Orchestra String Orchestra - Grade 2

SKU: FJ.ST6402S

Score Only. Composed by Brian Balmages. Series; String Orchestra. FJH Developing Strings. Score. Duration 1:40. The FJH Music Company Inc #98-ST6402S. Published by The FJH Music Company Inc (FJ.ST6402S).

English.

Conceiv ed as an energetic and musically rewarding work, this piece also happens to be an excellent vehicle for teaching and reinforcing low 1 fingerings (violin/viola), backward extensions (cello), and half position (bass). The piece avoids augmented seconds and focuses on simple finger patterns while exploring dynamic harmonies that create wonderful tension and release throughout. A fantastic opener or closer!

About FJH Developing Strings

Sl ightly more advanced than Beginning Strings, this series begins to involve more position work and a slightly more complex rhythmic figures. Rehearsal piano is often provided. Ideal for middle school and smaller high school programs. Grade 2 - 2.5

Grade 2

SKU: CL.026-5042-01

Composed by Neeck. Concert Band. Extra score. C.L. Barnhouse #026-5042-01. Published by C.L. Barnhouse (CL.026-5042-01).

This unique rhapsody is comprised of three well-known Scottish folk melodies: Annie Laurie, Who’ll Be King But Charlie, and Scotland The Brave. The distinct character of each of these melodies provides your ensemble with the perfect vehicle to express a wide variety of moods, musical colors, and expressions. Atop A Scottish Highland is an excellent showcase for your band, even if your ensemble has limitations of size or instrumentation.

Composed by Randy Newman. Arranged by Dan Wessler. Barbershop Harmony Society. A Cappella, Barbershop. Octavo. 12 pages. Barbershop Harmony Society #213138. Published by Barbershop Harmony Society

For solo marimba. Composed by She-e Wu. Solos: Marimba and Xylophone. Printed Folio. Tapspace Publications #TSPCS19-015. Published by Tapspace Publications

Band Wind Band - Grade 2

SKU: KJ.WB490

Composed by Ryan Nowlin. Concert and Contest. Tradition of Excellence, Excellence In Performance. Score and parts. Neil A. Kjos Music Company #WB490. Published by Neil A. Kjos Music Company (KJ.WB490).

UPC: 8402704856.

The simple melody of this famous hymn is treated to lush harmonizations and searing emotion. In this arrangement, the tune is heard in its entirety three times, each time becoming more impassioned. Between each iteration of the hymn, the composer includes original material that serves to bridge the ardent treatment of the multiple verses. After a change of key, the climax of the work is delayed and extended before the music evaporates back into its simplest and purest form. Amazing Grace is a wonderful vehicle for increasing the musicality of the young intermediate band.

About Tradition of Excellence: Excellence in Performance

< p>Excellence in performance is a concert band repertoire series correlated with the Tradition of Excellence Comprehensive Band Method by Bruce Pearson and Ryan Nowlin. The compositions in the series correlate to a specific page in Tradition of Excellence Books 1, 2, or 3 and reinforce and expand on skills and concepts introduced in the method.

/Selecti ons include exciting parts for every player, grade-appropriate cross-cueing, accessible ranges and rhythms, creative percussion writing, electric bass and rehearsal piano parts, and full conductor scores with rehearsal suggestions, program notes and composer biographies. In addition, the Grade 1 works provide an Advanced Snare Drum part for percussionists who have achieved a higher level of ability, playable simultaneously with the more basic Snare Drum part to facilitate differentiated learning.

Jazz Ensemble standard jazz ensemble (playable by 12-17 players) with opt. flute, clarinet, F horn, tuba & vibes - Grade 2

SKU: KN.42342

Composed by Doug Beach and George Shutack. First Edition Series. Latin. Score and set of parts. Duration 3 minutes, 33 seconds. Kendor Music Inc #42342. Published by Kendor Music Inc (KN.42342).

UPC: 822795423426.

A solid rhythmic groove and a lyrical melody combine to create the foundation of this driving Latin chart. Rich ensemble voicings and an open solo section over easy changes make this a perfect vehicle for teaching the Latin style. Rhythm section parts are notated with chords cued. Duration 3:33. Available in SmartMusic.

