Urtext. Composed
by Johann Sebastian Bach.
Edited by Werner Felix.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The aim of this
combined scholarly and
practical edition of the
Brandenburg Concerto is
to offer a state of the
art performance material
of this standard work of
Baroque music literature,
which satisfies the
practical needs of
performing artists.
Baroque period. Part. 8
pages. Duration 11'.
Breitkopf and Haertel #OB
4065-17. Published by
Breitkopf and Haertel
(BR.OB-4065-17).
ISBN
9790004303467. 10 x 12.5
inches.
The aim of
this combined scholarly
and practical edition of
the Brandenburg Concertos
is to offer a state of
the art performance
material of these
standard works of Baroque
music literature, which
satisfies the practical
needs of performing
artists.These new
editions were based on
surviving autographic
source material - some of
which, for the Fifth
Concerto for example, has
been taken into account
for the first time - and
the 'Neue Bach-Ausgabe'
(NBA). Moreover, they
also make use of relevant
18th-century theoretical
writings for editorial
additions and
observations on
performance
practice.(from the joint
preface to the Six
Brandenburg Concertos by
the Bach scholars Werner
Felix, Winfried Hoffmann
and Armin
Schneiderheinze)Instead
of a slow movement, the
Brandenburg Concerto No.
3 has nothing but two
chords. Bach, like Handel
in his organ concertos,
most likely wanted the
solo instruments to
insert an improvisation
here. But what is easy
for the proficient organ
soloist in Handel's music
turns out to be
impossible for the nine
solo parts in Bach's
piece. Emil Platen's
solution offers a loosely
structured elaboration
that is placed before the
two chords notated by
Bach and that uses all of
the string instruments.
It draws its inspiration
from stylistic elements
of the concerto, without
creating the impression
of being an autonomous
movement..
Urtext. Composed
by Johann Sebastian Bach.
Edited by Werner Felix.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The aim of this
combined scholarly and
practical edition of the
Brandenburg Concerto is
to offer a state of the
art performance material
of this standard work of
Baroque music literature,
which satisfies the
practical needs of
performing artists.
Baroque period. Part. 8
pages. Duration 11'.
Breitkopf and Haertel #OB
4065-16. Published by
Breitkopf and Haertel
(BR.OB-4065-16).
ISBN
9790004303450. 10 x 12.5
inches.
The aim of
this combined scholarly
and practical edition of
the Brandenburg Concertos
is to offer a state of
the art performance
material of these
standard works of Baroque
music literature, which
satisfies the practical
needs of performing
artists.These new
editions were based on
surviving autographic
source material - some of
which, for the Fifth
Concerto for example, has
been taken into account
for the first time - and
the 'Neue Bach-Ausgabe'
(NBA). Moreover, they
also make use of relevant
18th-century theoretical
writings for editorial
additions and
observations on
performance
practice.(from the joint
preface to the Six
Brandenburg Concertos by
the Bach scholars Werner
Felix, Winfried Hoffmann
and Armin
Schneiderheinze)Instead
of a slow movement, the
Brandenburg Concerto No.
3 has nothing but two
chords. Bach, like Handel
in his organ concertos,
most likely wanted the
solo instruments to
insert an improvisation
here. But what is easy
for the proficient organ
soloist in Handel's music
turns out to be
impossible for the nine
solo parts in Bach's
piece. Emil Platen's
solution offers a loosely
structured elaboration
that is placed before the
two chords notated by
Bach and that uses all of
the string instruments.
It draws its inspiration
from stylistic elements
of the concerto, without
creating the impression
of being an autonomous
movement..
Urtext. Composed
by Johann Sebastian Bach.
Edited by Werner Felix.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The aim of this
combined scholarly and
practical edition of the
Brandenburg Concerto is
to offer a state of the
art performance material
of this standard work of
Baroque music literature,
which satisfies the
practical needs of
performing artists.
Baroque period. Part. 8
pages. Duration 11'.
Breitkopf and Haertel #OB
4065-15. Published by
Breitkopf and Haertel
(BR.OB-4065-15).
ISBN
9790004303443. 10 x 12.5
inches.
The aim of
this combined scholarly
and practical edition of
the Brandenburg Concertos
is to offer a state of
the art performance
material of these
standard works of Baroque
music literature, which
satisfies the practical
needs of performing
artists.These new
editions were based on
surviving autographic
source material - some of
which, for the Fifth
Concerto for example, has
been taken into account
for the first time - and
the 'Neue Bach-Ausgabe'
(NBA). Moreover, they
also make use of relevant
18th-century theoretical
writings for editorial
additions and
observations on
performance
practice.(from the joint
preface to the Six
Brandenburg Concertos by
the Bach scholars Werner
Felix, Winfried Hoffmann
and Armin
Schneiderheinze)Instead
of a slow movement, the
Brandenburg Concerto No.
3 has nothing but two
chords. Bach, like Handel
in his organ concertos,
most likely wanted the
solo instruments to
insert an improvisation
here. But what is easy
for the proficient organ
soloist in Handel's music
turns out to be
impossible for the nine
solo parts in Bach's
piece. Emil Platen's
solution offers a loosely
structured elaboration
that is placed before the
two chords notated by
Bach and that uses all of
the string instruments.
It draws its inspiration
from stylistic elements
of the concerto, without
creating the impression
of being an autonomous
movement..
Urtext. Composed
by Johann Sebastian Bach.
Edited by Werner Felix.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The aim of this
combined scholarly and
practical edition of the
Brandenburg Concerto is
to offer a state of the
art performance material
of this standard work of
Baroque music literature,
which satisfies the
practical needs of
performing artists.
Baroque period. Part. 8
pages. Duration 11'.
Breitkopf and Haertel #OB
4065-21. Published by
Breitkopf and Haertel
(BR.OB-4065-21).
ISBN
9790004303498. 10 x 12.5
inches.
The aim of
this combined scholarly
and practical edition of
the Brandenburg Concertos
is to offer a state of
the art performance
material of these
standard works of Baroque
music literature, which
satisfies the practical
needs of performing
artists.These new
editions were based on
surviving autographic
source material - some of
which, for the Fifth
Concerto for example, has
been taken into account
for the first time - and
the 'Neue Bach-Ausgabe'
(NBA). Moreover, they
also make use of relevant
18th-century theoretical
writings for editorial
additions and
observations on
performance
practice.(from the joint
preface to the Six
Brandenburg Concertos by
the Bach scholars Werner
Felix, Winfried Hoffmann
and Armin
Schneiderheinze)Instead
of a slow movement, the
Brandenburg Concerto No.
3 has nothing but two
chords. Bach, like Handel
in his organ concertos,
most likely wanted the
solo instruments to
insert an improvisation
here. But what is easy
for the proficient organ
soloist in Handel's music
turns out to be
impossible for the nine
solo parts in Bach's
piece. Emil Platen's
solution offers a loosely
structured elaboration
that is placed before the
two chords notated by
Bach and that uses all of
the string instruments.
It draws its inspiration
from stylistic elements
of the concerto, without
creating the impression
of being an autonomous
movement..
Urtext. Composed
by Johann Sebastian Bach.
Edited by Werner Felix.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The aim of this
combined scholarly and
practical edition of the
Brandenburg Concerto is
to offer a state of the
art performance material
of this standard work of
Baroque music literature,
which satisfies the
practical needs of
performing artists.
Baroque period. Part. 8
pages. Duration 11'.
Breitkopf and Haertel #OB
4065-25. Published by
Breitkopf and Haertel
(BR.OB-4065-25).
ISBN
9790004303528. 10 x 12.5
inches.
