By J. Peter Close / Holger Sassmannshaus. For contrabass. This edition: Stapled....(+)
By J. Peter Close /
Holger Sassmannshaus. For
contrabass. This edition:
Stapled. Barenreiter's
Sassmannshaus.
Instructional Method.
Performance score,
Teaching material. Text
Language: English. 72
pages. Published by
Baerenreiter Verlag
(A book of orchestral excerpts). By Keith Hartley. For Double bass technique boo...(+)
(A book of orchestral
excerpts). By Keith
Hartley. For Double bass
technique book. Double
Bass. Double Bass Solo.
Double bass solos. Method
book. 32 pages
Double Bass SKU: BT.YE0077 Composed by Giovanni Bottesini. Method. Book O...(+)
Double Bass
SKU:
BT.YE0077
Composed by
Giovanni Bottesini.
Method. Book Only. 32
pages. Yorke Edition
#YE0077. Published by
Yorke Edition
(BT.YE0077).
English.
Giovann
i Bottesini ranks as one
of the most famous Double
Bass virtuosi ever to
have lived. His Metodo
Completo Per
Contrabbasso or
Method For Double
Bass appeared in
print between 1860 and
1970 in French, Italian
and English. The
value of Bottesini's
method lies in the
gradual progression from
simple exercises and
rhythms in easy keys, to
virtuoso studies that use
advance bowing techniques
and require a thorough
knowledge of the
instrument.
A collection of four Bagatelles For Double Bass which utilise the fi...(+)
A collection of four
Bagatelles For Double
Bass which utilise
the first four positions.
Scored for Double Bass
and Piano. Suitable for
grades 2 - 4 and part of
the ABRSM Double Bass
Syllabus
Messa da Requiem Contre Basse - Intermédiaire/avancé Barenreiter
Double bass - Level 4 SKU: BA.BA07590-85 Composed by Giuseppe Verdi. Edit...(+)
Double bass - Level 4
SKU: BA.BA07590-85
Composed by Giuseppe
Verdi. Edited by Marco
Uvietta. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. 20 pages.
Baerenreiter Verlag
#BA07590_85. Published by
Baerenreiter Verlag
(BA.BA07590-85).
ISBN
9790006541652. 32.5 x
25.5 cm inches. Preface:
Marco Uvietta.
For
this scholarly-critical
edition, the editor has
consulted no less than 16
sources, many more than
were ever used for any
other edition of the
Requiem; some of these
sources were never
evaluated before and one
source, a hand-written
vocal score, particularly
relevant to the
evaluation of the Liber
scriptus, was newly
discovered.
As
such, this edition offers
new philological and
editorial decisions
regarding phrasing,
articulation and dynamics
and succeeds in
presenting practical
suggestions to solve
musical problems and
those concerning the
interpretation of this
famous work.
This
edition comprises a
concise Critical
Commentary in the score
as well as a detailed one
on the Barenreiter
website. The most
important editions
published in the 19th
century are compared with
regard to musicological
questions in the work.
The genesis of some
misunderstandings
included in the 1913 and
1964 Ricordi editions is
traced. The first version
of the Liber scriptus for
chorus is included in the
appendix while the later
version for mezzosoprano
solo is to be found in
the main part of the
edition.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double Bass Solo - Grade 1.5 SKU: AP.36-52740545 Composed by Lynne Latham...(+)
Double Bass Solo - Grade
1.5
SKU:
AP.36-52740545
Composed by Lynne Latham.
Method/Instruction;
Reference Textbooks;
Solo; Solo Small
Ensembles. Ludwig
Masters. Book. Latham
Music Enterprises
#36-52740545. Published
by Latham Music
Enterprises
(AP.36-52740545).
ISBN
9781628768428. UPC:
746241223883.
English.
This
audition survival guide
for teachers and students
of all levels begins with
one-octave major and
minor scales to three
sharps and flats.
Two-octave scales are
introduced subsequently,
and the book concludes
with three-octave scales
to five sharps and flats.
Two-octave blues scales
to four sharps and flats
are included as a bonus.
Bowings and fingerings
are not included in this
workbook, which includes
blank staves in the back
for teachers to make
suggestions. An
introduction by Lynne
Latham offers tips on how
to practice scales and
includes a lesson on
scale construction and
theory.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Excerpts from the Operatic and Concert Repertoire. By Various. Arranged by Gerd ...(+)
Excerpts from the
Operatic and Concert
Repertoire. By Various.
Arranged by Gerd Reinke,
Fritz Massmann. (Double
Bass). Schott. Size 9x12
inches. 62 pages.
Published by Schott.
Double bass SKU: BA.BA10418-85 Composed by Antonin Dvorak. Edited by Jona...(+)
Double bass
SKU:
BA.BA10418-85
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
88. 12 pages.
Baerenreiter Verlag
#BA10418_85. Published by
Baerenreiter Verlag
(BA.BA10418-85).
ISBN
9790006564699. 32.5 x
25.5 cm inches. Key: G
major.
Mendelssohn'
s Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through