(Drums). Composed by Gordon Goodwin. For Drums. Book; DVD; Percussion - Drum Set Method or Collection; Play-Along. Jazz. 6 ; Grade 5. 76 pages. Published by Alfred Music

Violin - Grade 2

SKU: TL.TCL014900

Repertoire. CD. Trinity College London #TCL 014900. Published by Trinity College London (TL.TCL014900).

ISBN 9780857364630.

This audio CD contains exam pieces on the Trinity College London Violin syllabus for 2016-2019, featuring renowned violinist Liz Partridge. (alternative pieces are not included). In addition to full recordings of each piece, the CD also includes 'minus one' style backing tracks, allowing students to practise with the piano accompaniment played by Stephen Wilder.
These recordings are not definitive but may be employed as an aid to preparation for Trinity College London examinations.

Orchestra STB vocal soli, SATB choir, 2 recorders f1, 2 oboes, trumpet, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3112711

Cantata for the Sunday of Estomihi. Composed by Johann Sebastian Bach. Edited by Hans Grischkat, Felix Loy. Stuttgart Urtext Edition: Bach vocal. German title: Herr Jesu Christ. Sacred vocal music, Cantatas, Special days, Lent and Passiontide, Holy Week, Mourning, death. Single Part, Violin 1. Composed 1725. BWV 127. 8 pages. Duration 21 minutes. Carus Verlag #CV 31.127/11. Published by Carus Verlag (CA.3112711).

ISBN 9790007048860. Key: F major. Language: German/English. Text: Eber, Paul. Text: Paul Eber.

Cantata BWV 127 belongs to the cycle of chorale cantatas which Bach performed in 1724/25 in Leipzig. It bears close links to the St John Passion, which was performed on Good Friday 1725 in its second version. In formal terms and in the interpretation of the text and its orchestration, it is one of the most astonishing vocal works by Bach. The opening chorus, with its multi-layered construction, is nothing less than a preliminary version for the chorale fantasia O Mensch bewein dein Sunde gross. The aria Die Seele ruht in Jesu Handen is distinguished by its exquisite scoring: a solo oboe and the soprano form a duet, whilst the background comprises delicate chords on recorders and continuo, intended to symbolize funeral bells. A solo trumpet gives the following movement particular brilliance. The words Ich breche mit starker und helfender Hand unmistakably anticipate the chorus Sind Blitze, sind Donner in Wolken verschwunden from the St Matthew Passion. New revised edition. Score and part available separately - see item CA.3112700.

An A-Z Guide to Tips, Techniques and Much More. Drum Instruction. Softcover Audio Online. 128 pages. Published by Hal Leonard

By Traditional. Arranged by Bob Curnow. Jazz Ensemble / Jazz Band. The Stan Kenton Orchestra Library Series. Grade 5. Score and set of parts. Published by Sierra Music

By Traditional. Arranged by Ralph Carmichael. Jazz Ensemble / Jazz Band. Kenton's Merry Christmas Series; The Stan Kenton Orchestra Library Series. Christmas Music. Level: Grade 4. Score and set of parts. Published by Sierra Music.

Composed by Mark Lowry and Buddy Greene. Arranged by Tim Hayden. Choral (Sacred); Choral Octavo; Worship Resources. Alfred Choral Designs. Christmas; Sacred; Winter. 12 pages. Published by Jubilate Music Group

By Dennis Alexander. For Piano. Piano Collection. Level: Late Intermediate / Early Advanced (grade 6/6 ). Book and CD. 40 pages. Published by Alfred Publishing.

Guitar - Advanced

SKU: MB.GW1075

DVD, Solos. Fingerpicking. DVD. 95 pages. Mel Bay Publications, Inc #GW1075. Published by Mel Bay Publications, Inc (MB.GW1075).

5.75x4 inches.

