By Marcia Dickstein. Arranged by Marcia Dickstein. For Harp Solo (pedal/non-peda...(+)
By Marcia Dickstein.
Arranged by Marcia
Dickstein. For Harp Solo
(pedal/non-pedal). Harp
Solo (Professional &
Student). 9 short recital
pieces. Tonal, melodic.
Level: easy/low
intermediate. Published
by Fatrock Ink Music
Publishers.
Harp SKU: HL.48181035 For Harp Solo. Composed by Marcel Grandjany....(+)
Harp
SKU:
HL.48181035
For
Harp Solo. Composed
by Marcel Grandjany.
Leduc. Contemporary,
Educational. Softcover. 8
pages. Alphonse Leduc
#AL20039. Published by
Alphonse Leduc
(HL.48181035).
UPC:
888680787653. 9x12
inches.
French born
harpist and composer,
Marcel Grandjany
(1891-1975) studied at
the Paris Conservatoire
before spending much of
his working life in
America. His Trois
petites Pièces
were composed in
Grandjany's early career
and are simple and
enjoyable works, suitable
for beginner harpists.
Grandjany was a teacher
of harp at the Julliard
School for 37 years
whilst also composing and
transcribing many works
for the instrument. Made
up of three movements,
Trois petites
Pièces begins with
a delicate Rêverie
(daydream). The second
piece, a Nocturne,
contains variations in
tempo, time signature and
dynamics. The Barcarolle
third movement is the
most challenging of the
three pieces, in 6/8 time
signature and
sixteenth-note
flourishes. All these
combined aspects of
Trois petites
Pièces by
Grandjany make for a
thrilling performance for
beginner harpists.
Harp; Early Music SKU: UT.MAG-293 Composed by John Stanley. Arranged by S...(+)
Harp; Early Music
SKU:
UT.MAG-293
Composed
by John Stanley. Arranged
by Simona Marchesi.
Magadis. Classical.
Score. Ut Orpheus #MAG
293. Published by Ut
Orpheus (UT.MAG-293).
ISBN 9790215328341. 9
x 12 inches.
John
Stanleyâ??s 30
Voluntaries (translatable
as preludes), published
in three collections as
opp. 5, 6 and 7, are
among the best known
organ works of the 18th
century. These free-style
compositions were
received with great
appreciation by his
contemporaries; the first
volume, published in
1748, immediately
achieved canonical status
and encouraged other
composers to write
similar collections. The
pieces, of easy to medium
difficulty, are for
manuals (alternatively,
they can also be played
on the harpsichord) and
comprise two movements,
slow and fast, many of
which are characterized
by a certain rhythmic
energy and richness of
color, expressed through
the use of solo registers
such as cornet and
trumpet, with multiple
echo effects, here
adapted and transformed
into piano, forte, and
playing near the sound
board effect, limiting,
or rather modifying,
their results.
Harp SKU: UT.MAG-80 Composed by Ferdinando Marcucci. Edited by Massimilia...(+)
Harp
SKU:
UT.MAG-80
Composed by
Ferdinando Marcucci.
Edited by Massimiliano
Sala. Saddle stitching.
Magadis. Classical. Ut
Orpheus #MAG 80.
Published by Ut Orpheus
(UT.MAG-80).
Harp SKU: UT.MAG-83 Composed by Ferdinando Marcucci. Edited by Massimilia...(+)
Harp
SKU:
UT.MAG-83
Composed by
Ferdinando Marcucci.
Edited by Massimiliano
Sala. Saddle stitching.
Magadis. Classical. Ut
Orpheus #MAG 83.
Published by Ut Orpheus
(UT.MAG-83).
Harp SKU: UT.MAG-183 Composed by Charles Bochsa and Robert Nicolas. Edite...(+)
Harp
SKU:
UT.MAG-183
Composed
by Charles Bochsa and
Robert Nicolas. Edited by
Anna Pasetti. Saddle
stitching. Magadis.
Classical. Ut Orpheus
#MAG 183. Published by Ut
Orpheus (UT.MAG-183).
Harp SKU: UT.MAG-85 Composed by Charles Bochsa and Robert Nicolas. Edited...(+)
Harp
SKU:
UT.MAG-85
Composed by
Charles Bochsa and Robert
Nicolas. Edited by Eddy
De Rossi. Saddle
stitching. Magadis.
Classical. Ut Orpheus
#MAG 85. Published by Ut
Orpheus (UT.MAG-85).
Harp SKU: UT.MAG-157 Composed by Charles Bochsa and Robert Nicolas. Edite...(+)
Harp
SKU:
UT.MAG-157
Composed
by Charles Bochsa and
Robert Nicolas. Edited by
Anna Pasetti. Saddle
stitching. Magadis.
Classical. Ut Orpheus
#MAG 157. Published by Ut
Orpheus (UT.MAG-157).
Books and Journals; Harp SKU: UT.LB-4 Composed by Mirella Vita. Paperback...(+)
Books and Journals; Harp
SKU: UT.LB-4
Composed by Mirella Vita.
Paperback (Soft Cover).
Classical. Books and
Journals. Ut Orpheus #LB
4. Published by Ut
Orpheus (UT.LB-4).
ISBN 9788881094479.
6.5 x 9.5
inches.
â??During
my career spanning half a
century, like all my
fellow harpists I
constantly had to grapple
with the commonly held
view that the harp has
neither music nor history
of its
own. Fortunately, over
the years I have been
able to give the lie to
this myth and have tried
to bring to light some of
the vast repertoire, both
early and modern,
expressly composed for
this instrument which has
been treated somewhat as
an outsider in the
musical world. The
research work for my
books on Italian and
Swiss harp music was
plain sailing because
source materials were
specific titles and title
pages. Were I to write
books on French, German,
Austrian, British,
Bohemian, Spanish,
Portuguese or
Scandinavian harp music,
the work involved would
be equally smooth and
straightforward. Howev
er, where Dutch music is
concerned, the approach
is rather different,
because here it is the
painters,
treatise-writers and
historians who provide
the evidence and guidance
necessary to discover the
musical customs and
traditions where the harp
played a significant
part. Performers
looking for pieces of
music may use this book
as follows: chapter II
deals with treatises,
chapter III with
paintings, chapter IV
with history and research
accounts. Chapters V and
VI are concerned with
confusions in
terminology. Chapter VII
describes recent
developments and chapters
VIII and IX cover
composers and pieces of
music. Libraries and
publishers are listed
with their addresses in
chapters X and XI, and
finally chapter XII
consists of the index
based on the various
groups of
performers. In this
last chapter harpists
will find the composers
most suited to their
programme, and can then
turn to chapters VIII and
IX for details. The
actual pieces can be
obtained by consulting
chapters X and XI. I wish
you every success in your
search, in your
rehearsals and in your
concerts ! In order to
define what is Dutch or
non-Dutch in early music,
I have followed the
current approach, i.e.
all art and history prior
to the separation of the
â??Seven ProvinÂces
in the 16th century is
the common heritage of
the Low Countries,
whereas everything
pertaining to those
courageous lands from
then onwards is
specifically Dutch..
Harp SKU: UT.MAG-276 Composed by Ludwig van Beethoven. Edited by Anna Pas...(+)
Harp
SKU:
UT.MAG-276
Composed
by Ludwig van Beethoven.
Edited by Anna Pasetti.
Saddle stitching.
Magadis. Classical. Ut
Orpheus #MAG 276.
Published by Ut Orpheus
(UT.MAG-276).
ISBN
9790215326880. 9 x 12
inches.
Johannes
Snoer is not one of the
most remembered harpists
today, but his didactic
work was really important
and can still be useful
today. For didactic
purposes, he also
published collections of
simple pieces by great
composers transcribed for
harp. Among his
transcriptions there is
the Adagio from Sonata n.
5 in C minor, op. 10 no.
1, by Ludwig van
Beethoven, subject of
this edition. The
original musical text has
been left unchanged, only
the ornamentation has
been written in full and
the harp fingerings and
indications relating to
the movement of the
pedals have been added.
The work brings the
dedication to Mr. H.
Rutters, probably a
relative of his wife
Antoinette.
Harp (Score & Parts) SKU: HL.14048306 For Two Harps. Composed by N...(+)
Harp (Score & Parts)
SKU: HL.14048306
For Two Harps.
Composed by Nico Muhly.
Music Sales America.
Classical. Set. Composed
2016. St. Rose Music
#SRO100075. Published by
St. Rose Music
(HL.14048306).
Harp SKU: HL.228128 Harp Solo. Composed by Halsey Stevens. Peermus...(+)
Harp
SKU:
HL.228128
Harp
Solo. Composed by
Halsey Stevens. Peermusic
Classical. Classical. 8
pages. Peermusic
Classical #61128-557.
Published by Peermusic
Classical (HL.228128).
Harp SKU: HL.227778 Harp Solo. Composed by Wurtzler. Peermusic Cla...(+)
Harp
SKU:
HL.227778
Harp
Solo. Composed by
Wurtzler. Peermusic
Classical. Classical.
Softcover. 32 pages.
Peermusic Classical
#60777-557. Published by
Peermusic Classical
(HL.227778).