For Piano. Piano Collection. Masterwork. Book. 64 pages. Published by Alfred Publishing.

Harpsichord

SKU: M7.BP-678

Op.116, op.139. Composed by Caspar Diethelm. Sheet music. Amadeus Verlag #BP 678. Published by Amadeus Verlag (M7.BP-678).

ISBN 9790015067808.

By Colette Mourey. For clavecin solo. Grade 2-3. Published by Editions Marc Reift

Harpsichord - Level 6

SKU: BA.BA10845

Composed by Francois Couperin. Edited by Denis Herlin. This edition: urtext edition. Paperback. Barenreiter Urtext. With 8 Préludes and 1 Allemande from L'Art de toucher le clavecin (1716–1717). Performance score, anthology. Baerenreiter Verlag #BA10845_00. Published by Baerenreiter Verlag (BA.BA10845).

ISBN 9790006505623. 31 x 24.3 cm inches. Preface: Denis Herlin.

‘Once again the French musicologist Denis Herlin, who mastered the harpsichord under the tutelage of such keyboard legends as Kenneth Gilbert and Huguette Dreyfus, has presented an exemplary edition of a classic from the harpsichord repertoire.’ (Jury of the German Music Edition Prize on BA 10844)

Bärenrei ter presents Book II of Couperin’s “Pièces de clavecin”, first published in 1717, In addition the eight preludes and one allemande from his treatise “L’Art de toucher le clavecin” are included in the appendix. For the first time Denis Herlin has evaluated the many later impressions of the original print, most of which he unearthed himself in international libraries. By preserving the essential features of the original print while largely dispensing with disruptive page-turns within the pieces, the volume brings modern performers close to the special sound of this music. Rounding off this pioneering new edition are an extensive Foreword, notes on historical performance practice, a comprehensive glossary, facsimile pages and a detailed Critical Commentary.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Composed by Francois Couperin (1668-1733). Edited by Denis Herlin. This edition: urtext edition. Paperback. Barenreiter Urtext. Mit 4 Concerts royaux. Performance score, anthology. Composed 1722. Baerenreiter Verlag #BA10846. Published by Baerenreiter Verlag

By Carl Philipp Emanuel Bach (1714-1788). Harpsichord solo - Organ solo - Fortepiano solo. For Harpsichord, Organ, Fortepiano. Facsimiles. Collection FacsiMusic. Grade 0. 12 pages

Harpsichord; Early Music

SKU: UT.HS-307

Composed by Antonio Valente. Edited by Maria Luisa Baldassari. Paperback (Soft Cover). Classical. Ut Orpheus #HS 307. Published by Ut Orpheus (UT.HS-307).

ISBN 9790215327146. 9 x 12 inches.

Antonio Valente blind, Neapolitan since a long time according to the list of Neapolitan musicians by Scipione Cerreto and organist in S. Angelo a Nilo in Naples, is known in modern times for his two volumes of keyboard music: Versi spirituali published in 1580 and, some years before, the volume here in transcription, Intavolatura de cimbalo, printed by Giuseppe Cacchio in 1576.
This volume has many original features: first keyboard tablature ever printed in Naples, itâ??s not written in musical characters but in a number-based system never met, according to the current studies, in any other print or manuscript both in and outside Italy. The dedication letter, written by Fraâ?? Alberto Mazza, praises Valente as the inventor of this writing method, so easy and effective that everybody, even uncouth youths that did not know music and keyboard, could attain the result of playing from it in two months.
The Intavolatura presents different genres of music: a fantasia, six ricercatas, a Salve Regina on a cantus firmus, four vocal chansons intabulated for keyboard with more or less diminutions,and nine dances, variations and dance/variations on long-living tenors like Romanesca or Zefiro. There are no liturgical compositions, both because unsuitable in a collection for amateurs and because Valente will publish a new book of sacred music in a few years.
The book is a sort of compendium of the keyboard genres of the period, similar to some older Spanish publications and to the later Neapolitan ones by Trabaci and Majone. Other contemporary volumes on the contrary choose to present a single type of composition: this is the case of the Versetti by Valente and the Ricercate by Rocco Rodio.

Composed by Lennox Berkeley (1903-1989). Edited by Christopher D. Lewis. Music Sales America. Classical. Softcover. 16 pages. Chester Music #CH84810. Published by Chester Music (HL.14048181).

Harpsichord

SKU: HL.265678

For Harpsichord. Composed by Anna Thorvaldsdottir. Music Sales America. Classical. Softcover. 8 pages. Duration 480 seconds. Chester Music #CH86856. Published by Chester Music (HL.265678).

14.5x10.0x0.4 inches.

Anna Thorvaldsdottir's Impressions for prepared harpsichord. Written for Gudrun Oskarsdottir. The first performance was given on 30 January 2016 at Harpa Centre, Reykjavik, Iceland.

(pour deux clavecins). By Peter Planyavsky. For 2 harpsichords. Composed 1979. Published by Doblinger Music Publishers .

Harpsichord

SKU: KU.OCT-10032_CEMB

Composed by Antonio Vivaldi. Edited by Jürgen Braun. Arranged by Jürgen Braun. Bach format (230 x 302). Rv 453, Pv 187, F. Vii/10, Ric. 279. Folded. Part. 8 pages. Edition Kunzelmann #OCT-10032_CEMB. Published by Edition Kunzelmann (KU.OCT-10032_CEMB).

Key: D major.

Harpsichord

SKU: KU.OCT-10009_CEMB

Composed by Antonio Vivaldi. Edited by Rudolf Eller. Arranged by Rudolf Eller. Bach format (230 x 302). Rv 519, Pv 212, F. I/175, Ric. 410. Staple Bound. Part. Op. 3/5. 6 pages. Edition Kunzelmann #OCT-10009_CEMB. Published by Edition Kunzelmann (KU.OCT-10009_CEMB).

Key: A major.

Harpsichord

SKU: KU.OCT-10060_CEMB

Composed by Antonio Vivaldi. Edited by Felix Schroeder. Bach format (230 x 302). Rv 531, Pv 411, F. Iii/2, Ric. 61. Staple Bound. Part. 8 pages. Duration 14 minutes. Edition Kunzelmann #OCT-10060_CEMB. Published by Edition Kunzelmann (KU.OCT-10060_CEMB).

ISBN 9790206200540. Key: G minor.

By Antonio Vivaldi. Edited by Hogwood, Christopher. For Harpsichord. Single Part. Op. 8, Nr. 1-4. Published by Baerenreiter-Ausgaben (German import). (BA6994 68)

Harpsichord

SKU: KU.OCT-10074_CEMB

Composed by Antonio Vivaldi. Edited by Felix Schroeder. Arranged by Felix Schroeder. Bach format (230 x 302). Rv 534, Pv 85, F. Vii/3, Ric. 139. Folded. Part. 8 pages. Edition Kunzelmann #OCT-10074_CEMB. Published by Edition Kunzelmann (KU.OCT-10074_CEMB).

ISBN 9790206209383. Key: C major.

Harpsichord

SKU: FG.55011-499-9

Composed by Jyrki Linjama. Fennica Gehrman #55011-499-9. Published by Fennica Gehrman (FG.55011-499-9).

ISBN 9790550114999.

Sona ta da chiesa III was commissioned by Petteri Pitko, who played the first perfor-mance in Kemionsaaren Musiikkijuhlat in the summer of 2016. The sonata has three movements, each of which has a definite liturgical character and a choral tune as a can-tus firmus. Hence the music can be performed either in a concert or as a part of liturgy.

From the composer's foreword: The first movement, Kyrie, has got an introvert mood. The choral melody is veiled, an indirect part of arpeggiated texture. The Gloria is open, even brilliant: the cantus firmus is worked out to a virtuosic, dance-like texture. The third movement closes the music by means of polyphony and bird singing. Concerning the harpsichord, for me it is essen-tial not to use equal temperament: the possibility to play with pure or almost pure in-tervals is crucial to the sound, having very high and strong overtones.

Duration c. 12'.