For solo marimba. Composed by Robert Clayson. Solos: Marimba and Xylophone. Wi...(+)
For solo marimba.
Composed by
Robert Clayson. Solos:
Marimba and Xylophone.
With
optional percussion
accompaniment. Folio and
Downloadable Parts.
Tapspace
Publications
#TSPCS20-017.
Published by Tapspace
Publications
A Festival of Carols (A Medley including "Hark! The Herald Angels Sing," "While ...(+)
A Festival of Carols (A
Medley including "Hark!
The Herald Angels Sing,"
"While by My Sheep," "God
Rest Ye Merry,
Gentlemen," "Still,
Still, Still," and
"Angels We Have Heard on
High")
Choral (Studiotrax CD) SKU: HL.35027937 Composed by Joseph M. Martin. Har...(+)
Choral (Studiotrax CD)
SKU: HL.35027937
Composed by Joseph M.
Martin. Harold Flammer
Cathedral. Advent,
Christmas Eve, Christmas
Sacred, Communion.
Published by Shawnee
Press (HL.35027937).
UPC: 884088570606. 5x5
inches. J. Paul
Williams/Joseph M.
Martin.
Uses: Christmas Eve,
Christmas,
Communion
Scrip
ture: Luke
2:1-7
In this
tender lullaby to the
newborn Christ, J. Paul
Williams at his poetic
best joins with Joseph
Martin in a simply scored
anthem that is profoundly
effective for candlelight
Christmas observances.
The quoting of the
beloved German carol
Still, Still,
Still, adds to the
charm of this simple,
beautiful, and moving
anthem.
StudioTrax CD Choral (Studiotrax CD) SKU: HL.35031977 By Elton John. By B...(+)
StudioTrax CD Choral
(Studiotrax CD)
SKU:
HL.35031977
By Elton
John. By Bernie Taupin
and Elton John. Arranged
by Pete Schmutte. Shawnee
Press. Pop. CD. Published
by Shawnee Press
(HL.35031977).
ISBN
9781540015563. UPC:
888680724078.
5.0x5.0x0.115
inches.
British
rocker Elton John made
this famous in 1983 and
stated that it was
“my reaction to
still being relevant and
successful in the early
1980s.†The message
rings just as clear today
with rock and roll still
ruling the music scene,
generation after
generation. Instrumental
parts available for a
powerhouse
performance.
SATB Choir SKU: HL.14020264 Composed by Elizabeth Maconchy. Music Sales A...(+)
SATB Choir
SKU:
HL.14020264
Composed
by Elizabeth Maconchy.
Music Sales America.
Classical. Book
[Softcover]. Composed
2002. Chester Music
#CH55688. Published by
Chester Music
(HL.14020264).
8.25x11.75
inches.
'Still
Falls the Rain' is
perhaps Edith Sitwell's
greatest poem. Maconchy
set the poem for double
choir, unaccompanied,
with some antiphonal
writing. The recurrence
of the phrase 'still
falls the rain'
throughout the poem is
echoed in the music and
helps to give shape and
coherence to it. After
the impassioned and
tragic character of the
main part of the poem, it
ends on a calmer, even
hopeful note (the Dawn
after the Night raids
perhaps). It was
commissioned by the
Chelmsford Festival and
first performed there on
22 May 1985 by the BBC
singers, conducted by
John Poole, in Chelmsford
Cathedral.
Simply
Sacred Choral Series.
Composed by Douglas
Nolan. Shawnee Sacred.
Communion, General
Worship. Octavo. Duration
195 seconds. Published by
Shawnee Press
(HL.381257).
Simply
beautiful, this
accessible worship anthem
is a quiet call to listen
in the silence for the
still, small voice of
God. The melody is truly
winsome, the lower vocal
range bringing warmth and
a conversational element
to the performance. A
fragile piano part
supports and adds color
to this quickly learned
reflection on
contemplative
worship.
Violin and piano SKU: LM.26851 Composed by Jean Marc Allerme. Pop, jazz. ...(+)
Violin and piano
SKU:
LM.26851
Composed by
Jean Marc Allerme. Pop,
jazz. Score and CD.
Editions Henry Lemoine
#26851. Published by
Editions Henry Lemoine
(LM.26851).
ISBN
9790230968515.
Two
Days - Travel in winter -
Here comes the jazz show
- My friend Gabriel -
Maria's memories - Never
in September - When
Charley meets Dan - For a
moment of stillness -
Time to rag - Somewhere
in my heart - White and
Blue song - Call me -
Fleeting moment - She is
gone - Like in a
dream.
Flute and guitar - Level 2 SKU: LM.27164 Composed by Jean Marc Allerme. P...(+)
Flute and guitar - Level
2
SKU: LM.27164
Composed by Jean Marc
Allerme. Pop, jazz. Score
and CD. Editions Henry
Lemoine #27164. Published
by Editions Henry Lemoine
(LM.27164).
ISBN
9790230971645.
Here
Comes the Jazz Show -
Never in September - Two
Days - Call me - When
Charley meets Dan -
Travel in Winter - My
Friend Gabriel - White
and Blue song - Maria's
Memories - Somewhere in
my Heart - Time to Rag -
Fleeting Moment - For a
Moment of Stillness -
Like in a Dream - She is
Gone.
SATB choir, piano SKU: LO.10-5550L Composed by Tracey Craig McKibben. Cho...(+)
SATB choir, piano
SKU:
LO.10-5550L
Composed
by Tracey Craig McKibben.
Choral. Sacred Anthem.
Octavo. Lorenz Publishing
Company #10/5550L.
Published by Lorenz
Publishing Company
(LO.10-5550L).
ISBN
9780787773724.
Orig
inally a piano piece by
Tracey McKibben, Psalm of
Stillness seemed to call
out for just the right
lyric, and Gwyn Williams
filled that need with
great sensitivity. Ideal
as a response to the
events of this past year,
or anytime your
congregation needs
assurance, this anthem
brings the reminder that
You promise peace in
tomorrow's sunrise..
Choral (Listening CD) SKU: HL.35032529 A Service for Holy Week. Co...(+)
Choral (Listening CD)
SKU: HL.35032529
A Service for Holy
Week. Composed by
Douglas Nolan. Shawnee
Sacred. Cantata, Easter,
General Worship, Holy
Week, Sacred. CD.
Duration 2220 seconds.
Published by Shawnee
Press (HL.35032529).
ISBN 9781540040183.
UPC: 888680896898. 5x5
inches.
Written to
commemorate the Passion
of Christ, this cantata
is a moving tribute to
His life and ministry.
Composed for maximum
flexibility and scored
for SA(T)B voices, the
optional cued notes make
it possible for the
cantata to grow with your
choir. Smaller choirs
will enjoy the rich
textures and larger
ensembles will be able to
engage their full
resources. For churches
that desire an
instrumental component, a
very modest consort
instrumentation creates a
reverent accompaniment.
The narration contains
scriptures and prayers to
convey the graceful theme
of Christ's sacrificial
love. Ending with the
crucifixion, A Gathering
of Grace will set the
stage for Easter morning.
Songs include: Prelude of
Shadows; In the Stillness
of This Moment; Ask of
Me; Palm Branches; A
Light in the Upper Room;
Jesus, in Gethsemane; The
Day the Cross Held Up the
Sky; A Green Hill Far
Away; Recessional. Score
and Parts (fl, cl, hn,
perc, pno, hp, vn, vc)
available as a Printed
Edition and as a digital
download.
Composed by Elaine
Hagenberg. Vocal score.
16 pages. Duration 3.5'.
Oxford University Press
#9780193517929. Published
by Oxford University
Press (OU.9780193517929).
Trans
figured Life - Still
Life, Op. 165 (violin and
piano) - David
Braid
I am keen on
concise musical forms
such as Prelude and
Fugue, where there is one
clear straightforward
idea, followed by another
that is more involved and
developed.
In
keeping with that idea,
this work consists of two
distinct pieces, the
first - Transfigured Life
- aims to draw in the
listener with its quick,
dancing rhythm and
simple, melodic violin
part. It 'transfigures'
via a few short solo
piano interludes into
just two alternating
notes to end - which are
the core of the original
idea, now made clear by
clearing everything else
out of the
way.
The second
piece - Still Life -
retains its sense of
stillness through an
uncomplicated piano line
that gives lots of space
for the violin's
contrasting (but again
simple) part. As an
absolute, not
programmatic, piece the
title refers to the
atmospheric colour and
pacing only; it's up to
the listener to see
'Still life' of their
choosing in their own
mind.
A note on
performance: Despite
my reference to 'simple'
lines, and the work's
determined avoidance of
mainstream modernist
squeak - the work has
certain performance
challenges of phrasing
and ensemble that
requires considerable
skill and musicianship.
The work has had the
privilege of being
recently recorded by
violinist Ezgi
Sarıkcıoğlu and
pianist Rossitza
Stoycheva, and is
available on all major
platforms:
Composed by Greg Bartholomew. For "trumpet, timpani & string orches...(+)
Composed by Greg
Bartholomew.
For "trumpet,
timpani & string
orchestra". Pathways
Series.
Level 4. Score and set of
parts. Duration "3
minutes, 40
seconds". Published
by Imagine
Music
Chamber Music Clarinet,
Flute, Guitar, Horn,
Viola, Violin,
Violoncello
SKU:
PR.114420410
Chamber Concerto for
Guitar and Ensemble.
Composed by George
Rochberg. Set of Score
and Parts.
30+10+8+10+12+10+10+10
pages. Duration 20
minutes. Theodore Presser
Company #114-42041.
Published by Theodore
Presser Company
(PR.114420410).
UPC:
680160687015.
In
one of the dedicatory
poems to his verse play
The Shadowy Waters
(1906), William Butler
Yeats asks: Is Eden far
away...? Do our woods and
winds and verponds cover
more quiet woods, More
shining winds, more
star-glimmering ponds? Is
Eden out of time and out
of space? How do you
answer such questions? We
have only the vague
elusive promptings of our
own mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
- what is most painful to
admit - that it is closed
to us in the form in
which we live and
breathe, even if at times
we do have
intimations..., Yeats is
telling us that this
paradise, this Eden we
yearn for is here -
present even if
invisible, palpable even
if intangible. In his
Second Symphony, Mahler
meets an angel who tells
him he can't get into
heaven, he's locked out.
The news is shattering.
What follows is an
inconsolable sorrowing,
the same sorrowing that
comes when we wake to the
realization that we too
are locked out of Eden.
Eden is the heaven of our
longing and desire for
release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes -because it is not
a place. It is a state of
soul which answers none
of the illusory,
hampering conditions that
shape and bind us to the
real world of our bodies,
our appetites, our
passions, and our
beliefs. I have turned
Yeats' question Is Eden
out of time and out of
space? into its own
answering. However near
we may sense its presence
at times, Eden remains
unreachable, ungraspable,
unknowable, unthinkable.
It forever eludes us. I
wrote this music the way
I did to shut out -with
quietness and
otherworldliness - the
clamor and clang of the
raucous Garish Day, to
turn away its tumult and
noise, to negate its
stridency and chaos.
Perhaps in the cleansing
stillness and blessing of
this emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch. In one of the
dedicatory poems to his
verse play “The
Shadowy Watersâ€
(1906), William Butler
Yeats asks:“Is Eden
far away…?Do our
woods and windsand
verponds cover morequiet
woods,More shining
winds,more
star-glimmeringponds?Is
Eden out of timeand out
of space?â€How do
you answer such
questions? We have only
the vague elusive
promptings of our own
mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
– what is most
painful to admit –
that it is closed to us
in the form in which we
live and breathe, even if
at times we do have
intimations…, Yeats
is telling us that this
paradise, this Eden we
yearn for is here
– present even if
invisible, palpable even
if intangible.In his
Second Symphony, Mahler
meets an angel who tells
him he can’t get
into heaven, he’s
locked out. The news is
shattering. What follows
is an inconsolable
sorrowing, the same
sorrowing that comes when
we wake to the
realization that we too
are locked out of
Eden.Eden is the heaven
of our longing and desire
for release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes –because it
is not a place. It is a
state of soul which
answers none of the
illusory, hampering
conditions that shape and
bind us to the real world
of our bodies, our
appetites, our passions,
and our beliefs.I have
turned Yeats’
question “Is Eden
out of time and out of
space?†into its
own answering. However
near we may sense its
presence at times, Eden
remains unreachable,
ungraspable, unknowable,
unthinkable. It forever
eludes us.I wrote this
music the way I did to
shut out –with
quietness and
otherworldliness –
the clamor and clang of
the raucous “Garish
Day,†to turn away
its tumult and noise, to
negate its stridency and
chaos. Perhaps in the
cleansing stillness and
blessing of this
emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch.