(Violin Part). Composed by Dr. Shinichi Suzuki. For Violin. This edition: Revise...(+)
(Violin Part). Composed
by Dr. Shinichi Suzuki.
For Violin. This edition:
Revised. Book;
Method/Instruction;
String - Violin (Suzuki);
Suzuki. Suzuki Violin
School. 36 pages.
Published by Alfred Music
(For Piano and Orchestra). By Karl Schiske. Concerto. For orchestra and piano ([...(+)
(For Piano and
Orchestra). By Karl
Schiske. Concerto. For
orchestra and piano
([2(Piccolo).2.2.2-4.3.3.
1], Drum, Percussion,
Strings). Study score.
Composed (1938 / 1939).
Op. 11
Urtext
based on the new Complete
Edition (G. Henle
Verlag). Composed by
Ludwig van Beethoven.
Edited by Shin Augustinus
Kojima. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
Solo
concerto; Classical. Full
score. 28 pages.
Breitkopf and Haertel #PB
14590. Published by
Breitkopf and Haertel
(BR.PB-14590).
ISBN
9790004211120. 10 x 12.5
inches.
When Ludwig
van Beethoven wrote the
present two works around
1800, the Romance as a
genre designation for a
soulful, melodious
instrumental piece was
anything but established,
despite the occasional
piece bearing this title.
Beethoven himself named
the pieces Romance in the
autographs, but offered
them to Breitkopf &
Hartel for publication as
Solo. His brother Karl
even spoke of 2 Adagios
to the publisher.
Nevertheless, Beethoven's
two Romances for violin
achieved lasting
popularity ever since the
publication of the first
editions in 1803 and
1805.The present Urtext
edition takes the
autographs and first
editions as its main
sources.
The piano
reduction and the study
score (,,Studien-Edition)
are available at G. Henle
Verlag.
Euphonium Music Euphonium [Conducteur et Parties séparées] - Avancé Winwood Music
By Brian Bowen. Solo. For Euphonium solo and Piano accompaniment. A concerto of ...(+)
By Brian Bowen. Solo. For
Euphonium solo and Piano
accompaniment. A concerto
of stature. Serious
Concert. Advanced. Piano
score and parts. Standard
Notation. Duration 15:00
(Violin Part). Composed by Dr. Shinichi Suzuki. For Violin. This edition: Revise...(+)
(Violin Part). Composed
by Dr. Shinichi Suzuki.
For Violin. This edition:
Revised. Book; CD;
Method/Instruction;
String - Violin (Suzuki);
Suzuki. Suzuki Violin
School. 36 pages.
Published by Alfred Music
Tuba - Grade 2-4 SKU: HL.196892 Book with Online Audio (stream or down...(+)
Tuba - Grade 2-4
SKU:
HL.196892
Book
with Online Audio (stream
or download).
Composed by Various.
Edited by H. Voxman.
Rubank Book/Audio
Products. Classical,
Contest, Festival.
Softcover Media Online.
24 pages. Published by
Rubank Publications
(HL.196892).
ISBN
9781495075100. UPC:
888680645052. 9x12
inches.
Available
for the first time: easy
to advanced solo works
from the Rubank archives
with online performance
and accompaniment
recordings, printable
piano accompaniments, and
PLAYBACK audio tools.
This new collection of 12
Rubank solos includes
many that have long been
unavailable. All are
suitable for contest and
festival performance
(grades 2-4). Purchase
includes exceptional
performance tracks
(recorded by pro
players), accompaniment
tracks for practice, and
PDF piano accompaniments
for use at contest.
Includes: Adagio and
Finale from Concertino
for Trombone (Gaucet) ?
Andante and Allegro
(Clérisse) ? Andante
Cantabile from Concerto
for Trombone
(Rimsky-Korsakov) ?
Behemoth (VanderCook) ?
Blow the Man Down -
Shanty and Variations
(Walters) ? Concertpiece
(Painparé) ? Emmett's
Lullaby - Theme and
Variations (Wm. Bell) ?
Hero of the Brass (Worth)
? In the Hall of the
Mountain King (Grieg) ?
The Leprechauns' Patrol
(Walters) ? The Mariner
(Mattei) ? Toreador's
Song from Carmen
(Bizet).
(Score) SKU: HL.49042437 For the Celebration of the Fiftieth Anniversa...(+)
(Score)
SKU:
HL.49042437
For
the Celebration of the
Fiftieth Anniversary of
the Reign of King
Friedrich August I of
Saxony. Composed by
Carl Maria von Weber.
Edition Schott.
Classical. Hardcover. 312
pages. Schott Music
#WGA1024. Published by
Schott Music
(HL.49042437).
ISBN
9783795794507.
Carl
Maria von Weber's fame
rests mainly on Der
Freischutz. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was notconducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer,ritic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (68 vols.)
are edited in Berlin and
the letters (810 vols.)
and other writings (2
vols.) in Detmold.This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Webers
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based
on.
Harp SKU: FG.55011-912-3 Composed by Tauno Marttinen. Classical, contempo...(+)
Harp
SKU:
FG.55011-912-3
Composed by Tauno
Marttinen. Classical,
contemporary. Score.
Fennica Gehrman
#55011-912-3. Published
by Fennica Gehrman
(FG.55011-912-3).
ISBN
9790550119123.
Luon
nonjumala (God of Nature)
is Tauno Marttinen’s
adaption for harp of his
piano suite Taara op. 34.
The manuscript for harp
was found in January 2024
by Rauno Marttinen,
composer’s
son.
Duration: c.
15’ Movements: 1.
Virran ääniä | The
Voices of the
Stream 2.
Luonnonjumalan lähde |
The Spring of God of
Nature 3. Metsässä
tuulee |The Wind Blows
through the
Forest
Tauno
Marttinen (1912–2008)
studied in Viipuri and
later in Helsinki at the
Helsinki Conservatoire.
His piano teachers were
Ilmari Hannikainen and
Selim Palmgren, but he
soon became increasingly
interested in composing.
Marttinen was also the
conductor of the
Hämeenlinna City
Orchestra in 1949−1958
and the founder and
principal of the
Hämeenlinna Music
Institute.
Marttin
en started his composing
career in late Romantic
vein. However, his first
concerts in the 1940s met
with criticism since the
winds of Modernism had
already landed in
Finland. He then became
interested in Dodecaphony
and studied under
Vladimir Vogel in Ascona
but later abandoned
strict dodecaphony and
found his own, personal
style incorporating
elements from
Neo-classicism and
free-tonality with a hint
of mysticism – he was
called the Shaman of
Hämeenlinna (his
hometown).
Tauno
Marttinen was an
incredibly productive
composer; he wrote around
four hundred works with
opus numbers as well as a
wealth of other pieces.
His oeuvre includes 10
symphonies, concertos for
various solo instruments,
operas as well as vocal,
chamber and instrumental
works. Many of
Marttinen’s pieces have
become popular standard
repertoire, such as the
piano piece Kimalluksia
(Gleams).
Composed
by Carl Maria von Weber.
Edited by Frank Ziegler
and Johannes Kepper. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. 306
pages. Schott Music
#WGA1021. Published by
Schott Music
(HL.49042434).
ISBN
9783795794491.
10.25x13.5x1.141 inches.
German.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.