Choral TTBB choir, piano SKU: CF.CM9635 Composed by Victor Johnson. Fold....(+)
Choral TTBB choir, piano
SKU: CF.CM9635
Composed by Victor
Johnson. Fold.
Performance Score. 12
pages. Duration 3
minutes, 19 seconds. Carl
Fischer Music #CM9635.
Published by Carl Fischer
Music (CF.CM9635).
ISBN 9781491157077.
UPC: 680160915637. 6.875
x 10.5 inches. Key: E
major. English, English.
Abram Joseph Ryan
(1838-1886).
Victor
Johnson captures the
mystery and nuance of the
bittersweet poem, Wake Me
a Song, by American poet,
Abram Joseph Ryan.
Nuance, text, and
Johnson's rich harmonies
paired with intertwining
textures make this a
noteworthy addition to
any program. Also
available for SATB Voices
(CM9561). About the
Author Abram Joseph Ryan
was born Matthew Abraham
Ryan on February 5, 1838
in Hagerstown, Maryland.
As a young man, Ryan and
his family moved west St.
Louis, Missouri, where he
was educated at the
Christian Brothers
School. He studied for
the priesthood at Niagra
University in New York
State and was ordained a
priest in the Vincentian
order on November 1,
1856. He taught theology,
first at Niagra
university and then at
the diocesan seminary in
Cape Girardeau, Missouri,
until the beginning of
the war between the
states. Father Ryan
enlisted in the army on
September 1, 1862, and
served as a chaplain
throughout the conflict,
carrying the wounded to
safety and performing
last rites on the
battlefield. His first
piece of poetry was
inspired by the death of
a younger brother while
serving in the army.
After the war, he
established a weekly
literary magazine in
which most of his poetry
was published. He also
put out several volumes
of poetry, including
Father Ryan's Poems and A
Crown for Our Queen.
Father Ryan died on April
22, 1886 at a Franciscan
monastery in Louisville,
Kentucky. About the Song
Wake Me A Song is an
inspired and sensitive
setting of the
19th-century poem by
Abram Joseph Ryan. It
features sweeping melodic
lines, rich harmonies,
and a flowingly beautiful
accompaniment. To master
a performance of this
selection, singers must
perform very
expressively, paying
close attention to such
musical aspects as phrase
shaping, the rise and
fall of the melodic line,
blending and proper
intonation between
sections. One strategy
that could be used to
ensure proper phrasing is
the idea of Painting the
Phrase. The singer should
make a motion as if they
have a paintbrush in
their hand and paint the
melodic line and phrase
shape as if they are
painting with a nice,
flowing brush stroke. One
could think about
painting a rainbow or an
arch to show the rise and
fall of the line and/or
phrase. The director can
also show this gesture
while conducting to
reinforce this
concept. About the
AuthorAbram Joseph Ryan
was born Matthew Abraham
Ryan on February 5, 1838
in Hagerstown, Maryland.
As a young man, Ryan and
his family moved west St.
Louis, Missouri, where he
was educated at the
Christian Brothers
School. He studied for
the priesthood at Niagra
University in New York
State and was ordained a
priest in the Vincentian
order on November 1,
1856. He taught theology,
first at Niagra
university and then at
the diocesan seminary in
Cape Girardeau, Missouri,
until the beginning of
the war between the
states.Father Ryan
enlisted in the army on
September 1, 1862, and
served as a chaplain
throughout the conflict,
carrying the wounded to
safety and performing
last rites on the
battlefield. His first
piece of poetry was
inspired by the death of
a younger brother while
serving in the army.
After the war, he
established a weekly
literary magazine in
which most of his poetry
was published. He also
put out several volumes
of poetry, including
Father Ryan's Poems and A
Crown for Our Queen.
Father Ryan died on April
22, 1886 at a Franciscan
monastery in Louisville,
Kentucky.About the
SongWake Me A Song is an
inspired and sensitive
setting of the
19th-century poem by
Abram Joseph Ryan. It
features sweeping melodic
lines, rich harmonies,
and a flowingly beautiful
accompaniment.To master a
performance of this
selection, singers must
perform very
expressively, paying
close attention to such
musical aspects as phrase
shaping, the rise and
fall of the melodic line,
blending and proper
intonation between
sections.One strategy
that could be used to
ensure proper phrasing is
the idea of
“Painting the
Phrase.†The singer
should make a motion as
if they have a paintbrush
in their hand and
“paint†the
melodic line and phrase
shape as if they are
painting with a nice,
flowing brush stroke. One
could think about
painting a rainbow or an
arch to show the rise and
fall of the line and/or
phrase. The director can
also show this gesture
while conducting to
reinforce this
concept.
Band Concert Band - Grade 2 SKU: CF.YPS79 Composed by Mike Forbes. Carl F...(+)
Band Concert Band - Grade
2
SKU: CF.YPS79
Composed by Mike Forbes.
Carl Fischer Young
Performance Series. Set
of Score and Parts. With
Standard notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+2+3+3+2+2+4+10+16 pages.
Carl Fischer Music
#YPS79. Published by Carl
Fischer Music (CF.YPS79).
ISBN 9780825870224.
UPC: 798408070229. Key: D
minor.
Music to
depict the wind
whispering through the
forest, this work for
young bands by Mike
Forbes will serve as a
wonderful teaching tool
for musicianship.
Elegant, melodic strokes
and wistful harmonic
structures make this a
must-have piece for your
next concert.
(A Technical Guitar Method and Introduction to Music). By Juan Serrano and Corey...(+)
(A Technical Guitar
Method and Introduction
to Music). By Juan
Serrano and Corey
Whithead. For Guitar
(Classical). Methods.
Flamenco. Multiple
Levels. Book. 176 pages.
Published by Mel Bay
Publications, Inc
By Royal Hartigan. For Drumset. Advanced rhythmic layers for drumset. Level: Int...(+)
By Royal Hartigan. For
Drumset. Advanced
rhythmic layers for
drumset. Level:
Intermediate to Advanced.
Book and DVD. 254 pages.
Published by Tapspace
Publications.
Fiddle - Beginning; Intermediate; Advanced SKU: MB.95393M Celtic and A...(+)
Fiddle - Beginning;
Intermediate; Advanced
SKU: MB.95393M
Celtic and Acadian
Tunes in Living
Tradition. Composed
by Ken Perlman. Tunebook,
Celtic / Irish, Canadian,
Perfect binding, World.
Style. Book and online
audio. 216 pages. Mel Bay
Publications, Inc
#95393M. Published by Mel
Bay Publications, Inc
(MB.95393M).
ISBN
9780786690107. 8.75 x
11.75 inches.
The
over 425 reels, jigs,
set-tunes, waltzes,
marches, strathspeys, and
airs transcribed from the
playing of traditional
fiddlers in this
collection, represent a
large portion of the
current Island
repertoire. It is
believed that over 100 of
these tunes have never
been in print previously.
Even the titles that have
appeared in print before,
feature new and
intriguing details.
Because each tune is a
transcription of a
specific performance by
an individual player,
many subtleties of
style--such as
ornamentation, double
stops, and slursâ??are
included. Also included
are each playerâ??s
melodic
idiosyncrasiesâ??called
twists in local parlance.
You will find living,
breathing versions of
tunes filled with the
vitality of a people
whose great love for
their music is expressed
in every bow-stroke.
Includes access to online
audio.
By Loreta Fin. Orchestra.
Score; String Orchestra.
Wilfin String Orchestra:
Young String Ensemble
Series. Grade 2.5. 12
pages. Published by
Alfred Music
Written by Russ Barenburg. For guitar. Includes instructional book and examples ...(+)
Written by Russ
Barenburg. For guitar.
Includes instructional
book and examples CD.
With guitar tablature,
chord names, guitar chord
chart, instructional text
and guitar notation
legend. Bluegrass and
learn to play. 64 pages.
9x12 inches. Published by
Oak Publications.
Focus [Complete Set] Orchestre à Cordes [Conducteur et Parties séparées] Jazz Lines Publications
By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Dubo...(+)
By Stan Getz and Beaux
Arts String Ensemble. By
Eddie Sauter. Edited by
Rob Duboff, Jeffrey
Sultanof, Alex Chilowicz,
and Andrew Homzy.
Arranged by Eddie Sauter.
For string ensemble
(score and parts)
(Soloist (parts in
concert, B-flat, and
E-flat), Violin I (8
parts), Violin II (8
parts), Viola (5 Parts),
Cello (5 Parts) , Double
Bass (3 Parts), Harp,
Piano/Celeste, Percussion
(Snare Drum, Marimba,
Tambourine)). Advanced.
Score and parts.
Published by Jazz Lines
Publications
Composed by Bud Woodruff.
SWS FS. Carl Fischer
Concert String Orchestra
Series. Set of Score and
Parts. With Standard
notation.
16+4+16+10+10+10+2+16
pages. Duration 2
minutes, 54 seconds. Carl
Fischer Music #CAS98.
Published by Carl Fischer
Music (CF.CAS98).
ISBN
9781491146583. UPC:
680160904082. 9 x 12
inches. Key: G
major.
Composer Bud
Woodruff takes his
musical inspiration for
Adventurer's Dream from a
rooster named Wally. Mr.
Woodruff turns this
charming four-note crow
into the main thematic
material for this piece
that is reminiscent of
classic movie
scores. The principal
theme to this piece has
an interesting history .
We had a very young
rooster named Wally . He
had a quite rhythmic
four-pitched crow, which
was very unique and
consistent . As he aged,
his crow settled into
pitches and the opening
melodic figure of this
piece is the very pitches
and rhythm of
Wally’s crow .
However, Wally had a
touch of a glissando
between the last two
pitches, which I chose to
eliminate, for
musicality’s sake
. Wally's crow is spun
out in different ways and
used one way or another
in all the sections of
the piece . Wally was a
very energetic, if not
egotistical, young bird,
and the piece should be
performed accordingly, in
a dashing, swashbuckling,
heroic style, which Wally
would appreciate greatly
and agree that it was
very
appropriate!Rehearsal
suggestions:The most
difficult thing to
accomplish in this work
will be deciding if you
want the repeated
eight-note figure on the
string or off the string
. I don’t care as
long as it sounds
staccato . On the string,
it needs to be played at
or by the camber point;
off the string, that
point will change
depending upon your
tempo, but the stroke
itself should remain
consistent .Although the
basses never have the
melody, they are a
critically important
section and can make or
break this piece . Their
part counters the others
and fills in rhythmic
gaps in a number of
places . It needs to be
played aggressively and
metronomically; they are
the glue that makes the
piece work . The cellos
need to sing for all they
are worth at m . 63 and
do so with joy in their
hands . Their theme needs
to be very lyrical and
smooth . The
countermelody at m . 79
should be understated,
yet not buried while
being intertwined with
the cellos’ theme
. It harkens back to the
main theme and needs a
dreamy quality to it .The
piece was written as a
string orchestra piece .
The optional harp part
was added later and is
not necessary for an
effective performance of
the piece . However, it
does add some extra
variety and color to the
piece, and reinforces the
basses when they fill in
those rhythmic gaps to
which I referred earlier
.A very special thanks
goes to harpist Jane
Minnis for the great and
insightful suggestions
for this part .Thank you
for playing this piece .
I trust you will enjoy it
as much as I do .
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Chorus a cappella SKU: BR.CHB-5234-02 Composed by Fanny Cecile Mendelssoh...(+)
Chorus a cappella
SKU:
BR.CHB-5234-02
Composed by Fanny Cecile
Mendelssohn. Edited by
Gottfried Heinz and J.
Draheim. Choir; stapled.
Chor-Bibliothek (Choral
Library). Fanny Hensel's
choral works not only
stand up to comparison
with any of the rich and
varied choral works of
the Romantic era - they
also rank among the best.
Very likely to become
hits! (Musica). Song;
Romantic. Choral score. 4
pages. Breitkopf and
Haertel #ChB 5234-02.
Published by Breitkopf
and Haertel
(BR.CHB-5234-02).
ISBN
9790004411537. 7.5 x 10.5
inches.
German.
Madame
Hensel, Mendelssohn's
sister, whose eyes speak
intelligence and
profundity''. This diary
entry made by Robert
Schumann in June 1843
succinctly but fittingly
characterizes Fanny
Hensel, without a doubt
the most significant
woman composer of the
19th century. Born in
Hamburg on 14 November
1805, she was the eldest
sister of Felix
Mendelssohn Bartholdy and
the granddaughter of the
philosopher Moses
Mendelssohn. In 1829 she
married the Prussian
court painter and
occasional poet Wilhelm
Hensel (1794-1861). After
her sudden death in
Berlin on 14 May 1847 as
a result of a stroke, the
music journalist Ludwig
Rellstab poignantly wrote
that she shared the
brotherhood ef talent
with her famous
sibling.Fanny Hensel was
given the same excellent
and comprehensive musical
training as her
precocious brother,
including composition
lessons with Goethe's
friend Carl Friedrich
Zelter. Felix and Fanny
not only loved each other
tenderly, but they also
maintained an intensive,
life-long exchange of
ideas which proved
musically profitable to
both of them. However, it
was only in 1846 that
Mendelssohn gave up his
resistance to Fanny's
publication plans. And
so, just shortly before
her death, she was able
to publish a carefully
selected sample of her
songs and piano
pieces.Not only these
pieces, but also a few
orchestral and
chamber-music works (e.g.
the String Quartet in E
flat major, KM 2255) and,
in particular, choral
music occupy an important
position in her oeuvre.
Most of her choral works
were written in 1846, and
she was able to rehearse
them with the chorus she
conducted at the famous
Sunday Concerts in the
Mendelssohn home. She had
six of these choral songs
published in a revised
version under the title
Gartenlieder Op. 3 by the
Berlin music publisher
Bote & Bock. The title of
the Gartenlieder brings
to mind Mendelssohn's
well-known Lieder im
Freien zu singen (Opera
41, 48, 59; ChB
4763-4780), published
before 1846. But, as far
as the quality of their
melodic writing, the
compositional technique,
and the choice of texts
are concerned, as well as
the perfect balance
between folk-like
simplicity and polished
design, they are as
outstanding as the works
of her
brother.
Fanny
Hensel's choral works not
only stand up to
comparison with any of
the rich and varied
choral works of the
Romantic era - they also
rank among the best. Very
likely to become hits!
(Musica).
Composed by Ludwig van Beethoven (1770-1827). Edited by Leonardo Miucci. This ...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited
by Leonardo Miucci. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Performance
score,
Set of part(s),
anthology.
WoO 36. Baerenreiter
Verlag
#BA09037. Published by
Baerenreiter Verlag
Orchestra - Grade 2.5 SKU: AP.47459 Composed by Bob Phillips. Performance...(+)
Orchestra - Grade 2.5
SKU: AP.47459
Composed by Bob Phillips.
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Form: Dance.
Score and Part(s). 148
pages. Alfred Music
#00-47459. Published by
Alfred Music (AP.47459).
UPC: 038081548913.
English.
A great
concert closer or opener,
this piece is rhythmic
and dance-like with a
reflective lyric section
and melodic parts for
every instrument section.
Musically sophisticated
but written completely in
1st position, this piece
will be fun for students
to play while they
develop their accented
and legato bow strokes.
(Correlates with Sound
Innovations for String
Orchestra, Book 2, Level
2).
Golden Fields Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Carl Fischer
(Full Score and Parts). By Alan Lee Silva. String orchestra. For String Orchestr...(+)
(Full Score and Parts).
By Alan Lee Silva. String
orchestra. For String
Orchestra. Carl Fischer
First Plus String
Orchestra Series. Grade
1.5-2. Score and Parts.
Standard notation. 8
pages
Orchestra - Grade 3 SKU: AP.46710 Composed by Bob Phillips. Performance M...(+)
Orchestra - Grade 3
SKU: AP.46710
Composed by Bob Phillips.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Programmatic.
Score and Part(s). 124
pages. Highland/Etling
#00-46710. Published by
Highland/Etling
(AP.46710).
UPC:
038081539553.
English.
An
elegant, beautiful,
sophisticated, and lyric
piece in C Major, this
new work includes melodic
content for all,
particularly the cellos.
With opportunities for
practicing shifting and
developing musicality, it
will suit any concert and
is perfect for serious
settings. Moment at
Angels Landing by Bob
Phillips provides great
practice in 2nd and 3rd
positions for violins and
violas as well as 3rd and
4th positions for cellos
and basses. There is some
upper position work for
the 1st
violins---presented in
divisi, so it is not
required of all students.
All students will have
opportunities to work on
a sustained and legato
sound with connected bow
strokes and sensitive
phrasing.
Orchestra - Grade 2.5 SKU: AP.47459S Composed by Bob Phillips. Performanc...(+)
Orchestra - Grade 2.5
SKU: AP.47459S
Composed by Bob Phillips.
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Score. 12
pages. Alfred Music
#00-47459S. Published by
Alfred Music (AP.47459S).
UPC: 038081548920.
English.
A great
concert closer or opener,
this piece is rhythmic
and dance-like with a
reflective lyric section
and melodic parts for
every instrument section.
Musically sophisticated
but written completely in
1st position, this piece
will be fun for students
to play while they
develop their accented
and legato bow strokes.
(Correlates with Sound
Innovations for String
Orchestra, Book 1, Level
2).
34 Original Violoncello Duets from 5 Centuries. Edited by Beverley Ellis and...(+)
34 Original Violoncello
Duets
from 5 Centuries. Edited
by
Beverley Ellis and Rainer
Mohrs. This edition:
Paperback/Soft Cover.
Sheet
music. String Ensemble.
Baroque, Classical,
Modern,
Renaissance, Romantic.
Performance score,
softcover.
152 pages. Schott Music
#ED
22416. Published by
Schott
Music
Orchestra - Grade 3 SKU: AP.46710S Composed by Bob Phillips. Performance ...(+)
Orchestra - Grade 3
SKU: AP.46710S
Composed by Bob Phillips.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score. 12
pages. Highland/Etling
#00-46710S. Published by
Highland/Etling
(AP.46710S).
UPC:
038081539560.
English.
An
elegant, beautiful,
sophisticated, and lyric
piece in C Major, this
new work includes melodic
content for all,
particularly the cellos.
With opportunities for
practicing shifting and
developing musicality, it
will suit any concert and
is perfect for serious
settings. Moment at
Angels Landing by Bob
Phillips provides great
practice in 2nd and 3rd
positions for violins and
violas as well as 3rd and
4th positions for cellos
and basses. There is some
upper position work for
the 1st
violins---presented in
divisi, so it is not
required of all students.
All students will have
opportunities to work on
a sustained and legato
sound with connected bow
strokes and sensitive
phrasing.