(Viola). By Bob Phillips. Orchestra. For Viola. String Orchestra Collection. Jazz. Book and CD. 40 pages

By Roland Barrett. Concert Band. Concert Band; Score. Belwin Beginning Band. Grade 1. 16 pages. Published by Alfred Music Publishing

(Violin). By Bob Phillips. Orchestra. For Violin. String Orchestra Collection. Jazz. Book and CD. 40 pages

(Cello). By Bob Phillips. Orchestra. For Cello. String Orchestra Collection. Jazz. Book and CD. 40 pages

How To Approach Standards Chromatically by David Liebman (1946-). For any C, Eb, or Bb instrument. Book and CD. 124 pages. Published by Jamey Aebersold Jazz

(15 Beginning Duets for the Musical Drummer). Composed by Brian Slawson. For Snare Drum. Book; Duet or Duo; Percussion - Snare Drum Duet. Alfred�s Percussion Performance Series. Beginner. 24 pages. Published by Alfred Music

(solos: 2vl.va.vc - 4(4picc.A-fl).3.3.B-clar. 3.dble bsn - 4.3.3.1 - perc(4) - hp - pno - str: 10.10.8.8.6)

SKU: BR.PB-5714

Music for Orchestra with String Quartet. Composed by Helmut Lachenmann. Softcover. Partitur-Bibliothek (Score Library). Solo concerto; Dances/marches; Music post-1945. Sheet Music. Composed 1979/80. 176 pages. Duration 36'. Breitkopf and Haertel #PB 5714. Published by Breitkopf and Haertel (BR.PB-5714).

ISBN 9790004216514. 10.5 x 14 inches.

More than my earlier works, this one is interspersed with metrically bound rhythms and musicianly characters that constantly recrystallize and drift towards or away from familiar situations.The familiar: These are dance-like figures and music-making formulas, but also songs and, in two cases fragments of Bach's music - playfully collected memories of impressions in which - consciously and unconsciously - I am embodied with that collective comfort in whose protection bourgeois thinking and feeling, magically protected, grow up and emerge apart.(It is well known that such security has its fetishes from the childlike to the adult stage: Home, religious bond, holidays, tradition, longing for childhood - the superficiality may have little idea of the depth that opens up underneath. There is also no question that we are still marked by such security even when the contradictions and alienation of existence force us to step out of their protection, to recognize and act upon reality, and to oppose the domination of such inner bonds where their original truth has become the fatal untruth of comfortable illusion, stubbornly and fearfully conjured idyll and reactionary narrow-mindedness.My music feeds on figures in which such memories are encapsulated. It deals with them not much differently than in other pieces with the elements of the traditional musical concept of material, having already always reflected compositionally as a product of sociality and anticipation of musical expression, i.e. it moved into a structurally expanded context and expressively redefined from there.Such an approach aims at overcoming lack of freedom: grasping as part of conceiving, i.e. not philosophical reflection, but rather an artistically gripping reflex by intervening in the physical immediacy of such predetermined elements. These penetrate and infect the structural events, inducing a musicianship that cannot be relied upon; the music jumps onto rhythms like onto moving vehicles, allows for being carried by them until they deform or disintegrate. This creates an incline of rhythmically shaped situations: sequence and interweaving of dances and structures.The role of the solo string quartet is versatile, obbligato and concertante, leading and accompanying in a changing sense. Set as a chamber music apparatus in an orchestral landscape, it repeatedly forces its own sound dimensions onto the orchestra, it must accept being drowned out at times, it nests in the holes of tutti fields, it acts as a louse in the fur, forcing one to listen in and out.The Tanzsuite with Deutschlandlied is structured as follows:I. Section. 1. Introduction - 2. Waltz - 3. March - 4. Bridge -II. Section. 5. Siciliano - 6. Capriccio - 7. Valse lente -III. Section. 8. Bridge - 9. Gigue - 10. Tarantelle - 11. Bridge -IV. Section. 12 Aria I - 13 Polka - 14 Aria IIV. Section. 15. Introduction - 16 Gallop - 17 Coda (Aria III)All 17 parts merge into one another.(Helmut Lachenmann, 1980)CDs/LP/DVD:Arditti-Q uartett, Deutsches Symphonie-Orchester Berlin, cond. Olaf HenzoldCD Montaigne Auvidis MO 782019Berner Streichquartett, Sinfonieorchester des SWF, cond. Sylvain Cambreling (Excerpt)CD BMG/RCA 74321 73510 2 (Musik in Deutschland 1950-2000)Berner Streichquartett, Sinfonieorchester des SWF, cond. Sylvain CambrelingLP DMR 1028-30Arditti Quartet, SWR Sinfonieorchester Baden-Baden und Freiburg, cond. Hans Zender Excerpt on CD ,,Auswahl von zehn Urauffuhrungen aus 70 Jahren, SWR Sinfonieorchester Baden-Baden und Freiburg Arditti Quartet, Staatsorchester Stuttgart, cond. Sylvain Cambreling DVD ,,Lachenmann-Perspektiven 6 (Breitkopf & Hartel, BHM 7816) Bibliography:Cavalotti, Pietro: Differenzen. Poststrukturalistische Aspekte in der Musik der 1980er Jahre am Beispiel von Helmut Lachenmann, Brian Ferneyhough und Gerard Grisey (= Sonus. Schriften zur Musik, hrsg. von Andreas Ballsteadt, Band 8), Schliengen: Argus 2006, pp. 79-128.Das sind doch alles Deutschlandlieder! Helmut Lachenmann im Gesprach mit Michael Rebhahn, in: Der Taktgeber. Das Magazin der Jungen Deutschen Philharmonie, Heft 40 (Sommer 2019), S. 6f.Stawowy, Milena: Fluchtversuche in die Hohle des Lowen. Helmut Lachenmanns Tanzsuite mit Deutschlandlied, in: MusikTexte 67/68 (1997), pp. 77-90.Toop, Richard: Concept and Context: A Historiographic Consideration of Lachenmanns Orchestral Works, in: Helmut Lachenmann Inward Beauty, hrsg. von Dan Albertson, Contemporary Music Review 23 (2004), Heft 3/4, pp. 125-144.

World premiere: Donaueschingen (Donaueschinger Musiktage), October 18, 1980.

Mandolin Edition. Composed by John McGann. Book and online audio. Published by Mel Bay Publications, Inc (MB.98557M).

Viola. Composed by Bob Phillips and Randy Sabien. Collections; Performance Music Ensemble; String Orchestra Collection. Philharmonic Series. Jazz. Book. 40 pages. Alfred Music #00-19593. Published by Alfred Music

By Ralph Ford. Concert Band. Concert Band; Part(s); Score; SmartMusic. Belwin Beginning Band. Grade 1.5. 178 pages. Published by Belwin Music

(Bass). Composed by Bob Phillips. Orchestra. For Bass. String Orchestra Collection. Jazz. Book and CD. 40 pages. Published by Alfred Music

(Teacher's Manual). By Bob Phillips. Orchestra. For Teacher's Manual. String Orchestra Collection. Jazz. Book and CD. 60 pages

By Roland Barrett. Concert Band. Concert Band; Part(s); Score; SmartMusic. Belwin Beginning Band. Grade 1. 144 pages. Published by Belwin Publishing

Saxophone Quartet (SATBar)

SKU: SU.90920040

Composed by Julius Hemphill. Woodwinds, Saxophone, Chamber Music, Woodwind Quartet/Quintet, Woodwinds, Woodwind Ensemble. Score & Parts. Subito Music Corporation #90920040. Published by Subito Music Corporation (SU.90920040).

Julius Hemphill is celebrated for the brilliance and expressive range of his compositions for Saxophone Quartet and Sextet. The Saxophone Quartet works included in Book I and II were premiered by Julius with the World Saxophone Quartet (WSQ). Covering a broad range of musical styles, they are compelling vehicles for improvisation and equally works that can be performed without improvisation as a concert suite. The orchestration is S/A/T/B, with some doubling of alto and soprano saxophone. These two collections are also available for String Quartet instrumentation and performance. Saxophone Quartet (SATBar) Published by: Subito Music Publishing Includes: Revue Another Feeling Touchic' R&B Cool Red JiJi Tune Pillars Latino Slide One/Waltz/Time Bumpkin.

By Kim Williams. For Piano. Piano Solo. Level: Elementary. Sheet. 4 pages. Published by Alfred Publishing.

Solo voices, orchestra (2 Soprano Voice Solo, Mezzo-Soprano Voice Solo, 2 Alto Voice Solo, Bass Voice Solo, 2 Ob, 3V, Va, Bassi (Vc, double bass, bassoon, harpisc., Erzlaute))

SKU: BA.BA04077

Opera in three acts. Composed by George Frideric Handel. Edited by Fiona McLauchlan. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Serie II, Band 12. Version of the first performance 1723. Complete edition, Score. HWV 15. Baerenreiter Verlag #BA04077_00. Published by Baerenreiter Verlag (BA.BA04077).

ISBN 9790006550067. 33 x 26 cm inches. Preface: McLauchlan, Fiona. Nicola Francesco Haym.

Handel completed his opera “Ottone” in August 1722, but the first performance did not take place until January 1723 in the Haymarket Theatre, London; the composer had waited so long for the famous soprano Francesca Cuzzoni who he had in mind for the role of Teofane. “Ottone” was an immediate success from the beginning, not only for its top-class cast but also because of its formal and musical structure. It received numerous revivals until 1733.
Stylistically, “Ottone” follows in the Neapolitan opera tradition with emotionally charged arias as the principal vehicles of expression, whilst the plot is carried forward in the secco recitatives.
The dramatic action is interpreted and intensified through the choice of arias and keys.

The vocal score is based on volume II/12 of the “Halle Handel Edition” (BA 4077), which contains the complete critical musical text of the opera for the first time.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding