(You Can Play the Guitar Now! Acoustic Guitar Vol. 1). Taught by Rogelio Maya. F...(+)
(You Can Play the Guitar
Now! Acoustic Guitar Vol.
1). Taught by Rogelio
Maya. For Guitar (All).
method. Acoustic Music.
Level: Beginning. DVD.
Size 5.38x7.50. 60 pages.
Published by Mayas Music.
Composed by Wissam Abboud. Saddle-stitched, Method. Mastering the Classical ...(+)
Composed by Wissam
Abboud.
Saddle-stitched, Method.
Mastering the Classical
Guitar. Style. Book and
online audio. 72 pages.
Mel
Bay Publications, Inc
#30683M. Published by Mel
Bay
Publications, Inc
(Revised and Updated Edition) Compiled by Jerry Willard. Guitar solo book (spira...(+)
(Revised and Updated
Edition) Compiled by
Jerry Willard. Guitar
solo book (spiral bound)
for classical guitar
solo. With standard
guitar notation. 256
pages. Published by Music
Sales.
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.
Asturias Guitare Guitare classique - Facile Schott
55 Classical Masterpieces from 5 Centuries. Edited by Martin Hegel. This edi...(+)
55 Classical Masterpieces
from 5 Centuries. Edited
by
Martin Hegel. This
edition:
Paperback/Soft Cover.
Sheet
music. Guitar. For a long
time, arrangements were
rather looked down on by
music specialists, but
today
attitudes have relaxed
considerably. The
classical
concert repertoire is
extensive and includes
many
wonderful pieces; many
guitarists are naturally
keen
to get to kn. Classical.
Softcover. 104 pages.
Schott
Music #ED 23047.
Published by
Schott Music
(You Can Play the Guitar Now! Electric Guitar Vol. 1). By Rogelio Maya. For Guit...(+)
(You Can Play the Guitar
Now! Electric Guitar Vol.
1). By Rogelio Maya. For
Guitar (All). method. All
Styles. Level: Beginning.
DVD. Size 5.38x7.50. 60
pages. Published by Mayas
Music.
Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
58
Easy Pieces for
Guitar. Arranged by
Martin Hegel. This
edition: Saddle
stitching. Sheet music
with CD. Guitar. Dieses
Heft enthalt alles, was
man fur den
Gitarrenunterricht
braucht: 58 leichte
originale Gitarrenstucke
von Aguado, Mertz,
Diabelli, Carulli, Sor
oder Carcassi, aber auch
leicht spielbare
Bearbeitungen der
klassischen Musik aus den
Bereichen Orchesterm.
Softcover with CD. 46
pages. Schott Music
#ED21305. Published by
Schott Music
(HL.49019327).
ISBN
9783795747558. UPC:
841886018204.
9.0x12.0x0.2
inches.
This volume
contains everything
needed for guitar
lessons: 58 easy original
guitar pieces by Aguado,
Mertz, Diabelli, Carulli,
Sor or Carcassi, but also
easy-to-play arrangements
of classical music from
the fields of orchestral
music, chamber music or
opera. Among them are
themes from Vivaldi's
Four Seasons, from
Handel's Music for the
Royal Fireworks, Mozart's
Magic Flute, Beethoven's
Symphony No. 9 or Verdi's
Chorus of the Hebrew
Slaves. It is this
volume's concern to make
classical masterpieces of
concert literature
accessible to children by
means of such rather easy
arrangements and make
them enjoy classical
music. All pieces are
recorded on the
accompanying CD to make
it easier for the pupils
to study and master the
works.
(You Can Play the Guitar Now! Acoustic Guitar Vol. 2). Taught by Rogelio Maya. F...(+)
(You Can Play the Guitar
Now! Acoustic Guitar Vol.
2). Taught by Rogelio
Maya. For Guitar (All).
method. Acoustic Music.
Level: Beginning. DVD.
Size 5.38x7.50. 60 pages.
Published by Mayas Music.
Arranged by Carlos Barbosa-Lima. For Guitar. Artist/Personality; Book; CD; Class...(+)
Arranged by Carlos
Barbosa-Lima. For Guitar.
Artist/Personality; Book;
CD; Classical Guitar
Folio. Carlos
Barbosa-Lima Guitar
Editions. Latin. 36
pages. Published by
Alfred Music Publishing
Basic Blues Guitar Guitare [Partition + CD] - Débutant Musicians Institute
Essential Progressions, Patterns and Styles. By Steve Trovato. Musicians Institu...(+)
Essential Progressions,
Patterns and Styles. By
Steve Trovato. Musicians
Institute Press
(Instruction taken from
the curriculum of MI).
Softcover with CD. Size
9x12 inches. 48 pages.
Published by Musicians
Institute Press.
Composed by Wissam Abboud. Saddle-stitched, Method, Technique, Theory and ...(+)
Composed by Wissam
Abboud.
Saddle-stitched, Method,
Technique, Theory and
Reference. Mastering the
Classical Guitar. Style.
Book
and online audio. 72
pages.
Mel Bay Publications, Inc
#30684M. Published by Mel
Bay
Publications, Inc
By Johann Sebastian Bach. Arranged by Richard Sayage. Solo. For Classical Guitar...(+)
By Johann Sebastian Bach.
Arranged by Richard
Sayage. Solo. For
Classical Guitar. Savage
Classical Guitar
Virtuouso Editions. The
master of counterpoint at
his best. Baroque. Level:
Intermediate. Book.
Standard. 48 pages.
Published by Savage
Classical Guitar
Transcriptions.
(You Can Play the Guitar Now! Acoustic Guitar Vol. 3). Taught by Rogelio Maya. F...(+)
(You Can Play the Guitar
Now! Acoustic Guitar Vol.
3). Taught by Rogelio
Maya. For Guitar (All).
method. Acoustic Music.
Level:
Beginning-Intermediate.
DVD. Size 5.38x7.50. 60
pages. Published by Mayas
Music.
48 Great Classical Guitar Solos for Intermediate to Advanced Level Players(+)
48 Great Classical
Guitar Solos for
Intermediate to Advanced
Level Players.
Arranged by Julian Bream.
Book; Classical Guitar
Folio; Masterworks. Faber
Edition. Masterwork
Arrangement. Published by
Faber Music
(AP.12-0571538797).
Edited by Jerry Willard. For guitar. Format: guitar solo book (spiral bound). Wi...(+)
Edited by Jerry Willard.
For guitar. Format:
guitar solo book (spiral
bound). With standard
notation (no tablature)
and fingerings.
Renaissance, baroque,
classical period and
romantic period. 240
pages. 9x12 inches.
Published by Music Sales.