Score Only.
Composed by Brian
Balmages. Series; String
Orchestra. FJH Developing
Strings. Score. Duration
1:40. The FJH Music
Company Inc #98-ST6402S.
Published by The FJH
Music Company Inc
(FJ.ST6402S).
English.
Conceiv
ed as an energetic and
musically rewarding work,
this piece also happens
to be an excellent
vehicle for teaching and
reinforcing low 1
fingerings
(violin/viola), backward
extensions (cello), and
half position (bass). The
piece avoids augmented
seconds and focuses on
simple finger patterns
while exploring dynamic
harmonies that create
wonderful tension and
release throughout. A
fantastic opener or
closer!
About FJH
Developing
Strings
Sl
ightly more advanced than
Beginning Strings, this
series begins to involve
more position work and a
slightly more complex
rhythmic figures.
Rehearsal piano is often
provided. Ideal for
middle school and smaller
high school programs.
Grade 2 - 2.5
Grade 2 SKU: CL.026-5042-01 Composed by Neeck. Concert Band. Extra score....(+)
Grade 2
SKU:
CL.026-5042-01
Composed by Neeck.
Concert Band. Extra
score. C.L. Barnhouse
#026-5042-01. Published
by C.L. Barnhouse
(CL.026-5042-01).
This unique
rhapsody is comprised of
three well-known Scottish
folk melodies: Annie
Laurie, Who’ll Be
King But Charlie, and
Scotland The Brave. The
distinct character of
each of these melodies
provides your ensemble
with the perfect vehicle
to express a wide variety
of moods, musical colors,
and expressions. Atop A
Scottish Highland is an
excellent showcase for
your band, even if your
ensemble has limitations
of size or
instrumentation.
Composed by Randy Newman. Arranged by Dan Wessler. Barbershop Harmony Society....(+)
Composed by Randy Newman.
Arranged by Dan Wessler.
Barbershop Harmony
Society.
A Cappella, Barbershop.
Octavo. 12 pages.
Barbershop
Harmony Society #213138.
Published by Barbershop
Harmony Society
For solo marimba. Composed by She-e Wu. Solos: Marimba and Xylophone. Printed ...(+)
For solo marimba.
Composed by
She-e Wu. Solos: Marimba
and
Xylophone. Printed Folio.
Tapspace Publications
#TSPCS19-015. Published
by
Tapspace Publications
Amazing Grace Orchestre d'harmonie - Facile Kjos Music Company
Band Wind Band - Grade 2 SKU: KJ.WB490 Composed by Ryan Nowlin. Concert a...(+)
Band Wind Band - Grade 2
SKU: KJ.WB490
Composed by Ryan Nowlin.
Concert and Contest.
Tradition of Excellence,
Excellence In
Performance. Score and
parts. Neil A. Kjos Music
Company #WB490. Published
by Neil A. Kjos Music
Company (KJ.WB490).
UPC:
8402704856.
The
simple melody of this
famous hymn is treated to
lush harmonizations and
searing emotion. In this
arrangement, the tune is
heard in its entirety
three times, each time
becoming more
impassioned. Between each
iteration of the hymn,
the composer includes
original material that
serves to bridge the
ardent treatment of the
multiple verses. After a
change of key, the climax
of the work is delayed
and extended before the
music evaporates back
into its simplest and
purest form. Amazing
Grace is a wonderful
vehicle for increasing
the musicality of the
young intermediate
band.
About
Tradition of Excellence:
Excellence in
Performance
<
p>Excellence in
performance is a concert
band repertoire series
correlated with the
Tradition of Excellence
Comprehensive Band Method
by Bruce Pearson and Ryan
Nowlin. The compositions
in the series correlate
to a specific page in
Tradition of Excellence
Books 1, 2, or 3 and
reinforce and expand on
skills and concepts
introduced in the
method.
/Selecti
ons include exciting
parts for every player,
grade-appropriate
cross-cueing, accessible
ranges and rhythms,
creative percussion
writing, electric bass
and rehearsal piano
parts, and full conductor
scores with rehearsal
suggestions, program
notes and composer
biographies. In addition,
the Grade 1 works provide
an Advanced Snare Drum
part for percussionists
who have achieved a
higher level of ability,
playable simultaneously
with the more basic Snare
Drum part to facilitate
differentiated
learning.
Tres Picos Ensemble Jazz [Conducteur et Parties séparées] - Facile Kendor Music Inc.
Jazz Ensemble standard jazz ensemble (playable by 12-17 players) with opt. flute...(+)
Jazz Ensemble standard
jazz ensemble (playable
by 12-17 players) with
opt. flute, clarinet, F
horn, tuba & vibes -
Grade 2
SKU:
KN.42342
Composed by
Doug Beach and George
Shutack. First Edition
Series. Latin. Score and
set of parts. Duration 3
minutes, 33 seconds.
Kendor Music Inc #42342.
Published by Kendor Music
Inc (KN.42342).
UPC:
822795423426.
A
solid rhythmic groove and
a lyrical melody combine
to create the foundation
of this driving Latin
chart. Rich ensemble
voicings and an open solo
section over easy changes
make this a perfect
vehicle for teaching the
Latin style. Rhythm
section parts are notated
with chords cued.
Duration 3:33. Available
in SmartMusic.
How To Approach Standards Chromatically by David Liebman (1946-). For any C, Eb,...(+)
How To Approach Standards
Chromatically by David
Liebman (1946-). For any
C, Eb, or Bb instrument.
Book and CD. 124 pages.
Published by Jamey
Aebersold Jazz
(15 Beginning Duets for the Musical Drummer). Composed by Brian Slawson. For Sna...(+)
(15 Beginning Duets for
the Musical Drummer).
Composed by Brian
Slawson. For Snare Drum.
Book; Duet or Duo;
Percussion - Snare Drum
Duet.
Alfred�s
Percussion Performance
Series. Beginner. 24
pages. Published by
Alfred Music
Music
for Orchestra with String
Quartet. Composed by
Helmut Lachenmann.
Softcover.
Partitur-Bibliothek
(Score Library). Solo
concerto; Dances/marches;
Music post-1945. Sheet
Music. Composed 1979/80.
176 pages. Duration 36'.
Breitkopf and Haertel #PB
5714. Published by
Breitkopf and Haertel
(BR.PB-5714).
ISBN
9790004216514. 10.5 x 14
inches.
More than
my earlier works, this
one is interspersed with
metrically bound rhythms
and musicianly characters
that constantly
recrystallize and drift
towards or away from
familiar situations.The
familiar: These are
dance-like figures and
music-making formulas,
but also songs and, in
two cases fragments of
Bach's music - playfully
collected memories of
impressions in which -
consciously and
unconsciously - I am
embodied with that
collective comfort in
whose protection
bourgeois thinking and
feeling, magically
protected, grow up and
emerge apart.(It is well
known that such security
has its fetishes from the
childlike to the adult
stage: Home, religious
bond, holidays,
tradition, longing for
childhood - the
superficiality may have
little idea of the depth
that opens up underneath.
There is also no question
that we are still marked
by such security even
when the contradictions
and alienation of
existence force us to
step out of their
protection, to recognize
and act upon reality, and
to oppose the domination
of such inner bonds where
their original truth has
become the fatal untruth
of comfortable illusion,
stubbornly and fearfully
conjured idyll and
reactionary
narrow-mindedness.My
music feeds on figures in
which such memories are
encapsulated. It deals
with them not much
differently than in other
pieces with the elements
of the traditional
musical concept of
material, having already
always reflected
compositionally as a
product of sociality and
anticipation of musical
expression, i.e. it moved
into a structurally
expanded context and
expressively redefined
from there.Such an
approach aims at
overcoming lack of
freedom: grasping as part
of conceiving, i.e. not
philosophical reflection,
but rather an
artistically gripping
reflex by intervening in
the physical immediacy of
such predetermined
elements. These penetrate
and infect the structural
events, inducing a
musicianship that cannot
be relied upon; the music
jumps onto rhythms like
onto moving vehicles,
allows for being carried
by them until they deform
or disintegrate. This
creates an incline of
rhythmically shaped
situations: sequence and
interweaving of dances
and structures.The role
of the solo string
quartet is versatile,
obbligato and
concertante, leading and
accompanying in a
changing sense. Set as a
chamber music apparatus
in an orchestral
landscape, it repeatedly
forces its own sound
dimensions onto the
orchestra, it must accept
being drowned out at
times, it nests in the
holes of tutti fields, it
acts as a louse in the
fur, forcing one to
listen in and out.The
Tanzsuite with
Deutschlandlied is
structured as follows:I.
Section. 1. Introduction
- 2. Waltz - 3. March -
4. Bridge -II. Section.
5. Siciliano - 6.
Capriccio - 7. Valse
lente -III. Section. 8.
Bridge - 9. Gigue - 10.
Tarantelle - 11. Bridge
-IV. Section. 12 Aria I -
13 Polka - 14 Aria IIV.
Section. 15. Introduction
- 16 Gallop - 17 Coda
(Aria III)All 17 parts
merge into one
another.(Helmut
Lachenmann,
1980)CDs/LP/DVD:Arditti-Q
uartett, Deutsches
Symphonie-Orchester
Berlin, cond. Olaf
HenzoldCD Montaigne
Auvidis MO 782019Berner
Streichquartett,
Sinfonieorchester des
SWF, cond. Sylvain
Cambreling (Excerpt)CD
BMG/RCA 74321 73510 2
(Musik in Deutschland
1950-2000)Berner
Streichquartett,
Sinfonieorchester des
SWF, cond. Sylvain
CambrelingLP DMR
1028-30Arditti Quartet,
SWR Sinfonieorchester
Baden-Baden und Freiburg,
cond. Hans Zender Excerpt
on CD ,,Auswahl von zehn
Urauffuhrungen aus 70
Jahren, SWR
Sinfonieorchester
Baden-Baden und Freiburg
Arditti Quartet,
Staatsorchester
Stuttgart, cond. Sylvain
Cambreling DVD
,,Lachenmann-Perspektiven
6 (Breitkopf & Hartel,
BHM 7816)
Bibliography:Cavalotti,
Pietro: Differenzen.
Poststrukturalistische
Aspekte in der Musik der
1980er Jahre am Beispiel
von Helmut Lachenmann,
Brian Ferneyhough und
Gerard Grisey (= Sonus.
Schriften zur Musik,
hrsg. von Andreas
Ballsteadt, Band 8),
Schliengen: Argus 2006,
pp. 79-128.Das sind doch
alles Deutschlandlieder!
Helmut Lachenmann im
Gesprach mit Michael
Rebhahn, in: Der
Taktgeber. Das Magazin
der Jungen Deutschen
Philharmonie, Heft 40
(Sommer 2019), S.
6f.Stawowy, Milena:
Fluchtversuche in die
Hohle des Lowen. Helmut
Lachenmanns Tanzsuite mit
Deutschlandlied, in:
MusikTexte 67/68 (1997),
pp. 77-90.Toop, Richard:
Concept and Context: A
Historiographic
Consideration of
Lachenmanns Orchestral
Works, in: Helmut
Lachenmann Inward Beauty,
hrsg. von Dan Albertson,
Contemporary Music Review
23 (2004), Heft 3/4, pp.
125-144.
World
premiere: Donaueschingen
(Donaueschinger
Musiktage), October 18,
1980.
Viola. Composed by Bob Phillips and Randy Sabien. Collections; Performance Music...(+)
Viola. Composed by Bob
Phillips and Randy
Sabien. Collections;
Performance Music
Ensemble; String
Orchestra Collection.
Philharmonic Series.
Jazz. Book. 40 pages.
Alfred Music #00-19593.
Published by Alfred Music
Saxophone Quartet (SATBar) SKU: SU.90920040 Composed by Julius Hemphill. ...(+)
Saxophone Quartet
(SATBar)
SKU:
SU.90920040
Composed
by Julius Hemphill.
Woodwinds, Saxophone,
Chamber Music, Woodwind
Quartet/Quintet,
Woodwinds, Woodwind
Ensemble. Score & Parts.
Subito Music Corporation
#90920040. Published by
Subito Music Corporation
(SU.90920040).
Julius Hemphill
is celebrated for the
brilliance and expressive
range of his compositions
for Saxophone Quartet and
Sextet. The Saxophone
Quartet works included in
Book I and II were
premiered by Julius with
the World Saxophone
Quartet (WSQ). Covering a
broad range of musical
styles, they are
compelling vehicles for
improvisation and equally
works that can be
performed without
improvisation as a
concert suite. The
orchestration is S/A/T/B,
with some doubling of
alto and soprano
saxophone. These two
collections are also
available for String
Quartet instrumentation
and performance.
Saxophone Quartet
(SATBar) Published by:
Subito Music Publishing
Includes: Revue Another
Feeling Touchic' R&B
Cool Red JiJi Tune
Pillars Latino Slide
One/Waltz/Time
Bumpkin.
Opera
in three acts.
Composed by George
Frideric Handel. Edited
by Fiona McLauchlan. This
edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Serie II,
Band 12. Version of the
first performance 1723.
Complete edition, Score.
HWV 15. Baerenreiter
Verlag #BA04077_00.
Published by Baerenreiter
Verlag (BA.BA04077).
ISBN 9790006550067. 33
x 26 cm inches. Preface:
McLauchlan, Fiona. Nicola
Francesco
Haym.
Handel
completed his opera
“Ottone†in
August 1722, but the
first performance did not
take place until January
1723 in the Haymarket
Theatre, London; the
composer had waited so
long for the famous
soprano Francesca Cuzzoni
who he had in mind for
the role of Teofane.
“Ottone†was
an immediate success from
the beginning, not only
for its top-class cast
but also because of its
formal and musical
structure. It received
numerous revivals until
1733. Stylistically,
“Ottoneâ€
follows in the Neapolitan
opera tradition with
emotionally charged arias
as the principal vehicles
of expression, whilst the
plot is carried forward
in the secco
recitatives. The
dramatic action is
interpreted and
intensified through the
choice of arias and
keys.
The vocal
score is based on volume
II/12 of the “Halle
Handel Edition†(BA
4077), which contains the
complete critical musical
text of the opera for the
first time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding