Press

By Ralph Vaughan Williams. For Choral Collection: Mixed Choir. Published by Oxford University Press.

The Oxford Book of Spirituals by Moses Hogan. For SATB choir accompanied and a cappella. Mixed Voices. Spirituals Collection. Vocal score. 236 pages. Published by Oxford University Press

SSAA choir unaccompanied, with optional handbells (Upper Voices - 3 parts or more) - Easy to Moderately Difficult

SKU: OU.9780193517974

Composed by Bob Chilcott. Vocal score. 16 pages. Duration 3.5'. Oxford University Press #9780193517974. Published by Oxford University Press (OU.9780193517974).

ISBN 9780193517974. 10 x 7 inches.

For SSAA unaccompanied, with opt. handbells This compelling a cappella setting of Henry Van Dyke's poem has a continual sense of motion, created by the 7/8 metre and scat singing style that is passed around the parts. A powerful and uplifting anthem for general worship.

By K. Lee Scott. For SATB Choir, Strings, and Organ. Published by Oxford University Press.