Harpsichord - Level 6

SKU: BA.BA10845

Composed by Francois Couperin. Edited by Denis Herlin. This edition: urtext edition. Paperback. Barenreiter Urtext. With 8 Préludes and 1 Allemande from L'Art de toucher le clavecin (1716–1717). Performance score, anthology. Baerenreiter Verlag #BA10845_00. Published by Baerenreiter Verlag (BA.BA10845).

ISBN 9790006505623. 31 x 24.3 cm inches. Preface: Denis Herlin.

‘Once again the French musicologist Denis Herlin, who mastered the harpsichord under the tutelage of such keyboard legends as Kenneth Gilbert and Huguette Dreyfus, has presented an exemplary edition of a classic from the harpsichord repertoire.’ (Jury of the German Music Edition Prize on BA 10844)

Bärenrei ter presents Book II of Couperin’s “Pièces de clavecin”, first published in 1717, In addition the eight preludes and one allemande from his treatise “L’Art de toucher le clavecin” are included in the appendix. For the first time Denis Herlin has evaluated the many later impressions of the original print, most of which he unearthed himself in international libraries. By preserving the essential features of the original print while largely dispensing with disruptive page-turns within the pieces, the volume brings modern performers close to the special sound of this music. Rounding off this pioneering new edition are an extensive Foreword, notes on historical performance practice, a comprehensive glossary, facsimile pages and a detailed Critical Commentary.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Harpsichord

SKU: M7.AST-6008

Composed by Alfred Goodman. Sheet music. Duration 18'. MDS (Music Distribution Services) #AST 6008. Published by MDS (Music Distribution Services) (M7.AST-6008).

ISBN 9790203860082.

Harpsichord (Harpsichord)

SKU: HL.50488834

Composed by Laszlo Sary. EMB. Contemporary Hungarian Works. Book [Softcover]. Editio Musica Budapest #Z6591. Published by Editio Musica Budapest (HL.50488834).

ISBN 9790080065914. K/4 (23,5x31) inches. Hungarian, English.

By Johann Georg Albrechtsberger (1736-1809). Harpsichord solo - Piano or fortepiano solo. For Harpsichord, Piano, Fortepiano. Facsimiles. Collection FacsiMusic. Grade 0. 28 pages

(Manuscrit autographe, 1702). By Bernardo Pasquini (1637-1710). Edited by Emer Buckley. For Harpsichord solo. This edition: Facsimile. Collection Dominantes. Score. 264 pages. Published by Anne Fuzeau Productions - France

Pan pipe and piano (harpsichord)

SKU: M7.SAE-1-05

Tamerlano. Composed by George Frideric Handel. Arranged by Lucian Moraru. Sheet music. Piano reduction with solo part. SonArt Edition #SAE 1-05. Published by SonArt Edition (M7.SAE-1-05).

ISBN 9790707651513.

This is a unique arrangement for panflute and piano, a work that preserves the beauty of the original work, an icon for classical music repertoire, but at the same time different in essence due to the creative and innovative flavour that was introduced in orchestration on this occasion. The piece has been carefully adapted to suit the technical needs of each instrument, being a smart choice for the players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.

By Johann Caspar Ferdinand Fischer. For Harpsichord. Classical. CD. Duration 12:08. Published by Verlag Dohr

Harpsichord

SKU: HL.14040474

Harpsichord. Composed by Jean Michel Damase. Music Sales America. Classical. Book Only. Editions Musicales Transatlantiques #ETR001144. Published by Editions Musicales Transatlantiques (HL.14040474).

French.

(for Cembalo or Harpsichord). By Hermann Schroeder (1904-1984). For Harpsichord, Cembalo. Schott. Softcover. 12 pages. Schott Music #ED20936. Published by Schott Music

By Various. Edited by Christopher Hogwood. For Clavichord, harpsichord, organ. Playing score. Published by Edition HH Music Publishers (U.K. Import).

Piano, harpsichord

SKU: BA.BA05070-41

The Well-Tempered Clavier I. Composed by Johann Sebastian Bach. Edited by Alfred Durr. This edition: Complete edition. Linen. New Bach Edition (NBA) V/6/1. Complete edition, Critical commentary, anthology. BWV 846-869. 448 pages. Baerenreiter Verlag #BA05070_41. Published by Baerenreiter Verlag (BA.BA05070-41).

ISBN 9790006463480. 24.5 x 17.5 cm inches.

This separately published Critical Commentary offers extensive information on the genesis, reception, sources, and readings of the works included in the music volume.

By Johann Sebastian Bach. Arranged by Tamas Zaszkaliczky. EMB. 58 pages. Published by Editio Musica Budapest.

Composed by Charles Dieupart (1667-1740). Edited by Andrew Wooley. For Harpsichord. Playing score. 30(xv) pages. Published by Edition HH Music Publishers

(pour deux clavecins). By Peter Planyavsky. For 2 harpsichords. Composed 1979. Published by Doblinger Music Publishers .

Harpsichord

SKU: HL.14012557

Composed by Per Norgard. Music Sales America. Book Only. Edition Wilhelm Hansen #KP00404. Published by Edition Wilhelm Hansen (HL.14012557).

Danish.

Per Norgard GEMINI RISING for harpsichord soloFirst there is a mountain, then there is no mountain, then there isThe title literally Ascending Twins - was borrowed from astrological terminology but refers, purely musically, to two essential circumnstances in the work: A constant duplicity in the melodic basis, as well as an almost constantly ascending tendency. Even when - as is the case in the start - falling figures appear, the combination of several such figures produces an ascending impression. GEMINI RISING was composed for Elisabeth Chojnacka and premiered at a concert in Copenhagen in November 1990.Per Norgard.

('Water music'). By Georg Philipp Telemann (1681-1767). Edited by Friedrich Noack. For harpsichord/basso continuo. This edition: Stapled, Urtext edition. Single part. TWV 55:C3. Published by Baerenreiter Verlag

((s.d. = 1749)). By Michel Corrette (1707-1795). Harpsichord solo. For Harpsichord. Facsimiles. Collection FacsiMusic. Grade 0. 36 pages

Chamber Music Celesta, Harp, Harpsichord

SKU: PR.114410580

Composed by Gardner Read. Full score. With Standard notation. 52 pages. Theodore Presser Company #114-41058. Published by Theodore Presser Company (PR.114410580).

UPC: 680160015405.

Harpsichord - advanced

SKU: HL.49005300

For harpsichord. Composed by Jean Franç and aix. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Composed 1953. 20 pages. Duration 11'. Schott Music #ED4977. Published by Schott Music (HL.49005300).

ISBN 9790001056984. UPC: 884088023904. 9.0x12.0x0.086 inches.

Piano or harpsichord.

Chamber Music Harpsichord

SKU: PR.110418390

Composed by Eric Ewazen. Full score. 11 pages. Duration 10 minutes. Theodore Presser Company #110-41839. Published by Theodore Presser Company (PR.110418390).

ISBN 9781491134603. UPC: 680160685158.

Eric Ewazen’s THREE INVENTIONS were inspired by Bach’s Two-part Inventions, yet they sound thoroughly like Ewazen. Composed for harpsichord (with a piano adaptation following later), Ewazen’s inventions maintain a pure “one note per hand” texture until their final chord, with strong-but-free imitative counterpoint between the two voices. While Ewazen may be best known for his wind music, he is a pianist himself, and composers’ works for their own instrument are a direct insight into how they write for their own performances. The piano adaptation of THREE INVENTIONS is also available as a separate publication.
THREE INVENTIONS was written for my dear friend Maria Rojas, who premiered the work on a faculty recital at Juilliard. Maria is both a pianist and a harpsichordist, and I first met her when she gave a demonstration of the harpsichord for the students in my theory classes.I’ve always been captivated by Bach’s series of Two-Part and Three-Part Inventions. With the Two-Part Inventions, I’m amazed how Bach could create such wonderful intricacy and counterpoint with only two voices. I consequently modeled my inventions after the counterpoint of Bach, involving the traditional contrapuntal devices he used: imitation, development, harmonic and modal shifts, fragmentation, and sequence, essentially creating a dialog between two completely equal voices conversing with each other!Bach wrote 15 Two-Part Inventions (as well as 15 Three-Part Inventions, not to mention the 48 preludes and fugues in The Well-Tempered Clavier!), and that’s just the start of his voluminous repertoire for the keyboard! I was happy just to write three!!!Each of my inventions has a distinctive mood. The first is in a relaxed, yet cheerful C Major tonality (as a nod to Bach’s Invention No. 1 in C Major); the second is heartfelt and lyrical; and the third invention (involving a Gigue rhythm in the compound meter of 12/8) is energetic, and full of life and spontaneity. The third is primarily in a minor tonality, resulting in a feeling of drama, bringing the THREE INVENTIONS to an exciting finale.