A Great Big World - Is There Anybody Out There? by A Great Big World. For Piano/...(+)
A Great Big World - Is
There Anybody Out There?
by A Great Big World. For
Piano/Vocal/Guitar.
Piano/Vocal/Guitar Artist
Songbook. Softcover. 82
pages.
ISBN 1480384577. 9x12
inches.
Published by Hal Leonard
Let There Be Peace On Earth for Classical Guitar composed by Jill Jackson and Sy...(+)
Let There Be Peace On
Earth for Classical
Guitar composed by Jill
Jackson and Sy Miller.
Arranged by Jerry George.
For guitar solo. Solo.
Classical. Sheet Music.
Text Language: English;
Standard notation and
tablature. 4 pages.
Published by Santorella
Publications
Let There Be Peace On Earth for Trumpet and Piano composed by Jill Jackson and S...(+)
Let There Be Peace On
Earth for Trumpet and
Piano composed by Jill
Jackson and Sy Miller.
Arranged by Jonathon
Robbins. For trumpet solo
and piano accompaniment.
Solo with Accompaniment.
Popular. Score and solo
part. Text Language:
English. 8 pages.
Published by Santorella
Publications
Let There Be Peace On Earth for Easy Piano composed by Jill Jackson and Sy Mille...(+)
Let There Be Peace On
Earth for Easy Piano
composed by Jill Jackson
and Sy Miller. Arranged
by Jonathon Robbins. For
easy piano solo. Solo.
Popular. Easy. Sheet
Music. Text Language:
English. 4 pages.
Published by Santorella
Publications (
Choral (SATB a cappella) SKU: HL.240988 For SATB Choir Unaccompanied(+)
Choral (SATB a cappella)
SKU: HL.240988
For SATB Choir
Unaccompanied.
Composed by Philip Glass.
Choral. Classical.
Octavo. 8 pages. Chester
Music #DU1105501.
Published by Chester
Music (HL.240988).
6.75x10.0x0.052
inches.
English.
Phi
lip Glass'
There Are Some
Men for
unaccompanied SATB choir
with words by Leonard
Cohen. Duration:
approx. 3
minutes.
SAB/opt. Cello Cello; Choral (SAB with Cello) SKU: HL.365823 Composed by ...(+)
SAB/opt. Cello Cello;
Choral (SAB with Cello)
SKU: HL.365823
Composed by Karen Crane.
Arranged by Douglas
Nolan. Shawnee Sacred.
General Worship, Sacred,
Wedding. Octavo. Duration
155 seconds. Published by
Shawnee Press
(HL.365823).
UPC:
840126962147.
6.75x10.5x0.029 inches. I
John 4:16, John 15:12,
Romans 5:5, Song of
Solomon 3:4.
There
is a simple pristine
melody in this sacred
song. Rising like a
gentle prayer, the music
reminds the listener of
the heartbeat of the
gospel: God is love!
Appropriate any time, the
song is both approachable
and arranged for success.
“Oh, let God's love
flow through me, like the
air I breathe, ev'ry word
I say, be a testament of
grace.â€.
Theme from Let There Be Christmas. Composed by Joseph M. Martin. Shawnee Sacre...(+)
Theme from Let There Be
Christmas. Composed by
Joseph
M. Martin. Shawnee
Sacred.
Christmas. Octavo. 12
pages.
Duration 210 seconds.
Published by Shawnee
Press
Let There Be Peace Chorale 2 parties 2 parties, Piano [Octavo] Heritage Music Press
(Let There Be Peace on Earth with I've Got Peace Like a River). By Douglas E. Wa...(+)
(Let There Be Peace on
Earth with I've Got Peace
Like a River). By Douglas
E. Wagner. For 2-part
choir, piano. New
Horizons Series. Concert.
Octavo. Published by
Heritage Music Press
Let There Be Peace Chorale 3 parties TTB/TBB [Octavo] Heritage Music Press
(Let There Be Peace on Earth with I've Got Peace Like a River). By Douglas E. Wa...(+)
(Let There Be Peace on
Earth with I've Got Peace
Like a River). By Douglas
E. Wagner. For TTB/TBB
choir, piano. Concert.