This lesson is intended for advanced players looking for ways to voice chords and arrange tunes in ways that sound rich and complex but feel nimble under the hands. We?ll look mostly at arrangements I?ve made of blues and fiddle melodies, and also look at the playing of the remarkable Johnny St. Cyr.We begin our lesson with Ma Rainey?s Yonder Comes the Blues. This is followed by Jelly Roll Morton?s Jelly Roll Blues. Composed in 1915 and was one of the first published jazz compositions. Johnny St. Cyr was a famous New Orleans musician who played both guitar and the six-string banjo. He recorded with Louis Armstrongs Hot Five and Hot Seven bands. He also played with Jelly Roll Mortons Red Hot Peppers. His Guitar Blues is a tour-de-force and challenge for any fingerstyle guitarist. We finish our lesson with the Mineola Rag first recorded by the East Texas Serenaders. Titles include: Yonder Come The Blues, Jelly Roll Blues, Guitar Blues and Mineola Rag Detailed tab/music PDF file on the DVD. 96 minutes. DVD is region 0, playable worldwide.

Violin 3 (solo: org - str - bc)

SKU: BR.OB-5252-17

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Stapled. Orchester-Bibliothek (Orchestral Library). I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman). Solo concerto; Baroque. Part. 4 pages. Duration 12'. Breitkopf and Haertel #OB 5252-17. Published by Breitkopf and Haertel (BR.OB-5252-17).

ISBN 9790004334034. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).

(Piano/Vocal/Guitar). By as Tamela Mann. By Kirk Franklin. For Piano/Vocal/Guitar. This edition: Piano/Vocal/Guitar. Artist/Personality; Piano/Vocal/Chords; Sheet; Solo. Original Sheet Music Edition. Contemporary Christian; Gospel; Sacred. 8 pages. Publis

An Essential Study of Blues for the Intermediate Player in Tongue Block Style. Composed by David Barrett. School of Blues. Book and online audio. 36 pages. Published by Mel Bay Publications, Inc

Basso continuo (solo: org - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5216-12

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Stapled. Orchester-Bibliothek (Orchestral Library).

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman)

Solo concerto; Baroque. Part. 8 pages. Duration 13'. Breitkopf and Haertel #OB 5216-12. Published by Breitkopf and Haertel (BR.OB-5216-12).

ISBN 9790004332047. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).

German/English. By Carl Orff. Schott. CD-ROM only. 1 pages. Published by Schott.

10 Essential Arias with Plot Notes, IPA, Recorded Diction Lessons and Recorded Accompaniments. Composed by Various. Vocal Collection. Softcover Audio Online. 96 pages. Published by G. Schirmer

(Backing Tracks and Improv Lessons). Composed by Noah Baerman and Jen Allen. For Keyboard; Piano. Book; DVD; Keyboard/Piano; Method/Instruction. Complete Method. Jazz. Beginner. 80 pages. Published by Alfred Music

By Daron Hagen. For CD recording. CD Recordings. Published by E.C. Schirmer Publishing.

Organ and orchestra (solo: org - 0.2.0.1 - 0.0.0.0 - str - bc)

SKU: BR.PB-5213

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Orchestra; stapled. Partitur-Bibliothek (Score Library).

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman)

Solo concerto; Baroque. Full score. 36 pages. Duration 14'. Breitkopf and Haertel #PB 5213. Published by Breitkopf and Haertel (BR.PB-5213).

ISBN 9790004209448. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik)

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).

Composed by Bud and Donna Ford. Squareback saddle stitch. Book and online audio. Published by Mel Bay Publications, Inc (MB.93445M).

The Gospel Sing-Along Songbook (Listening). Arranged by Anna Laura Page and Jean Anne Shafferman. Choir Sacred. This edition: Listening CD. Choral Worship Collection; Church Reproducible; Sing-Along; Worship Resources. Choral, Family/Group; Gospel; Sacred. CD. Published by Alfred Music Publishing

Violin 3 (solo: org - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5212-17

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Softcover. Orchester-Bibliothek (Orchestral Library).

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman)

Solo concerto; Baroque. Part. 2 pages. Duration 18'. Breitkopf and Haertel #OB 5212-17. Published by Breitkopf and Haertel (BR.OB-5212-17).

ISBN 9790004330920. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.