Marinarella Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053913-010 Composed by Juliu...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1053913-010
Composed by Julius Fucik.
Arranged by Wil van der
Beek. The Great Classics.
Transcription. Set (Score
& Parts). Composed 2005.
De Haske Publications
#DHP 1053913-010.
Published by De Haske
Publications
(BT.DHP-1053913-010).
Julius Fucik
(1872-1916) hat sich als
Komponist vor allem mit
Marschmusik wie dem
Florentiner Marsch
aber auch mit Werken in
anderen Genres einen
Namen gemacht. Mit dieser
Konzertouvertüre
entführt er uns auf
einen Spaziergang ans
Meer, in charmanter
Begleitung eines
Mädchens namens
Marinarella.
Gemütlich am Boulevard
entlang schlendernd,
schnappen wir
verschiedene Geräusche
und Konzerte auf. Ihr
Publikum wird die Musik
gerne auf diesen einfach
strukturierten, aber sehr
unterhaltsamen
musikalischen Spaziergang
begleiten!
Marinarella Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band - Grade 4 SKU: BT.DHP-1053913-040 Composed by Julius Fucik. ...(+)
Concert Band - Grade 4
SKU:
BT.DHP-1053913-040
Composed by Julius Fucik.
Arranged by Wil van der
Beek. The Great Classics.
Transcription. Set (Score
& Parts). Composed 2005.
De Haske Publications
#DHP 1053913-040.
Published by De Haske
Publications
(BT.DHP-1053913-040).
Julius Fucik
(1872-1916) hat sich als
Komponist vor allem mit
Marschmusik wie dem
Florentiner Marsch
aber auch mit Werken in
anderen Genres einen
Namen gemacht. Mit dieser
Konzertouvertüre
entführt er uns auf
einen Spaziergang ans
Meer, in charmanter
Begleitung eines
Mädchens namens
Marinarella.
Gemütlich am Boulevard
entlang schlendernd,
schnappen wir
verschiedene Geräusche
und Konzerte auf. Ihr
Publikum wird die Musik
gerne auf diesen einfach
strukturierten, aber sehr
unterhaltsamen
musikalischen Spaziergang
begleiten!
All I Ask Of You Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1033362-010 From The Pha...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1033362-010
From The Phantom of
the Opera. Composed
by Andrew Lloyd Webber.
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Festive and
Solemn Music. Set (Score
and Parts). Composed
2003. De Haske
Publications #DHP
1033362-010. Published by
De Haske Publications
(BT.DHP-1033362-010).
Andrew Lloyd
Webber was born in
London, England in 1948
and has become probably
the most well respected
of all composers of
musicals, with many of
his works being household
names. All I Ask of You
is one of the main songs
from his award winning
musical Phantom of the
Opera.
Andrew
Lloyd Webber komponierte
die Musik zu einer Reihe
weltberühmter
Musicals. All I Ask Of
You ist ein Lied aus
dem Phantom der
Oper, dem Musical,
das auf die längste
Spielzeit von allen am
Broadway zurückblicken
kann. All I Ask of
You wurde aus gutem
Grund von zahlreichen
bekannten Stars gesungen
und mehrfach bearbeitet -
es spricht einfach jedes
Publikum unmittelbar an.
Peter Kleine Schaars
schrieb diese
gefühlvolle
Bearbeitung für
Blasorchester.
Folksong Suite No. 2 Orchestre d'harmonie - Intermédiaire EMB (Editio Musica Budapest)
Folk Song Suite No. 2. (for Wind Band). By Frigyes Hidas. For Concert Band (Scor...(+)
Folk Song Suite No. 2.
(for Wind Band). By
Frigyes Hidas. For
Concert Band (Score and
Parts). EMB. Grade 4.
Editio Musica Budapest
#Z13147SET. Published by
Editio Musica Budapest
Marinarella Orchestre d'harmonie - Intermédiaire De Haske Publications
Score and Parts Concert Band (Score & Parts) SKU: HL.4007740 Concert B...(+)
Score and Parts Concert
Band (Score & Parts)
SKU: HL.4007740
Concert Band - Grade 4
Score and Parts.
Composed by Julius Fucik.
Arranged by Wil van der
Beek. De Haske Concert
Band. Classical, Concert
Band. Softcover. Duration
690 seconds. De Haske
Publications #1053913040.
Published by De Haske
Publications
(HL.4007740).
ISBN
9781705172353. UPC:
196288089216.
Juliu
s Fucik (1872-1916) was
born in Prague, Czech
Republic. He studied
under Antonin Dvorak and
at a young age played in
military bands and later
became bandmaster, a
profession he practiced
in various cities with
many bands. In 1913 he
settled in Berlin where
he started his own music
publishing house. As a
composer Fucik is known
for his light
entertaining music
however he also wrote
chamber music, songs,
choral works, a mass, a
requiem and an unfinished
opera. Many of his works
have fallen into oblivion
but many of his marches
such as Einzug der
Gladiatoren,
Regimentskinder and
Florentiner Marsch are
still often played. With
the concert overture
Marinarella, Fucik takes
us toan imaginary seaside
resort on a beautiful
spring day. Marinarella,
a girl of the sea,
accompanies us on our
stroll. Leisurely walking
couples on the boulevard,
the murmur of the sea,
fragments of a waltz
melody from a cafe and a
concert band performing a
promenade concert pass
you by. A fantastic
opening work for any
concert.
Marinarella Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band (Score) SKU: HL.4007741 Concert Band - Grade 4 - Score an...(+)
Concert Band (Score)
SKU: HL.4007741
Concert Band - Grade 4
- Score and Parts.
Composed by Julius Fucik.
Arranged by Wil van der
Beek. De Haske Concert
Band. Classical, Concert
Band. Softcover. 52
pages. Duration 690
seconds. De Haske
Publications #1053913140.
Published by De Haske
Publications
(HL.4007741).
UPC:
196288089223.
Juliu
s Fucik (1872-1916) was
born in Prague, Czech
Republic. He studied
under Antonin Dvorak and
at a young age played in
military bands and later
became bandmaster, a
profession he practiced
in various cities with
many bands. In 1913 he
settled in Berlin where
he started his own music
publishing house. As a
composer Fucik is known
for his light
entertaining music
however he also wrote
chamber music, songs,
choral works, a mass, a
requiem and an unfinished
opera. Many of his works
have fallen into oblivion
but many of his marches
such as Einzug der
Gladiatoren,
Regimentskinder and
Florentiner Marsch are
still often played. With
the concert overture
Marinarella, Fucik takes
us toan imaginary seaside
resort on a beautiful
spring day. Marinarella,
a girl of the sea,
accompanies us on our
stroll. Leisurely walking
couples on the boulevard,
the murmur of the sea,
fragments of a waltz
melody from a cafe and a
concert band performing a
promenade concert pass
you by. A fantastic
opening work for any
concert.
Composed by
Stuart Johnson. Band
Music. Score only.
Duration 6:00. Published
by G & M Brand Music
Publishers (CN.S11103).
Before the days
of photography, the great
state occasions were
captured in paintings and
tapestries. In this
Suite, the composer has
imagined the pomp and
splendor of the English
court at work and play,
capturing each mood in a
short
movement.
Stuart
Johnson has the fine
ability to capture moods
and scenes in music. He
was born in
Staffordshire, the county
for which he was Director
of Music until his
retirement in 1997. After
experience as a player in
brass bands, he served in
the band of the King's
Dragoon Guards before
training as a teacher and
working in schools.
Following a period as a
lecturer at
Northumberland College of
Education he became Music
Adviser to the
Metropolitan District of
Sandwell prior to his
appointment to
Staffordshire. He has
long experience as a
conductor, particularly
in the choral and band
fields and also wide
experience as an
adjudicator and examiner.
He has written
prolifically for bands
and orchestras and his
didactic publications are
used in many countries.
He has over eighty
published compositions
and arrangements, many of
which have been broadcast
on radio or television.
His commissioned works
include the cantata David
and Goliath which was
first performed at the
Royal Festival Hall,
Oregon Overture for wind
orchestra, Landscapes,
Sinfonietta No 2, Wessex
Dances and A Castle
Suite. Stuart Johnson has
recently completed
several commissions,
funded by National
Lottery grants, for bands
in Cumbria, the Isle of
Wight, and Staffordshire.
Requiem for Soprano,
Chorus and Orchestra, was
premiered successfully in
front of a capacity
audience in Lichfield
Cathedral in March 1997,
and received its first
London performance at St.
John's Smith Square in
March 1998. This
prestigious venue also
saw the first performance
of Songs and Sonnets for
unaccompanied mixed choir
in 2001. Stuart Johnson
has written extensively
for the theatre, his
music for the production
of Anna of the Five Towns
was used for both the
radio and television
adaptations His music
ranges in style from the
evocative and demanding
Sinfonietta for Wind
Orchestra, which has
received many
performances since its
premiere in the Royal
Festival Hall, including
a broadcast by the Band
of the Scots Guards, to
his ubiquitous Bandstand
Boogie which has set feet
tapping all over the
world. Apart from the
latter his most performed
work is probably Circus
Suite which was the
British Youth Band
Championship test piece
in 1980. Northumbrian
Suite and Landscapes have
also been used as
National Brass Band
Championship test pieces.
The Flint Knappers
commissioned as a test
piece for the 1998 East
Anglian Band Festival was
selected as a test piece
for the 1999 Australian
Championships. Before the
days of photography, the
great state occasions
were captured in
paintings and tapestries.
In this Suite, the
composer has imagined the
pomp and splendor of the
English court at work and
play, capturing each mood
in a short movement.
Music for flute,
clarinet, violin,
violoncello and
piano. Composed by
Philipp Maintz. In a
folder. Set of parts.
Composed 2010/2013.
6/7/7/9/11 pages.
Baerenreiter Verlag
#BA09388_22. Published by
Baerenreiter Verlag
(BA.BA09388-22).
ISBN
9790006566983. 41.8 x
29.2 cm
inches.
Gabriel
Faure (1845-1924) is best
known as a composer of
songs, the Requiem,
several pieces of chamber
of music and the Pavane.
The OEuvres completes de
Gabriel Faure, published
by Barenreiter since
2010, has taken on the
task of displaying his
music in all its variety
to a new listening
public. Now the eighth
volume has appeared in
print: Jean-Michel
Nectoux' thematic
catalogue.
With
201 entries in
chronological order, the
catalogue lists every
known work by this French
composer. The entries,
each with its new 'N'
number, provide
information on opus
numbers (those assigned
during Faure's lifetime),
scoring, key, musical
incipit, text incipit,
text source, manuscript
sources, date of origin,
dedicatees, date of first
performance,
relationships to
publishers, printed
editions, authorial and
non-authorial
arrangements (if any),
commentary and
bibliographic references.
No fewer than six indices
make the volume easy to
search.
The
thematic catalogue
(Catalogue Nectoux) will
soon prove to be an
indispensable reference
work for anyone
interested in Faure and
the music of his era. It
is a distillation of
Nectoux' scholarly
efforts of the past 50
years, the result of his
journeys to every library
where Faure's manuscripts
are preserved - and a
milestone of French
musical
scholarship.
Folk Song Suite No. 1 Orchestre d'harmonie [Conducteur] - Intermédiaire EMB (Editio Musica Budapest)
Score Only Concert Band (Score) - Grade 4 SKU: HL.50510113 For concert...(+)
Score Only Concert Band
(Score) - Grade 4
SKU:
HL.50510113
For
concert band (Folksongs
of Bekes county).
Composed by Frigyes
Hidas. EMB. Classical.
Score. 36 pages. Duration
420 seconds. Editio
Musica Budapest #Z13145.
Published by Editio
Musica Budapest
(HL.50510113).
ISBN
9790080131459. UPC:
073999274882.
9.0x12.0x0.205 inches.
Frigyes
Hidas.
Frigyes
Hidas (1928-2007) was the
most prolific Hungarian
composer for wind
ensembles, and his works
are the most often
performed. His worldwide
popularity is based on
works such as Balettzene
(Ballet music), Vidam
zene (Cheerful music), El
nem tancolt balett
(Undanced ballet),
Requiem and Save the Sea.
His folk song suites,
which are enormously
popular in his homeland,
are fine examples of
Hidas' mature style in
the genre of folk song
arrangements. The first
suite works up nine folk
songs of differing
character and atmosphere,
while the second, with
its recurrent structure,
makes use of five
melodies, creating a
modern harmonic
environment around them
and thereby highlighting
even more the beauty of
the melodies. To perform
these works effectively,
ample technique is
required, as well as an
ability to shape the
music freely. Highly
recommended for ensembles
with an interest in
Hungarian wind music and
folklore.
Composed by
Stuart Johnson. Band
Music. Score and parts.
Duration 6:00. Published
by G & M Brand Music
Publishers (CN.R10103).
Before the days
of photography, the great
state occasions were
captured in paintings and
tapestries. In this
Suite, the composer has
imagined the pomp and
splendor of the English
court at work and play,
capturing each mood in a
short
movement.
Stuart
Johnson has the fine
ability to capture moods
and scenes in music. He
was born in
Staffordshire, the county
for which he was Director
of Music until his
retirement in 1997. After
experience as a player in
brass bands, he served in
the band of the King's
Dragoon Guards before
training as a teacher and
working in schools.
Following a period as a
lecturer at
Northumberland College of
Education he became Music
Adviser to the
Metropolitan District of
Sandwell prior to his
appointment to
Staffordshire. He has
long experience as a
conductor, particularly
in the choral and band
fields and also wide
experience as an
adjudicator and examiner.
He has written
prolifically for bands
and orchestras and his
didactic publications are
used in many countries.
He has over eighty
published compositions
and arrangements, many of
which have been broadcast
on radio or television.
His commissioned works
include the cantata David
and Goliath which was
first performed at the
Royal Festival Hall,
Oregon Overture for wind
orchestra, Landscapes,
Sinfonietta No 2, Wessex
Dances and A Castle
Suite. Stuart Johnson has
recently completed
several commissions,
funded by National
Lottery grants, for bands
in Cumbria, the Isle of
Wight, and Staffordshire.
Requiem for Soprano,
Chorus and Orchestra, was
premiered successfully in
front of a capacity
audience in Lichfield
Cathedral in March 1997,
and received its first
London performance at St.
John's Smith Square in
March 1998. This
prestigious venue also
saw the first performance
of Songs and Sonnets for
unaccompanied mixed choir
in 2001. Stuart Johnson
has written extensively
for the theatre, his
music for the production
of Anna of the Five Towns
was used for both the
radio and television
adaptations His music
ranges in style from the
evocative and demanding
Sinfonietta for Wind
Orchestra, which has
received many
performances since its
premiere in the Royal
Festival Hall, including
a broadcast by the Band
of the Scots Guards, to
his ubiquitous Bandstand
Boogie which has set feet
tapping all over the
world. Apart from the
latter his most performed
work is probably Circus
Suite which was the
British Youth Band
Championship test piece
in 1980. Northumbrian
Suite and Landscapes have
also been used as
National Brass Band
Championship test pieces.
The Flint Knappers
commissioned as a test
piece for the 1998 East
Anglian Band Festival was
selected as a test piece
for the 1999 Australian
Championships. Before the
days of photography, the
great state occasions
were captured in
paintings and tapestries.
In this Suite, the
composer has imagined the
pomp and splendor of the
English court at work and
play, capturing each mood
in a short movement.
Choir and Chamber Orchestra SKU: BT.PMC3599 Composed by Morten Lauridsen....(+)
Choir and Chamber
Orchestra
SKU:
BT.PMC3599
Composed
by Morten Lauridsen.
Score Only. 60 pages.
Peermusic Classical
#PMC3599. Published by
Peermusic Classical
(BT.PMC3599).
Each of the
five connected movements
in this choral cycle
contains references to
'Light,' assembled from
various sacred Latin
texts. I composed Lux
Aeterna in response to my
mother's final illness
and found great personal
comfortand solace in
setting to music these
timeless and wondrous
words about Light, a
universal symbol of
illumination at all
levels - spiritual,
artistic and
intellectual. The work
opens and closes with the
beginning and ending of
theRequiem Mass, with the
central three movements
drawn respectively from
the Te Deum, O Nata Lux
and Veni, Sancte
Spiritus. The opening
Introitus introduces
several themes that recur
later in the work and
includes an extended
canonon et lux perpetua.
In Te, Domine, Speravi
contains, among other
musical elements, the
cantus firmus
Herzliebster Jesu (from
the Nuremburg Songbook,
1677) and a lengthy
inverted canon on fiat
misericordia. O Nata Lux
and Veni,Sancte Spiritus
are paired songs, the
former an a cappella
motet at the center of
the work and the latter a
spirited, jubilant
canticle. A quiet setting
of the Agnus Dei precedes
the final Lux Aeterna,
which reprises the
openingsection of the
Introitus and concludes
with a joyful celebratory
Alleluia. --Morten
Lauridsen.
Mixed Choir [SATB], Chamber Orchestra or Organ SKU: BT.PMC3367 For Cho...(+)
Mixed Choir [SATB],
Chamber Orchestra or
Organ
SKU:
BT.PMC3367
For
Chorus and Chamber
Orchestra or Organ- Organ
Score. Composed by
Morten Lauridsen. Vocal
Score. Composed 1997. 56
pages. Peermusic
Classical #PMC3367.
Published by Peermusic
Classical (BT.PMC3367).
Each of the
five connected movements
in this choral cycle
contains references to
'Light,' assembled from
various sacred Latin
texts. I composed Lux
Aeterna in response to my
mother's final illness
and found great personal
comfortand solace in
setting to music these
timeless and wondrous
words about Light, a
universal symbol of
illumination at all
levels - spiritual,
artistic and
intellectual. The work
opens and closes with the
beginning and ending of
theRequiem Mass, with the
central three movements
drawn respectively from
the Te Deum, O Nata Lux
and Veni, Sancte
Spiritus. The opening
Introitus introduces
several themes that recur
later in the work and
includes an extended
canonon et lux perpetua.
In Te, Domine, Speravi
contains, among other
musical elements, the
cantus firmus
Herzliebster Jesu (from
the Nuremburg Songbook,
1677) and a lengthy
inverted canon on fiat
misericordia. O Nata Lux
and Veni,Sancte Spiritus
are paired songs, the
former an a cappella
motet at the center of
the work and the latter a
spirited, jubilant
canticle. A quiet setting
of the Agnus Dei precedes
the final Lux Aeterna,
which reprises the
openingsection of the
Introitus and concludes
with a joyful celebratory
Alleluia. --Morten
Lauridsen.