3 Chsons Metiers No 2
Tonnelier. Composed
by Marc Bleuse. Leduc.
Softcover. Composed 2015.
Heugel & Cie #HE32090.
Published by Heugel & Cie
(HL.48188097).
Bleuse A
Plusieurs Voix Pj176 3
Chsons Metiers No 2
Tonnelier 4 Part.
Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
1x 27.060/21 flute 1, 1x
27.060/22 flute 2, 1x
27.060/23 English horn 1,
1x 27.060/24 English horn
2, 5x 27.060/31 trumpet
1, 2 and trombones, 1x
27.060/42 harp. Harmony
parts. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Set of Orchestra
Parts. Composed 1856. Op.
4. Duration 45 minutes.
Carus Verlag #CV
27.060/09. Published by
Carus Verlag
(CA.2706009).
ISBN
9790007199777. Language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score and
parts available
separately - see item
CA.2706000.
Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Sacred vocal music,
Masses, Latin, Whole
church year / Omni
tempore. Full score.
Composed 1856. Op. 4. 112
pages. Duration 45
minutes. Carus Verlag #CV
27.060/00. Published by
Carus Verlag
(CA.2706000).
ISBN
9790007181697. Language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition.
Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Complete orchestral
parts. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Set of Orchestra
Parts. Composed 1856. Op.
4. Duration 45 minutes.
Carus Verlag #CV
27.060/19. Published by
Carus Verlag
(CA.2706019).
ISBN
9790007199784. Language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score and
parts available
separately - see item
CA.2706000.
Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Sacred vocal music,
Masses, Latin, Whole
church year / Omni
tempore. Choral Score.
Composed 1856. Op. 4. 20
pages. Duration 45
minutes. Carus Verlag #CV
27.060/05. Published by
Carus Verlag
(CA.2706005).
ISBN
9790007187095. Language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score
available separately -
see item CA.2706000.
Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Organ. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Single Part,
Organ. Composed 1856. Op.
4. 32 pages. Duration 45
minutes. Carus Verlag #CV
27.060/49. Published by
Carus Verlag
(CA.2706049).
ISBN
9790007199791. Language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score and
part available separately
- see item
CA.2706000.
Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Sacred vocal music,
Masses, Latin, Whole
church year / Omni
tempore. Vocal score.
Composed 1856. Op. 4. 60
pages. Duration 45
minutes. Carus Verlag #CV
27.060/03. Published by
Carus Verlag
(CA.2706003).
ISBN
9790007187088. Language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score
available separately -
see item CA.2706000.
Composed by Camille
Saint-Saens. Edited by
Dieter Zeh. Arranged by
Sven Hiemke. Double bass.
Sacred vocal music,
Masses, Latin, Whole
church year / Omni
tempore. Single Part,
Double Bass. Composed
1856. Op. 4. 12 pages.
Duration 45 minutes.
Carus Verlag #CV
27.060/15. Published by
Carus Verlag
(CA.2706015).
Language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score and
part available separately
- see item
CA.2706000.
Composed by Claude Bolling, Pierre-Gerard Verny. Secular, Vocal Jazz. Choir and...(+)
Composed by Claude
Bolling, Pierre-Gerard
Verny. Secular, Vocal
Jazz. Choir and piano
part. 12 pages. Published
by Editions a Coeur Joie
(CJ.A112400025).