Oboe and Orchestra

SKU: HL.14023893

Composed by Jouni Kaipainen. Music Sales America. 20th Century. Book [Softcover]. 84 pages. Edition Wilhelm Hansen #KP00466. Published by Edition Wilhelm Hansen (HL.14023893).

ISBN 9788759854785. English.

After the success of Carpe Diem!, a Clarinet Concerto written in 1990, Kaipainen went on to write his Oboe Concerto in 1994. Carpe diem! exemplifies the increasingly Classical ideals espoused by Kaipainen over the years. He develops this strand even further in his 'Oboe Concerto', which is a much more restrained and balanced work in darker tones.The piece contains three movements, the first of which combines elements of a traditional opening movement and scherzo. The slow movement is an affecting elegy. The finale consists mostly of quietly played perpetuum mobile figures, interspersed with sudden dramatic passages.

Urtext edition based on HN 7248 (G. Henle Verlag, Munich). Composed by Richard Strauss (1864-1949). Edited by Hansjorg Schellenberger. The piano reduction and study edition corresponding to this edition have been published by G. Henle Verlag, Munich. Score. Breitkopf and Haertel #PB 15161. Published by Breitkopf and Haertel

Oboe; Orchestra (Study Score)

SKU: HL.51487248

Study Score. Composed by Richard Strauss. Edited by Hansjö and rg Schellenberger. Henle Music Folios. Classical. Softcover. 99 pages. G. Henle #HN7248. Published by G. Henle (HL.51487248).

UPC: 196288308195. 6.75x9.5x0.27 inches.

“Oboe Concerto 1945, inspired by an American soldier, (oboist from Chicago)” – was what Richard Strauss noted down. And the oboist and soldier with the American occupation John de Lancie had indeed asked Richard Strauss in May 1945 whether he had ever thought of writing an oboe concerto. Strauss answered in the negative, but soon got to work anyway. In October 1945, he had completed the score in Swiss exile; the premiere took place in Zurich in 1946. Not until 1948 did the first edition appear in London, presumably for the most part without the composer's involvement, for both the printed score and the orchestral parts exhibit numerous errors. Some of these have been known for a while, though others have only now been discovered by Hansjörg Schellenberger through his exact reconciliation of the autograph full score with the autograph particella. The world-class oboist thus presents this concerto for the first time in a Henle Urtext edition in both full score and piano reduction!

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