Composed by Various. Edited by David Wordsworth. For Choral (SATB). Choral. Soft...(+)
Composed by Various.
Edited by David
Wordsworth. For Choral
(SATB). Choral.
Softcover. 192 pages.
Novello and Co Ltd.
#NOV164681. Published by
Novello and Co Ltd.
SATB chorus and piano - Easy SKU: JK.00702 Composed by Thomas Griggs. Arr...(+)
SATB chorus and piano -
Easy
SKU: JK.00702
Composed by Thomas
Griggs. Arranged by
Darwin Wolford. Choral
SATB, Difficulty Easy,
Organ Choir, Piano Choir,
Grace, Home, Hope, Love.
Christian, Inspirational.
Jackman Music Corporation
#00702. Published by
Jackman Music Corporation
(JK.00702).
1 John
4:7-8, Moses
6:63.
Hymn setting
for mixed chorus (SATB)
and piano or organ,
beginning with unison
women's voices and
growing toward four-part
harmony: All the voices
from above sweetly
whisper God is
love. Composer: Thomas
Griggs Arranger:
Darwin Wolford
Lyricist: William W.
Phelps Difficulty:
Easy Reference: 1 John
4:7-8, Moses 6:63.
Chorale SATB [Vocal Score] Oxford University Press
A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chicheste...(+)
A Clare Benediction
Composed by John Rutter
A Prayer Of St Richard Of
Chichester Composed by L.
J. White
Alleluia Composed by
William Boyce
Author Of Life Divine
Composed by Cecilia
Mcdowall
Be Still For The Presence
Of The Lord Composed by
David Evans; Arranged by
Richard Shephard
Bread Of The World
Composed by Scottish
Traditional; Arranged by
Alan Bullard
Brightest And Best
Composed by Malcolm
Archer
Christ Is The World's
True Light Composed by W.
K. Stanton
Christ The Lord Is Risen
Again Composed by Richard
Shephard
Christians Shout For Joy
And Gladness Composed by
Johann Sebastian Bach
Come Down, O Love Divine
Composed by Hilary
Tadman-robins
Plainsong: Creator Of The
Stars Arranged by John
Scott
Drop, Drop Slow Tears
Composed by Kerry Andrew
Evening Service In C
Composed by Frank Henry
Shera
Fairest Lord Jesus
Composed by Martin How
Gabriel To Mary Came
Composed by 14th Century
Irish; Arranged by Alan
Bullard
Give Thanks To God
Composed by Botswanan
Traditional; Arranged by
Alan Bullard
God Be In My Head
Composed by Armstrong
Gibbs
God In Mine Eternity
Composed by Alan Bullard
God So Loved The World
Composed by Alan Bullard
God That Madest Earth And
Heaven Composed by Welsh
Traditional; Arranged by
David Thorne
Hail, Virgin Mary (Ave
Maria) Composed by Franz
Liszt
Hark, The Glad Sound
Composed by David Thorne
Harvest Carol Composed by
Ian Ray
He Is Risen Composed by
Cecil Cope
Hide Not Thy Face
Composed by Richard
Farrant
see all...
Holy, Holy, Holy, Holy Is
The Lord Composed by
Franz Schubert; Arranged
by Alan Bullard
Holy, Holy, Holy! Lord
God Almighty Composed by
Alan Smith
Hosanna To The Son Of
David Composed by Georg
Philipp Telemann
Irish Blessing Composed
by Bob Chilcott
Jesu, Lamb Of God,
Redeemer (Ave Verum
Corpus) Composed by
Edward Elgar
Jesus Christ The Apple
Tree Composed by English
Traditional; Arranged by
Alan Bullard
Jubilate (Let Us Praise
You) Composed by Wolfgang
Amadeus Mozart
Lamb Of God (Agnus Dei)
Composed by Samuel Webbe
Let All Mortal Flesh Keep
Silence Composed by
Stephen Cleobury
Like The Murmur Of The
Dove's Song Composed by
Alan Smith
Lord, In Thy Mercy
Composed by Felix
Bartholdy Mendelssohn
Magnificat And Nunc
Dimittis In C Composed by
F. H. Shera
Never Weather-beaten Sail
Composed by Thomas
Campion; Arranged by Alan
Bullard
Now The Green Blade
Riseth Composed by French
Traditional; Arranged by
Alan Bullard
O Breath Of Life Composed
by English Traditional;
Arranged by Alan Bullard
O For A Closer Walk With
God Composed by Charles
Villiers Stanford
O God Of Mercy Composed
by Simon Lole
O God, Your Goodness
Composed by Ludwig Van
Beethoven
O Praise God In His
Holiness Composed by John
Weldon
Panis Angelicus Composed
by Cesar Auguste Franck
Peace Between Nations
Composed by Christopher
Wiggins
Pie Jesu Composed by
Gabriel Faure
Praise To The Trinity
Composed by Hildegard Of
Bingen
Psalm 150 Composed by Bob
Chilcott
Rejoice In The Lord
Always Composed by
Christopher Wiggins
Shout For Joy Composed by
African Traditional;
Arranged by Alan Bullard
Star Of Wonder Composed
by Alan Bullard
The Eternal Gifts Of
Christ The King Composed
by Guidetti/henry G. Ley
The Heavens Sing Praises
To God Composed by Ludwig
Van Beethoven
The Lord Ascendeth
Composed by Michael
Praetorius
The Lord Bless You And
Keep You Composed by John
Rutter
The Lord's My Shepherd
Composed by Bob Chilcott
The Peace Of God Composed
by Alan Bullard
The True And Living Bread
Composed by David
Blackwell
There Is No Rose Composed
by Andrew Smith
Thou Visitest The Earth
Composed by Maurice
Greene
To Be A Pilgrim Composed
by Nick Burt
Were You There? Composed
by American Spiritual;
Arranged by Peter Hunt
Where All Charity And
Love Are (Ubi Caritas)
Arranged by Alan Bullard
Wondrous Cross Composed
by Philip Wilby
The Oxford Book of
Flexible Anthems by Alan
Bullard (1947-). For
flexible instrumentation.
Mixed Voices. Sacred.
Paperback. 296 pages.
Published by Oxford
University Press
By Judith Bingham. For SATB choir (divisi), Organ. Modern, Choral. Sheet Music. ...(+)
By Judith Bingham. For
SATB choir (divisi),
Organ. Modern, Choral.
Sheet Music. Composed
1998; First Performance:
November 28, 1998.
Published by Edition
Peters
SATB a cappella, piano reduction - Early intermediate SKU: GI.G-009047 Co...(+)
SATB a cappella, piano
reduction - Early
intermediate
SKU:
GI.G-009047
Composed
by William Billings.
Arranged by Kyle Johnson.
Holy Week, Lent 5 A, Palm
Sunday, Good Friday. Tune
Name: When Jesus Wept.
Sacred. Octavo. 8 pages.
GIA Publications #009047.
Published by GIA
Publications
(GI.G-009047).
UPC:
641151090474. Text
Source: The New England
Psalm Singer ,
1770.
Kyle Johnson
has taken the traditional
canon “When Jesus
Wept†and
creatively deconstructed
it. We never hear more
than two parts in canon
with each other at the
same time. Then he
introduces a new
counter-melody in the
other parts and fills out
the harmonies in other
ways. While the words can
be lost in
the traditional
four-part canon, the
overall effect of
Johnson’s approach
is to create a moving
meditation on
the text. Easily
accessible and highly
recommended for small
SATB choirs, but any size
group will appreciate
the artistry of this
piece.
SATB chorus and piano - Medium-difficult (multimetric) SKU: JK.00988 Comp...(+)
SATB chorus and piano -
Medium-difficult
(multimetric)
SKU:
JK.00988
Composed by
G. William Richards.
Arranged by Betsy Lee
Bailey. Choral SATB,
Difficulty Medium, Piano
Choir, Chastity,
Commandments, Family,
Gratitude, Guidance,
Home, Motherhood,
Scriptures. Christian,
Inspirational. Duration
2:30. Jackman Music
Corporation #00988.
Published by Jackman
Music Corporation
(JK.00988).
Isaiah
54:13, Psalm
149:1-2.
Anthem
for mixed chorus (SATB)
and piano, praising God
for the blessings of a
happy, faith-filled
home. From homes of
Saints glad songs
arise, For there the
Lord is King, There
faith is learned, and
prayers ascend, The
Spirit's peace to
bring. Composer: G.
William Richards
Arranger: Betsy Lee
Bailey Lyricists:
Vernald W. Johns,
additional verse by Betsy
Lee Bailey
Difficulty:
Medium-difficult
(multimetric)
Performance time:
2:30 Reference: Isaiah
54:13, Psalm 149:1-2.
