Oboe SKU: HF.FH-1074 Oboenschule fur das Grundschulalter. An Introduct...(+)
Oboe
SKU:
HF.FH-1074
Oboenschule fur das
Grundschulalter. An
Introduction to the Oboe
for Primary School
Children. Composed by
Birgit Heller-Meisenburg.
Sheet music. With Text
language: German /
English. Friedrich
Hofmeister Musikverlag
#FH 1074. Published by
Friedrich Hofmeister
Musikverlag (HF.FH-1074).
The Complete Singing Resorce for Primary Schools. By Shirley Court, Val Whitlock...(+)
The Complete Singing
Resorce for Primary
Schools. By Shirley
Court, Val Whitlock.
(Book and CD pak). Boosey
and Hawkes Scores and
Books. BOOK W/CD. 88
pages. Published by
Boosey & Hawkes.
Book/Online Audio Choral (Collection with Audio) SKU: HL.361710 For Si...(+)
Book/Online Audio Choral
(Collection with Audio)
SKU: HL.361710
For Singing, Playing,
and More!.
ExpressiveArts. Classroom
Resources, Collection,
Elementary, Kodaly.
Softcover Audio Online.
112 pages. Published by
Hal Leonard (HL.361710).
ISBN 9781705127506.
UPC: 840126951400.
8.5x11.0x0.27
inches.
101 Songs
and Games for Singing,
Playing and More! is a
companion volume to
Teaching Strategies:
Rhythmic and Melodic
Elements for Intermediate
Grades. A follow-up to
100 Little Songs and
Rhymes for Primary
Grades, this book
includes a variety of
more advanced songs and
games suggested for the
preparation, presentation
and practice of each
element, suitable for
reading and writing in
grades 3, 4 and 5. Songs
are written in staff
notation, and include
extensive background
notes on historical and
cultural context, game
instructions and
suggested activities for
classroom use. This
collection also includes
digital access to
recordings featuring a
â??teacher modelâ? as
a guide for performing
and teaching the songs.
Suggested for grades
3-5.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Stephan
Horner. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library). In
Cooperation with G. Henle
Verlag EB 10765 is
printed in score form;
two copies will be needed
for performance. Solo
concerto; Classical. Full
score. 72 pages. Duration
30 '. Breitkopf and
Haertel #PB 15108.
Published by Breitkopf
and Haertel
(BR.PB-15108).
ISBN
9790004212004. 10 x 12.5
inches.
Mozart's
Concerto K. 453 enjoyed
great popularity during
the composer's lifetime
and was widely known
through copies and a
print. The state of the
sources is thus
multi-faceted yet
unequivocal: the primary
source is the
rediscovered autograph,
which was considered lost
after 1945 and was not at
the disposal of the Neue
Mozart-Ausgabe. The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Stephan Horner to
whom Henle has entrusted
its urtext editions.
Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Second String Quartet Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Subito Music
String Quartet SKU: SU.27040230 For String Quartet. Composed by Gr...(+)
String Quartet
SKU:
SU.27040230
For
String Quartet.
Composed by Gregory J.
Hutter. Chamber Music,
String
Trio/Quartet/Quintet.
Score & Parts. Subito
Music Corporation
#27040230. Published by
Subito Music Corporation
(SU.27040230).
Inspired by
minimalism, the primary
composition concern was
to create a large-scale
work employing a sparse
melodic and harmonic
content: most of the
harmonic and thematic
material is derived from
a diatonic five-note
chord. The four movements
of this quartet are
played without pause and
are partitioned by a
recurring chorale.String
Quartet Duration: 20'
Composed: 2000 Published
by: Hutter Music.
Urtext. Composed
by Ludwig van Beethoven.
Edited by Clive Brown.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). In
the case of the First
Symphony, Clive Brown
again reaches an optimal
balance between source
criticism and
performance-practical
requirements. Symphony;
Classical. Part. 12
pages. Duration 30'.
Breitkopf and Haertel #OB
5231-23. Published by
Breitkopf and Haertel
(BR.OB-5231-23).
ISBN
9790004337080. 10 x 12.5
inches.
