Composed by Guy Van Nueten. Keyboards - Piano. Metropolis Music Publishers #PN7320EM. Published by Metropolis Music Publishers

Edited by Robin Williamson. For violin. Includes violin solo songbook and examples CD. With standard notation, chord names, performance notes and introductory text. British and folk. 96 pages. 9x12 inches. Published by Oak Publications

By Various. Guitar Recorded Version. Softcover. 256 pages. Published by Hal Leonard

Books 1 and 2 with Online Audio, Plus Bonus Material. By Various. Guitar Tab Method. Acoustic, Instruction. Softcover Audio Online. With guitar tablature. 82 pages. Published by Hal Leonard

For Guitar. Guitar Riffs. Softcover. Guitar tablature. 160 pages. Published by Hal Leonard

The Easiest Easy Guitar Songbook Ever. Composed by Various. Guitar Collection. Pop, Rock. Softcover. With guitar tablature. Published by Hal Leonard

Composed by Dave Hall. Percussion Ensemble. For Percussion Ensemble (Crotales (2 octaves) Vibraphone 1 Vibraphone 2 Bells (Double Seconds (Steel Pan) Tam-Tam) Marimba 1 (4-octave) (Small Triangle, Suspended Cymbal (shared with Marimba 3) Marimba 2 (4.3 or 5-octave) (Large Triangle, Suspended Cymbal (shared with Marimba 4) ). Medium difficult. Score and parts. Duration 9:30. Published by C. Alan Publications

(BUCH BR)

SKU: HL.49032919

Dimensionen fur den Musikunterricht. Composed by Baessler. Edited by Hans Baessler. This edition: Paperback/Soft Cover. Book. Edition Schott. 384 pages. Schott Music #ED 9140. Published by Schott Music (HL.49032919).

ISBN 9783795726645. German.

Reflexionen uber ein aktuelles Thema sowie praktische Anregungen fur den Musikunterricht.

For Acoustic or Electric 12- String Guitar. Guitar Method. Acoustic, Method. Softcover Audio Online. With guitar tablature. 128 pages. Published by Hal Leonard

By Various. Ukulele Chord Songbook. Softcover. 194 pages. Published by Hal Leonard

SS vocal soli, 2 violas, 2 cellos, contrabass (or SS vocal soli, organ)

SKU: CA.4077315

Composed by Franz Lachner. Edited by Georg Gunther. Double bass. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Double Bass. Composed 1870. Op. 168. 4 pages. Duration 20 minutes. Carus Verlag #CV 40.773/15. Published by Carus Verlag (CA.4077315).

ISBN 9790007221034. Language: Latin.

2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb) Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble (CV 70.037); the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. Score and part available separately - see item CA.4077300.

SS vocal soli, 2 violas, 2 cellos, contrabass (or SS vocal soli, organ)

SKU: CA.4077305

Composed by Franz Lachner. Edited by Georg Gunther. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Choral Score. Composed 1870. Op. 168. 4 pages. Duration 20 minutes. Carus Verlag #CV 40.773/05. Published by Carus Verlag (CA.4077305).

ISBN 9790007109332. Language: Latin.

2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb) Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble (CV 70.037); the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. Score available separately - see item CA.4077300.

SS vocal soli, 2 violas, 2 cellos, contrabass (or SS vocal soli, organ)

SKU: CA.4077312

Composed by Franz Lachner. Edited by Georg Gunther. Viola 2. Sacred vocal music, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Viola 2. Composed 1870. Op. 168. 8 pages. Duration 20 minutes. Carus Verlag #CV 40.773/12. Published by Carus Verlag (CA.4077312).

ISBN 9790007221003. Language: Latin.

2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb) Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble (CV 70.037); the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. Score and part available separately - see item CA.4077300.

Orchestra STTBB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ - Grade 3

SKU: CA.4007204

Like as the hart longs. Composed by Felix Bartholdy Mendelssohn. Edited by Gunter Graulich. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. Der 42.Psalm/Wie Der Hirsch Schreit. Innovative practice aids, Sacred vocal music, Psalms, German, Trinity, Psalms. Vocal score. Composed 1837. Op. 42, MWV A 15. 36 pages. Duration 24 minutes. Carus Verlag #CV 40.072/04. Published by Carus Verlag (CA.4007204).

ISBN 9790007170516. Language: German/English.

The Psalms inspired Mendelssohn throughout his working life, and, aside from a cappella settings, he left behind five great orchestral Psalms. Schumann assesed in 1837 that Psalm 42 was the highest point that he [Mendelssohn] reached as a composer for the church. Indeed the highest point recent church music has reached at all. This work is now available in carus music, the choir app! Score available separately - see item CA.4007200.

Concert Band/Harmonie - Grade 2.5

SKU: BT.DHP-1043706-010

Composed by Jacob De Haan. Performance Series. Festive and Solemn Music. Set (Score & Parts). Composed 2004. De Haske Publications #DHP 1043706-010. Published by De Haske Publications (BT.DHP-1043706-010).

Remembrance Day (Totengedenken) is a chorale-like piece in memory of those who have died in service. Jacob de Haan composed this work for a concert by the symphonic wind orchestra Symphonic Winds, which he conducted in Germany on Volkstrauertag (national remembrance day). The composition is based on a text from Totengedenken (Commemoration of Those Who Have Died). This narrative text is provided in four languages, and is intended to be spoken (using a microphone) ad libitum during the performance. Choir parts are also available to complement the performance.

Remem brance Day ist ein choralartiges Stück zum Angedenken an die Verstorbenen. Die Komposition basiert auf einem Text aus Totengedenken, herausgegeben vom Volksbund deutsche Kriegsgräberfürsorg e. Ein beiliegender Text kann zur angegebenen Zeit während der Aufführung gesprochen werden. Das Ganze kann ad libitum durch einen gemischten Chor, der lange Töne ohne Text singt, vervollständigt werden. Remembrance Day ist ein recht langsames, erhabenes Werk zur würdevollen Umrahmung von Trauer- oder Gedenkfeiern, zum Volkstrauertag und ähnlichen feierlichen Anlässen. Textauszug A Remembrance DayWir denken heute an die Opfer von Gewalt und Krieg, Kinder, Frauen und Männeraller Völker. Wir gedenken der Soldaten, die in den Weltkriegen starben, der Menschen, die durch Kriegshandlungen oder danach in Gefangenschaft, als Vertriebene und als Flüchtlinge ihr Leben verloren. Wir gedenken derer, die verfolgt und getötet wurden, weil sie einem anderen Volk angehörten, einer anderen Rasse zugerechnet wurden oder deren Leben wegen einer Krankheit oder Behinderung als lebensunwert bezeichnet wurde. Wir gedenken derer, die ums Leben kamen weil sie Widerstand gegen die Gewaltherrschaft geleistet haben, und derer, die den Tod fanden weil sie an ihrer Überzeugung oder an ihrem Glauben festhielten. Wir trauern um die Opfer der Kriege und Bürgerkriege unserer Tage, um die Opfer von Terrorismus und politischer Verfolgung. Wir gedenken heute auch derer, die in diesem Jahr bei uns durch Hass und Gewalt gegen Fremde und Schwache Opfer geworden sind. Wir trauern mit den Müttern und mit allen, die Leid tragen um die Toten. Aber unser Leben steht im Zeichen der Hoffnung auf Versöhnung unter den Menschen und Völkern, und unsere Verantwortung gilt dem Frieden unter den Menschen zu Hause und in der Welt.