Piano SKU: HL.50566021 For Piano. Composed by Maurice Ravel. Editi...(+)
Piano
SKU:
HL.50566021
For
Piano. Composed by
Maurice Ravel. Editions
Durand. Classical.
Softcover. Editions
Durand #DR01676600.
Published by Editions
Durand (HL.50566021).
ISBN 9781705190364.
UPC:
196288126133.
Mauri
ce Ravel seems to have
been particularly
attracted to the musical
atmosphere of Vienna.
Between embarking on a
work in 1906 which was to
be called Wien, and
completing it in 1920 as
La Valse, in 1911 he
wrote the Valses nobles
et sentimentales for
piano. He then
orchestrated the Valses
in 1912, which at the
same time became a ballet
with the title of
Adelaide ou le langage
des fleurs.
Composed by James Oswald. Arranged by John Goodin. For solo mandolin. Saddle-sti...(+)
Composed by James Oswald.
Arranged by John Goodin.
For solo mandolin.
Saddle-stitched.
Beginning-Intermediate.
Book. Published by Mel
Bay Publications, Inc
Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, c...(+)
Fakebook (spiral bound)
for voice and C
instrument. With vocal
melody, lyrics, chord
names, leadsheet notation
and guitar chord chart.
Series: Hal Leonard Fake
Books. 813 pages.
Published by Hal Leonard.
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over
1000 Songs from Broadway
to Rock. By Various.
Lyric Library. Softcover.
Size 8.5x11 inches. 373
pages. Published by Hal
Leonard.
Urtext. Composed
by Maurice Ravel. Edited
by Jean-Francois Monnard.
Orchestra; Softcover.
Partitur-Bibliothek
(Score Library).
A
l'exemple de Schubert -
Ravel re-invents the
waltz, inspired by Liszt,
Chopin, Schumann and
Chabrier, transforming
the rhapsodic gyrations
of the dance and sending
it whirling into the 20th
century.
Ravel
needed only two weeks of
intensive concentration
to orchestrate his piano
suite Valses nobles et
sentimentales, which was
given its premiere
performance in March
1911. Consisting of seven
waltzes and one epilogue,
the work stamped Ravel as
a creative personality
whose masterpiece
breathed an unbelievably
new kind of musicality
and incredibly intensive
poetry. Let us not forget
that this was twelve
years before La Valse,
with which it shares a
number of similarities.
The new edition of the
complete performance
material in Breitkopf's
Urtext series was
prepared by the Ravel
expert Jean-Francois
Monnard.
A
l'exemple de Schubert -
Ravel re-invents the
waltz, inspired by Liszt,
Chopin, Schumann and
Chabrier, transforming
the rhapsodic gyrations
of the dance and sending
it whirling into the 20th
century.
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo
SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989.
Organ SKU: BR.EB-9300 (Plainte sur la perte de la reflexion musicale)<...(+)
Organ
SKU:
BR.EB-9300
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Arranged
by A. Digby and M.
Sattelberger. Solo
instruments; stapled.
Edition Breitkopf. World
premieres: I version for
flute: Wiesbaden, 1972.
Music post-1945; New
music (post-2000). Score.
Composed 1972. 20 pages.
Duration 20'. Breitkopf
and Haertel #EB 9300.
Published by Breitkopf
and Haertel (BR.EB-9300).
ISBN 9790004187647. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: Stuttgart,
Hospitalkirche, March 28,
2018.
Solace, Entertainer and Maple Leaf Rag * 3 in 1 * Original Piano Solo composed b...(+)
Solace, Entertainer and
Maple Leaf Rag * 3 in 1 *
Original Piano Solo
composed by Scott Joplin
(1868-1917). For piano
solo. This edition:
Paperback. Solo. Ragtime.
Sheet Music. Text
Language: English. 12
pages. Published by
Santorella Publications
Joplin's Greatest Rags for Easy Piano with CD composed by Scott Joplin (1868-191...(+)
Joplin's Greatest Rags
for Easy Piano with CD
composed by Scott Joplin
(1868-1917). Arranged by
James Progris. For easy
piano. This edition:
Paperback. Collection.
Ragtime. Easy. Book and
CD. Text Language:
English. 64 pages.
Published by Santorella
Publications
Piano - very easy to easy SKU: M7.ART-42104 26 leichte und sehr leicht...(+)
Piano - very easy to easy
SKU: M7.ART-42104
26 leichte und sehr
leichte Klavierstücke
für Kinder &
Erwachsene. Composed
by Tatjana Davidoff.
Score with online audio
files. 44 pages. MDS
(Music Distribution
Services) #ART 42104.
Published by MDS (Music
Distribution Services)
(M7.ART-42104).
ISBN
9783866421042.
Du
hast Schwierigkeiten
Noten zu lesen? Besonders
der Bassschlüssel
bereitet Dir
Schwierigkeiten? Du
stehst auf
gefühlvolle, schön
klingende Klaviermusik?
'Deine Noten, Dein
Klavier, Deine Musik'
enthält 26 leichte und
sehr leichte
Klavierstücke, die
fast nur in Viertelnoten
geschrieben sind und
dennoch anspruchsvoll
klingen. Dadurch hast Du
die Möglichkeit Noten
fehlerfrei zu erlernen
und gleichzeitig legst Du
den Grundstein für
einen sicheren Umgang mit
dem Violin- und dem
Bassschlüssel. In
allen Stücken sind die
Fingersätze und der
Pedaleinsatz
ausführlich
gekennzeichnet. Die
Begleitung mit der linken
Hand beschränkt sich
auf einzelne ganze Noten,
damit Du Dich auf Deine
Fingerhaltung, Deinen
deutlichen und sauberen
Anschlag sowie auf die
Koordination Deiner
Finger konzentrieren
kannst. Die einfachen
Dur- und Mollharmonien
sind zudem
abwechslungsreich
gestaltet und schulen
Dein Gehör. Da Du die
hier gesammelten
Stücke ohne
Schwierigkeiten spielen
kannst, empfindest Du das
Ãœben nicht als etwas
Mühsames oder
Anstrengendes - ganz im
Gegenteil: Du erlebst das
Klavierspielen so, wie
wir es lernen und spielen
wollen. Als eine
wundervolle Art und
Weise, die eigenen
Gefühle in Musik
auszudrücken. Der
optionale Download dient
als praktische Lernhilfe
und soll eine Anregung
dafür sein, wie diese
Klavierstücke beim
Spielen klingen
könnten.
Guitar - Intermediate SKU: MB.31008M Perfect binding. Blues. Book and onl...(+)
Guitar - Intermediate
SKU: MB.31008M
Perfect binding. Blues.
Book and online audio.
160 pages. Mel Bay
Publications, Inc
#31008M. Published by Mel
Bay Publications, Inc
(MB.31008M).
ISBN
9781513467016. 8.75x11.75
inches.
Blind Lemon
Jefferson was a trail
blazer, both as a singer
and guitarist, but also
as a commercial
phenomenon, for he was
the first blues musician
to establish the
tremendous appeal that
blues, as played and sung
by rural African American
folk, had for the
record-buying public. It
is no exaggeration to say
that the sales of
Lemon’s records
paved the way for a host
of other solo rural blues
musicians to record in
his wake and made the
record companies more
willing to give other
musicians a chance, in
the hopes of achieving
similar
success.Â
Lemon
’s record sales
weren’t what made
him a great musician,
though - that could only
be attributed to his
startlingly virtuosic
guitar - playing and
soulful singing,
developed over years of
busking, building on his
natural gifts with a
great deal of practice
and work. In the Guitar
of Blind Lemon Jefferson
author John Miller
presents transcriptions,
in standard notation and
tablature, of 22 of
Lemon’s greatest
performances, with an
additional essay
examining Lemon’s
senses of time and
phrasing and his picking
techniques. Also included
is a download link to all
the original
recordings.Â
To
present a picture of
Lemon the man, noted
blues researchers Alan
Governar and Kip Lornell
have contributed an essay
focusing on
Lemon’s early
life, the origins of his
music, and his time spent
in a musical partnership
with Lead Belly. Links
are provided to
downloadable performances
of the songs in the book
from which the
transcriptions were made,
so that you can have
Lemon’s sound in
your head as you learn to
play his
songs.
Blind Lemon
Jefferson was remarkable,
even in a style that
abounded in great
musicians, and some
measure of his influence
can be seen in the fact
that musicians recorded
in the 1960s, more than
thirty years after his
death, were still
covering his songs and
stealing guitar licks
from him. The Guitar of
Blind Lemon Jefferson
gives you the resources
needed to learn what was
so special about
Lemon’s music, and
to experience his musical
excellence from inside
the music
itself.
Titles
include: One Dime Blues,
Got The Blues, Dry
Southern Blues, Big Night
Blues, Rabbit Foot Blues,
Shuckin' Sugar Blues,
Where Shall I Be, Wartime
Blues, Black Horse Blues,
Prison Cell Blues, Piney
Woods Money Mama, See
That My Grave Is Kept
Clean, He Arose From The
Dead, Beggin' Back, Broke
And Hungry, Bad Luck
Blues, Matchbox Blues,
Lemon's Worried Blues,
That Crawlin' Baby Blues,
Easy Rider Blues,
Stocking Feet Blues and
Right of Way
Blues
Level 2/3
• 160 pages •
Direct download link to
audio
files.Â