Whether for
first editions or not the
primary sources of
Beethoven's works always
have to be interpreted
with great expertise. The
editor's knowledgeability
is the decisive point
when it comes to the
level of quality of a new
edition. And both Clive
Brown and Peter Hauschild
are setting standards.On
the whole, it was a good
idea for Breitkopf to
give itself time with
these editions. The
difficult feat of doing
justice to the needs of
performers and to
philological scholarship
has been carried off at a
level that raises the
standards to an almost
frighteningly high level.
(Peter Gulke) In the case
of the First Symphony,
Clive Brown reaches an
optimal balance between
source criticism and
performance-practical
requirements.
Interpreters and scholars
appreciate the source
criticism for performance
practice that Breitkopf
cultivates not only in
its Beethoven
editions.
In the
case of the First
Symphony, Clive Brown
again reaches an optimal
balance between source
criticism and
performance-practical
requirements.
Bartók
probably first played
pieces by Domenico
Scarlatti in public in
1911. During the next two
decades he featured them
in his piano recitals
more than 60 times. His
dedication to Italian and
French Baroque music is
also illustrated by the
fact that, in 1920, he
signed a contract with
the Budapest publisher
Rozsnyai to edit seven
volumes of Baroque
keyboard music. His plan
was to select
compositions by Couperin
and Rameau in addition to
pieces by Scarlatti, but
during the 1920s it ended
up being only two volumes
of Couperin and another
two comprising ten
compositions by
Scarlatti. In editing
these masterpieces,
Bartók's aim was
primarily to
counterbalance or
evenovershadow the works
by the
Mendelssohn-Schumann
epigones used in primary
and secondary music
education. The present,
single-volume collection
comprises Bartók's two
Scarlatti volumes,
complete with an
editorial preface, his
detailed performing
instructions, and his
commentary. The editor
recommends these
compositions for pianists
with at least five years'
experience, and gives
practical recommendations
for the grouping of
individual items to form
charming sonatina-like
sets of pieces.
Bartók spielte
wahrscheinlich 1911
erstmals Werke von
Domenico Scarlatti
öffentlich und in den
folgenden zwei
Jahrzehnten ließ er
sie an seinen
Klavierabenden mehr als
sechzig Mal erklingen.
Seine Verbundenheit mit
der italienischen und
französischen
Barockmusik beweist sich
auch darin, dass er 1920
einen Vertrag mit dem
Budapester Verlag
Rozsnyai über die
Herausgabe von sieben
Heften mit Werken der
Klaviermusik schloss.
Geplant war, dass er das
Material der Bände
sowohl mit Werken
Scarlattis als auch mit
Kompositionen Couperins
und Rameaus
zusammenstellte. Im Laufe
der 1920er-Jahre kam es
schließlich zur
Herausgabe einer
Couperin-Auswahl in zwei
Heften sowie - ebenso in
zwei Heften - von zehn
Scarlatti-Kompositionen.
Mit der
Veröffentlichung
dieser Meisterwerke
beabsichtigte Bartók
in erster Linie, den
Mendelssohn-Schumann-Epig
onen bereits in der
Musikausbildung in der
Grund- und Mittelstufe
entgegenwirken und ihre
Werke in den Hintergrund
treten zu lassen.
Die
vorliegende Publikation
versammelt in einem Band
das Material der beiden
mit Bartóks Vorwort,
detaillierten
Vortragsanweisungen und
Anmerkungen erschienenen
Scarlatti-Hefte. Der
Herausgeber empfiehlt
PianistInnen diese
Kompositionen seit
mindestens fünf Jahren
zum Klavier spielen und
gibt auch praktische
Vorschläge dafür,
wie man die einzelnen
Stücke zu einem
attraktiven
Sonatina-artigen Ganzen
gruppieren kann.
Symphony No. 8 Orchestre à Cordes [Conducteur] - Facile Alfred Publishing
By Johann Stamitz. Arranged by Bob Phillips. Music by Johann Stamitz / arr. Bob ...(+)
By Johann Stamitz.
Arranged by Bob Phillips.
