SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3119513

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Single Part, Viola. BWV 195. 8 pages. Duration 16 minutes. Carus Verlag #CV 31.195/13. Published by Carus Verlag (CA.3119513).

ISBN 9790007210403. Text language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score and part available separately - see item CA.3119500.

Soli SATB, SATB Choir, 2 Fl, 2 Ob/Obda, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3119519

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Set of Orchestra Parts. BWV 195. Duration 16 minutes. Carus Verlag #CV 31.195/19. Published by Carus Verlag (CA.3119519).

ISBN 9790007182953. Language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score and parts available separately - see item CA.3119500.

Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob/Obda, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3119507

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Wedding. Study score. BWV 195. 96 pages. Duration 16 minutes. Carus Verlag #CV 31.195/07. Published by Carus Verlag (CA.3119507).

ISBN 9790007242404. Language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score available separately - see item CA.3119500.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3119514

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Single Part, basso continuo. BWV 195. 12 pages. Duration 16 minutes. Carus Verlag #CV 31.195/14. Published by Carus Verlag (CA.3119514).

ISBN 9790007210410. Text language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score and part available separately - see item CA.3119500.

Soli SATB, SATB Choir, 2 Fl, 2 Ob/Obda, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3119503

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Vocal score. BWV 195. 44 pages. Duration 16 minutes. Carus Verlag #CV 31.195/03. Published by Carus Verlag (CA.3119503).

ISBN 9790007182908. Language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score available separately - see item CA.3119500.

Soli SATB, SATB Choir, 2 Fl, 2 Ob/Obda, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3119549

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Single Part, Organ. BWV 195. 16 pages. Duration 16 minutes. Carus Verlag #CV 31.195/49. Published by Carus Verlag (CA.3119549).

ISBN 9790007210427. Language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score and part available separately - see item CA.3119500.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3119500

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Full score. BWV 195. 96 pages. Duration 16 minutes. Carus Verlag #CV 31.195/00. Published by Carus Verlag (CA.3119500).

ISBN 9790007171674. Language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation.

Piano

SKU: BT.MUSSRO100055

Composed by Nico Muhly. Classical. Book Only. Composed 2014. 24 pages. St. Rose Music #MUSSRO100055. Published by St. Rose Music (BT.MUSSRO100055).

English.

Nico Muhly is an American contemporary classical music composer and arranger. You Can't Get There From Here is no exception to Nico 's beautiful and accomplished style of writing. The work was commissioned by the Terez n Music Foundation as a living memorial to the composers and musicians of the Terez n concentration camp who perished during the Holocaust.

Orchestra String Orchestra - Grade 1.5-2

SKU: CF.FAS27

Composed by Larry Clark. Carl Fischer First Plus String Orchestra Series. Score and Parts. With Standard notation. 8+8+5+5+5+2+8 pages. Carl Fischer Music #FAS27. Published by Carl Fischer Music (CF.FAS27).

ISBN 9780825854835. UPC: 798408054830. 8.5 X 11 inches. Key: D major.

The title depicts the uplifting nature of the piece that inspires young players to have confidence and respect while living with character and integrity. The music is characterized by strong melodic intervals of fourths and fifths and dynamic contrasts, a Larry Clark signature that has made his music so popular. In addition, every player is an important part of the music. This is a perfect showpiece for developing groups for concerts or festivals.
As a former teacher I always tried to use the experience of playing in an ensemble to teach students about being good people first b having confidence, being respectful, living with character and integrity. I choose to write music with titles that will stimulate students to strive for this high standard and I have tried to write pieces that will somehow musically depict these values. Integrity is one such piece. I hope you will find the main theme to be uplifting and with musical integrity, but within the reach of developing students. My themes usually are characterized by strong melodic intervals of fourths and fifths and this piece is no exception. It is also my goal when writing music for younger students to provide every section in the ensemble a chance to play important melodic material at some point in the piece. In my humble opinion, if students are given music they like to play they will want to practice it over and over again. The tempo markings and bowings indicated are only there as a guide and should be adjusted to the needs of your students. It has been my pleasure to have the opportunity to write this piece. I hope that you and your students find it useful for your program. LARRY CLARK Lakeland, Florida 2004.
As a former teacher I always tried to use the experience of playing in an ensemble to teach students about being good people first b having confidence, being respectful, living with character and integrity. I choose to write music with titles that will stimulate students to strive for this high standard and I have tried to write pieces that will somehow musically depict these values.A Integrity is one such piece. I hope you will find the main theme to be uplifting and with musical integrity, but within the reach of developing students. My themes usually are characterized by strong melodic intervals of fourths and fifths and this piece is no exception. It is also my goal when writing music for younger students to provide every section in the ensemble a chance to play important melodic material at some point in the piece. In my humble opinion, if students are given music they like to play they will want to practice it over and over again. The tempo markings and bowings indicated are only there as a guide and should be adjusted to the needs of your students. It has been my pleasure to have the opportunity to write this piece. I hope that you and your students find it useful for your program. LARRY CLARK Lakeland, Florida 2004.
As a former teacher I always tried to use the experience of playing in an ensemble to teach students about being good people first b having confidence, being respectful, living with character and integrity. I choose to write music with titles that will stimulate students to strive for this high standard and I have tried to write pieces that will somehow musically depict these values. Integrity is one such piece. I hope you will find the main theme to be uplifting and with musical integrity, but within the reach of developing students. My themes usually are characterized by strong melodic intervals of fourths and fifths and this piece is no exception. It is also my goal when writing music for younger students to provide every section in the ensemble a chance to play important melodic material at some point in the piece. In my humble opinion, if students are given music they like to play they will want to practice it over and over again. The tempo markings and bowings indicated are only there as a guide and should be adjusted to the needs of your students. It has been my pleasure to have the opportunity to write this piece. I hope that you and your students find it useful for your program. LARRY CLARK Lakeland, Florida 2004.
As a former teacher I always tried to use the experience of playing in an ensemble to teach students about being good people first b having confidence, being respectful, living with character and integrity. I choose to write music with titles that will stimulate students to strive for this high standard and I have tried to write pieces that will somehow musically depict these values. Integrity is one such piece.I hope you will find the main theme to be uplifting and with musical integrity, but within the reach of developing students. My themes usually are characterized by strong melodic intervals of fourths and fifths and this piece is no exception. It is also my goal when writing music for younger students to provide every section in the ensemble a chance to play important melodic material at some point in the piece. In my humble opinion, if students are given music they like to play they will want to practice it over and over again.The tempo markings and bowings indicated are only there as a guide and should be adjusted to the needs of your students.It has been my pleasure to have the opportunity to write this piece. I hope that you and your students find it useful for your program.LARRY CLARKLakeland, Florida 2004.

(Easy Piano). Arranged by Dan Coates. For Piano. Book; Piano - Easy Piano Collection; Piano Supplemental. Top 50. Easy Piano. 196 pages. Published by Alfred Music Publishing

((No Tab)). By Various. For Guitar. Easy Guitar. Softcover. 216 pages. Published by Hal Leonard

(Easy Piano). Arranged by Dan Coates. For Piano. This edition: Easy Piano. Book; Piano - Easy Piano Collection; Piano Supplemental. Pop; Rock. Easy Piano. 176 pages. Published by Alfred Music Publishing

(Pending (Easy Piano)). Arranged by Dan Coates. For Piano. This edition: Easy Piano. Book; Piano - Easy Piano Collection; Piano Supplemental. Movie; Pop. Easy Piano. 60 pages. Published by Alfred Music Publishing

(11 Appealing Piano Arrangements). Arranged by Carol Matz. For Piano. Book; Piano Collection; Piano Supplemental. Famous and Fun. Rock. Early Elementary; Elementary. 24 pages. Published by Alfred Music Publishing

(8 Graded Selections for Intermediate Pianists). Arranged by Carol Matz. For Piano. Book; Graded Standard Repertoire; Piano Collection; Piano Supplemental. For Students. Intermediate. 32 pages. Published by Alfred Music Publishing

String quartet

SKU: FG.55011-510-1

Composed by Matthew Whittall. Score and parts. Fennica Gehrman #55011-510-1. Published by Fennica Gehrman (FG.55011-510-1).

ISBN 9790550115101.

Matt hew Whittall's preface to Bright Ferment (2019): I have a complicated history with the string quartet. Actually, it's not that complicated. I spent months writing a huge one in my early twenties and hastily withdrew it after a long delayed premiere, vowing never to write another. In a typical case of karmic retribution, my fear of the form would eventually be overcome by the unrefusable offer to write the compulsory piece for the Banff International String Quartet Competition in my native Canada. The short duration requested, about nine minutes, also felt like a good way to wade gingerly back into the medium. The title was originally just a nice-sounding pair of words that surfaced in a brainstorming session with fellow composer Alex Freeman over an injudicious amount of fermented barley. When I looked it up later, I found that it was a phrase of older coinage, seemingly used more for poetic resonance than any fixed meaning. Ferment by itself denotes a state of confusion, change or lack of order. With bright, it takes on a more positive connotation with regard to society and creativity: a wild profusion of ideas barely checked by reason. (It may not actually mean that, but it describes this piece nicely, so let's go with it.) Fermentation in its trendy culinary usage is also hinted at via a recurrent percolating device of scattered pizzicati. As one may guess from the tone of this introduction, there is little attempt at gravity in Bright Ferment, the only means by which I felt I could sidestep the historical and expressive weight of the string quartet genre. Styles, gestures and moods are tossed around, cross-cut and abandoned in stream-of-consciousness fashion, connected by little except an intuitive sense of rightness in their juxtaposition. If the piece acquires depth in spite of me, it will only be because its disparate parts amplify and strengthen each other simply by being together - much like the ensemble itself. Bright Ferment was commissioned by the Banff Centre for the Arts and Creativity and the Canadian Broadcasting Corporation, with additional funding from the Americas Society (New York), for the 2019 Banff International String Quartet Competition. Duration: ca. 9 minutes.

(82 balanced lessons). By Harold E. Mitchell. For trumpet. This edition: Paperback. Instructional. Method. Method book and DVD. Text Language: English. 96 pages. Published by Santorella Publications

Soli SAB, SATB Choir, 2 Ob/Obda, Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3119753

Cantata for a wedding. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas. Vocal score. BWV 197. 44 pages. Duration 20 minutes. Carus Verlag #CV 31.197/53. Published by Carus Verlag (CA.3119753).

ISBN 9790007186692. Language: German/English.

Got t ist unsre Zuversicht BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a sizeable orchestra. The text of the cantata has one major theme - trust in God! In a magnificent lullaby (movement 3) all cares are sung to sleep. The other arias, with their exceptionally exquisite combinations of scorings, make the cantata into a quite special work, albeit one which is associated with a particular occasion. The wedding cantata BWV 197 draws on older material for some of its movements. Two movements are parodies on arias from the incomplete surviving Christmas cantata Ehre sei Gott in der Hohe, BWV 197a, including the lullaby O du angenehmes Paar, of which only the last quarter survives from the Christmas cantata - it is O du angenehmer Schatz there. By using the later version, Diethard Hellmann has been able to reconstruct the original version of this dreamlike beautiful movement; however, the complete Christmas cantata cannot be reconstructed from the sources. Score available separately - see item CA.3119700.

SAB vocal soli, SATB choir, 3 trumpets, timpani, 2 oboes/oboe d'amore, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119762

Cantata for a wedding. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas. Single Part, Violin 2. BWV 197. 12 pages. Duration 20 minutes. Carus Verlag #CV 31.197/62. Published by Carus Verlag (CA.3119762).

ISBN 9790007210533. Text language: German/English.

Got t ist unsre Zuversicht BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a sizeable orchestra. The text of the cantata has one major theme - trust in God! In a magnificent lullaby (movement 3) all cares are sung to sleep. The other arias, with their exceptionally exquisite combinations of scorings, make the cantata into a quite special work, albeit one which is associated with a particular occasion. The wedding cantata BWV 197 draws on older material for some of its movements. Two movements are parodies on arias from the incomplete surviving Christmas cantata Ehre sei Gott in der Hohe, BWV 197a, including the lullaby O du angenehmes Paar, of which only the last quarter survives from the Christmas cantata - it is O du angenehmer Schatz there. By using the later version, Diethard Hellmann has been able to reconstruct the original version of this dreamlike beautiful movement; however, the complete Christmas cantata cannot be reconstructed from the sources. Score and part available separately - see item CA.3119700.

Soli SAB, SATB Choir, 2 Ob/Obda, Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3119759

Cantata for a wedding. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. 1x 31.197/71 oboe 1, 1x 31.197/72 oboe 2, 1x 31.197/73 bassoon, 4x 31.197/81 3 trumpets and timpani. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas. Set of Orchestra Parts. BWV 197. Duration 20 minutes. Carus Verlag #CV 31.197/59. Published by Carus Verlag (CA.3119759).

ISBN 9790007210519. Language: German/English.

Got t ist unsre Zuversicht BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a sizeable orchestra. The text of the cantata has one major theme - trust in God! In a magnificent lullaby (movement 3) all cares are sung to sleep. The other arias, with their exceptionally exquisite combinations of scorings, make the cantata into a quite special work, albeit one which is associated with a particular occasion. The wedding cantata BWV 197 draws on older material for some of its movements. Two movements are parodies on arias from the incomplete surviving Christmas cantata Ehre sei Gott in der Hohe, BWV 197a, including the lullaby O du angenehmes Paar, of which only the last quarter survives from the Christmas cantata - it is O du angenehmer Schatz there. By using the later version, Diethard Hellmann has been able to reconstruct the original version of this dreamlike beautiful movement; however, the complete Christmas cantata cannot be reconstructed from the sources. Score and parts available separately - see item CA.3119700.

SAB vocal soli, SATB choir, 3 trumpets, timpani, 2 oboes/oboe d'amore, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119764

Cantata for a wedding. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas. Single Part, basso continuo. BWV 197. 16 pages. Duration 20 minutes. Carus Verlag #CV 31.197/64. Published by Carus Verlag (CA.3119764).

ISBN 9790007210557. Text language: German/English.

Got t ist unsre Zuversicht BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a sizeable orchestra. The text of the cantata has one major theme - trust in God! In a magnificent lullaby (movement 3) all cares are sung to sleep. The other arias, with their exceptionally exquisite combinations of scorings, make the cantata into a quite special work, albeit one which is associated with a particular occasion. The wedding cantata BWV 197 draws on older material for some of its movements. Two movements are parodies on arias from the incomplete surviving Christmas cantata Ehre sei Gott in der Hohe, BWV 197a, including the lullaby O du angenehmes Paar, of which only the last quarter survives from the Christmas cantata - it is O du angenehmer Schatz there. By using the later version, Diethard Hellmann has been able to reconstruct the original version of this dreamlike beautiful movement; however, the complete Christmas cantata cannot be reconstructed from the sources. Score and part available separately - see item CA.3119700.

Soli SAB, SATB Choir, 2 Ob/Obda, Fg, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3119755

Cantata for a wedding. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas. Choral Score. BWV 197. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.197/55. Published by Carus Verlag (CA.3119755).

ISBN 9790007186708. Language: German/English.

Got t ist unsre Zuversicht BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a sizeable orchestra. The text of the cantata has one major theme - trust in God! In a magnificent lullaby (movement 3) all cares are sung to sleep. The other arias, with their exceptionally exquisite combinations of scorings, make the cantata into a quite special work, albeit one which is associated with a particular occasion. The wedding cantata BWV 197 draws on older material for some of its movements. Two movements are parodies on arias from the incomplete surviving Christmas cantata Ehre sei Gott in der Hohe, BWV 197a, including the lullaby O du angenehmes Paar, of which only the last quarter survives from the Christmas cantata - it is O du angenehmer Schatz there. By using the later version, Diethard Hellmann has been able to reconstruct the original version of this dreamlike beautiful movement; however, the complete Christmas cantata cannot be reconstructed from the sources. Score available separately - see item CA.3119700.