The aim of
this combined scholarly
and practical edition of
the Brandenburg Concertos
is to offer a state of
the art performance
material of these
standard works of Baroque
music literature, which
satisfies the practical
needs of performing
artists.These new
editions were based on
surviving autographic
source material - some of
which, for the Fifth
Concerto for example, has
been taken into account
for the first time - and
the 'Neue Bach-Ausgabe'
(NBA). Moreover, they
also make use of relevant
18th-century theoretical
writings for editorial
additions and
observations on
performance
practice.(from the joint
preface to the Six
Brandenburg Concertos by
the Bach scholars Werner
Felix, Winfried Hoffmann
and Armin
Schneiderheinze)Instead
of a slow movement, the
Brandenburg Concerto No.
3 has nothing but two
chords. Bach, like Handel
in his organ concertos,
most likely wanted the
solo instruments to
insert an improvisation
here. But what is easy
for the proficient organ
soloist in Handel's music
turns out to be
impossible for the nine
solo parts in Bach's
piece. Emil Platen's
solution offers a loosely
structured elaboration
that is placed before the
two chords notated by
Bach and that uses all of
the string instruments.
It draws its inspiration
from stylistic elements
of the concerto, without
creating the impression
of being an autonomous
movement..
Urtext. Composed
by Johann Sebastian Bach.
Edited by Werner Felix.
Arranged by Emil
(Cadenza) Platen.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The aim of this
combined scholarly and
practical edition of the
Brandenburg Concerto is
to offer a state of the
art performance material
of this standard work of
Baroque music literature,
which satisfies the
practical needs of
performing artists.
Baroque period. Set of
parts. 26 pages. Duration
11'. Breitkopf and
Haertel #OB 4065-60.
Published by Breitkopf
and Haertel
(BR.OB-4065-60).
ISBN
9790004338162. 10 x 12.5
inches.
The aim of
this combined scholarly
and practical edition of
the Brandenburg Concertos
is to offer a state of
the art performance
material of these
standard works of Baroque
music literature, which
satisfies the practical
needs of performing
artists.These new
editions were based on
surviving autographic
source material - some of
which, for the Fifth
Concerto for example, has
been taken into account
for the first time - and
the 'Neue Bach-Ausgabe'
(NBA). Moreover, they
also make use of relevant
18th-century theoretical
writings for editorial
additions and
observations on
performance
practice.(from the joint
preface to the Six
Brandenburg Concertos by
the Bach scholars Werner
Felix, Winfried Hoffmann
and Armin
Schneiderheinze)Instead
of a slow movement, the
Brandenburg Concerto No.
3 has nothing but two
chords. Bach, like Handel
in his organ concertos,
most likely wanted the
solo instruments to
insert an improvisation
here. But what is easy
for the proficient organ
soloist in Handel's music
turns out to be
impossible for the nine
solo parts in Bach's
piece. Emil Platen's
solution offers a loosely
structured elaboration
that is placed before the
two chords notated by
Bach and that uses all of
the string instruments.
It draws its inspiration
from stylistic elements
of the concerto, without
creating the impression
of being an autonomous
movement..
Urtext. Composed
by Johann Sebastian Bach.
Edited by Werner Felix.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The aim of this
combined scholarly and
practical edition of the
Brandenburg Concerto is
to offer a state of the
art performance material
of this standard work of
Baroque music literature,
which satisfies the
practical needs of
performing artists.
Baroque period. Part. 8
pages. Duration 11'.
Breitkopf and Haertel #OB
4065-27. Published by
Breitkopf and Haertel
(BR.OB-4065-27).
ISBN
9790004303535. 10 x 12.5
inches.
The aim of
this combined scholarly
and practical edition of
the Brandenburg Concertos
is to offer a state of
the art performance
material of these
standard works of Baroque
music literature, which
satisfies the practical
needs of performing
artists.These new
editions were based on
surviving autographic
source material - some of
which, for the Fifth
Concerto for example, has
been taken into account
for the first time - and
the 'Neue Bach-Ausgabe'
(NBA). Moreover, they
also make use of relevant
18th-century theoretical
writings for editorial
additions and
observations on
performance
practice.(from the joint
preface to the Six
Brandenburg Concertos by
the Bach scholars Werner
Felix, Winfried Hoffmann
and Armin
Schneiderheinze)Instead
of a slow movement, the
Brandenburg Concerto No.
