Piano, Vocal and Guitar

SKU: HL.14012902

By Alison Hedger. By Alison Hedger. Music Sales America. Musical Education. Book [Softcover]. Composed 2017. 24 pages. Music Sales #GA10613. Published by Music Sales (HL.14012902).

ISBN 9780711933804. UPC: 884088442071. 9.0x12.0x0.115 inches. English.

This versatile and cheerful Nativity retells the Bible story and is easy to learn. Simple speech parts can be written into the script or narration can be given to the fluent readers. Gold, Frankincense and Myrrh is intended to give the very youngest of children musically satisfying songs which are easily learnt and fun to sing. Duration: 20 mins. Script available in student book. If you need to license a school/youth theatre performance of this product, please use the online application form.

From the Rock Opera Tommy (The Who)). Composed by Pete Townshend. Arranged by Henk Ummels. For concert band. Rock/Catalogue Prom Concerts/Catalogue New Band Music Vol. 12/Pop Music/Movies/Summer Concert/The 60s/The 70s. Movie and Musical. Recorded on Sway (ML.311115720). Grade 4. Score only. Duration 3 minutes, 38 seconds. Published by Molenaar Edition

Voice solo

SKU: WD.080689515286

By Amy Grant. Collection. Sacred Vocal. Vocal score. Word Music #080689515286. Published by Word Music (WD.080689515286).

UPC: 080689515286.

Time Again . . . Amy Grant Live features all of the songs from Amy's third live project, weaving a retrospective journey through a lifetime's worth of her most treasured songs. A must-have collection for every Amy fan!

By Keith and Kristyn Getty. By Jonas Myrin, Keith Getty, Kristyn Getty, Nathan Nockels. Arranged by Robert Sterling. PraiseSong Choral. General Worship, Sacred. Octavo. 8 pages. Published by PraiseSong

(Praise Everlasting for Choir and Congregation). By Hillsong. By Eric Liljero, Jonas Myrin, and Reuben Morgan. Arranged by Heather Sorenson. For Choral (SATB). PraiseSong Choral. 16 pages. Published by PraiseSong

(Praise Everlasting for Choir and Congregation). By Hillsong. By Eric Liljero, Jonas Myrin, and Reuben Morgan. Arranged by Heather Sorenson. For Choral (CHOIRTRAX CD). PraiseSong Choral. CD only. Published by PraiseSong

By Emmylou Harris. Piano/Vocal/Guitar Artist Songbook. Softcover. 96 pages. Published by Hal Leonard

Composed by Tommy Emmanuel. Edited by Deyan Bratic. Saddle-stitched. Book and online audio. 32 pages. Published by Mel Bay Publications, Inc

By Tommy Shannon. For Bass Guitar. Hot Licks. Rock. DVD (Region 0), Instrumental Tutor. 20 pages. Published by Hotlicks Videos.

Vic Firth! Presents. Performed by Tommy Igoe. DVD. Rock, jazz, blues, world. DVD . Size 5.25x7.5 inches. Published by Hudson Music.

Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, English Horn, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3 and more.

SKU: PR.16500100F

Hymns for Wind Ensemble. Composed by Dan Welcher. Sws. Full score. 48 pages. Duration 10 minutes, 41 seconds. Theodore Presser Company #165-00100F. Published by Theodore Presser Company (PR.16500100F).

ISBN 9781491114421. UPC: 680160669783. 9 x 12 inches.

Commissione d for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,”giving rise to the work’s title.
This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,” butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty” than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?” takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.”Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,”cons tantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.” This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key” of the hymn seems to shift — until the “Lord of all, toThee we praise” melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tune”heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty” with long spaces between them, but it soonchanges to a series of “Amen” cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth” contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sight”and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected.

By Jimmy Raney (Transcriber). For guitar. Jimmy's note-for-note transcriptions from Volume 29 of the Aebersold series. Level: intermediate, advanced. Book. Published by Jamey Aebersold Jazz

Jimmy Bruno - No Nonsense Jazz Guitar by Jimmy Bruno. For Guitar. Music Sales America. Jazz. DVD. Hot Licks #HOT210. Published by Hot Licks

By Tommy Aldridge. Music Sales America. DVD. Hot Licks #HOT209. Published by Hot Licks (HL.14001580).

Performed by Tommy Emmanuel. Format: performance video (DVD). Jazz. 9x12 inches. Duration 114m. Published by Mel Bay Publications, Inc.

Tommy Clufetos. For Drum. Percussion - Drum DVD. Artist for Artist Series. Rock. DVD. Published by Alfred Publishing.

Warm-ups, Work-outs, and Scale Routines to Develop Technique. Composed by Lang Lang. Artist/Personality; Piano Method; Technique Musicianship. Faber Edition: Lang Lang Piano Academy. Book. Faber Music #12- 0571540627. Published by Faber Music

What Sammy Said arranged by Gordon Goodwin. For big band. Medium to difficult. Score and parts. Published by Walrus Music Publishing

The Jimmy McHugh Songbook (Piano/Vocal/Chords). By Jimmy McHugh. This edition: Piano/Vocal/Chords. Artist/Personality; Book; Personality Book. Faber Edition. Broadway; Movie; Pop; Standard. Published by Faber Music (AP.12-0571528783).

17 Pieces for Solo Jazz Guitar. Composed by Jimmy Wyble. Guitar: Jazz and Contemporary,Style,Jazz,S olos . Book and Online Audio. 48 pages. Published by Mel Bay Publications, In

Ukulele

SKU: HL.263232

For Ukulele. Composed by Various. Ukulele. Standards. Softcover. 232 pages. Published by Hal Leonard (HL.263232).

ISBN 9781540021038. UPC: 888680729318. 9.0x12.0x0.586 inches.

Romance, heartbreak, optimism, melancholy, or just a lovely autumn day - it's all been captured by American songwriters. A generation of the country's finest songwriters captured universal feelings and experiences in such an infectious combination of words and music that their songs still inspire today. This collection features 100 classics by treasured composers arranged for ukulele: All the Things You Are (Jerome Kern) * Blue Skies (Irving Berlin) * Come Fly with Me (Sammy Cahn) * Georgia on My Mind (Hoagy Carmichael) * Mood Indigo (Duke Ellington) * On the Street Where You Live (Lerner & Loewe) * People Will Say We're in Love (Rodgers & Hammerstein) * Somebody Loves Me (George Gershwin) * You'd Be So Nice to Come Home To (Cole Porter) * and more.

(No. 3 from Songs of My Beloved ). Composed by Robert Applebaum. For SATB choir divisi a cappella. Secular, Jewish. Medium. Octavo. Published by E.C. Schirmer Publishing

(For the Developing Trumpet Student). By Herbert L. Clarke (1867-1945). Edited by Sean O'Loughlin. For Trumpet in Bb. My First Series. 32 pages. Published by Carl Fischer