(Bring Favorite Classical Composers Into Your Classroom). By Janet Vogt. For unison choir and performance/accompaniment CD. General music

Arranged by Audrey Snyder. (SATB). Choral. Festival. Size 6.75x10.5 inches. 16 pages. Published by Hal Leonard.

Orchestra Soli SATB Voices, SATB Choir, Fl, 2 Clt, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Vc/Cb, Org [ Fl, 2 Cor]

SKU: CA.2300749

Composed by Anton Diabelli. Sacred vocal music, Masses, Latin. Organ. Sacred vocal music, Masses, Latin. Single Part, Organ. Op. 107. 20 pages. Duration 25 minutes. Carus Verlag #CV 23.007/49. Published by Carus Verlag (CA.2300749).

ISBN 9790007241681. Key: E flat major. Language: Latin.

In the musical-historical context Anton Diabelli is among a transitional group of Biedermeier composers who cannot be classed as either classical or romantic. Diabelli's intention was to publish this Mass in accordance with the tradition of his teacher Michael Haydn as a Country Mass, although its technical demands and also its length far exceeded those customary in a Country Mass and Missa brevis. The extant sources offer scope for performance in various different versions as regards the instrumentation used, all these versions having the right to be considered authentic. Score and part available separately - see item CA.2300700.

SATB choir (div)

SKU: CA.965900

Composed by Giacomo Mezzalira. Edited by Stefan Schuck. Contemporary Choir Music. Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Full score. 8 pages. Duration 8 minutes. Carus Verlag #CV 09.659/00. Published by Carus Verlag (CA.965900).

ISBN 9790007165901. Text language: Latin.

Mezzalira places his worked entirely in the tradition of Catholic church music: Gregorian elements are associated likewise with Palestrina's counterpoint and Bruckner's sonorous expansin. Thoroughly in the tradition of the motet, the Memorare is structured in four sections, each in accordance with their respective texts. This large structured composition begins in C minor from the depths of the men's voices, building to a song of lamentation which increases to an harmonically enriched E flat major passage on the words virgo maria. In the second section, harmonically in A flat major, Mezzalira places the upper and lower voices in a double choir opposed to each other in block-like manner in order to develop resonating cantilenas in the third part, which is in F major. After a very simple, tender four-part setting of a hymn the composition ends with an Amen with large modally enriched chords in D major.