Music by Johann Stamitz /
arr. Bob Phillips. For
String Orchestra. String
Orchestra. String
Orchestra. Level: 2
(grade 2). Conductor
Score. 12 pages.
Published by Alfred
Publishing.
Orchestra Orchestra SKU: PR.416413710 For Chamber Orchestra. Compo...(+)
Orchestra Orchestra
SKU: PR.416413710
For Chamber
Orchestra. Composed
by Clint Needham.
Watkiss. Contemporary.
Full score. With Standard
notation. Composed 2008.
92 pages. Duration 21
minutes. Theodore Presser
Company #416-41371.
Published by Theodore
Presser Company
(PR.416413710).
ISBN
9781598068214. UPC:
680160587162. 9x12
inches.
Needham's
original intent with
Chamber Symphony was to
encapsulate the 2008
presidential election,
from the Democratic
primaries to the historic
general election campaign
and win of Barack Obama.
But, says Needham, In the
midst of the general
election circus, I
decided to broaden my
inspiration and have the
work's overall goal focus
on the larger ideas of
hope and transformation.
Chamber Symphony was
commissioned by the
American Composers
Orchestra with generous
support of Paul
Underwood. Additional
support was from the
National Endowment for
the Arts. I originally
envisioned a work
inspired by the political
landscape of the 2008
presidential election,
focusing primarily on the
hard-fought Democratic
Primary race. I was
fascinated by the
historic and hopeful
spirit that both the
Barack Obama and Hillary
Clinton campaigns
embodied. Sometime later,
in the midst of the
general election circus,
I decided to broaden my
inspiration and have the
work’s overall
goal focus on the larger
ideas of hope and
transformation. Chamber
Symphony is constructed
in three movements
(played without pause):
I. Hammering Out, II.
Open-ended Echoes, and
III. Radiant Nation. The
titles suggest a general
atmosphere that each
movement attempts to
express. The outer
movements, both quick in
tempo, act as the
antithesis of each other
in terms of mood.
“Hammering
Out†employs an
aggressive, relentless,
pounding beat that
frequently shifts, often
emphasized with metallic
sounds. “Radiant
Nation†is much
lighter and more
optimistic in tone, and
uses an up-beat groove
throughout the movement.
The middle movement,
“Open-ended
Echoes,†is the
proverbial calm after the
storm. Unlike the outer
movements,
“Open-ended
Echoes†is almost
void of any strong sense
of pulse. The movement
attempts to create a
peaceful, contemplative
mood that transforms the
volatile nature of the
first movement tothe
radiant spirit of the
last. Chamber Symphony
was commissioned by the
American Composers
Orchestra for its
Orchestra Underground
Series with the generous
support of Paul
Underwood. Additional
support for the
ACO’s Emerging
Composers Program comes
from the National
Endowment for the
Arts.— November 5,
2008.
Piano, Vocal and Guitar SKU: HL.14004875 Composed by Linda Lehun. Music S...(+)
Piano, Vocal and Guitar
SKU: HL.14004875
Composed by Linda Lehun.
Music Sales America.
Educational Tool. Book
[Softcover]. Edition
Wilhelm Hansen #WH30416.
Published by Edition
Wilhelm Hansen
(HL.14004875).
ISBN
9788759809433.
Danish.
The
favourites of children -
120 favourites in one
book! The music teacher's
indispensable handbook.
Linda Lehun has through
her years as a teacher of
music in the primary
school collected a large
number of songs that the
children have chosen
themselves. The songs
range from the simple
songs usually sung by the
younger pupils till the
older classes, where eg
Mona, Mona, Mona, hvornar
kommer den dag ... still
is a hit. With Bornenes
Favoritter the teacher is
well dressed for
teaching, singing etc.
All songs are written in
keys easy to sing and
with contemporary chords.
Anne Lassen has
illustrated
everything.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Viola 1. Sacred vocal
music, Requiem. Single
Part, Viola 1. 12 pages.
Duration 28 minutes.
Carus Verlag #CV
27.318/13. Published by
Carus Verlag
(CA.2731813).
ISBN
9790007201883. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs. Score and
part available separately
- see item
CA.2731800.
Piano, Vocal and Guitar SKU: HL.14021541 By Alison Hedger. By Debbie Camp...(+)
Piano, Vocal and Guitar
SKU: HL.14021541
By Alison Hedger. By
Debbie Campbell. Music
Sales America. Musicals.
Cassette. Composed 2015.
Golden Apple Productions
#GA11092. Published by
Golden Apple Productions
(HL.14021541).
English.
Minibea
st Madness takes a
humorous and delightfully
appealing look at a bug's
life, as fiesta guests
gather in the garden on
midsummer's night. The
ten new songs from Debbie
Campbell will both amuse
and provide excellent new
repertoire for young
singers.Minibeast Madness
can be performed as a
musical or concert piece
and is ideal for use with
conservation projects.
Approximate duration as a
musical is 45mins. The
musical suits Key Stages
2 and 3, but also has
parts which can be taken
by younger children, and
is appropriate for whole
primary school
productions. If you need
to license a school/youth
theatre performance of
this product, please use
the online application
form.
Voice and piano SKU: M7.CP-13353900 Opera Completa per Canto e Pianofo...(+)
Voice and piano
SKU:
M7.CP-13353900
Opera Completa per
Canto e Pianoforte, In
Brochure. Composed by
Giuseppe Verdi. Edited by
Martin Chusid. This
edition:
Paperback/Softcover.
Sheet music. Vocal score,
Vocal Score based on the
Critical Edition. 357
pages. MDS (Music
Distribution Services)
#CP 13353900. Published
by MDS (Music
Distribution Services)
(M7.CP-13353900).
ISBN
9788875920135.
Cons
idered to be one of
Verdi's operatic
masterpieces,
Rigolettotells the story
of three primary
characters, the
Rigoletto, his daughter
Gilda and the Duke of
Mantua. A curse is laid
upon Rigoletto and the
Duke, and their enmity
deepens as Gilda falls
further in love with the
latter. This edition
contains the Vocal score
with an arrangement for
Vocals and Piano
accompaniment.
Christian, Children,
Children's Musicals,
Contemporary Christian,
Gospel, Inspirational.
Duration 3:30. Jackman
Music Corporation #02027.
Published by Jackman
Music Corporation
(JK.02027).
This
spirit-rich accompaniment
of I Am a Child of God
beautifully illuminates
the eternal truth that we
have a loving Heavenly
Father. Children will
have no trouble learning
the arrangement as they
sing the familiar melody
right out of the Primary
Songbook. The
accompaniment is medium
hard in difficulty yet
very intuitive to play.
The sheet music includes
the children's part and
accompaniment.
Words: Naomi Ward
Randall Music: Mildred
Tanner
Pettit Arrangement:
Grant
Gibbons Difficulty:
Easy for Children's
Chorus/Medium Hard
Accompaniment Duration
: approx.
3:30 Scripture
References: Romans 8:16,
Psalm 82:6, Mosiah 4:15,
Doctrine and Covenants
14:7 I Am a Child of
God Song Kit is also
available separately
HERE. It is a resource
designed to facilitate
spirit-filled learning of
this beloved children's
song using beautiful
graphics, reverent
activities, scriptures,
as well as the sheet
music.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Stephan
Horner. Stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag EB 10765 is
printed in score form;
two copies will be needed
for performance. You will
find the original
cadenzas under Mozart, 36
Cadenzas for his own
Piano Concertos. Solo
concerto; Classical.
Part. 8 pages. Duration
30 '. Breitkopf and
Haertel #OB 15108-26.
Published by Breitkopf
and Haertel
(BR.OB-15108-26).
ISBN
9790004339626. 10 x 12.5
inches.
Mozart's
Concerto K. 453 enjoyed
great popularity during
the composer's lifetime
and was widely known
through copies and a
print. The state of the
sources is thus
multi-faceted yet
unequivocal: the primary
source is the
rediscovered autograph,
which was considered lost
after 1945 and was not at
the disposal of the Neue
Mozart-Ausgabe. The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Stephan Horner to
whom Henle has entrusted
its urtext editions.
Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.