Composed by David N. Baker and David Baker. Arranged by Larry Nickel. For SATB choir and piano. Octavo. Published by Cypress Choral Music

(Following the Path of Salvation Through Hymns). By Mary Mcdonald. Arranged by Jean Anne Shafferman. For SATB choir, piano (with optional orchestration). Cantatas. Holy Week, Eastertide, Sacred. Choral score and performance CD. Published by Lorenz Publishing Company

By Joseph Martin (Arranger). For SATB Choir. Choral. Sheet Music. Published by Shawnee Press.

(Soprano/SATB/Ensemble (English and Latin)). By Karl Jenkins. For Mixed Choir (Vocal Score). BH Large Choral. Softcover. 140 pages. Boosey and Hawkes #M060124341. Published by Boosey and Hawkes

Choral (SATB)

SKU: HL.1454734

Richard Bjella Choral Series. Composed by Dominick DiOrio. Edited by Richard Bjella. Richard Bjella Choral Series. Concert, Poetry. Octavo. 12 pages. Duration 135 seconds. Published by Hal Leonard (HL.1454734).

UPC: 196288209140. 6.75x10.5 inches.

A modern poem is set to music in this choral work. Its sense of nostalgia and child-like wonder is carried along in both the text and melody, taking both the singer and listener back in time. A work of deep beauty for choirs of distinction!

Choral (SATB)

SKU: HL.1340696

Composed by John Henry Hopkins Jr. Arranged by Philip Lawson. Voices Rising. Christmas. Octavo. Duration 245 seconds. Published by Hal Leonard (HL.1340696).

UPC: 196288189589. 6.75x10.5x0.036 inches.

A classic carol for Christmas is reimagined in this unique arrangement. Interesting harmonies, a creative piano part, along with meter changes, set this one apart. Perfect for both school and sacred settings.

Arranged by Jeremy Walton. For SATB choir with optional Flute (or Violin). Scripture References: Isaiah 7:14 -- Numbers 24:17. Advent, Sacred. Choir. 12 pages

SATB choir, cantor, assembly, keyboard accompaniment, 2 or 3 octaves handbells, C instrument, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, trombone 1, trombone 2, percussion

SKU: GI.G-7202INST

Alleluia and Lenten Acclamation with Verses for All Sundays and Solemnities. Composed by James Chepponis. Chamber Music. Sacred. Full score and parts. With guitar chord names. 8 pages. GIA Publications #7202INST. Published by GIA Publications (GI.G-7202INST).

UPC: 785147720294. English. Text Source: Lectionary for Mass, 1998.

This versatile setting includes refrains for both the Alleluia and the Lenten Gospel Acclamation along with through-composed settings of the verses for all Sundays Solemnities, Feasts of the Lord and the Saints as well as a setting of the verses of the Easter Vigil Responsorial Psalm 118 for use with the Alleluia refrain. Although this majestic setting is scored for brass quartet, timpani/suspended cymbal, C instrument, guitar, and handbells it can also be performed simply using only Cantor and keyboard.

By John Weinzweig. (SATB). Transcontinental Music Choral. Jewish. 32 pages. Published by Transcontinental Music Publications.

By Joseph M. Martin. For SATB Choir. Choral, Lent, Holy Week, General Use and Sacred. Sheet Music. Published by Shawnee Press.

SATB choir (a cappella)

SKU: LO.10-5572L

Composed by Bryan Sharpe. Choral. Sacred Anthem. Octavo. Lorenz Publishing Company #10/5572L. Published by Lorenz Publishing Company (LO.10-5572L).

ISBN 9780787773465.

With a Gospel, swing feel, this original a cappella anthem is an upbeat tune with text inspired by Psalm 23. Utilizing choral layering, rhythmic variations, stylistic articulation, and changing dynamics, choirs will love singing it and get your congregation's toes tapping along!

Arranged by Raymond Wise. Hinshaw Music. Sacred, Spiritual. Octavo. 16 pages. Hal Leonard #HPC7105. Published by Hal Leonard

Composed by Dan Forrest. For SATB choir, piano or organ, optional congregation. Sacred. Octavo. 12 pages. Published by Beckenhorst Press

Composed by Fredrik Sixten. Scandinavian. Sacred. Octavo. 8 pages. Walton Music #WW1662. Published by Walton Music

By Clayton J. Schmit and Edwin M. Willmington. For Choral (SATB). Fred Bock Publications. 12 pages. Hal Leonard #JH-1041. Published by Hal Leonard

By Edwin M. Willmington. For Choral (SATB). Fred Bock Publications. 12 pages. Hal Leonard #JH-1064. Published by Hal Leonard

Composed by Andrew Miller. Pavane Secular. 12 pages. Pavane Publishing #P1508. Published by Pavane Publishing (HL.145677).

Composed by Thad Fiscella, Paul John Rudoi. National Lutheran Choir Series. Catholic Year A Ordinary18. Healing, Hope/Assurance. Octavo. Published by MorningStar Music Publishers (MN.50-9930).

SATB choir

SKU: CA.965400

Composed by Ko Matsushita. Edited by Stefan Schuck. Contemporary Choir Music. Sacred vocal music, Praise and thanks. Full score. Composed 2014. 8 pages. Duration 4 minutes. Carus Verlag #CV 09.654/00. Published by Carus Verlag (CA.965400).

ISBN 9790007164898. Language: Latin.

Reflecting the psalm text, the composer Matsushita constantly finds new ways of expressing the praise of God. In the swinging rhythm of the 6/8 meter, with its dotted rhythms full of brio and binary pulse in counterpoint, with flashing dissonances through the almost oriental use of chromatic intervals, with sharply juxtaposed bitonal chords, and with the consonant-rich text, rapidly sung, the composer achieves an impressive, virtuoso showpiece which accomplished choirs can use to show off the full range of their abilities. Along the way Matsushita never writes unnecessarily complicated music, but music which is always based on his own practical experience as a choral director. In a rondo-like form he finds a parallel for the repetitions of unceasing praise. Matsushita sets the text syllabically throughout, but uses its tonal colors to give character to the individual sections. For example, the fanfare-like opening motif alternates with a crescendo section, which draws its energy from the contrast between declamatory vocal parts over a pedal point in diminished and augmented leaps of a third, fourth and fifth. Voice range: S: c' - b'' / A: asdeg - e'' / T: cdeg - gis' / B: F- e'.

Composed by Melissa Dunphy. Octavo. E.C. Schirmer Publishing #8827. Published by E.C. Schirmer Publishing

Composed by Mark Shepperd. Hinshaw Music. Easter, Sacred. Octavo. 8 pages. Hinshaw Music Inc. #HMC2599. Published by Hinshaw Music Inc.

Vocal Jazz Series. Composed by Frank Paparelli; John Dizzy Gillespie. Arranged by Paris Rutherford. Jazz Chorals. Jazz, Vocal Jazz, Latin, Swing, Standards. Octavo. 16 pages. Published by Hal Leonard

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810412

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Single Part, Violin 2. Warb E 14. 4 pages. Duration 5 minutes. Carus Verlag #CV 38.104/12. Published by Carus Verlag (CA.3810412).

ISBN 9790007215088. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and part available separately - see item CA.3810400.

Choir Secular (SATB choir)

SKU: AP.41886

Composed by Diane Warren. Arranged by Alan Billingsley. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Secular. Choral Octavo. 16 pages. Alfred Music #00-41886. Published by Alfred Music (AP.41886).

UPC: 038081469669. English.

From Celine Dion's album Loved Me Back to Life comes this new ballad, perfect for a concert or graduation theme. Quickly learned, with an encouraging hook: Cause we're all unfinished songs, waiting for the best part to come along . . . we're all pictures half drawn, we can be anything we want.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810411

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Single Part, Violin. Warb E 14. 4 pages. Duration 5 minutes. Carus Verlag #CV 38.104/11. Published by Carus Verlag (CA.3810411).

ISBN 9790007215071. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and part available separately - see item CA.3810400.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810449

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Single Part, Organ. Warb E 14. 4 pages. Duration 5 minutes. Carus Verlag #CV 38.104/49. Published by Carus Verlag (CA.3810449).

ISBN 9790007215125. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and part available separately - see item CA.3810400.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810413

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Single Part, Viola. Warb E 14. 4 pages. Duration 5 minutes. Carus Verlag #CV 38.104/13. Published by Carus Verlag (CA.3810413).

ISBN 9790007215095. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and part available separately - see item CA.3810400.

SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo

SKU: CA.3810414

Responsorium. Composed by Johann Christian Bach. Edited by Guido Erdmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Domine Ad Adiuvandum Me Festina E14. Sacred vocal music, Psalms, Latin. Single Part, basso continuo. Warb E 14. 4 pages. Duration 5 minutes. Carus Verlag #CV 38.104/14. Published by Carus Verlag (CA.3810414).

ISBN 9790007215101. Language: Latin.

At the age of just 20, Johann Christian Bach, the youngest son of Johann Sebastian Bach, the Kantor of St. Thomas's, left behind the Lutheran musical tradition of his family: he went to Italy, converted to Catholicism there and successfully composed operas for Turin, Milan and Naples. Frequently overlooked are the Catholic Bach's exquisite church music works, almost all written in the years 1757-1760, and which had a significant influence on his time in Italy. These include large-scale Vesper settings with impressive, symphonic-style instrumental introductions, sometimes anticipating Mozartian idioms. Bach's Domine ad adjuvandum me, an immediately captivating work, was written for the opening of Vespers; it seems to be carried along by a sense of euphoric purpose and a dynamic lightheartedness which positively radiates southern European temperament. The work is published in the authoritative Stuttgart Urtext edition, based on the rediscovered Hamburg autograph manuscript. Score and part available separately - see item CA.3810400.