By Luigi Boccherini. Edited by Jennifer Caesar. For flute, 2 violin, viola, cello. Full score and parts. Published by Edition HH Music Publishers (U.K. Import).

By Luigi Boccherini. Edited by Jennifer Caesar. For flute, 2 violin, viola, cello. Full score and parts. Published by Edition HH Music Publishers (U.K. Import).

Composed by Aleksey Igudesman. For flute, violin, viola, cello, contrabass. 16 pages. Duration 11:00. Universal Edition #UE034749. Published by Universal Edition

Composed by Franz Joseph Haydn (1732-1809). Edited by Christopher Hogwood. Arranged by John Peter Salomon. For flute, string quartet and optional piano. Full score and parts. Published by Edition HH Music Publishers

By Andreas Jakob Romberg. Edited by Jennifer Caesar. For Flute, violin, two violas, violoncello. Score and parts. 91 pages. Published by Edition HH Music Publishers

By Andreas Jakob Romberg. Edited by Jennifer Caesar. For Flute, violin, two violas, violoncello. Score and parts. 68 pages. Published by Edition HH Music Publishers

By Andreas Jakob Romberg. Edited by Jennifer Caesar. For Flute, violin, two violas, violoncello. Score and parts. 96 pages. Published by Edition HH Music Publishers

Flute & String Quartet

SKU: SU.27060280

For Flute & String Quartet. Composed by Mark Carlson. Chamber Music, String Trio/Quartet/Quintet, Woodwinds, Flute/Piccolo, Chamber Music, Mixed Ensemble. Score & Parts. Subito Music Corporation #27060280. Published by Subito Music Corporation (SU.27060280).

Six Bagatelles is a set of whimsical character pieces which, in my own composer’s perception, provided balance to some of the heavier works I had written over the previous several years. The first movement, Humming, not only hums along like a well-tuned engine, but it also evokes a melody that someone might actually hum. Let Evening Come is an arrangement of a song, for baritone or mezzo-soprano, flute, and piano, on Jane Kenyon’s poem of the same name—part of a cycle from 1994 called Night Will Blossom. The title Melancholy speaks for itself, as does that of the fifth movement, Solace. Skirmish started out as a march, but when changes of meter emerged in the composing of the piece, I realized it was no longer marchable, though still martial in character. The final movement is a Mosaic in two senses: the accompaniment in the strings in the outer sections of the piece is made up of small bits of material, combining to create an overall texture; and its middle section is made up of fragments of material heard in earlier movements. —Mark Carlson Flute & String Quartet Composed: 1995 Published by: Pacific Serenades.