SATB choir, piano reduction - Early intermediate SKU: GI.G-9781 Composed ...(+)
SATB choir, piano
reduction - Early
intermediate
SKU:
GI.G-9781
Composed by
William Fox. Edited by
John Leavitt. Lent, Lent
3 B, OT 31 B. Ars Antiqua
Series. Sacred. Octavo. 4
pages. GIA Publications
#9781. Published by GIA
Publications (GI.G-9781).
Th
is lovely
fifteenth-century a
cappella anthem can be
used as a meditation
after Communion or other
quiet moments in the
liturgy. Edited by John
Leavitt, the lovely
harmonic texture with a
text based on Psalm 86
has an imploring quality
that offers opportunities
for expressive,
arc-shaped phrasing.
Beautiful.
By Attr. To John F. Wade / Anonymous / French Carol. Arranged by Daniel E. Gawth...(+)
By Attr. To John F. Wade
/ Anonymous / French
Carol. Arranged by Daniel
E. Gawthrop. Text:
attributed to John F.
Wade/William J.
Kirkpatrick/French Carol.
For SATB Choir.
Christmas. Duration 4:50.
Published by Jackman
Music Corporation.
Level: Medium /
Medium-Difficult
(accompaniment).
Feel It Still Chorale SATB SATB, Piano Alfred Publishing
Choir Secular (SATB choir) SKU: AP.47135 Composed by Asa Taccone, Brian H...(+)
Choir Secular (SATB
choir)
SKU:
AP.47135
Composed by
Asa Taccone, Brian
Holland, Eric Howk,
Freddy Gorman, Georgia
Dobbins, Jason Sechrist,
John Gourley, John Hill,
Kyle O'Quin, Robert
Bateman, William Garrett,
and Zach Carothers.
Arranged by Alan
Billingsley. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Pop; Rock;
Secular. Choral Octavo.
16 pages. Alfred Music
#00-47135. Published by
Alfred Music (AP.47135).
UPC: 038081539065.
English.
Check out
this cool retro-pop tune
from the rock band
Portugal. The Man that
instantly snags the
listener with its catchy
hook: Ooh, I'm a rebel
just for kicks now!
Listen closely for clever
interpolations of the
'60s hit Please Mister
Postman. This Hot 100
charter achieved #1
status on Billboard
magazine's US Alternative
Songs and went on to win
a 2018 GRAMMY for Best
Pop Duo/Group
Performance. A bona fide
crowd-pleaser!
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
SATB chorus - late intermediate SKU: XC.HRMG2261 Composed by Michael John...(+)
SATB chorus - late
intermediate
SKU:
XC.HRMG2261
Composed
by Michael John Trotta.
Michael John Trotta.
Classical. Score. Hampton
Roads Music Group LLC
#HRMG2261. Published by
Hampton Roads Music Group
LLC (XC.HRMG2261).
UPC:
785147109754.
Soari
ng melodic lines combine
with a lush harmonic
palette to deliver a
poignant reflection in
this 21 minute reflection
on coming-of-age,
maturity, and
perspective. This
five-movement for choir,
oboe, and horn (opt.
string quartet) is a
shimmering setting of the
words of William
Wordsworth. A wonderful
secular multi-movement
work that is a perfect
centerpiece for your
community and collegiate
concert.
SATB chorus - intermediate SKU: XC.HRMG1952 Composed by Michael John Trot...(+)
SATB chorus -
intermediate
SKU:
XC.HRMG1952
Composed
by Michael John Trotta.
Michael John Trotta.
Music Education. Octavo.
12 pages. Hampton Roads
Music Group LLC
#HRMG1952. Published by
Hampton Roads Music Group
LLC (XC.HRMG1952).
UPC: 785147103752.
English. Text by William
Shakespeare.
This a
cappella setting opens by
asking the question, What
song can I bring in
thanks for everything?
The answer comes from a
rhythmic response setting
from
Shakespeare's Twelfth
Night: I can no other
answer make but thanks,
and thanks, and ever
thanks. Mixed meter,
contrasting sections, and
suspensions make this an
engaging piece for choirs
and audiences alike.
 .
SATB choir divisi, piano SKU: GH.CG-7057 Away in a Manger. Compose...(+)
SATB choir divisi, piano
SKU: GH.CG-7057
Away in a Manger.
Composed by William J
Kirkpatrick. Arranged by
John Rutter. Octavo. With
Language: Swedish.
Gehrmans Musikforlag #CG
7057. Published by
Gehrmans Musikforlag
(GH.CG-7057).
ISBN
9790070041485. 185 x 262
mm inches. Text: Eva
Norberg Hagberg
(Swedish).
Arrangem
ang for blandad kor och
piano av John Rutter.
Choir, Organ Accompaniment (SATB choir, Organ) SKU: HL.8752575 Composed b...(+)
Choir, Organ
Accompaniment (SATB
choir, Organ)
SKU:
HL.8752575
Composed
by William Bolcom.
Choral. Classical,
Sacred. Octavo. 44 pages.
Published by Edward B.
Marks Music (HL.8752575).
ISBN 9781458414380.
UPC: 884088545116. 8.5x11
inches.
Commissione
d by the University of
Chicago for the
rededication of its E.M.
Skinner organ in
Rockefeller Chapel in
2008, William Bolcom's
setting of the same
famous text set by Handel
in the 18th century
explores the many sounds
of the organ and responds
to the musical esprit
found in Dryden's poem.
Text by John Dryden. ca.
16 minutes.
Choral SATB choir, piano SKU: PR.312419280 From Terra Nostra. Comp...(+)
Choral SATB choir, piano
SKU: PR.312419280
From Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 12
pages. Duration 5:30.
Theodore Presser Company
#312-41928. Published by
Theodore Presser Company
(PR.312419280).
ISBN
9781491137925. UPC:
680160692613.
Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s World” by
Edna St. Vincent Millay,
which describes the world
in exuberant and vivid
detail. Percy Bysshe
Shelley’s “On thine
own child” praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O voluptuous
cool-breathed earth!”
Part I ends with “A
Blade of Grass” in
which Whitman muses how
our planet has been
spinning in the heavens
for a very long time.Part
II: The Rise of Humanity
examines the achievements
of mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley Hall” sets
an auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s “Railways
1846,” William Ernest
Henley’s “A Song of
Speed,” and John
Gillespie Magee, Jr.’s
“High Flight,” each
of which celebrates a new
milestone in
technological
achievement. In “Binsey
Poplars,” Gerard Manley
Hopkins takes note of the
effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A Dirge”
concludes Part II with a
warning that the planet
is beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s plight,
re-establish a deeper
connection to it, and
find a balance for living
within our planet’s
resources. Three texts
continue the earth’s
plea that ended the
previous section: Lord
Byron’s “Darkness”
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s “Earth
Screaming” gives voice
to the modern issues of
our changing climate; and
William Wordsworth’s
“The World Is Too Much
With Us” warns us that
we are almost out of time
to change our course.
Contemporary/agrarian
poet Wendell Berry’s
“The Want of Peace”
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts (“A
Child said, What is the
grass?” and “There
was a child went forth
every day”) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s “A Blade
of Grass” from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states, “I
bequeath myself to the
dirt to grow from the
grass I love…”My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
High Flight Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312419020 From Terra Nostra. C...(+)
Choral SATB Choir and
Piano
SKU:
PR.312419020
From
Terra Nostra.
Composed by Stacy Garrop.
Sws. Performance Score.
12 pages. Duration 3:15.
Theodore Presser Company
#312-41902. Published by
Theodore Presser Company
(PR.312419020).
ISBN
9781491131862. UPC:
680160680474. 6.875 x
10.5 inches.
English.
Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, ...(+)
SATB choir, assembly,
organ accompaniment,
trumpet 1 in B-flat,
trumpet 1 in C, trumpet 2
in B-flat, trumpet 2 in
C, trombone 1, horn in F,
trombone 2, tuba, timpani
SKU: GI.G-8993INST
Concertato on
MELITA. Composed by
John Bacchus Dykes.
Arranged by Robert J.
Powell. Ordinary Time 12
B. Tune Name: Melita.
Sacred. Full score and
parts. 16 pages. GIA
Publications #8993INST.
Published by GIA
Publications
(GI.G-8993INST).
English. Text Source:
William Whiting,
1823–1876, alt.
Text by William
Whiting.
Horn in F
can be substituted for
Trombone I. The organ
accompaniment is printed
in the full score.
SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, ...(+)
SATB choir, assembly,
organ accompaniment,
trumpet 1 in B-flat,
trumpet 1 in C, trumpet 2
in B-flat, trumpet 2 in
C, horn in f, trombone 1,
trombone 2, tuba, timpani
- Early intermediate
SKU: GI.G-8993
Concertato on
MELITA. Composed by
John Bacchus Dykes.
Arranged by Robert J.
Powell. Ordinary Time 12
B. Choral. Tune Name:
Melita. Sacred. Octavo.
12 pages. GIA
Publications #8993.
Published by GIA
Publications (GI.G-8993).
UPC: 785147899303.
English. Text Source:
William Whiting,
1825–1878, alt.
Text by William
Whiting.
An
exciting fanfare by brass
and organ sets up the
opening unison stanza of
this moving arrangement.
The a cappella third
stanza is independent and
quieter. Perhaps not
surprisingly, the
concluding stanza is
tutti, complete with a
soaring soprano descant.
Note that the brass
quintet is necessary for
a performance of this
concertato (horn in F may
substitute for trombone
I). The organ part is
included in both the full
score and octavo
editions. Horn in F can
be substituted for
Trombone I.
Unison voices, SATB
choir, piano reduction -
Beginning
SKU:
GI.G-5269
Arranged by
William Tortolano.
Eastertide, Easter
Sunday, Easter 2 A,
Easter 2 B, Easter 2 C.
Choral. Tune Name: O
Filii Et Filae. Sacred.
Octavo. 4 pages. GIA
Publications #5269.
Published by GIA
Publications (GI.G-5269).
English, Latin.
Translation: John Mason
Neale. Text by Jean
Tisserand.
The
chant melody, o filii et
filiae, alternates with a
4-part, rhythmic chorale
setting scored a fourth
higher. In addition to
the traditional nine
stanzas that tell the
story of
“doubtingâ€
Thomas, the first and
last stanzas are also
given in Latin. Intended
for unaccompanied
choir. .
Dawn Chorale SATB SATB divisi, A Cappella Schirmer
(Craig Hella Johnson Choral Series). By Eric William Barnum. Edited by Craig Hel...(+)
(Craig Hella Johnson
Choral Series). By Eric
William Barnum. Edited by
Craig Hella Johnson. SATB
DV A Cappella. Choral. 8
pages. Published by G.
Schirmer
Madrigal Collection. Composed by John Farmer, John Wilbye, Thomas Morley,...(+)
Madrigal
Collection. Composed
by John Farmer, John
Wilbye, Thomas Morley,
Thomas Tomkins, William
Byrd. Edited by Philip
Lawson. De Haske Choral
Music. Madrigal. Octavo.
32 pages. Published by De
Haske Publications
(HL.216063).
SATB choir SKU: ST.EM35B Composed by John Mundy. Edited by Edmund H Fello...(+)
SATB choir
SKU:
ST.EM35B
Composed by
John Mundy. Edited by
Edmund H Fellowes.
Library Volumes. Edited
Edmund Fellowes. Revised
Thurston Dart and Philip
Brett. Paperback.
Madrigals. Choral Score.
Stainer & Bell Ltd.
#EM35B. Published by
Stainer & Bell Ltd.
(ST.EM35B).
ISBN
9790220211652.
Orga
nist of St George's,
Windsor, and successor to
the famous Marbecke,
Mundy was amongst the
earliest of the English
madrigalists. There are
12 madrigals in this
collection, ranging from
Of all the
birds, a tribute to
William Byrd, to In
deep distress and
the tragic setting of
words written by Chideock
Tichborne on the eve of
his execution in the
Tower of London, My
prime of youth. The
volume also contains 25
psalms in three, four,
and five parts.
CONTENTS As I went
walking (SAT) Blessed
art thou (SAT) Have
mercy on me, O Lord
(SSATB) Hear my
prayer, O Lord (STB)
Heigh Ho! 'chill go to
plough (SSAB) I lift
my heart to thee
(SSAT) In deep
distress (SATB) In
midst of woods
(SSATB) Lightly she
whipped o'er the dales
(SSATB) Lord arise
and help thy servant
(SSATB) Lord to thee
I make my moan (SATB)
My prime of youth
(SATB) O all ye
nations (S (or A) AT)
O come let us lift up our
voice (SAT) O Lord of
whom I do depend
(SSAT) O Lord turn
not away thy face
(SAT) Of all the
birds (SAT) Penelope
that longed (SSATB)
Praise the Lord, O my
soul (SAT) Save me, O
God (SAT) Sing ye
unto the Lord (SSAT)
The black-bird made
(SSATB) The longer
that I live (SSAT)
The Shepherd Stephon (S
solo, A. viol, T. viol,
B. viol) Thus art
thou bless'd (SAT)
Turn about and see me (SA
(or T) T) Unto thee
lift I up mine eyes
(SSATB) Were I a king
(SATBB) Who loves a
life (SSATB) Witness
ye heav'ns (S solo, A.
viol, T. viol, B.
viol) Ye people all
in one accord (SAB).
Madrigals Three Chorale SATB SATB, Clavier [Partie séparée] Carl Fischer
For Mixed Chorus, S.A.T.B. And Piano. By Emma Lou Diemer. Choir (SATB, keyboard)...(+)
For Mixed Chorus,
S.A.T.B. And Piano. By
Emma Lou Diemer. Choir
(SATB, keyboard). For
SATB Chorus, Piano.
Choral. Choral Part(s).
20 pages. Published by
Carl Fischer.
SATB & Piano SKU: SU.YR3S13 For SATB & Piano. Composed by John She...(+)
SATB & Piano
SKU:
SU.YR3S13
For SATB
& Piano. Composed by
John Shea. Vocal/Choral,
Sacred Choral.
Accompanied by piano.
Choral Octavo. Subito
Music Corporation
#YR3S13. Published by
Subito Music Corporation
(SU.YR3S13).
Words by
William H.M. AitkenSATB &
piano Composed: 2008
Published by: Barton
Rhodes Press Minimum
order quantity: 8 copies.
To order quantities fewer
than 8, please email
customer service at
sales@subitomusic.com.
O Holy Night Chorale SATB SATB, Clavier [Octavo] Theodore Presser Co.
(Cantique De Noel) Christmas Anthem. By Adolphe-Charles Adam. Arranged by Willia...(+)
(Cantique De Noel)
Christmas Anthem. By
Adolphe-Charles Adam.
Arranged by William
Dressler. Text: John S.
Dwight. For SATB, Soprano
Solo, Tenor Solo, Piano,
Organ. Choir Loft Choral
Series. Choral.
Piano/Vocal Score. 6
pages. Published by
Theodore Presser Company.
Composed by Ken Burton.
Jason Max Ferdinand.
Classical. 36 pages.
Walton Music #WW1761.
Published by Walton Music
(GI.WW1761).
UPC:
785147021360. English.
Text Source: Various
Authors.
This work
for chorus and chamber
orchestra was premiered
to acclaim by the Oakwood
University Aeolians at
the 2019 National ACDA
conference. Composer Ken
Burton has combined new
material with spirituals
and text by important
historical figures to
create a piece that
follows the experience of
black Americans during
and after the Civil
Rights period. Includes
texts by Martin Luther
King, Jr., Paul Laurence
Dunbar, Thomas Day, John
Bicknell, and William
Blake. This substantial
work will be a good fit
for collegiate,
professional, and
community ensembles. Can
be performed
unaccompanied or with
chamber orchestra.
By Michael John Trotta and William Shakespeare. For Choral, Tambourine (SATB DV ...(+)
By Michael John Trotta
and William Shakespeare.
For Choral, Tambourine
(SATB DV A Cappella).
Walton Choral. 20 pages.
Walton Music #WJMS1128.
Published by Walton Music
Composed by John L. Bell.
Our Lady of Sorrows, Good
Friday. Sacred. Full
score and parts. With
guitar chord names. 4
pages. GIA Publications
#8277INST. Published by
GIA Publications
(GI.G-8277INST).
English. Text Source:
Para. JLB; Translation:
William
Ramirez.
Crux fidelis Chorale SATB SATB, Piano - Facile GIA Publications
SATB choir, piano reduction - Early intermediate SKU: GI.G-1975 Cross ...(+)
SATB choir, piano
reduction - Early
intermediate
SKU:
GI.G-1975
Cross So
Faithful. Composed by
John IV. Edited by
William Tortolano. Good
Friday. Ars Antiqua
Series. Sacred. Octavo. 8
pages. GIA Publications
#1975. Published by GIA
Publications (GI.G-1975).