Octavo. Published by
Heritage Music Press
Discovery Level 2.
Composed by Don Cook and
John Jarvis. Arranged by
Cristi Cary Miller.
Discovery Choral. Pop.
Octavo. Duration 170
seconds. Published by Hal
Leonard (HL.300686).
UPC: 888680963101.
5.0x5.0x0.185
inches.
Billy
Gillman, who successfully
navigated child stardom
and a Top 40 Hit at the
age of 14, has
experienced a career
resurgence after
appearing on NBC's The
Voice. From his 2000
debut album, There's a
Hero champions those
common heroes among us,
including (and
especially) the ones
inside our own
hearts.
Let There Be Peace Chorale 3 parties SSA, Piano [Octavo] Heritage Music Press
(Let There Be Peace on Earth with I've Got Peace Like a River). By Douglas E. Wa...(+)
(Let There Be Peace on
Earth with I've Got Peace
Like a River). By Douglas
E. Wagner. For SSA choir,
piano. Concert. Octavo.
Published by Heritage
Music Press
Theme from Let There Be Christmas. Composed by Joseph M. Martin. Shawnee Sacre...(+)
Theme from Let There Be
Christmas. Composed by
Joseph
M. Martin. Shawnee
Sacred.
Christmas. Octavo. 12
pages.
Duration 210 seconds.
Published by Shawnee
Press
Let There Be Peace Chorale SATB SATB, Piano [Octavo] Heritage Music Press
(Let There Be Peace on Earth with I've Got Peace Like a River). By Douglas E. Wa...(+)
(Let There Be Peace on
Earth with I've Got Peace
Like a River). By Douglas
E. Wagner. For SATB
choir, piano. Concert.
Octavo. Published by
Heritage Music Press
Piano SKU: BT.MUSSRO100055 Composed by Nico Muhly. Classical. Book Only. ...(+)
Piano
SKU:
BT.MUSSRO100055
Composed by Nico Muhly.
Classical. Book Only.
Composed 2014. 24 pages.
St. Rose Music
#MUSSRO100055. Published
by St. Rose Music
(BT.MUSSRO100055).
English.
Nico
Muhly is an American
contemporary classical
music composer and
arranger. You Can't Get
There From Here is no
exception to Nico 's
beautiful and
accomplished style of
writing. The work was
commissioned by the Terez
n Music Foundation as a
living memorial to the
composers and musicians
of the Terez n
concentration camp who
perished during the
Holocaust.
Let There Be Peace Chorale 3 parties 3 parties Mixtes [Octavo] Heritage Music Press
Let There Be Peace on Earth with I've Got Peace Like a River. Composed by...(+)
Let There Be Peace on
Earth with I've Got Peace
Like a River.
Composed by Douglas E.
Wagner. Concert. Octavo.
Heritage Music Press
#15/2729H. Published by
Heritage Music Press
(LO.15-2729H).
By Sr. Marie Therese Sokol. Arranged by Guitar: Joan Woodard. For Voices: 2 voic...(+)
By Sr. Marie Therese
Sokol. Arranged by
Guitar: Joan Woodard. For
Voices: 2 voices,
descant. Instruments:
Classical guitar
(instruments optional).
Keyboard accompaniment.
For the centenary of St.
Therese of Lisieux,
1897-1997. Celebration
Series Sacred. Level:
easy. 10 pages. Published
by GIA Publications.
Piano SKU: DB.01-00681 Fur Klavier, Theremin und Electronica. Comp...(+)
Piano
SKU:
DB.01-00681
Fur
Klavier, Theremin und
Electronica. Composed
by Gernot Wolfgang.
Keyboard music. 19 pages
pages. Doblinger Music
Publishers #01-00681.
Published by Doblinger
Music Publishers
(DB.01-00681).
ISBN
9790012200284.
Cont
emporary Classical meets
Jazz
Grooves.
Theremin'
s Journey is quite
different. True, there is
a piano - which plays
bluesy, filmic, generally
quite unmemorable music -
but add in the theremin
and pre-recorded
electronics and the
listener is off on a
bizarre jazz meets sci-fi
meets film-pop journey.
The high-pitched spooky
whine of the theremin is
unmistakable, and
unforgettable in small
doses, as here; the work
was in fact commissioned
by Joanne Pearce Martin,
who plays both theremin
and piano. This track
actually carries a
'health' warning on the
cover: Crackles are part
of the electronic track
and are intentional: the
CD is not defective! As
it happens, the crackling
is not particularly
noticeable, and in
general the electronics
are atmospheric and
additive in combination
with the theremin.
Especially the first and
last two or three minutes
of the 'journey' are
really quite fascinating
musically.
(musicweb-international.c
om, May 2011) //
Theremin's Journey places
that curiously
otherworldly instrument
and piano in cheeky
avant-garde tandem with
electronic
sonorities...(GRAMOPHONE,
August 2011).
Composed by Matthew
Emery. Duration 3
minutes, 26 seconds. Carl
Fischer Music #CM9774.
Published by Carl Fischer
Music (CF.CM9774).
ISBN 9781491164457.
UPC: 680160923359. Key: E
major. English. Leslie
Grant Scott adapted by
Composer.
I Have
Heard the Music There for
treble voices, optional
descant, with piano is a
lyrical work that
utilizes a reoccurring
motif which grows and
varies. The developing
variation-like use of
this theme speaks to the
image or notion of
growth; the growth of a
tree, of a person, or a
choir. We may start out
small, then vary, change,
develop, transform. The
vocal line’s
slight variation, use of
repetition, imitation,
and canonic-like
movements weave a thread
of familiarity through
the piano’s
tapestry of subtle shifts
in timbre, register, and
alternation between
chorale-like writing and
moments of florid
flourishing; the music
paints the imagery of the
text.The text by Leslie
Grant Scott illuminates
themes of the humanity,
solace, and comfort we
find in Nature. The
forest’s foliage
filters out the harshness
of the world, and we are
calmed by the
forest’s heart. To
me Nature is also a
metaphor for community,
or the network of loved
ones you may have, over
perhaps your choir;
together with compassion
and kindness we are able
to filter the
world’s harshness,
together we grow, we
celebrate, and we listen
to the music around
us.SILENCE [Leslie Grant
Scott, 1912 PD] adpt. M.
EmeryI have heard the
music thereIn the deep
forest's heart, Where
filters the sun's rays,
In a still, golden haze.I
have heard the music
there.The breathless
silence speaks, Bringing
Nature's soft balm And
her great soothing calm
To all those who will
hear.I have heard the
music there.
Dance of the Tumblers Ensemble de Percussions [Partition + CD-ROM] - Avancé Tapspace Publications
(from The Snow Maiden). Composed by Nikolay Andreyevich Rimsky-Korsakov (1844-19...(+)
(from The Snow Maiden).
Composed by Nikolay
Andreyevich
Rimsky-Korsakov
(1844-1908). Arranged by
Lewis Norfleet.
Percussion Ensemble. For
glockenspiel, xylophone,
chimes, 2 vibraphones,
two 4.3-octave (low A)
marimbas, two smaller
4-octave marimbas, 4
timpani, snare drum,
small and large crash
cymbals (pairs), bass
drum, triangle, gong,
tambourine. Note for
larger ensembles: If
there is a f (13
players).
Medium-Advanced. Score
and parts on CD-ROM. 18
pages. Duration 3'00 .
Published by Tapspace
Publications
Choral SSA choir SKU: CF.CM9770 Composed by Traditional African-American ...(+)
Choral SSA choir
SKU:
CF.CM9770
Composed by
Traditional
African-American
Spiritual. Arranged by
Lee R. Kesselman.
Duration 2 minutes, 17
seconds. Carl Fischer
Music #CM9770. Published
by Carl Fischer Music
(CF.CM9770).
ISBN
9781491164419. UPC:
680160923311. Key: G
major.
English.
There is a
Balm in Gilead is a
well-known, traditional
African-American
spiritual. The
“balm in
Gilead†is a
reference from the Old
Testament, but the lyrics
of this spiritual refer
to the New Testament
concept of salvation. The
balm of Gilead is
interpreted as a
spiritual medicine that
is able to heal Israel
(and sinners in general).
In the Old Testament, the
balm of Gilead is taken
most directly from
Jeremiah chapter 8 v. 22:
Is there no balm in
Gilead? Is there no
physician there? Why then
is there no healing for
the wounds of my [God's]
people?This a cappella
arrangement stays close
to the simple, emotional
source material. The
words and the music
embody weariness,
resignation and hope, as
the realities of slavery
are met with the hope of
salvation. There is a
Balm in Gilead was
originally part of a
larger work, entitled,
Mpaka simba watapo, for
treble chorus, African
drums and
piano.  .
Choral TBB choir, piano SKU: CF.CM9594 Composed by Greg Gilpin. Fold. Per...(+)
Choral TBB choir, piano
SKU: CF.CM9594
Composed by Greg Gilpin.
Fold. Performance Score.
8 pages. Duration 2
minutes, 50 seconds. Carl
Fischer Music #CM9594.
Published by Carl Fischer
Music (CF.CM9594).
ISBN 9781491154168.
UPC: 680160912667. 6.875
x 10.5 inches. Key: Bb
major. English. Alfred
Tennyson. Alfred, Lord
Tennyson
(1809-1892).
The
text of Alfred, Lord
Tennyson's There is
Sweet Music Here is
a wonderful example of
word painting. Keep this
in mind while learning to
sing the music and try to
capture the different
scenes created through
these famous words. The
first two measures of
accompaniment outline the
opening chord in the
voices. Crescendo to the
word music every time it
occurs. In mm. 710, the
vocals cascade gently
into a dissonance that
develops into a full,
rich sound. Allow the
piano to support the
unison lines in mm. 1417
as well as those that
contain three-part
singing. The piano
establishes a consistent
undulating tempo in mm.
2225, as if lulling
someone to sleep. Be
intentional with
word/syllabic stress when
singing through the
quarter notes. Maintain a
consistent tempo when
singing the eighth notes
in mm. 3336. The chord
progression helps
establish the coolness of
the mosses and ivies.
Notice the melodic
movement in mm. 3738
reflecting the craggy
ledge and hanging poppy
followed by the unison
sleep which ushers in the
return of the original
melody within the
accompaniment. Linger
with quiet, full and
supported singing during
the last three
measures. The text of
Alfred, Lord Tennyson'sA
There is Sweet Music
HereA is a wonderful
example of word painting.
Keep this in mind while
learning to sing the
music and try to capture
the different scenes
created through these
famous words. The first
two measures of
accompaniment outline the
opening chord in the
voices. Crescendo to the
word music every time it
occurs. In mm. 7a10, the
vocals cascade gently
into a dissonance that
develops into a full,
rich sound. Allow the
piano to support the
unison lines in mm. 14a17
as well as those that
contain three-part
singing. The piano
establishes a consistent
undulating tempo in mm.
22a25, as if lulling
someone to sleep. Be
intentional with
word/syllabic stress when
singing through the
quarter notes. Maintain a
consistent tempo when
singing the eighth notes
in mm. 33a36. The chord
progression helps
establish the coolness of
the mosses and ivies.
Notice the melodic
movement in mm. 37a38
reflecting the craggy
ledge and hanging poppy
followed by the unison
sleep which ushers in the
return of the original
melody within the
accompaniment. Linger
with quiet, full and
supported singing during
the last three
measures. The text of
Alfred, Lord Tennyson'sA
There is Sweet Music
HereA is a wonderful
example of word painting.
Keep this in mind while
learning to sing the
music and try to capture
the different scenes
created through these
famous words. The first
two measures of
accompaniment outline the
opening chord in the
voices. Crescendo to the
word music every time it
occurs. In mm. 7a10, the
vocals cascade gently
into a dissonance that
develops into a full,
rich sound. Allow the
piano to support the
unison lines in mm. 14a17
as well as those that
contain three-part
singing. The piano
establishes a consistent
undulating tempo in mm.
22a25, as if lulling
someone to sleep. Be
intentional with
word/syllabic stress when
singing through the
quarter notes. Maintain a
consistent tempo when
singing the eighth notes
in mm. 33a36. The chord
progression helps
establish the coolness of
the mosses and ivies.
Notice the melodic
movement in mm. 37a38
reflecting the craggy
ledge and hanging poppy
followed by the unison
sleep which ushers in the
return of the original
melody within the
accompaniment. Linger
with quiet, full and
supported singing during
the last three
measures. The text of
Alfred, Lord Tennyson's
There is Sweet Music
Here is a wonderful
example of word painting.
Keep this in mind while
learning to sing the
music and try to capture
the different scenes
created through these
famous words. The first
two measures of
accompaniment outline the
opening chord in the
voices. Crescendo to the
word music every time it
occurs. In mm. 7-10, the
vocals cascade gently
into a dissonance that
develops into a full,
rich sound. Allow the
piano to support the
unison lines in mm. 14-17
as well as those that
contain three-part
singing. The piano
establishes a consistent
undulating tempo in mm.
22-25, as if lulling
someone to sleep. Be
intentional with
word/syllabic stress when
singing through the
quarter notes. Maintain a
consistent tempo when
singing the eighth notes
in mm. 33-36. The chord
progression helps
establish the coolness of
the mosses and ivies.
Notice the melodic
movement in mm. 37-38
reflecting the craggy
ledge and hanging poppy
followed by the unison
sleep which ushers in the
return of the original
melody within the
accompaniment. Linger
with quiet, full and
supported singing during
the last three
measures. The text of
Alfred, Lord Tennyson's
There is Sweet Music Here
is a wonderful example of
word painting. Keep this
in mind while learning to
sing the music and try to
capture the different
scenes created through
these famous words. The
first two measures of
accompaniment outline the
opening chord in the
voices. Crescendo to the
word music every time it
occurs. In mm. 7-10, the
vocals cascade gently
into a dissonance that
develops into a full,
rich sound. Allow the
piano to support the
unison lines in mm. 14-17
as well as those that
contain three-part
singing. The piano
establishes a consistent
undulating tempo in mm.
22-25, as if lulling
someone to sleep. Be
intentional with
word/syllabic stress when
singing through the
quarter notes. Maintain a
consistent tempo when
singing the eighth notes
in mm. 33-36. The chord
progression helps
establish the coolness of
the mosses and ivies.
Notice the melodic
movement in mm. 37-38
reflecting the craggy
ledge and hanging poppy
followed by the unison
sleep which ushers in the
return of the original
melody within the
accompaniment. Linger
with quiet, full and
supported singing during
the last three
measures. The text of
Alfred, Lord
Tennyson's There is
Sweet Music Here is a
wonderful example of word
painting. Keep this in
mind while learning to
sing the music and try to
capture the different
scenes created through
these famous words.The
first two measures of
accompaniment outline the
opening chord in the
voices. Crescendo to the
word music every time it
occurs. In mm.
7–10, the vocals
cascade gently into a
dissonance that develops
into a full, rich sound.
Allow the piano to
support the unison lines
in mm. 14–17 as
well as those that
contain three-part
singing.The piano
establishes a consistent
undulating tempo in mm.
22–25, as if
lulling someone to sleep.
Be intentional with
word/syllabic stress when
singing through the
quarter notes.Maintain a
consistent tempo when
singing the eighth notes
in mm. 33–36. The
chord progression helps
establish the coolness of
the mosses and ivies.
Notice the melodic
movement in mm.
37–38 reflecting
the craggy ledge and
hanging poppy followed by
the unison sleep which
ushers in the return of
the original melody
within the
accompaniment.Linger with
quiet, full and supported
singing during the last
three measures.