3 has nothing but two
chords. Bach, like Handel
in his organ concertos,
most likely wanted the
solo instruments to
insert an improvisation
here. But what is easy
for the proficient organ
soloist in Handel's music
turns out to be
impossible for the nine
solo parts in Bach's
piece. Emil Platen's
solution offers a loosely
structured elaboration
that is placed before the
two chords notated by
Bach and that uses all of
the string instruments.
It draws its inspiration
from stylistic elements
of the concerto, without
creating the impression
of being an autonomous
movement..
Urtext. Composed
by Johann Sebastian Bach.
Edited by Werner Felix.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The aim of this
combined scholarly and
practical edition of the
Brandenburg Concerto is
to offer a state of the
art performance material
of this standard work of
Baroque music literature,
which satisfies the
practical needs of
performing artists.
Baroque period. Part. 8
pages. Duration 11'.
Breitkopf and Haertel #OB
4065-20. Published by
Breitkopf and Haertel
(BR.OB-4065-20).
ISBN
9790004303481. 10 x 12.5
inches.
The aim of
this combined scholarly
and practical edition of
the Brandenburg Concertos
is to offer a state of
the art performance
material of these
standard works of Baroque
music literature, which
satisfies the practical
needs of performing
artists.These new
editions were based on
surviving autographic
source material - some of
which, for the Fifth
Concerto for example, has
been taken into account
for the first time - and
the 'Neue Bach-Ausgabe'
(NBA). Moreover, they
also make use of relevant
18th-century theoretical
writings for editorial
additions and
observations on
performance
practice.(from the joint
preface to the Six
Brandenburg Concertos by
the Bach scholars Werner
Felix, Winfried Hoffmann
and Armin
Schneiderheinze)Instead
of a slow movement, the
Brandenburg Concerto No.
3 has nothing but two
chords. Bach, like Handel
in his organ concertos,
most likely wanted the
solo instruments to
insert an improvisation
here. But what is easy
for the proficient organ
soloist in Handel's music
turns out to be
impossible for the nine
solo parts in Bach's
piece. Emil Platen's
solution offers a loosely
structured elaboration
that is placed before the
two chords notated by
Bach and that uses all of
the string instruments.
It draws its inspiration
from stylistic elements
of the concerto, without
creating the impression
of being an autonomous
movement..
Urtext. Composed
by Johann Sebastian Bach.
Edited by Werner Felix.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The aim of this
combined scholarly and
practical edition of the
Brandenburg Concerto is
to offer a state of the
art performance material
of this standard work of
Baroque music literature,
which satisfies the
practical needs of
performing artists.
Baroque period. Part. 8
pages. Duration 11'.
Breitkopf and Haertel #OB
4065-23. Published by
Breitkopf and Haertel
(BR.OB-4065-23).
ISBN
9790004303504. 10 x 12.5
inches.
The aim of
this combined scholarly
and practical edition of
the Brandenburg Concertos
is to offer a state of
the art performance
material of these
standard works of Baroque
music literature, which
satisfies the practical
needs of performing
artists.These new
editions were based on
surviving autographic
source material - some of
which, for the Fifth
Concerto for example, has
been taken into account
for the first time - and
the 'Neue Bach-Ausgabe'
(NBA). Moreover, they
also make use of relevant
18th-century theoretical
writings for editorial
additions and
observations on
performance
practice.(from the joint
preface to the Six
Brandenburg Concertos by
the Bach scholars Werner
Felix, Winfried Hoffmann
and Armin
Schneiderheinze)Instead
of a slow movement, the
Brandenburg Concerto No.
3 has nothing but two
chords. Bach, like Handel
in his organ concertos,
most likely wanted the
solo instruments to
insert an improvisation
here. But what is easy
for the proficient organ
soloist in Handel's music
turns out to be
impossible for the nine
solo parts in Bach's
piece. Emil Platen's
solution offers a loosely
structured elaboration
that is placed before the
two chords notated by
Bach and that uses all of
the string instruments.
It draws its inspiration
from stylistic elements
of the concerto, without
creating the impression
of being an autonomous
movement..
Urtext. Composed
by Johann Sebastian Bach.
Edited by Werner Felix.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The aim of this
combined scholarly and
practical edition of the
Brandenburg Concerto is
to offer a state of the
art performance material
of this standard work of
Baroque music literature,
which satisfies the
practical needs of
performing artists.
Baroque period. Part. 8
pages. Duration 11'.
Breitkopf and Haertel #OB
4065-19. Published by
Breitkopf and Haertel
(BR.OB-4065-19).
ISBN
9790004303474. 10 x 12.5
inches.
The aim of
this combined scholarly
and practical edition of
the Brandenburg Concertos
is to offer a state of
the art performance
material of these
standard works of Baroque
music literature, which
satisfies the practical
needs of performing
artists.These new
editions were based on
surviving autographic
source material - some of
which, for the Fifth
Concerto for example, has
been taken into account
for the first time - and
the 'Neue Bach-Ausgabe'
(NBA). Moreover, they
also make use of relevant
18th-century theoretical
writings for editorial
additions and
observations on
performance
practice.(from the joint
preface to the Six
Brandenburg Concertos by
the Bach scholars Werner
Felix, Winfried Hoffmann
and Armin
Schneiderheinze)Instead
of a slow movement, the
Brandenburg Concerto No.
3 has nothing but two
chords. Bach, like Handel
in his organ concertos,
most likely wanted the
solo instruments to
insert an improvisation
here. But what is easy
for the proficient organ
soloist in Handel's music
turns out to be
impossible for the nine
solo parts in Bach's
piece. Emil Platen's
solution offers a loosely
structured elaboration
that is placed before the
two chords notated by
Bach and that uses all of
the string instruments.
It draws its inspiration
from stylistic elements
of the concerto, without
creating the impression
of being an autonomous
movement..
(Brandenburg Concerto No. 3 in G Major, BWV 1048 , Mvt. 1. Composed by Johann ...(+)
(Brandenburg Concerto No.
3 in
G Major, BWV 1048 , Mvt.
1.
Composed by Johann
Sebastian
Bach. Arranged by Larry
Clark.
Harmony. Score. Excelcia
Music
Publishing #HSO2305FS.
Published by Excelcia
Music
Publishing
Composed by Johann Sebastian Bach (1685-1750). Arranged by Max Reger. Duet or Du...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Arranged by
Max Reger. Duet or Duo;
Masterworks; Piano Duet
(1 Piano, 4 Hands); Solo
Small Ensembles. Kalmus
Edition. Form: Concerto.
Baroque; Masterwork.
Book. 68 pages. Kalmus
Classic Edition
#00-K03027. Published by
Kalmus Classic Edition
Simply Bach Piano seul [Partition] - Facile Alfred Publishing
(The Music of Johann Sebastian Bach: 25 of His Most Loved Masterpieces). By Joha...(+)
(The Music of Johann
Sebastian Bach: 25 of His
Most Loved Masterpieces).
By Johann Sebastian Bach
(1685-1750). Arranged by
Jerry Ray. For Piano.
Piano Collection. Simply
Series. Masterwork. Easy
Piano. Book. 80 pages.
Published by Alfred Music
Publishing
Composed by Johann Sebastian Bach (1685-1750). For Orchestra (Study Score). Eule...(+)
Composed by Johann
Sebastian Bach
(1685-1750). For
Orchestra (Study Score).
Eulenburg
Taschenpartituren (Pocket
Scores). Study Score. 32
pages. Eulenburg Edition
#ETP254. Published by
Eulenburg Edition
Composed by Johann Sebastian Bach (1685-1750), arranged by Max Reger (1873-1916)...(+)
Composed by Johann
Sebastian Bach
(1685-1750), arranged by
Max Reger (1873-1916).
For piano four-hands.
Includes piano four hands
book (contains primo and
secondo parts). With
piano reduction. Baroque.
Series: Keyboard. 159
pages. 1138x814 inches.
Published by Dover
Publications.
2nd Movement.
Composed by Johann
Sebastian Bach. Arranged
by Todd Parrish. Cas. Set
of Score and Parts.
Duration 3 minutes, 40
seconds. Carl Fischer
Music #CAS156. Published
by Carl Fischer Music
(CF.CAS156).
ISBN
9781491165010. UPC:
680160923922. Key: G
major.
This
energetic second movement
from Bach's famed
Brandenburg Concerto No.
3 has been skillfully
arranged to be more
accessible to the
developing string
ensemble. Remaining in
the key of G major, this
piece has been re-scored
from the original
compound meter of 12/8 to
simple 3/4 time, allowing
both conductor and
players to more easily
manage the pulse. All
instruments get moving
parts with vigorous
melodies and
countermelodies, while
the original solos have
been integrated into the
sections. An excellent
introduction to a classic
piece of Baroque
repertoire.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Composed by Johann Sebastian Bach (1685-1750). Edited by David Dutkanicz. Arrang...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
David Dutkanicz. Arranged
by David Dutkanicz. For
piano. Masterworks; Piano
Collection; Piano
Supplemental. Dover
Edition: My First Book.
Baroque. Easy.
Collection. Standard
notation and fingerings.
48 pages. Published by
Dover Publications
String Quartet. By Johann Sebastian Bach. Arranged by Joel Lish. For 2 Violins, ...(+)
String Quartet. By Johann
Sebastian Bach. Arranged
by Joel Lish. For 2
Violins, Viola and Cello.
Classical. Level:
Advanced. Set of parts.
Published by Middle
Fiddle Music.
2010
Edition. Composed by
The Royal Conservatory.
Overtones: A
Comprehensive Flute
Series. Book. The
Frederick Harris Music
Company #FLE01. Published
by The Frederick Harris
Music Company (FH.FLE01).
ISBN
978-1-55440-300-4.
Unparalleled in scope,
Overtones offers all the
music flutists want in
one complete series! This
progressive collection
includes fundamental
repertoire and supporting
materials such as
Studies, Compact Discs,
Orchestral Excerpts, and
Technique. The richness
of music carefully
selected for this
compilation will resonate
with teachers and
students at every level
of study.This compilation
of standard orchestral
passages for flute is an
indispensable resource
for the developing years
and beyond. Teachers and
students will find this
unrivalled volume
essential for examination
or audition
preparation.
Slavo
nic Dances, op. 46, no. 1
Antonin Dvorak
Symphony No. 100 in G
Major (Military): II
Franz Joseph Haydn Le
carnaval des animaux:
Aquarium Camille
Saint-Saens HMS
Pinafore: I'm Called
Little Buttercup Arthur
Sullivan La forza del
destino: Overture
Giuseppe Verdi Serse
(Xerxes), HWV 40: Va
godendo vezzoso e bello
George Frideric Handel
Symphony No. 100 in G
Major (Military): III
Franz Joseph Haydn Ma
Vlast: II Bedrich Smetana
HMS Pinafore: When I
Was a Lad Arthur Sullivan
Nutcracker Suite:
Overture Pyotr Il'yich
Tchaikovsky Symphony
No. 6 (Pastoral): III
Ludwig van Beethoven
Symphony No. 9 in E
Minor, op. 95 (New
World): I Antonin Dvorak
Faust: Soldier's
Chorus Charles Gounod
Peer Gynt Suite No.
1, op. 46: I Edvard Grieg
Symphony No. 102 in B
flat Major: I Franz
Joseph Haydn
Brandenburg Concerto
No. 4, BWV 1049: III
Johann Sebastian Bach
Carmen: La garde
montante Georges Bizet
Petite suite: Ballet
IV Claude Debussy
Symphony No. 100 in G
Major (Military): IV
Franz Joseph Haydn
Symphony No. 40 in G
Minor, K 550: III
Wolfgang Amadeus Mozart
Symphony No. 5: IV
Ludwig van Beethoven
Carmen: Act 1,
Prelude Georges Bizet
Faust Ballet Music:
Danse antique Charles
Gounod Symphony No.
102 in B flat Major: IV
Franz Joseph Haydn
Scheherazade, op. 35:
IV Nicolai
Rimsky-Korsakov
Symphony No. 6
(Pastoral): I, II Ludwig
van Beethoven
Symphonie
fantastique: V Hector
Berlioz Die
Zauberfloete: Wie stark
ist nicht dein Zauberton
Wolfgang Amadeus Mozart
Bolero Maurice Ravel
Scheherazade, op. 35:
I Nicolai Rimsky-Korsakov
Brandenburg Concerto
No. 4, BWV 1049: I Johann
Sebastian Bach
Symphonie
fantastique: I Hector
Berlioz Carmen:
Entr'acte (Prelude)
Georges Bizet
Symphony No. 1 in C
Minor: IV Johannes Brahms
Die Zauberfloete:
Overture Wolfgang Amadeus
Mozart Symphony No. 8
in G Major: IV Antonin
Dvorak Leonore
Overture No. 3, op. 72a
Ludwig van
Beethoven Symphony No.
4 in E Minor: IV Johannes
Brahms La mer: I, II,
III Claude
Debussy Symphony No. 4
(Italian): IV Felix
Mendelssohn Symphony
No. 1 (Classical): II
Sergei Prokofiev
Symphony No. 3 in E
flat Major (Eroica): IV
Ludwig van Beethoven
Prelude a
l'apres-midi d'un faune
Claude Debussy
Sinfonie Mathis der
Maler: I, II Paul
Hindemith Incidental
Music to A Midsummer
Night's Dream, op. 61:
Scherzo Felix Mendelssohn
Petroushka (1947
revision): Part 1 Igor
Stravinsky Symphony
No. 4 in F Minor: III
Pyotr Il'yich Tchaikovsky
Capriccio espagnol,
op. 34: IV Nicolai
Rimsky-Korsakov Sympho
ny No. 1 (Classical): IV
Sergei Prokofiev
Concerto for
Orchestra: I, II, III,
IV, V Bela Bartok
Symphonic
Metamorphosis after
Themes by Carl Maria von
Weber: II, III Paul
Hindemith Das Lied
von der Erde: VI Gustav
Mahler Peter and the
Wolf, op. 67 Sergei
Prokofiev Le carnaval
des animaux: 10. Voliere
Camille Saint-Saens
Daphnis et Chloe:
Troisieme partie Maurice
Ravel Guillaume Tell:
Overture Gioachino
Rossini Till
Eulenspiegel's Merry
Pranks Richard Strauss
Firebird Suite (1919
version) Igor Stravinsky
Symphony No. 9: IV
Ludwig van Beethoven
Concerto for
Orchestra: III Bela
Bartok Scheherezade,
op. 35: IV Nicolai
Rimsky-Korsakov
Semiramide: Overture
Gioachino Rossini
Symphony No. 5, op.
47: I, II Dmitri
Shostakovich.
About
Overtones
Unparalleled in scope,
Overtones offers all the
music flutists want in
one complete series! This
progressive collection
includes fundamental
Repertoire and supporting
materials such as Etudes,
Compact Discs, Orchestral
Excerpts, and Technique.
The richness of music
carefully selected for
this compilation will
resonate with teachers
and students at every
level of study and is the
official series for those
using The Royal
Conservatory Music
Development program.
